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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #532C3E it is the complementary color #ACD3C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #532C3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #532C3E shade: #582C39, #693E4C, #7A505F, #8B6272 and #9C7485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #532C3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #532C3E shade: #532C3E, #421A2B, #310818, #200005 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #532C3E shade: #542C3E, #542C34 and #542C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #532C3E shade: #542C3E, #542C49, #532C54, #492C54 and #3E2C54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #532C3E shade matches the following richer shades: #542C3E, #5E223D, #68173D, #720D3C and #7D033B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #532C3E shade: #542C3E, #49363F, #3F4140, #354B41 and #2A5541

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #532C3E shade: #542C54, #542C49, #542C3E, #542C34 and #542F2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #532C3E shade: #1D1016, #381E2A, #542C3E, #6F3A52 and #8A4867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #532C3E shade: #532C3E, #54492C and #2C4E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #532C3E shade: #532C3E, #3E542C and #2C3E54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #532C3E shade: #532C3E, #54492C, #2C5441 and #2C3754

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #532C3E shade: #532C3E, #52542C, #2C5441 and #2D2C54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 25 / 67

HEX #532C3E

RGB 83 44 62

HSL 332.31, 0.31%, 0.25%

LAB 23.63, 20.64, -3.51

 

Complementary color

CMYK 18 / 0 / 9 / 17

HEX #ACD3C1

RGB 172 211 193

HSL 152.31, 0.31%, 0.75%

LAB 81.41, -16.41, 4.66

 

CMYK 0 / 50 / 35 / 65

HEX #582C39

RGB 88 44 57

HSL 342.27, 0.33%, 0.26%

LAB 24.23, 21.89, 0.85

 

CMYK 0 / 41 / 28 / 59

HEX #693E4C

RGB 105 62 76

HSL 340.47, 0.26%, 0.33%

LAB 31.74, 20.88, -0.46

 

CMYK 0 / 34 / 22 / 52

HEX #7A505F

RGB 122 80 95

HSL 338.57, 0.21%, 0.4%

LAB 39.07, 19.97, -1.49

 

CMYK 0 / 29 / 18 / 45

HEX #8B6272

RGB 139 98 114

HSL 336.59, 0.17%, 0.46%

LAB 46.23, 19.18, -2.37

 

CMYK 0 / 26 / 15 / 39

HEX #9C7485

RGB 156 116 133

HSL 334.5, 0.17%, 0.53%

LAB 53.22, 18.48, -3.14

 

CMYK 0 / 47 / 25 / 67

HEX #532C3E

RGB 83 44 62

HSL 332.31, 0.31%, 0.25%

LAB 23.63, 20.64, -3.51

 

CMYK 0 / 61 / 35 / 74

HEX #421A2B

RGB 66 26 43

HSL 334.5, 0.43%, 0.18%

LAB 15.86, 21.61, -2.1

 

CMYK 0 / 84 / 51 / 81

HEX #310818

RGB 49 8 24

HSL 336.59, 0.72%, 0.11%

LAB 8.06, 22.21, 0.22

 

CMYK 0 / 100 / 84 / 87

HEX #200005

RGB 32 0 5

HSL 350.63, 1%, 0.06%

LAB 2.87, 13.14, 2.49

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 48 / 26 / 67

HEX #542C3E

RGB 84 44 62

HSL 333, 0.31%, 0.25%

LAB 23.78, 21.05, -3.27

 

CMYK 0 / 48 / 38 / 67

HEX #542C34

RGB 84 44 52

HSL 348, 0.31%, 0.25%

LAB 23.45, 19.47, 3.04

 

CMYK 0 / 48 / 48 / 67

HEX #542C2C

RGB 84 44 44

HSL 0, 0.31%, 0.25%

LAB 23.23, 18.39, 8.15

 

CMYK 0 / 48 / 26 / 67

HEX #542C3E

RGB 84 44 62

HSL 333, 0.31%, 0.25%

LAB 23.78, 21.05, -3.27

 

CMYK 0 / 48 / 13 / 67

HEX #542C49

RGB 84 44 73

HSL 316.5, 0.31%, 0.25%

LAB 24.22, 23.04, -10.03

 

CMYK 1 / 48 / 0 / 67

HEX #532C54

RGB 83 44 84

HSL 298.5, 0.31%, 0.25%

LAB 24.58, 24.93, -16.82

 

CMYK 13 / 48 / 0 / 67

HEX #492C54

RGB 73 44 84

HSL 283.5, 0.31%, 0.25%

LAB 23.2, 21.45, -19.07

 

CMYK 26 / 48 / 0 / 67

HEX #3E2C54

RGB 62 44 84

HSL 267, 0.31%, 0.25%

LAB 21.82, 17.7, -21.33

 

CMYK 0 / 48 / 26 / 67

HEX #542C3E

RGB 84 44 62

HSL 333, 0.31%, 0.25%

LAB 23.78, 21.05, -3.27

 

CMYK 0 / 64 / 35 / 63

HEX #5E223D

RGB 94 34 61

HSL 333, 0.47%, 0.25%

LAB 23.21, 30.43, -3.26

 

CMYK 0 / 78 / 41 / 59

HEX #68173D

RGB 104 23 61

HSL 331.85, 0.64%, 0.25%

LAB 23.31, 38.7, -2.89

 

CMYK 0 / 89 / 47 / 55

HEX #720D3C

RGB 114 13 60

HSL 332.08, 0.8%, 0.25%

LAB 24.29, 44.51, -0.52

 

CMYK 0 / 98 / 53 / 51

HEX #7D033B

RGB 125 3 59

HSL 332.46, 0.95%, 0.25%

LAB 25.98, 49.27, 2.91

HEX #7D033B

CMYK 0 / 48 / 26 / 67

HEX #542C3E

RGB 84 44 62

HSL 333, 0.31%, 0.25%

LAB 23.78, 21.05, -3.27

 

