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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52ED6D it is the complementary color #AD1292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52ED6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52ED6D shade: #57ED68, #68FF7B, #79FF8E, #8AFFA1 and #9BFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52ED6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52ED6D shade: #52ED6D, #41DB5A, #30C947, #1FB734 and #0EA521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52ED6D shade: #54ED6F, #63ED54, #8CED54, #B5ED54 and #DEED54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52ED6D shade: #54ED6F, #54ED98, #54EDC1, #54EDEB and #54C6ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52ED6D shade matches the following richer shades: #54ED6F and #45FC65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52ED6D shade: #54ED6F, #63DE79, #73CF83, #82BF8D and #91B097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52ED6D shade: #8CED54, #64ED54, #54ED6E, #54ED96 and #54EDBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52ED6D shade: #17D838, #2FE94F, #54ED6F, #7AF18E and #9FF5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52ED6D shade: #52ED6D, #54B5ED and #ED5478

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52ED6D shade: #52ED6D, #6E54ED and #ED6E54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52ED6D shade: #52ED6D, #54B5ED, #ED54D4 and #ED8C54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52ED6D shade: #52ED6D, #5487ED, #ED54D4 and #EDBA54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 54 / 7

HEX #52ED6D

RGB 82 237 109

HSL 130.45, 0.81%, 0.63%

LAB 83.69, -66.18, 49.74

 

Complementary color

CMYK 0 / 90 / 16 / 32

HEX #AD1292

RGB 173 18 146

HSL 310.45, 0.81%, 0.37%

LAB 40.23, 67.55, -30.53

 

CMYK 63 / 0 / 56 / 7

HEX #57ED68

RGB 87 237 104

HSL 126.8, 0.81%, 0.64%

LAB 83.75, -65.84, 52.13

 

CMYK 59 / 0 / 52 / 0

HEX #68FF7B

RGB 104 255 123

HSL 127.55, 1%, 0.7%

LAB 89.81, -66.25, 50.84

 

CMYK 53 / 0 / 44 / 0

HEX #79FF8E

RGB 121 255 142

HSL 129.4, 1%, 0.74%

LAB 90.57, -59.72, 42.93

 

CMYK 46 / 0 / 37 / 0

HEX #8AFFA1

RGB 138 255 161

HSL 131.79, 1%, 0.77%

LAB 91.46, -52.48, 34.89

 

CMYK 39 / 0 / 29 / 0

HEX #9BFFB4

RGB 155 255 180

HSL 135, 1%, 0.8%

LAB 92.48, -44.67, 26.86

 

CMYK 65 / 0 / 54 / 7

HEX #52ED6D

RGB 82 237 109

HSL 130.45, 0.81%, 0.63%

LAB 83.69, -66.18, 49.74

 

CMYK 70 / 0 / 59 / 14

HEX #41DB5A

RGB 65 219 90

HSL 129.74, 0.68%, 0.56%

LAB 77.59, -65.44, 51.07

 

CMYK 76 / 0 / 65 / 21

HEX #30C947

RGB 48 201 71

HSL 129.02, 0.61%, 0.49%

LAB 71.46, -64.3, 52.29

 

CMYK 83 / 0 / 72 / 28

HEX #1FB734

RGB 31 183 52

HSL 128.29, 0.71%, 0.42%

LAB 65.28, -62.6, 53.23

 

CMYK 92 / 0 / 80 / 35

HEX #0EA521

RGB 14 165 33

HSL 127.55, 0.84%, 0.35%

LAB 59.08, -60.12, 53.6

 

CMYK 65 / 0 / 53 / 7

HEX #54ED6F

RGB 84 237 111

HSL 130.59, 0.81%, 0.63%

LAB 83.76, -65.53, 48.92

 

CMYK 58 / 0 / 65 / 7

HEX #63ED54

RGB 99 237 84

HSL 114.12, 0.81%, 0.63%

LAB 83.89, -65.39, 60.94

 

