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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52E748 it is the complementary color #AD18B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52E748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52E748 shade: #57E743, #68F956, #79FF69, #8AFF7C and #9BFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52E748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52E748 shade: #52E748, #41D535, #30C322, #1FB10F and #0E9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52E748 shade: #50E746, #7BE746, #A7E746, #D2E746 and #E7D046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52E748 shade: #50E746, #46E767, #46E793, #46E7BE and #46E4E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52E748 shade matches the following richer shades: #50E746 and #41F835

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52E748 shade: #50E746, #5FD657, #6EC568, #7CB479 and #8BA38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52E748 shade: #A7E746, #7CE746, #51E746, #46E766 and #46E791

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52E748 shade: #24C119, #2EE221, #50E746, #73EC6A and #95F08F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52E748 shade: #52E748, #46D1E7 and #E74691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52E748 shade: #52E748, #4651E7 and #E74651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52E748 shade: #52E748, #46D1E7, #DC46E7 and #E75B46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52E748 shade: #52E748, #46A1E7, #DC46E7 and #E78C46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 69 / 9

HEX #52E748

RGB 82 231 72

HSL 116.23, 0.77%, 0.59%

LAB 81.52, -68.12, 62.93

 

Complementary color

CMYK 5 / 87 / 0 / 28

HEX #AD18B7

RGB 173 24 183

HSL 296.23, 0.77%, 0.41%

LAB 42.7, 72.02, -48.79

 

CMYK 62 / 0 / 71 / 9

HEX #57E743

RGB 87 231 67

HSL 112.68, 0.77%, 0.58%

LAB 81.61, -67.48, 64.9

 

CMYK 58 / 0 / 65 / 2

HEX #68F956

RGB 104 249 86

HSL 113.37, 0.93%, 0.66%

LAB 87.66, -68.22, 64.28

 

CMYK 53 / 0 / 59 / 0

HEX #79FF69

RGB 121 255 105

HSL 113.6, 1%, 0.71%

LAB 90.14, -64.38, 59.37

 

CMYK 46 / 0 / 51 / 0

HEX #8AFF7C

RGB 138 255 124

HSL 113.59, 1%, 0.74%

LAB 90.95, -57.7, 52.03

 

CMYK 39 / 0 / 44 / 0

HEX #9BFF8F

RGB 155 255 143

HSL 113.57, 1%, 0.78%

LAB 91.9, -50.35, 44.4

 

CMYK 65 / 0 / 69 / 9

HEX #52E748

RGB 82 231 72

HSL 116.23, 0.77%, 0.59%

LAB 81.52, -68.12, 62.93

 

CMYK 69 / 0 / 75 / 16

HEX #41D535

RGB 65 213 53

HSL 115.5, 0.66%, 0.52%

LAB 75.43, -66.98, 63.33

 

CMYK 75 / 0 / 83 / 24

HEX #30C322

RGB 48 195 34

HSL 114.78, 0.7%, 0.45%

LAB 69.31, -65.33, 63.03

 

CMYK 82 / 0 / 92 / 31

HEX #1FB10F

RGB 31 177 15

HSL 114.07, 0.84%, 0.38%

LAB 63.15, -62.97, 61.56

 

CMYK 91 / 0 / 100 / 38

HEX #0E9F00

RGB 14 159 0

HSL 114.72, 1%, 0.31%

LAB 56.97, -59.71, 58.55

 

CMYK 65 / 0 / 70 / 9

HEX #50E746

RGB 80 231 70

HSL 116.27, 0.77%, 0.59%

LAB 81.46, -68.68, 63.6

 

CMYK 47 / 0 / 70 / 9

HEX #7BE746

RGB 123 231 70

HSL 100.25, 0.77%, 0.59%

LAB 82.81, -58.05, 65.42

 

CMYK 28 / 0 / 70 / 9

HEX #A7E746

RGB 167 231 70

HSL 83.85, 0.77%, 0.59%

LAB 84.9, -43.44, 68.22

 

CMYK 9 / 0 / 70 / 9

HEX #D2E746

RGB 210 231 70

HSL 67.83, 0.77%, 0.59%

LAB 87.63, -26.86, 71.85

 

CMYK 0 / 10 / 70 / 9

HEX #E7D046

RGB 231 208 70

HSL 51.43, 0.77%, 0.59%

LAB 83.2, -6.89, 68.01

 

CMYK 65 / 0 / 70 / 9

HEX #50E746

RGB 80 231 70

HSL 116.27, 0.77%, 0.59%

LAB 81.46, -68.68, 63.6

 

CMYK 70 / 0 / 55 / 9

HEX #46E767

RGB 70 231 103

HSL 132.3, 0.77%, 0.59%

LAB 81.53, -67.02, 49.85

 

CMYK 70 / 0 / 36 / 9

HEX #46E793

RGB 70 231 147

HSL 148.7, 0.77%, 0.59%

LAB 82.14, -60.03, 29.17

 

CMYK 70 / 0 / 18 / 9

HEX #46E7BE

RGB 70 231 190

HSL 164.72, 0.77%, 0.59%

LAB 83, -50.82, 8.03

 

CMYK 70 / 1 / 0 / 9

HEX #46E4E7

RGB 70 228 231

HSL 181.12, 0.77%, 0.59%

LAB 83.21, -38.82, -13.34

 

CMYK 65 / 0 / 70 / 9

HEX #50E746

RGB 80 231 70

HSL 116.27, 0.77%, 0.59%

LAB 81.46, -68.68, 63.6

 

CMYK 74 / 0 / 79 / 3

HEX #41F835

RGB 65 248 53

HSL 116.31, 0.93%, 0.59%

LAB 86.26, -77.73, 73.77

 

