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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52E184 it is the complementary color #AD1E7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52E184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52E184 shade: #57E17F, #68F392, #79FFA5, #8AFFB8 and #9BFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52E184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52E184 shade: #52E184, #41CF71, #30BD5E, #1FAB4B and #0E9938

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52E184 shade: #52E084, #52E05D, #6DE052, #93E052 and #BAE052

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52E184 shade: #52E084, #52E0AA, #52E0D1, #52CAE0 and #52A3E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52E184 shade matches the following richer shades: #52E084 and #41F17F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52E184 shade: #52E084, #62D088, #73BF8D, #83AF92 and #949E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52E184 shade: #6EE052, #52E05B, #52E081, #52E0A7 and #52E0CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52E184 shade: #22BE58, #2FDA6B, #52E084, #75E79D and #98EDB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52E184 shade: #52E184, #5294E0 and #E0525B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52E184 shade: #52E184, #8152E0 and #E08152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52E184 shade: #52E184, #5294E0, #E052B1 and #E09E52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52E184 shade: #52E184, #5269E0, #E052B1 and #E0C952

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 41 / 12

HEX #52E184

RGB 82 225 132

HSL 140.98, 0.7%, 0.6%

LAB 80.35, -58.41, 34.46

 

Complementary color

CMYK 0 / 83 / 29 / 32

HEX #AD1E7B

RGB 173 30 123

HSL 320.98, 0.7%, 0.4%

LAB 39.99, 62.25, -16.76

 

CMYK 61 / 0 / 44 / 12

HEX #57E17F

RGB 87 225 127

HSL 137.39, 0.7%, 0.61%

LAB 80.41, -58.25, 37.05

 

CMYK 57 / 0 / 40 / 5

HEX #68F392

RGB 104 243 146

HSL 138.13, 0.85%, 0.68%

LAB 86.56, -58.4, 35.69

 

CMYK 53 / 0 / 35 / 0

HEX #79FFA5

RGB 121 255 165

HSL 139.7, 1%, 0.74%

LAB 90.92, -56.05, 32.07

 

CMYK 46 / 0 / 28 / 0

HEX #8AFFB8

RGB 138 255 184

HSL 143.59, 1%, 0.77%

LAB 91.86, -48.51, 23.86

 

CMYK 39 / 0 / 20 / 0

HEX #9BFFCB

RGB 155 255 203

HSL 148.8, 1%, 0.8%

LAB 92.93, -40.46, 15.75

 

CMYK 64 / 0 / 41 / 12

HEX #52E184

RGB 82 225 132

HSL 140.98, 0.7%, 0.6%

LAB 80.35, -58.41, 34.46

 

CMYK 69 / 0 / 45 / 19

HEX #41CF71

RGB 65 207 113

HSL 140.28, 0.6%, 0.53%

LAB 74.15, -57.99, 35.92

 

CMYK 75 / 0 / 50 / 26

HEX #30BD5E

RGB 48 189 94

HSL 139.57, 0.59%, 0.46%

LAB 67.9, -57.27, 37.46

 

CMYK 82 / 0 / 56 / 33

HEX #1FAB4B

RGB 31 171 75

HSL 138.86, 0.69%, 0.4%

LAB 61.59, -56.09, 39.05

 

CMYK 91 / 0 / 63 / 40

HEX #0E9938

RGB 14 153 56

HSL 138.13, 0.83%, 0.33%

LAB 55.24, -54.25, 40.61

 

CMYK 63 / 0 / 41 / 12

HEX #52E084

RGB 82 224 132

HSL 141.13, 0.7%, 0.6%

LAB 80.05, -58.03, 34.06

 

CMYK 63 / 0 / 58 / 12

HEX #52E05D

RGB 82 224 93

HSL 124.65, 0.7%, 0.6%

LAB 79.55, -63.63, 52.11

 

CMYK 51 / 0 / 63 / 12

HEX #6DE052

RGB 109 224 82

HSL 108.59, 0.7%, 0.6%

LAB 80.28, -58.37, 57.88

 

