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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52FD07 it is the complementary color #AD02F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52FD07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52FD07 shade: #57FD02, #68FF15, #79FF28, #8AFF3B and #9BFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52FD07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52FD07 shade: #52FD07, #41EB00, #30D900, #1FC700 and #0EB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52FD07 shade: #52FD08, #94FD08, #D6FD08, #FDE108 and #FD9F08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52FD07 shade: #52FD08, #10FD08, #08FD41, #08FD83 and #08FDC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52FD07 shade matches the following richer shades: #52FD08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52FD07 shade: #52FD08, #5AE81C, #62D430, #6AC044 and #72AC58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52FD07 shade: #D8FD08, #96FD08, #55FD08, #14FD08 and #08FD3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52FD07 shade: #37B002, #44D902, #52FD08, #6FFD30 and #8BFD59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52FD07 shade: #52FD07, #08FDE0 and #FD08B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52FD07 shade: #52FD07, #0855FD and #FD0855

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52FD07 shade: #52FD07, #08FDE0, #AF08FD and #FD0824

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52FD07 shade: #52FD07, #08D0FD, #AF08FD and #FD3408

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 97 / 1

HEX #52FD07

RGB 82 253 7

HSL 101.71, 0.98%, 0.51%

LAB 88, -77.86, 83.22

 

Complementary color

CMYK 30 / 99 / 0 / 3

HEX #AD02F8

RGB 173 2 248

HSL 281.71, 0.98%, 0.49%

LAB 46.59, 85.86, -79.82

 

CMYK 66 / 0 / 99 / 1

HEX #57FD02

RGB 87 253 2

HSL 99.68, 0.98%, 0.5%

LAB 88.1, -76.97, 83.73

 

CMYK 59 / 0 / 92 / 0

HEX #68FF15

RGB 104 255 21

HSL 98.72, 1%, 0.54%

LAB 89.17, -73.67, 83.09

 

CMYK 53 / 0 / 84 / 0

HEX #79FF28

RGB 121 255 40

HSL 97.4, 1%, 0.58%

LAB 89.74, -68.89, 80.63

 

CMYK 46 / 0 / 77 / 0

HEX #8AFF3B

RGB 138 255 59

HSL 95.82, 1%, 0.62%

LAB 90.43, -63.28, 76.73

 

CMYK 39 / 0 / 69 / 0

HEX #9BFF4E

RGB 155 255 78

HSL 93.9, 1%, 0.65%

LAB 91.25, -56.92, 71.62

 

CMYK 68 / 0 / 97 / 1

HEX #52FD07

RGB 82 253 7

HSL 101.71, 0.98%, 0.51%

LAB 88, -77.86, 83.22

 

CMYK 72 / 0 / 100 / 8

HEX #41EB00

RGB 65 235 0

HSL 103.4, 1%, 0.46%

LAB 82.13, -75.55, 78.94

 

CMYK 78 / 0 / 100 / 15

HEX #30D900

RGB 48 217 0

HSL 106.73, 1%, 0.43%

LAB 76.22, -72.81, 74.11

 

CMYK 84 / 0 / 100 / 22

HEX #1FC700

RGB 31 199 0

HSL 110.65, 1%, 0.39%

LAB 70.27, -69.65, 69.26

 

CMYK 92 / 0 / 100 / 29

HEX #0EB500

RGB 14 181 0

HSL 115.36, 1%, 0.35%

LAB 64.28, -65.94, 64.4

 

CMYK 68 / 0 / 97 / 1

HEX #52FD08

RGB 82 253 8

HSL 101.88, 0.98%, 0.51%

LAB 88, -77.84, 83.15

 

CMYK 42 / 0 / 97 / 1

HEX #94FD08

RGB 148 253 8

HSL 85.71, 0.98%, 0.51%

LAB 90.12, -60.96, 85.74

 

CMYK 15 / 0 / 97 / 1

HEX #D6FD08

RGB 214 253 8

HSL 69.55, 0.98%, 0.51%

LAB 93.7, -37.1, 90.05

 

CMYK 0 / 11 / 97 / 1

HEX #FDE108

RGB 253 225 8

HSL 53.14, 0.98%, 0.51%

LAB 89.28, -7.73, 88.08

 

CMYK 0 / 37 / 97 / 1

HEX #FD9F08

RGB 253 159 8

HSL 36.98, 0.98%, 0.51%

LAB 73.35, 26.29, 76.86

 

CMYK 68 / 0 / 97 / 1

HEX #52FD08

RGB 82 253 8

HSL 101.88, 0.98%, 0.51%

LAB 88, -77.84, 83.15

 

CMYK 94 / 0 / 97 / 1

HEX #10FD08

RGB 16 253 8

HSL 118.04, 0.98%, 0.51%

LAB 87.18, -85.07, 82.15

 

CMYK 97 / 0 / 74 / 1

HEX #08FD41

RGB 8 253 65

HSL 133.96, 0.98%, 0.51%

LAB 87.33, -83.03, 71.02

 

CMYK 97 / 0 / 48 / 1

HEX #08FD83

RGB 8 253 131

HSL 150.12, 0.98%, 0.51%

LAB 87.94, -75.45, 44.48

 

CMYK 97 / 0 / 22 / 1

HEX #08FDC5

RGB 8 253 197

HSL 166.29, 0.98%, 0.51%

LAB 89.08, -62.36, 12.96

 

CMYK 68 / 0 / 97 / 1

HEX #52FD08

RGB 82 253 8

HSL 101.88, 0.98%, 0.51%

LAB 88, -77.84, 83.15

 

CMYK 68 / 0 / 97 / 1

HEX #52FD08

RGB 82 253 8

HSL 101.88, 0.98%, 0.51%

LAB 88, -77.84, 83.15

 