CMYK 65 / 0 / 70 / 9

HEX #50E746

RGB 80 231 70

HSL 116.27, 0.77%, 0.59%

LAB 81.46, -68.68, 63.6

 

CMYK 56 / 0 / 59 / 16

HEX #5FD657

RGB 95 214 87

HSL 116.22, 0.61%, 0.59%

LAB 76.81, -57.78, 51.7

 

CMYK 44 / 0 / 47 / 23

HEX #6EC568

RGB 110 197 104

HSL 116.13, 0.44%, 0.59%

LAB 72.39, -44.8, 38.5

 

CMYK 31 / 0 / 33 / 29

HEX #7CB479

RGB 124 180 121

HSL 116.95, 0.28%, 0.59%

LAB 68.25, -30.11, 24.44

 

CMYK 15 / 0 / 15 / 36

HEX #8BA38A

RGB 139 163 138

HSL 117.6, 0.12%, 0.59%

LAB 64.58, -13.32, 10.22

 

CMYK 28 / 0 / 70 / 9

HEX #A7E746

RGB 167 231 70

HSL 83.85, 0.77%, 0.59%

LAB 84.9, -43.44, 68.22

 

CMYK 46 / 0 / 70 / 9

HEX #7CE746

RGB 124 231 70

HSL 99.88, 0.77%, 0.59%

LAB 82.85, -57.75, 65.47

 

CMYK 65 / 0 / 70 / 9

HEX #51E746

RGB 81 231 70

HSL 115.9, 0.77%, 0.59%

LAB 81.48, -68.49, 63.63

 

CMYK 70 / 0 / 56 / 9

HEX #46E766

RGB 70 231 102

HSL 131.93, 0.77%, 0.59%

LAB 81.52, -67.15, 50.29

 

CMYK 70 / 0 / 37 / 9

HEX #46E791

RGB 70 231 145

HSL 147.95, 0.77%, 0.59%

LAB 82.11, -60.41, 30.15

 

CMYK 81 / 0 / 87 / 24

HEX #24C119

RGB 36 193 25

HSL 116.07, 0.77%, 0.43%

LAB 68.45, -66.75, 64.3

 

CMYK 80 / 0 / 85 / 11

HEX #2EE221

RGB 46 226 33

HSL 115.96, 0.77%, 0.51%

LAB 79.09, -74.82, 72.05

 

CMYK 65 / 0 / 70 / 9

HEX #50E746

RGB 80 231 70

HSL 116.27, 0.77%, 0.59%

LAB 81.46, -68.68, 63.6

 

CMYK 51 / 0 / 55 / 7

HEX #73EC6A

RGB 115 236 106

HSL 115.85, 0.77%, 0.67%

LAB 84.32, -58.75, 52.1

 

CMYK 38 / 0 / 40 / 6

HEX #95F08F

RGB 149 240 143

HSL 116.29, 0.76%, 0.75%

LAB 87.34, -45.83, 38.51

 

CMYK 65 / 0 / 69 / 9

HEX #52E748

RGB 82 231 72

HSL 116.23, 0.77%, 0.59%

LAB 81.52, -68.12, 62.93

 

CMYK 70 / 10 / 0 / 9

HEX #46D1E7

RGB 70 209 231

HSL 188.2, 0.77%, 0.59%

LAB 77.68, -29.89, -21.67

 

CMYK 0 / 70 / 37 / 9

HEX #E74691

RGB 231 70 145

HSL 332.05, 0.77%, 0.59%

LAB 55.5, 67.32, -5.68

 

CMYK 65 / 0 / 69 / 9

HEX #52E748

RGB 82 231 72

HSL 116.23, 0.77%, 0.59%

LAB 81.52, -68.12, 62.93

 

CMYK 70 / 65 / 0 / 9

HEX #4651E7

RGB 70 81 231

HSL 235.9, 0.77%, 0.59%

LAB 42.7, 43.85, -77.02

 

CMYK 0 / 70 / 65 / 9

HEX #E74651

RGB 231 70 81

HSL 355.9, 0.77%, 0.59%

LAB 53.99, 62.19, 30.15

 

CMYK 65 / 0 / 69 / 9

HEX #52E748

RGB 82 231 72

HSL 116.23, 0.77%, 0.59%

LAB 81.52, -68.12, 62.93

 

CMYK 70 / 10 / 0 / 9

HEX #46D1E7

RGB 70 209 231

HSL 188.2, 0.77%, 0.59%

LAB 77.68, -29.89, -21.67

 

CMYK 5 / 70 / 0 / 9

HEX #DC46E7

RGB 220 70 231

HSL 295.9, 0.77%, 0.59%

LAB 57.43, 76.42, -52.4

 

CMYK 0 / 61 / 70 / 9

HEX #E75B46

RGB 231 91 70

HSL 7.83, 0.77%, 0.59%

LAB 56.99, 53.08, 40

 

CMYK 65 / 0 / 69 / 9

HEX #52E748

RGB 82 231 72

HSL 116.23, 0.77%, 0.59%

LAB 81.52, -68.12, 62.93

 

CMYK 70 / 30 / 0 / 9

HEX #46A1E7

RGB 70 161 231

HSL 206.09, 0.77%, 0.59%

LAB 63.8, -4.71, -43.12

 

CMYK 5 / 70 / 0 / 9

HEX #DC46E7

RGB 220 70 231

HSL 295.9, 0.77%, 0.59%

LAB 57.43, 76.42, -52.4

 

CMYK 0 / 39 / 70 / 9

HEX #E78C46

RGB 231 140 70

HSL 26.09, 0.77%, 0.59%

LAB 66.66, 28.83, 50.84

 

Description

Color code: HEX #52E748 | qconv.com Color code: HEX #52E748 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 231 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 231 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 69% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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