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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #531036BF it is the complementary color #ACEFC9BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #531036BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #531036BF shade: #581031BF, #692244BF, #7A3457BF, #8B466ABF and #9C587DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #531036BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #531036BF shade: #531036BF, #420023BF, #310010BF, #200000BF and #0F0000BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #531036BF shade: #511035, #511023, #511011 and #511010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #531036BF shade: #511035, #511047, #4A1051, #391051 and #271051

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #531036BF shade matches the following richer shades: #511035 and #590836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #531036BF shade: #511035, #4A1734, #421F33, #3A2732 and #322F31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #531036BF shade: #4A1051, #511048, #511036, #511024 and #511013

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #531036BF shade: #0C0208, #2F091E, #511035, #74164B and #971D62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #531036BF shade: #531036, #513810 and #105051

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #531036BF shade: #531036, #365110 and #103651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #531036BF shade: #531036, #513810, #10512B and #102951

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #531036BF shade: #531036, #514C10, #10512B and #101551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 26 / 51

HEX #531036BF

RGBA 83 16 54 0.75

HSLA 325.97, 0.68%, 0.19%, 0.75

LABA 17.81, 34.05, -6.69, 0.75

 

Complementary color

CMYK 21 / 0 / 12 / 5

HEX #ACEFC9BF

RGBA 172 239 201 0.75

HSLA 145.97, 0.68%, 0.81%, 0.75

LABA 89.26, -28.59, 11.71, 0.75

 

CMYK 0 / 61 / 33 / 49

HEX #581031BF

RGBA 88 16 49 0.75

HSLA 332.5, 0.69%, 0.2%, 0.75

LABA 18.66, 34.97, -1.77, 0.75

 

CMYK 0 / 51 / 26 / 44

HEX #692244BF

RGBA 105 34 68 0.75

HSLA 331.27, 0.51%, 0.27%, 0.75

LABA 25.46, 35.2, -4.45, 0.75

 

CMYK 0 / 43 / 22 / 39

HEX #7A3457BF

RGBA 122 52 87 0.75

HSLA 330, 0.4%, 0.34%, 0.75

LABA 32.44, 34.68, -6.25, 0.75

 

CMYK 0 / 37 / 18 / 34

HEX #8B466ABF

RGBA 139 70 106 0.75

HSLA 328.7, 0.33%, 0.41%, 0.75

LABA 39.43, 33.9, -7.56, 0.75

 

CMYK 0 / 33 / 15 / 29

HEX #9C587DBF

RGBA 156 88 125 0.75

HSLA 327.35, 0.28%, 0.48%, 0.75

LABA 46.35, 33.05, -8.6, 0.75

 

CMYK 0 / 61 / 26 / 51

HEX #531036BF

RGBA 83 16 54 0.75

HSLA 325.97, 0.68%, 0.19%, 0.75

LABA 17.81, 34.05, -6.69, 0.75

 

CMYK 0 / 75 / 35 / 56

HEX #420023BF

RGBA 66 0 35 0.75

HSLA 328.18, 1%, 0.13%, 0.75

LABA 11.13, 32.74, -3.23, 0.75

 

CMYK 0 / 75 / 51 / 61

HEX #310010BF

RGBA 49 0 16 0.75

HSLA 340.41, 1%, 0.1%, 0.75

LABA 6.24, 25.55, 2.86, 0.75

 

CMYK 0 / 75 / 75 / 66

HEX #200000BF

RGBA 32 0 0 0.75

HSLA 0, 1%, 0.06%, 0.75

LABA 2.77, 12.44, 4.38, 0.75

 

CMYK 0 / 75 / 75 / 71

HEX #0F0000BF

RGBA 15 0 0 0.75

HSLA 0, 1%, 0.03%, 0.75

LABA 0.92, 4.12, 1.45, 0.75

 

