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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52FB8B it is the complementary color #AD0474. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52FB8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52FB8B shade: #57FB86, #68FF99, #79FFAC, #8AFFBF and #9BFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52FB8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52FB8B shade: #52FB8B, #41E978, #30D765, #1FC552 and #0EB33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52FB8B shade: #51FB8A, #51FB5C, #73FB51, #A1FB51 and #CFFB51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52FB8B shade: #51FB8A, #51FBB8, #51FBE6, #51E2FB and #51B4FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52FB8B shade matches the following richer shades: #51FB8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52FB8B shade: #51FB8A, #5FEC8F, #6EDE94, #7CCF98 and #8BC19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52FB8B shade: #73FB51, #51FB5C, #51FB89, #51FBB7 and #51FBE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52FB8B shade: #06F356, #29FA6F, #51FB8A, #79FCA5 and #A1FDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52FB8B shade: #52FB8B, #51A0FB and #FB515C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52FB8B shade: #52FB8B, #8951FB and #FB8951

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52FB8B shade: #52FB8B, #51A0FB, #FB51C2 and #FBAB51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52FB8B shade: #52FB8B, #516DFB, #FB51C2 and #FBDE51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 45 / 2

HEX #52FB8B

RGB 82 251 139

HSL 140.24, 0.95%, 0.65%

LAB 88.28, -66.74, 41.24

 

Complementary color

CMYK 0 / 98 / 33 / 32

HEX #AD0474

RGB 173 4 116

HSL 320.24, 0.95%, 0.35%

LAB 38.26, 65.65, -15.03

 

CMYK 65 / 0 / 47 / 2

HEX #57FB86

RGB 87 251 134

HSL 137.2, 0.95%, 0.66%

LAB 88.32, -66.64, 43.73

 

CMYK 59 / 0 / 40 / 0

HEX #68FF99

RGB 104 255 153

HSL 139.47, 1%, 0.7%

LAB 90.21, -61.81, 37

 

CMYK 53 / 0 / 33 / 0

HEX #79FFAC

RGB 121 255 172

HSL 142.84, 1%, 0.74%

LAB 91.04, -54.82, 28.72

 

CMYK 46 / 0 / 25 / 0

HEX #8AFFBF

RGB 138 255 191

HSL 147.18, 1%, 0.77%

LAB 91.99, -47.2, 20.48

 

CMYK 39 / 0 / 18 / 0

HEX #9BFFD2

RGB 155 255 210

HSL 153, 1%, 0.8%

LAB 93.08, -39.08, 12.37

 

CMYK 67 / 0 / 45 / 2

HEX #52FB8B

RGB 82 251 139

HSL 140.24, 0.95%, 0.65%

LAB 88.28, -66.74, 41.24

 

CMYK 72 / 0 / 48 / 9

HEX #41E978

RGB 65 233 120

HSL 139.64, 0.79%, 0.58%

LAB 82.25, -66.1, 42.72

 

CMYK 78 / 0 / 53 / 16

HEX #30D765

RGB 48 215 101

HSL 139.04, 0.68%, 0.52%

LAB 76.17, -65.13, 44.24

 

CMYK 84 / 0 / 58 / 23

HEX #1FC552

RGB 31 197 82

HSL 138.43, 0.73%, 0.45%

LAB 70.06, -63.7, 45.77

 

CMYK 92 / 0 / 65 / 30

HEX #0EB33F

RGB 14 179 63

HSL 137.82, 0.85%, 0.38%

LAB 63.91, -61.64, 47.22

 

CMYK 68 / 0 / 45 / 2

HEX #51FB8A

RGB 81 251 138

HSL 140.12, 0.96%, 0.65%

LAB 88.25, -67.06, 41.68

 

CMYK 68 / 0 / 63 / 2

HEX #51FB5C

RGB 81 251 92

HSL 123.88, 0.96%, 0.65%

LAB 87.74, -73, 61.8

 

CMYK 54 / 0 / 68 / 2

HEX #73FB51

RGB 115 251 81

HSL 108, 0.96%, 0.65%

LAB 88.56, -66.69, 67.25

 

CMYK 36 / 0 / 68 / 2

HEX #A1FB51

RGB 161 251 81

HSL 91.76, 0.96%, 0.65%

LAB 90.4, -53.16, 69.74

 

CMYK 18 / 0 / 68 / 2

HEX #CFFB51

RGB 207 251 81

HSL 75.53, 0.96%, 0.65%

LAB 92.95, -36.65, 73.17

 

CMYK 68 / 0 / 45 / 2

HEX #51FB8A

RGB 81 251 138

HSL 140.12, 0.96%, 0.65%

LAB 88.25, -67.06, 41.68

 

CMYK 68 / 0 / 27 / 2

HEX #51FBB8

RGB 81 251 184

HSL 156.35, 0.96%, 0.65%

LAB 89.02, -58.57, 19.67

 

CMYK 68 / 0 / 8 / 2

HEX #51FBE6

RGB 81 251 230

HSL 172.59, 0.96%, 0.65%

LAB 90.07, -47.81, -2.61

 

CMYK 68 / 10 / 0 / 2

HEX #51E2FB

RGB 81 226 251

HSL 188.82, 0.96%, 0.65%

LAB 83.5, -30.7, -23.45

 

CMYK 68 / 28 / 0 / 2

HEX #51B4FB

RGB 81 180 251

HSL 205.06, 0.96%, 0.65%

LAB 70.43, -7.02, -43.63

 

CMYK 68 / 0 / 45 / 2

HEX #51FB8A

RGB 81 251 138

HSL 140.12, 0.96%, 0.65%

LAB 88.25, -67.06, 41.68

 