CMYK 61 / 0 / 88 / 9

HEX #5AE81C

RGB 90 232 28

HSL 101.76, 0.82%, 0.51%

LAB 81.82, -69.23, 75.74

 

CMYK 54 / 0 / 77 / 17

HEX #62D430

RGB 98 212 48

HSL 101.71, 0.66%, 0.51%

LAB 76.01, -59.53, 65.79

 

CMYK 45 / 0 / 65 / 25

HEX #6AC044

RGB 106 192 68

HSL 101.61, 0.5%, 0.51%

LAB 70.3, -48.1, 52.76

 

CMYK 34 / 0 / 49 / 33

HEX #72AC58

RGB 114 172 88

HSL 101.43, 0.34%, 0.51%

LAB 64.79, -34.63, 37.12

 

CMYK 15 / 0 / 97 / 1

HEX #D8FD08

RGB 216 253 8

HSL 69.06, 0.98%, 0.51%

LAB 93.83, -36.31, 90.21

 

CMYK 41 / 0 / 97 / 1

HEX #96FD08

RGB 150 253 8

HSL 85.22, 0.98%, 0.51%

LAB 90.21, -60.32, 85.84

 

CMYK 66 / 0 / 97 / 1

HEX #55FD08

RGB 85 253 8

HSL 101.14, 0.98%, 0.51%

LAB 88.06, -77.28, 83.23

 

CMYK 92 / 0 / 97 / 1

HEX #14FD08

RGB 20 253 8

HSL 117.06, 0.98%, 0.51%

LAB 87.2, -84.89, 82.17

 

CMYK 97 / 0 / 76 / 1

HEX #08FD3D

RGB 8 253 61

HSL 132.98, 0.98%, 0.51%

LAB 87.31, -83.31, 72.25

 

CMYK 69 / 0 / 99 / 31

HEX #37B002

RGB 55 176 2

HSL 101.72, 0.98%, 0.35%

LAB 63.23, -59.19, 63.55

 

CMYK 69 / 0 / 99 / 15

HEX #44D902

RGB 68 217 2

HSL 101.58, 0.98%, 0.43%

LAB 76.59, -69.59, 74.37

 

CMYK 68 / 0 / 97 / 1

HEX #52FD08

RGB 82 253 8

HSL 101.88, 0.98%, 0.51%

LAB 88, -77.84, 83.15

 

CMYK 56 / 0 / 81 / 1

HEX #6FFD30

RGB 111 253 48

HSL 101.56, 0.98%, 0.59%

LAB 88.85, -70.45, 77.88

 

CMYK 45 / 0 / 65 / 1

HEX #8BFD59

RGB 139 253 89

HSL 101.71, 0.98%, 0.67%

LAB 90.07, -60.21, 66.06

 

CMYK 68 / 0 / 97 / 1

HEX #52FD07

RGB 82 253 7

HSL 101.71, 0.98%, 0.51%

LAB 88, -77.86, 83.22

 

CMYK 97 / 0 / 11 / 1

HEX #08FDE0

RGB 8 253 224

HSL 172.9, 0.98%, 0.51%

LAB 89.71, -55.61, -0.12

 

CMYK 0 / 97 / 28 / 1

HEX #FD08B7

RGB 253 8 183

HSL 317.14, 0.98%, 0.51%

LAB 56.56, 88.54, -25.98

 

CMYK 68 / 0 / 97 / 1

HEX #52FD07

RGB 82 253 7

HSL 101.71, 0.98%, 0.51%

LAB 88, -77.86, 83.22

 

CMYK 97 / 66 / 0 / 1

HEX #0855FD

RGB 8 85 253

HSL 221.14, 0.98%, 0.51%

LAB 43.71, 45.26, -87.79

 

CMYK 0 / 97 / 66 / 1

HEX #FD0855

RGB 253 8 85

HSL 341.14, 0.98%, 0.51%

LAB 53.72, 81.03, 28.32

 

CMYK 68 / 0 / 97 / 1

HEX #52FD07

RGB 82 253 7

HSL 101.71, 0.98%, 0.51%

LAB 88, -77.86, 83.22

 

CMYK 97 / 0 / 11 / 1

HEX #08FDE0

RGB 8 253 224

HSL 172.9, 0.98%, 0.51%

LAB 89.71, -55.61, -0.12

 

CMYK 31 / 97 / 0 / 1

HEX #AF08FD

RGB 175 8 253

HSL 280.9, 0.98%, 0.51%

LAB 47.47, 86.5, -81.16

 

CMYK 0 / 97 / 86 / 1

HEX #FD0824

RGB 253 8 36

HSL 353.14, 0.98%, 0.51%

LAB 53.15, 79.46, 55.02

 

CMYK 68 / 0 / 97 / 1

HEX #52FD07

RGB 82 253 7

HSL 101.71, 0.98%, 0.51%

LAB 88, -77.86, 83.22

 

CMYK 97 / 18 / 0 / 1

HEX #08D0FD

RGB 8 208 253

HSL 191.02, 0.98%, 0.51%

LAB 77.43, -26.83, -33.89

 

CMYK 31 / 97 / 0 / 1

HEX #AF08FD

RGB 175 8 253

HSL 280.9, 0.98%, 0.51%

LAB 47.47, 86.5, -81.16

 

CMYK 0 / 79 / 97 / 1

HEX #FD3408

RGB 253 52 8

HSL 10.78, 0.98%, 0.51%

LAB 55.44, 72.25, 66.05

 

Description

Color code: HEX #52FD07 | qconv.com Color code: HEX #52FD07 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 253 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 253 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 97% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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