CMYK 0 / 80 / 35 / 68

HEX #511035

RGB 81 16 53

HSL 325.85, 0.67%, 0.19%

LAB 17.35, 33.3, -6.71

 

CMYK 0 / 80 / 57 / 68

HEX #511023

RGB 81 16 35

HSL 342.46, 0.67%, 0.19%

LAB 16.71, 31.22, 5.27

 

CMYK 0 / 80 / 79 / 68

HEX #511011

RGB 81 16 17

HSL 359.08, 0.67%, 0.19%

LAB 16.31, 29.89, 17.34

 

CMYK 0 / 80 / 80 / 68

HEX #511010

RGB 81 16 16

HSL 0, 0.67%, 0.19%

LAB 16.29, 29.84, 17.89

 

CMYK 0 / 80 / 35 / 68

HEX #511035

RGB 81 16 53

HSL 325.85, 0.67%, 0.19%

LAB 17.35, 33.3, -6.71

 

CMYK 0 / 80 / 12 / 68

HEX #511047

RGB 81 16 71

HSL 309.23, 0.67%, 0.19%

LAB 18.25, 36.08, -17.93

 

CMYK 9 / 80 / 0 / 68

HEX #4A1051

RGB 74 16 81

HSL 293.54, 0.67%, 0.19%

LAB 17.56, 36.17, -25.97

 

CMYK 30 / 80 / 0 / 68

HEX #391051

RGB 57 16 81

HSL 277.85, 0.67%, 0.19%

LAB 14.59, 32.19, -30.89

 

CMYK 52 / 80 / 0 / 68

HEX #271051

RGB 39 16 81

HSL 261.23, 0.67%, 0.19%

LAB 11.93, 28.45, -35.34

 

CMYK 0 / 80 / 35 / 68

HEX #511035

RGB 81 16 53

HSL 325.85, 0.67%, 0.19%

LAB 17.35, 33.3, -6.71

 

CMYK 0 / 91 / 39 / 65

HEX #590836

RGB 89 8 54

HSL 325.93, 0.84%, 0.19%

LAB 18.2, 38.31, -5.97

 

CMYK 0 / 80 / 35 / 68

HEX #511035

RGB 81 16 53

HSL 325.85, 0.67%, 0.19%

LAB 17.35, 33.3, -6.71

 

CMYK 0 / 69 / 30 / 71

HEX #4A1734

RGB 74 23 52

HSL 325.88, 0.53%, 0.19%

LAB 17.07, 27.69, -6.57

 

CMYK 0 / 53 / 23 / 74

HEX #421F33

RGB 66 31 51

HSL 325.71, 0.36%, 0.19%

LAB 17.35, 19.91, -5.57

 

CMYK 0 / 33 / 14 / 77

HEX #3A2732

RGB 58 39 50

HSL 325.26, 0.2%, 0.19%

LAB 18.28, 11.06, -3.6

 

CMYK 0 / 6 / 2 / 80

HEX #322F31

RGB 50 47 49

HSL 320, 0.03%, 0.19%

LAB 19.77, 1.8, -0.8

 

CMYK 9 / 80 / 0 / 68

HEX #4A1051

RGB 74 16 81

HSL 293.54, 0.67%, 0.19%

LAB 17.56, 36.17, -25.97

 

CMYK 0 / 80 / 11 / 68

HEX #511048

RGB 81 16 72

HSL 308.31, 0.67%, 0.19%

LAB 18.31, 36.26, -18.52

 

CMYK 0 / 80 / 33 / 68

HEX #511036

RGB 81 16 54

HSL 324.92, 0.67%, 0.19%

LAB 17.4, 33.44, -7.36

 

CMYK 0 / 80 / 56 / 68

HEX #511024

RGB 81 16 36

HSL 341.54, 0.67%, 0.19%

LAB 16.73, 31.31, 4.59

 

CMYK 0 / 80 / 77 / 68

HEX #511013

RGB 81 16 19

HSL 357.23, 0.67%, 0.19%

LAB 16.34, 30, 16.16

 

