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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #531642 it is the complementary color #ACE9BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #531642. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #531642 shade: #58163D, #692850, #7A3A63, #8B4C76 and #9C5E89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #531642. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #531642 shade: #531642, #42042F, #31001C, #200009 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #531642 shade: #551643, #551633, #551622 and #551616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #531642 shade: #551643, #551654, #441655, #341655 and #231655

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #531642 shade matches the following richer shades: #551643, #5D0E47 and #66054B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #531642 shade: #551643, #4C1F3F, #43283C, #3B3038 and #323934

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #531642 shade: #441655, #551655, #551644, #551633 and #551623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #531642 shade: #13050F, #340E29, #551643, #751F5D and #962877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #531642 shade: #531642, #553316 and #16554C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #531642 shade: #531642, #445516 and #164455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #531642 shade: #531642, #553316, #165527 and #163855

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #531642 shade: #531642, #554616, #165527 and #162555

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 20 / 67

HEX #531642

RGB 83 22 66

HSL 316.72, 0.58%, 0.21%

LAB 19.25, 33.36, -12.89

 

Complementary color

CMYK 26 / 0 / 19 / 9

HEX #ACE9BD

RGB 172 233 189

HSL 136.72, 0.58%, 0.79%

LAB 87.35, -27.97, 15.25

 

CMYK 0 / 75 / 31 / 65

HEX #58163D

RGB 88 22 61

HSL 324.55, 0.6%, 0.22%

LAB 19.99, 34.14, -8.21

 

CMYK 0 / 62 / 24 / 59

HEX #692850

RGB 105 40 80

HSL 323.08, 0.45%, 0.28%

LAB 27.02, 34, -10.12

 

CMYK 0 / 52 / 19 / 52

HEX #7A3A63

RGB 122 58 99

HSL 321.56, 0.36%, 0.35%

LAB 34.12, 33.35, -11.41

 

CMYK 0 / 45 / 15 / 45

HEX #8B4C76

RGB 139 76 118

HSL 320, 0.29%, 0.42%

LAB 41.16, 32.55, -12.38

 

CMYK 0 / 40 / 12 / 39

HEX #9C5E89

RGB 156 94 137

HSL 318.39, 0.25%, 0.49%

LAB 48.11, 31.73, -13.16

 

CMYK 0 / 73 / 20 / 67

HEX #531642

RGB 83 22 66

HSL 316.72, 0.58%, 0.21%

LAB 19.25, 33.36, -12.89

 

CMYK 0 / 94 / 29 / 74

HEX #42042F

RGB 66 4 47

HSL 318.39, 0.89%, 0.14%

LAB 12.29, 32.55, -10.41

 

CMYK 0 / 100 / 43 / 81

HEX #31001C

RGB 49 0 28

HSL 325.71, 1%, 0.1%

LAB 6.66, 27.1, -4.98

 

CMYK 0 / 100 / 72 / 87

HEX #200009

RGB 32 0 9

HSL 343.13, 1%, 0.06%

LAB 2.95, 13.7, 0.98

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 74 / 21 / 67

HEX #551643

RGB 85 22 67

HSL 317.14, 0.59%, 0.21%

LAB 19.68, 34.13, -12.88

 

CMYK 0 / 74 / 40 / 67

HEX #551633

RGB 85 22 51

HSL 332.38, 0.59%, 0.21%

LAB 18.99, 31.8, -2.76

 

CMYK 0 / 74 / 60 / 67

HEX #551622

RGB 85 22 34

HSL 348.57, 0.59%, 0.21%

LAB 18.46, 29.95, 8.54

 

CMYK 0 / 74 / 74 / 67

HEX #551616

RGB 85 22 22

HSL 0, 0.59%, 0.21%

LAB 18.2, 29.04, 16.62

 

CMYK 0 / 74 / 21 / 67

HEX #551643

RGB 85 22 67

HSL 317.14, 0.59%, 0.21%

LAB 19.68, 34.13, -12.88

 

CMYK 0 / 74 / 1 / 67

HEX #551654

RGB 85 22 84

HSL 300.95, 0.59%, 0.21%

LAB 20.62, 37.12, -23

 

CMYK 20 / 74 / 0 / 67

HEX #441655

RGB 68 22 85

HSL 283.81, 0.59%, 0.21%

LAB 17.73, 32.92, -28.45

 

CMYK 39 / 74 / 0 / 67

HEX #341655

RGB 52 22 85

HSL 268.57, 0.59%, 0.21%

LAB 15.27, 29.01, -32.54

 

CMYK 59 / 74 / 0 / 67

HEX #231655

RGB 35 22 85

HSL 252.38, 0.59%, 0.21%

LAB 13.15, 25.38, -36.09

 

CMYK 0 / 74 / 21 / 67

HEX #551643

RGB 85 22 67

HSL 317.14, 0.59%, 0.21%

LAB 19.68, 34.13, -12.88

 

CMYK 0 / 85 / 24 / 64

HEX #5D0E47

RGB 93 14 71

HSL 316.71, 0.74%, 0.21%

LAB 20.42, 39.94, -14.36

 

CMYK 0 / 95 / 26 / 60

HEX #66054B

RGB 102 5 75

HSL 316.7, 0.91%, 0.21%

LAB 21.73, 44.97, -14.92

 

CMYK 0 / 74 / 21 / 67

HEX #551643

RGB 85 22 67

HSL 317.14, 0.59%, 0.21%

LAB 19.68, 34.13, -12.88

 