CMYK 0 / 26 / 14 / 71

HEX #49363F

RGB 73 54 63

HSL 331.58, 0.15%, 0.25%

LAB 24.99, 10.2, -2.31

 

CMYK 3 / 0 / 2 / 75

HEX #3F4140

RGB 63 65 64

HSL 150, 0.02%, 0.25%

LAB 27.32, -1.06, 0.31

 

CMYK 29 / 0 / 13 / 71

HEX #354B41

RGB 53 75 65

HSL 152.73, 0.17%, 0.25%

LAB 29.84, -11.01, 3.21

 

CMYK 51 / 0 / 24 / 67

HEX #2A5541

RGB 42 85 65

HSL 152.09, 0.34%, 0.25%

LAB 32.64, -20.35, 7.11

 

CMYK 0 / 48 / 0 / 67

HEX #542C54

RGB 84 44 84

HSL 300, 0.31%, 0.25%

LAB 24.72, 25.28, -16.58

 

CMYK 0 / 48 / 13 / 67

HEX #542C49

RGB 84 44 73

HSL 316.5, 0.31%, 0.25%

LAB 24.22, 23.04, -10.03

 

CMYK 0 / 48 / 26 / 67

HEX #542C3E

RGB 84 44 62

HSL 333, 0.31%, 0.25%

LAB 23.78, 21.05, -3.27

 

CMYK 0 / 48 / 38 / 67

HEX #542C34

RGB 84 44 52

HSL 348, 0.31%, 0.25%

LAB 23.45, 19.47, 3.04

 

CMYK 0 / 44 / 48 / 67

HEX #542F2C

RGB 84 47 44

HSL 4.5, 0.31%, 0.25%

LAB 24, 16.52, 9.21

 

CMYK 0 / 45 / 24 / 89

HEX #1D1016

RGB 29 16 22

HSL 332.31, 0.29%, 0.09%

LAB 6.23, 7.42, -1.39

 

CMYK 0 / 46 / 25 / 78

HEX #381E2A

RGB 56 30 42

HSL 332.31, 0.3%, 0.17%

LAB 15.15, 14.69, -2.62

 

CMYK 0 / 48 / 26 / 67

HEX #542C3E

RGB 84 44 62

HSL 333, 0.31%, 0.25%

LAB 23.78, 21.05, -3.27

 

CMYK 0 / 48 / 26 / 56

HEX #6F3A52

RGB 111 58 82

HSL 332.83, 0.31%, 0.33%

LAB 31.84, 26.57, -4.09

 

CMYK 0 / 48 / 25 / 46

HEX #8A4867

RGB 138 72 103

HSL 331.82, 0.31%, 0.41%

LAB 39.61, 31.98, -5.44

 

CMYK 0 / 47 / 25 / 67

HEX #532C3E

RGB 83 44 62

HSL 332.31, 0.31%, 0.25%

LAB 23.63, 20.64, -3.51

 

CMYK 0 / 13 / 48 / 67

HEX #54492C

RGB 84 73 44

HSL 43.5, 0.31%, 0.25%

LAB 31.42, -0, 19.03

 

CMYK 48 / 7 / 0 / 67

HEX #2C4E54

RGB 44 78 84

HSL 189, 0.31%, 0.25%

LAB 30.94, -10.53, -7.42

 

CMYK 0 / 47 / 25 / 67

HEX #532C3E

RGB 83 44 62

HSL 332.31, 0.31%, 0.25%

LAB 23.63, 20.64, -3.51

 

CMYK 26 / 0 / 48 / 67

HEX #3E542C

RGB 62 84 44

HSL 93, 0.31%, 0.25%

LAB 33.02, -16.6, 20.66

 

CMYK 48 / 26 / 0 / 67

HEX #2C3E54

RGB 44 62 84

HSL 213, 0.31%, 0.25%

LAB 25.63, -0.41, -15.51

 

CMYK 0 / 47 / 25 / 67

HEX #532C3E

RGB 83 44 62

HSL 332.31, 0.31%, 0.25%

LAB 23.63, 20.64, -3.51

 

CMYK 0 / 13 / 48 / 67

HEX #54492C

RGB 84 73 44

HSL 43.5, 0.31%, 0.25%

LAB 31.42, -0, 19.03

 

CMYK 48 / 0 / 23 / 67

HEX #2C5441

RGB 44 84 65

HSL 151.5, 0.31%, 0.25%

LAB 32.39, -19.2, 6.77

 

CMYK 48 / 35 / 0 / 67

HEX #2C3754

RGB 44 55 84

HSL 223.5, 0.31%, 0.25%

LAB 23.36, 4.32, -19.03

 

CMYK 0 / 47 / 25 / 67

HEX #532C3E

RGB 83 44 62

HSL 332.31, 0.31%, 0.25%

LAB 23.63, 20.64, -3.51

 

CMYK 2 / 0 / 48 / 67

HEX #52542C

RGB 82 84 44

HSL 63, 0.31%, 0.25%

LAB 34.63, -7.62, 23.03

 

CMYK 48 / 0 / 23 / 67

HEX #2C5441

RGB 44 84 65

HSL 151.5, 0.31%, 0.25%

LAB 32.39, -19.2, 6.77

 

CMYK 46 / 48 / 0 / 67

HEX #2D2C54

RGB 45 44 84

HSL 241.5, 0.31%, 0.25%

LAB 20.04, 12.3, -24.26

 

Description

Color code: HEX #532C3E | qconv.com Color code: HEX #532C3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 44 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 44 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 25 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 25% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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