CMYK 0 / 83 / 33 / 95

HEX #0C0208

RGB 12 2 8

HSL 324, 0.71%, 0.03%

LAB 1.26, 3.48, -1.34

 

CMYK 0 / 81 / 36 / 82

HEX #2F091E

RGB 47 9 30

HSL 326.84, 0.68%, 0.11%

LAB 8.07, 21.79, -4.46

 

CMYK 0 / 80 / 35 / 68

HEX #511035

RGB 81 16 53

HSL 325.85, 0.67%, 0.19%

LAB 17.35, 33.3, -6.71

 

CMYK 0 / 81 / 35 / 55

HEX #74164B

RGB 116 22 75

HSL 326.17, 0.68%, 0.27%

LAB 26.14, 44.2, -7.92

 

CMYK 0 / 81 / 35 / 41

HEX #971D62

RGB 151 29 98

HSL 326.07, 0.68%, 0.35%

LAB 34.68, 54.17, -9.44

 

CMYK 0 / 81 / 35 / 67

HEX #531036

RGB 83 16 54

HSL 325.97, 0.68%, 0.19%

LAB 17.81, 34.05, -6.69

 

CMYK 0 / 31 / 80 / 68

HEX #513810

RGB 81 56 16

HSL 36.92, 0.67%, 0.19%

LAB 25.61, 6.75, 28.21

 

CMYK 80 / 1 / 0 / 68

HEX #105051

RGB 16 80 81

HSL 180.92, 0.67%, 0.19%

LAB 30.5, -18.65, -6.26

 

CMYK 0 / 81 / 35 / 67

HEX #531036

RGB 83 16 54

HSL 325.97, 0.68%, 0.19%

LAB 17.81, 34.05, -6.69

 

CMYK 33 / 0 / 80 / 68

HEX #365110

RGB 54 81 16

HSL 84.92, 0.67%, 0.19%

LAB 31.13, -21.5, 32.84

 

CMYK 80 / 33 / 0 / 68

HEX #103651

RGB 16 54 81

HSL 204.92, 0.67%, 0.19%

LAB 21.37, -2.73, -20.28

 

CMYK 0 / 81 / 35 / 67

HEX #531036

RGB 83 16 54

HSL 325.97, 0.68%, 0.19%

LAB 17.81, 34.05, -6.69

 

CMYK 0 / 31 / 80 / 68

HEX #513810

RGB 81 56 16

HSL 36.92, 0.67%, 0.19%

LAB 25.61, 6.75, 28.21

 

CMYK 80 / 0 / 47 / 68

HEX #10512B

RGB 16 81 43

HSL 144.92, 0.67%, 0.19%

LAB 29.84, -29.78, 16.75

 

CMYK 80 / 49 / 0 / 68

HEX #102951

RGB 16 41 81

HSL 216.92, 0.67%, 0.19%

LAB 16.94, 6.55, -27.3

 

CMYK 0 / 81 / 35 / 67

HEX #531036

RGB 83 16 54

HSL 325.97, 0.68%, 0.19%

LAB 17.81, 34.05, -6.69

 

CMYK 0 / 6 / 80 / 68

HEX #514C10

RGB 81 76 16

HSL 55.38, 0.67%, 0.19%

LAB 31.71, -5.76, 34.17

 

CMYK 80 / 0 / 47 / 68

HEX #10512B

RGB 16 81 43

HSL 144.92, 0.67%, 0.19%

LAB 29.84, -29.78, 16.75

 

CMYK 80 / 74 / 0 / 68

HEX #101551

RGB 16 21 81

HSL 235.38, 0.67%, 0.19%

LAB 10.85, 21.53, -37.19

 

Description

Color code: HEX #531036BF | qconv.com Color code: HEX #531036BF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 16 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 16 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 26 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 26% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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