CMYK 0 / 59 / 17 / 70

HEX #4C1F3F

RGB 76 31 63

HSL 317.33, 0.42%, 0.21%

LAB 19.54, 25.91, -10.48

 

CMYK 0 / 40 / 10 / 74

HEX #43283C

RGB 67 40 60

HSL 315.56, 0.25%, 0.21%

LAB 20.19, 16.3, -7.54

 

CMYK 0 / 19 / 5 / 77

HEX #3B3038

RGB 59 48 56

HSL 316.36, 0.1%, 0.21%

LAB 21.32, 6.67, -3.21

 

CMYK 12 / 0 / 9 / 78

HEX #323934

RGB 50 57 52

HSL 137.14, 0.07%, 0.21%

LAB 23.18, -4.15, 2.11

 

CMYK 20 / 74 / 0 / 67

HEX #441655

RGB 68 22 85

HSL 283.81, 0.59%, 0.21%

LAB 17.73, 32.92, -28.45

 

CMYK 0 / 74 / 0 / 67

HEX #551655

RGB 85 22 85

HSL 300, 0.59%, 0.21%

LAB 20.68, 37.31, -23.58

 

CMYK 0 / 74 / 20 / 67

HEX #551644

RGB 85 22 68

HSL 316.19, 0.59%, 0.21%

LAB 19.73, 34.29, -13.5

 

CMYK 0 / 74 / 40 / 67

HEX #551633

RGB 85 22 51

HSL 332.38, 0.59%, 0.21%

LAB 18.99, 31.8, -2.76

 

CMYK 0 / 74 / 59 / 67

HEX #551623

RGB 85 22 35

HSL 347.62, 0.59%, 0.21%

LAB 18.48, 30.04, 7.86

 

CMYK 0 / 74 / 21 / 93

HEX #13050F

RGB 19 5 15

HSL 317.14, 0.58%, 0.05%

LAB 2.54, 5.8, -2.55

 

CMYK 0 / 73 / 21 / 80

HEX #340E29

RGB 52 14 41

HSL 317.37, 0.58%, 0.13%

LAB 10.59, 22.82, -8.85

 

CMYK 0 / 74 / 21 / 67

HEX #551643

RGB 85 22 67

HSL 317.14, 0.59%, 0.21%

LAB 19.68, 34.13, -12.88

 

CMYK 0 / 74 / 21 / 54

HEX #751F5D

RGB 117 31 93

HSL 316.74, 0.58%, 0.29%

LAB 28.25, 43.73, -16.6

 

CMYK 0 / 73 / 21 / 41

HEX #962877

RGB 150 40 119

HSL 316.91, 0.58%, 0.37%

LAB 36.62, 53.05, -19.8

 

CMYK 0 / 73 / 20 / 67

HEX #531642

RGB 83 22 66

HSL 316.72, 0.58%, 0.21%

LAB 19.25, 33.36, -12.89

 

CMYK 0 / 40 / 74 / 67

HEX #553316

RGB 85 51 22

HSL 27.62, 0.59%, 0.21%

LAB 24.82, 12.34, 24.29

 

CMYK 74 / 0 / 11 / 67

HEX #16554C

RGB 22 85 76

HSL 171.43, 0.59%, 0.21%

LAB 32.23, -22.02, -0.49

 

CMYK 0 / 73 / 20 / 67

HEX #531642

RGB 83 22 66

HSL 316.72, 0.58%, 0.21%

LAB 19.25, 33.36, -12.89

 

CMYK 20 / 0 / 74 / 67

HEX #445516

RGB 68 85 22

HSL 76.19, 0.59%, 0.21%

LAB 33.53, -16.89, 33.01

 

CMYK 74 / 20 / 0 / 67

HEX #164455

RGB 22 68 85

HSL 196.19, 0.59%, 0.21%

LAB 26.62, -9.26, -14.71

 

CMYK 0 / 73 / 20 / 67

HEX #531642

RGB 83 22 66

HSL 316.72, 0.58%, 0.21%

LAB 19.25, 33.36, -12.89

 

CMYK 0 / 40 / 74 / 67

HEX #553316

RGB 85 51 22

HSL 27.62, 0.59%, 0.21%

LAB 24.82, 12.34, 24.29

 

CMYK 74 / 0 / 54 / 67

HEX #165527

RGB 22 85 39

HSL 136.19, 0.59%, 0.21%

LAB 31.38, -31.1, 21.1

 

CMYK 74 / 34 / 0 / 67

HEX #163855

RGB 22 56 85

HSL 207.62, 0.59%, 0.21%

LAB 22.5, -1.43, -21.14

 

CMYK 0 / 73 / 20 / 67

HEX #531642

RGB 83 22 66

HSL 316.72, 0.58%, 0.21%

LAB 19.25, 33.36, -12.89

 

CMYK 0 / 18 / 74 / 67

HEX #554616

RGB 85 70 22

HSL 45.71, 0.59%, 0.21%

LAB 30.33, 0.3, 30.2

 

CMYK 74 / 0 / 54 / 67

HEX #165527

RGB 22 85 39

HSL 136.19, 0.59%, 0.21%

LAB 31.38, -31.1, 21.1

 

CMYK 74 / 56 / 0 / 67

HEX #162555

RGB 22 37 85

HSL 225.71, 0.59%, 0.21%

LAB 16.25, 12.25, -31.09

 

Description

Color code: HEX #531642 | qconv.com Color code: HEX #531642 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 22 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 22 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 20 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 20% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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