CMYK 41 / 0 / 65 / 7

HEX #8CED54

RGB 140 237 84

HSL 98.04, 0.81%, 0.63%

LAB 85.39, -54.11, 63

 

CMYK 24 / 0 / 65 / 7

HEX #B5ED54

RGB 181 237 84

HSL 81.96, 0.81%, 0.63%

LAB 87.5, -39.98, 65.88

 

CMYK 6 / 0 / 65 / 7

HEX #DEED54

RGB 222 237 84

HSL 65.88, 0.81%, 0.63%

LAB 90.2, -24.11, 69.55

 

CMYK 65 / 0 / 53 / 7

HEX #54ED6F

RGB 84 237 111

HSL 130.59, 0.81%, 0.63%

LAB 83.76, -65.53, 48.92

 

CMYK 65 / 0 / 36 / 7

HEX #54ED98

RGB 84 237 152

HSL 146.67, 0.81%, 0.63%

LAB 84.34, -59.03, 29.63

 

CMYK 65 / 0 / 19 / 7

HEX #54EDC1

RGB 84 237 193

HSL 162.75, 0.81%, 0.63%

LAB 85.15, -50.48, 9.57

 

CMYK 65 / 0 / 1 / 7

HEX #54EDEB

RGB 84 237 235

HSL 179.22, 0.81%, 0.63%

LAB 86.23, -39.91, -10.9

 

CMYK 65 / 16 / 0 / 7

HEX #54C6ED

RGB 84 198 237

HSL 195.29, 0.81%, 0.63%

LAB 75.07, -20.56, -28.86

 

CMYK 65 / 0 / 53 / 7

HEX #54ED6F

RGB 84 237 111

HSL 130.59, 0.81%, 0.63%

LAB 83.76, -65.53, 48.92

 

CMYK 73 / 0 / 60 / 1

HEX #45FC65

RGB 69 252 101

HSL 130.49, 0.97%, 0.63%

LAB 87.88, -74.29, 58.15

 

CMYK 65 / 0 / 53 / 7

HEX #54ED6F

RGB 84 237 111

HSL 130.59, 0.81%, 0.63%

LAB 83.76, -65.53, 48.92

 

CMYK 55 / 0 / 45 / 13

HEX #63DE79

RGB 99 222 121

HSL 130.73, 0.65%, 0.63%

LAB 79.77, -55.39, 39.28

 

CMYK 44 / 0 / 37 / 19

HEX #73CF83

RGB 115 207 131

HSL 130.43, 0.49%, 0.63%

LAB 76.01, -43.49, 29.46

 

CMYK 32 / 0 / 26 / 25

HEX #82BF8D

RGB 130 191 141

HSL 130.82, 0.32%, 0.63%

LAB 72.18, -29.94, 19.12

 

CMYK 18 / 0 / 14 / 31

HEX #91B097

RGB 145 176 151

HSL 131.61, 0.16%, 0.63%

LAB 68.97, -15.59, 9.32

 

CMYK 41 / 0 / 65 / 7

HEX #8CED54

RGB 140 237 84

HSL 98.04, 0.81%, 0.63%

LAB 85.39, -54.11, 63

 

CMYK 58 / 0 / 65 / 7

HEX #64ED54

RGB 100 237 84

HSL 113.73, 0.81%, 0.63%

LAB 83.92, -65.16, 60.98

 

CMYK 65 / 0 / 54 / 7

HEX #54ED6E

RGB 84 237 110

HSL 130.2, 0.81%, 0.63%

LAB 83.75, -65.67, 49.37

 

CMYK 65 / 0 / 37 / 7

HEX #54ED96

RGB 84 237 150

HSL 145.88, 0.81%, 0.63%

LAB 84.31, -59.4, 30.6

 

CMYK 65 / 0 / 19 / 7

HEX #54EDBF

RGB 84 237 191

HSL 161.96, 0.81%, 0.63%

LAB 85.11, -50.94, 10.55

 

