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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53104B it is the complementary color #ACEFB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53104B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53104B shade: #581046, #692259, #7A346C, #8B467F and #9C5892

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53104B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53104B shade: #53104B, #420038, #310025, #200012 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53104B shade: #51104A, #511038, #511026, #511014 and #511010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53104B shade: #51104A, #471051, #361051, #241051 and #121051

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53104B shade matches the following richer shades: #51104A and #590850

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53104B shade: #51104A, #4A1744, #421F3E, #3A2738 and #322F32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53104B shade: #361051, #481051, #51104A, #511038 and #511027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53104B shade: #0C020B, #2F092A, #51104A, #741669 and #971D88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53104B shade: #53104B, #512410 and #10513F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53104B shade: #53104B, #4A5110 and #104A51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53104B shade: #53104B, #512410, #105117 and #103D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53104B shade: #53104B, #513810, #105117 and #102951

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 10 / 67

HEX #53104B

RGB 83 16 75

HSL 307.16, 0.68%, 0.19%

LAB 18.88, 37.3, -19.67

 

Complementary color

CMYK 28 / 0 / 25 / 6

HEX #ACEFB4

RGB 172 239 180

HSL 127.16, 0.68%, 0.81%

LAB 88.83, -32.38, 21.97

 

CMYK 0 / 82 / 20 / 65

HEX #581046

RGB 88 16 70

HSL 315, 0.69%, 0.2%

LAB 19.59, 37.81, -15.05

 

CMYK 0 / 68 / 15 / 59

HEX #692259

RGB 105 34 89

HSL 313.52, 0.51%, 0.27%

LAB 26.36, 38.37, -17.08

 

CMYK 0 / 57 / 11 / 52

HEX #7A346C

RGB 122 52 108

HSL 312, 0.4%, 0.34%

LAB 33.3, 38.06, -18.38

 

CMYK 0 / 50 / 9 / 45

HEX #8B467F

RGB 139 70 127

HSL 310.43, 0.33%, 0.41%

LAB 40.25, 37.42, -19.3

 

CMYK 0 / 44 / 6 / 39

HEX #9C5892

RGB 156 88 146

HSL 308.82, 0.28%, 0.48%

LAB 47.14, 36.66, -20.01

 

CMYK 0 / 81 / 10 / 67

HEX #53104B

RGB 83 16 75

HSL 307.16, 0.68%, 0.19%

LAB 18.88, 37.3, -19.67

 

CMYK 0 / 100 / 15 / 74

HEX #420038

RGB 66 0 56

HSL 309.09, 1%, 0.13%

LAB 12.25, 35.57, -17.02

 

CMYK 0 / 100 / 24 / 81

HEX #310025

RGB 49 0 37

HSL 314.69, 1%, 0.1%

LAB 7.1, 28.57, -11.28

 

CMYK 0 / 100 / 44 / 87

HEX #200012

RGB 32 0 18

HSL 326.25, 1%, 0.06%

LAB 3.17, 15.22, -3.16

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 80 / 9 / 68

HEX #51104A

RGB 81 16 74

HSL 306.46, 0.67%, 0.19%

LAB 18.43, 36.61, -19.72

 

CMYK 0 / 80 / 31 / 68

HEX #511038

RGB 81 16 56

HSL 323.08, 0.67%, 0.19%

LAB 17.49, 33.72, -8.64

 

CMYK 0 / 80 / 53 / 68

HEX #511026

RGB 81 16 38

HSL 339.69, 0.67%, 0.19%

LAB 16.8, 31.51, 3.23

 

CMYK 0 / 80 / 75 / 68

HEX #511014

RGB 81 16 20

HSL 356.31, 0.67%, 0.19%

LAB 16.36, 30.06, 15.54

 

CMYK 0 / 80 / 80 / 68

HEX #511010

RGB 81 16 16

HSL 0, 0.67%, 0.19%

LAB 16.29, 29.84, 17.89

 

CMYK 0 / 80 / 9 / 68

HEX #51104A

RGB 81 16 74

HSL 306.46, 0.67%, 0.19%

LAB 18.43, 36.61, -19.72

 

CMYK 12 / 80 / 0 / 68

HEX #471051

RGB 71 16 81

HSL 290.77, 0.67%, 0.19%

LAB 17.01, 35.45, -26.87

 

CMYK 33 / 80 / 0 / 68

HEX #361051

RGB 54 16 81

HSL 275.08, 0.67%, 0.19%

LAB 14.11, 31.53, -31.69

 

CMYK 56 / 80 / 0 / 68

HEX #241051

RGB 36 16 81

HSL 258.46, 0.67%, 0.19%

LAB 11.55, 27.9, -35.97

 

CMYK 78 / 80 / 0 / 68

HEX #121051

RGB 18 16 81

HSL 241.85, 0.67%, 0.19%

LAB 9.75, 25.2, -39.01

 

CMYK 0 / 80 / 9 / 68

HEX #51104A

RGB 81 16 74

HSL 306.46, 0.67%, 0.19%

LAB 18.43, 36.61, -19.72

 

CMYK 0 / 91 / 10 / 65

HEX #590850

RGB 89 8 80

HSL 306.67, 0.84%, 0.19%

LAB 19.54, 41.99, -21.95

 

CMYK 0 / 80 / 9 / 68

HEX #51104A

RGB 81 16 74

HSL 306.46, 0.67%, 0.19%

LAB 18.43, 36.61, -19.72

 