CMYK 68 / 0 / 45 / 2

HEX #51FB8A

RGB 81 251 138

HSL 140.12, 0.96%, 0.65%

LAB 88.25, -67.06, 41.68

 

CMYK 60 / 0 / 39 / 7

HEX #5FEC8F

RGB 95 236 143

HSL 140.43, 0.79%, 0.65%

LAB 84.18, -58.13, 34

 

CMYK 50 / 0 / 33 / 13

HEX #6EDE94

RGB 110 222 148

HSL 140.36, 0.63%, 0.65%

LAB 80.57, -48.24, 26.74

 

CMYK 40 / 0 / 27 / 19

HEX #7CCF98

RGB 124 207 152

HSL 140.24, 0.46%, 0.65%

LAB 76.79, -37.2, 19.57

 

CMYK 28 / 0 / 19 / 24

HEX #8BC19D

RGB 139 193 157

HSL 140, 0.3%, 0.65%

LAB 73.59, -25.05, 12.54

 

CMYK 54 / 0 / 68 / 2

HEX #73FB51

RGB 115 251 81

HSL 108, 0.96%, 0.65%

LAB 88.56, -66.69, 67.25

 

CMYK 68 / 0 / 63 / 2

HEX #51FB5C

RGB 81 251 92

HSL 123.88, 0.96%, 0.65%

LAB 87.74, -73, 61.8

 

CMYK 68 / 0 / 45 / 2

HEX #51FB89

RGB 81 251 137

HSL 139.76, 0.96%, 0.65%

LAB 88.23, -67.22, 42.14

 

CMYK 68 / 0 / 27 / 2

HEX #51FBB7

RGB 81 251 183

HSL 156, 0.96%, 0.65%

LAB 89, -58.78, 20.16

 

CMYK 68 / 0 / 9 / 2

HEX #51FBE4

RGB 81 251 228

HSL 171.88, 0.96%, 0.65%

LAB 90.02, -48.32, -1.65

 

CMYK 98 / 0 / 65 / 5

HEX #06F356

RGB 6 243 86

HSL 140.25, 0.95%, 0.49%

LAB 84.39, -78.44, 60.28

 

CMYK 84 / 0 / 56 / 2

HEX #29FA6F

RGB 41 250 111

HSL 140.1, 0.95%, 0.57%

LAB 86.99, -75.69, 52.63

 

CMYK 68 / 0 / 45 / 2

HEX #51FB8A

RGB 81 251 138

HSL 140.12, 0.96%, 0.65%

LAB 88.25, -67.06, 41.68

 

CMYK 52 / 0 / 35 / 1

HEX #79FCA5

RGB 121 252 165

HSL 140.15, 0.96%, 0.73%

LAB 90.05, -54.85, 30.9

 

CMYK 36 / 0 / 24 / 1

HEX #A1FDC0

RGB 161 253 192

HSL 140.22, 0.96%, 0.81%

LAB 92.41, -39.96, 20.71

 

CMYK 67 / 0 / 45 / 2

HEX #52FB8B

RGB 82 251 139

HSL 140.24, 0.95%, 0.65%

LAB 88.28, -66.74, 41.24

 

CMYK 68 / 36 / 0 / 2

HEX #51A0FB

RGB 81 160 251

HSL 212.12, 0.96%, 0.65%

LAB 64.85, 4.27, -52.41

 

CMYK 0 / 68 / 63 / 2

HEX #FB515C

RGB 251 81 92

HSL 356.12, 0.96%, 0.65%

LAB 59.13, 64.88, 31.01

 

CMYK 67 / 0 / 45 / 2

HEX #52FB8B

RGB 82 251 139

HSL 140.24, 0.95%, 0.65%

LAB 88.28, -66.74, 41.24

 

CMYK 45 / 68 / 0 / 2

HEX #8951FB

RGB 137 81 251

HSL 259.76, 0.96%, 0.65%

LAB 49.7, 59.77, -76.59

 

CMYK 0 / 45 / 68 / 2

HEX #FB8951

RGB 251 137 81

HSL 19.76, 0.96%, 0.65%

LAB 68.75, 38.91, 48.49

 

CMYK 67 / 0 / 45 / 2

HEX #52FB8B

RGB 82 251 139

HSL 140.24, 0.95%, 0.65%

LAB 88.28, -66.74, 41.24

 

CMYK 68 / 36 / 0 / 2

HEX #51A0FB

RGB 81 160 251

HSL 212.12, 0.96%, 0.65%

LAB 64.85, 4.27, -52.41

 

CMYK 0 / 68 / 23 / 2

HEX #FB51C2

RGB 251 81 194

HSL 320.12, 0.96%, 0.65%

LAB 61.9, 74.36, -24.11

 

CMYK 0 / 32 / 68 / 2

HEX #FBAB51

RGB 251 171 81

HSL 31.76, 0.96%, 0.65%

LAB 76.21, 21.29, 56.76

 

CMYK 67 / 0 / 45 / 2

HEX #52FB8B

RGB 82 251 139

HSL 140.24, 0.95%, 0.65%

LAB 88.28, -66.74, 41.24

 

CMYK 68 / 57 / 0 / 2

HEX #516DFB

RGB 81 109 251

HSL 230.12, 0.96%, 0.65%

LAB 51.44, 35.02, -73.94

 

CMYK 0 / 68 / 23 / 2

HEX #FB51C2

RGB 251 81 194

HSL 320.12, 0.96%, 0.65%

LAB 61.9, 74.36, -24.11

 

CMYK 0 / 12 / 68 / 2

HEX #FBDE51

RGB 251 222 81

HSL 49.76, 0.96%, 0.65%

LAB 88.61, -5.06, 69.81

 

Description

Color code: HEX #52FB8B | qconv.com Color code: HEX #52FB8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 251 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 251 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 45 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 45% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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