CMYK 89 / 0 / 74 / 15

HEX #17D838

RGB 23 216 56

HSL 130.26, 0.81%, 0.47%

LAB 75.81, -72.74, 62.51

 

CMYK 80 / 0 / 66 / 9

HEX #2FE94F

RGB 47 233 79

HSL 130.32, 0.81%, 0.55%

LAB 81.54, -73.59, 60.05

 

CMYK 65 / 0 / 53 / 7

HEX #54ED6F

RGB 84 237 111

HSL 130.59, 0.81%, 0.63%

LAB 83.76, -65.53, 48.92

 

CMYK 49 / 0 / 41 / 5

HEX #7AF18E

RGB 122 241 142

HSL 130.08, 0.81%, 0.71%

LAB 86.5, -53.98, 37.71

 

CMYK 35 / 0 / 29 / 4

HEX #9FF5AE

RGB 159 245 174

HSL 130.47, 0.81%, 0.79%

LAB 89.73, -40.13, 26.19

 

CMYK 65 / 0 / 54 / 7

HEX #52ED6D

RGB 82 237 109

HSL 130.45, 0.81%, 0.63%

LAB 83.69, -66.18, 49.74

 

CMYK 65 / 24 / 0 / 7

HEX #54B5ED

RGB 84 181 237

HSL 201.96, 0.81%, 0.63%

LAB 70.21, -11.62, -36.36

 

CMYK 0 / 65 / 49 / 7

HEX #ED5478

RGB 237 84 120

HSL 345.88, 0.81%, 0.63%

LAB 57.75, 61.38, 12.45

 

CMYK 65 / 0 / 54 / 7

HEX #52ED6D

RGB 82 237 109

HSL 130.45, 0.81%, 0.63%

LAB 83.69, -66.18, 49.74

 

CMYK 54 / 65 / 0 / 7

HEX #6E54ED

RGB 110 84 237

HSL 250.2, 0.81%, 0.63%

LAB 46.67, 49.74, -73.8

 

CMYK 0 / 54 / 65 / 7

HEX #ED6E54

RGB 237 110 84

HSL 10.2, 0.81%, 0.63%

LAB 61.48, 47.19, 37.91

 

CMYK 65 / 0 / 54 / 7

HEX #52ED6D

RGB 82 237 109

HSL 130.45, 0.81%, 0.63%

LAB 83.69, -66.18, 49.74

 

CMYK 65 / 24 / 0 / 7

HEX #54B5ED

RGB 84 181 237

HSL 201.96, 0.81%, 0.63%

LAB 70.21, -11.62, -36.36

 

CMYK 0 / 65 / 11 / 7

HEX #ED54D4

RGB 237 84 212

HSL 309.8, 0.81%, 0.63%

LAB 60.87, 72.24, -36.1

 

CMYK 0 / 41 / 65 / 7

HEX #ED8C54

RGB 237 140 84

HSL 21.96, 0.81%, 0.63%

LAB 67.58, 32.04, 45.14

 

CMYK 65 / 0 / 54 / 7

HEX #52ED6D

RGB 82 237 109

HSL 130.45, 0.81%, 0.63%

LAB 83.69, -66.18, 49.74

 

CMYK 65 / 43 / 0 / 7

HEX #5487ED

RGB 84 135 237

HSL 220, 0.81%, 0.63%

LAB 57.39, 14.78, -56.57

 

CMYK 0 / 65 / 11 / 7

HEX #ED54D4

RGB 237 84 212

HSL 309.8, 0.81%, 0.63%

LAB 60.87, 72.24, -36.1

 

CMYK 0 / 22 / 65 / 7

HEX #EDBA54

RGB 237 186 84

HSL 40, 0.81%, 0.63%

LAB 78.32, 7.77, 57.28

 

Description

Color code: HEX #52ED6D | qconv.com Color code: HEX #52ED6D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 237 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 237 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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