CMYK 0 / 69 / 8 / 71

HEX #4A1744

RGB 74 23 68

HSL 307.06, 0.53%, 0.19%

LAB 17.86, 30.47, -16.57

 

CMYK 0 / 53 / 6 / 74

HEX #421F3E

RGB 66 31 62

HSL 306.86, 0.36%, 0.19%

LAB 17.86, 22.08, -12.51

 

CMYK 0 / 33 / 3 / 77

HEX #3A2738

RGB 58 39 56

HSL 306.32, 0.2%, 0.19%

LAB 18.52, 12.38, -7.42

 

CMYK 0 / 6 / 0 / 80

HEX #322F32

RGB 50 47 50

HSL 300, 0.03%, 0.19%

LAB 19.81, 2.03, -1.44

 

CMYK 33 / 80 / 0 / 68

HEX #361051

RGB 54 16 81

HSL 275.08, 0.67%, 0.19%

LAB 14.11, 31.53, -31.69

 

CMYK 11 / 80 / 0 / 68

HEX #481051

RGB 72 16 81

HSL 291.69, 0.67%, 0.19%

LAB 17.19, 35.69, -26.57

 

CMYK 0 / 80 / 9 / 68

HEX #51104A

RGB 81 16 74

HSL 306.46, 0.67%, 0.19%

LAB 18.43, 36.61, -19.72

 

CMYK 0 / 80 / 31 / 68

HEX #511038

RGB 81 16 56

HSL 323.08, 0.67%, 0.19%

LAB 17.49, 33.72, -8.64

 

CMYK 0 / 80 / 52 / 68

HEX #511027

RGB 81 16 39

HSL 338.77, 0.67%, 0.19%

LAB 16.83, 31.62, 2.55

 

CMYK 0 / 83 / 8 / 95

HEX #0C020B

RGB 12 2 11

HSL 306, 0.71%, 0.03%

LAB 1.32, 3.9, -2.48

 

CMYK 0 / 81 / 11 / 82

HEX #2F092A

RGB 47 9 42

HSL 307.89, 0.68%, 0.11%

LAB 8.71, 23.93, -12.58

 

CMYK 0 / 80 / 9 / 68

HEX #51104A

RGB 81 16 74

HSL 306.46, 0.67%, 0.19%

LAB 18.43, 36.61, -19.72

 

CMYK 0 / 81 / 9 / 55

HEX #741669

RGB 116 22 105

HSL 307.02, 0.68%, 0.27%

LAB 27.59, 48.46, -25.45

 

CMYK 0 / 81 / 10 / 41

HEX #971D88

RGB 151 29 136

HSL 307.38, 0.68%, 0.35%

LAB 36.43, 59.23, -30.65

 

CMYK 0 / 81 / 10 / 67

HEX #53104B

RGB 83 16 75

HSL 307.16, 0.68%, 0.19%

LAB 18.88, 37.3, -19.67

 

CMYK 0 / 56 / 80 / 68

HEX #512410

RGB 81 36 16

HSL 18.46, 0.67%, 0.19%

LAB 20.24, 19.41, 22.57

 

CMYK 80 / 0 / 22 / 68

HEX #10513F

RGB 16 81 63

HSL 163.38, 0.67%, 0.19%

LAB 30.29, -24.83, 4.92

 

CMYK 0 / 81 / 10 / 67

HEX #53104B

RGB 83 16 75

HSL 307.16, 0.68%, 0.19%

LAB 18.88, 37.3, -19.67

 

CMYK 9 / 0 / 80 / 68

HEX #4A5110

RGB 74 81 16

HSL 66.46, 0.67%, 0.19%

LAB 32.65, -12.18, 34.84

 

CMYK 80 / 9 / 0 / 68

HEX #104A51

RGB 16 74 81

HSL 186.46, 0.67%, 0.19%

LAB 28.38, -15.28, -9.44

 

CMYK 0 / 81 / 10 / 67

HEX #53104B

RGB 83 16 75

HSL 307.16, 0.68%, 0.19%

LAB 18.88, 37.3, -19.67

 

CMYK 0 / 56 / 80 / 68

HEX #512410

RGB 81 36 16

HSL 18.46, 0.67%, 0.19%

LAB 20.24, 19.41, 22.57

 

CMYK 80 / 0 / 72 / 68

HEX #105117

RGB 16 81 23

HSL 126.46, 0.67%, 0.19%

LAB 29.56, -33.07, 27.55

 

CMYK 80 / 25 / 0 / 68

HEX #103D51

RGB 16 61 81

HSL 198.46, 0.67%, 0.19%

LAB 23.81, -7.37, -16.46

 

CMYK 0 / 81 / 10 / 67

HEX #53104B

RGB 83 16 75

HSL 307.16, 0.68%, 0.19%

LAB 18.88, 37.3, -19.67

 

CMYK 0 / 31 / 80 / 68

HEX #513810

RGB 81 56 16

HSL 36.92, 0.67%, 0.19%

LAB 25.61, 6.75, 28.21

 

CMYK 80 / 0 / 72 / 68

HEX #105117

RGB 16 81 23

HSL 126.46, 0.67%, 0.19%

LAB 29.56, -33.07, 27.55

 

CMYK 80 / 49 / 0 / 68

HEX #102951

RGB 16 41 81

HSL 216.92, 0.67%, 0.19%

LAB 16.94, 6.55, -27.3

 

Description

Color code: HEX #53104B | qconv.com Color code: HEX #53104B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 16 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 16 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 10 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 10% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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