CMYK 34 / 0 / 63 / 12

HEX #93E052

RGB 147 224 82

HSL 92.54, 0.7%, 0.6%

LAB 81.91, -46.65, 60.13

 

CMYK 17 / 0 / 63 / 12

HEX #BAE052

RGB 186 224 82

HSL 76.06, 0.7%, 0.6%

LAB 84.15, -32.34, 63.21

 

CMYK 63 / 0 / 41 / 12

HEX #52E084

RGB 82 224 132

HSL 141.13, 0.7%, 0.6%

LAB 80.05, -58.03, 34.06

 

CMYK 63 / 0 / 24 / 12

HEX #52E0AA

RGB 82 224 170

HSL 157.18, 0.7%, 0.6%

LAB 80.74, -50.63, 15.37

 

CMYK 63 / 0 / 7 / 12

HEX #52E0D1

RGB 82 224 209

HSL 173.66, 0.7%, 0.6%

LAB 81.68, -41.27, -3.91

 

CMYK 63 / 10 / 0 / 12

HEX #52CAE0

RGB 82 202 224

HSL 189.3, 0.7%, 0.6%

LAB 75.71, -26.78, -20.87

 

CMYK 63 / 27 / 0 / 12

HEX #52A3E0

RGB 82 163 224

HSL 205.77, 0.7%, 0.6%

LAB 64.46, -6.26, -38.2

 

CMYK 63 / 0 / 41 / 12

HEX #52E084

RGB 82 224 132

HSL 141.13, 0.7%, 0.6%

LAB 80.05, -58.03, 34.06

 

CMYK 73 / 0 / 47 / 5

HEX #41F17F

RGB 65 241 127

HSL 141.14, 0.86%, 0.6%

LAB 84.77, -67.77, 42.52

 

CMYK 63 / 0 / 41 / 12

HEX #52E084

RGB 82 224 132

HSL 141.13, 0.7%, 0.6%

LAB 80.05, -58.03, 34.06

 

CMYK 53 / 0 / 35 / 18

HEX #62D088

RGB 98 208 136

HSL 140.73, 0.54%, 0.6%

LAB 75.75, -47.52, 26.4

 

CMYK 40 / 0 / 26 / 25

HEX #73BF8D

RGB 115 191 141

HSL 140.53, 0.37%, 0.6%

LAB 71.44, -34.55, 17.98

 

CMYK 25 / 0 / 17 / 31

HEX #83AF92

RGB 131 175 146

HSL 140.45, 0.22%, 0.6%

LAB 67.7, -20.78, 10.14

 

CMYK 6 / 0 / 4 / 38

HEX #949E97

RGB 148 158 151

HSL 138, 0.05%, 0.6%

LAB 64.15, -4.94, 2.42

 

CMYK 51 / 0 / 63 / 12

HEX #6EE052

RGB 110 224 82

HSL 108.17, 0.7%, 0.6%

LAB 80.31, -58.09, 57.93

 

CMYK 63 / 0 / 59 / 12

HEX #52E05B

RGB 82 224 91

HSL 123.8, 0.7%, 0.6%

LAB 79.53, -63.86, 52.97

 

CMYK 63 / 0 / 42 / 12

HEX #52E081

RGB 82 224 129

HSL 139.86, 0.7%, 0.6%

LAB 80, -58.54, 35.51

 

CMYK 63 / 0 / 25 / 12

HEX #52E0A7

RGB 82 224 167

HSL 155.92, 0.7%, 0.6%

LAB 80.68, -51.28, 16.86

 

CMYK 63 / 0 / 8 / 12

HEX #52E0CD

RGB 82 224 205

HSL 171.97, 0.7%, 0.6%

LAB 81.57, -42.31, -1.95

 

CMYK 82 / 0 / 54 / 25

HEX #22BE58

RGB 34 190 88

HSL 140.77, 0.7%, 0.44%

LAB 67.93, -60.27, 40.4

 

CMYK 78 / 0 / 51 / 15

HEX #2FDA6B

RGB 47 218 107

HSL 141.05, 0.7%, 0.52%

LAB 77.17, -65.37, 42.59

 

CMYK 63 / 0 / 41 / 12

HEX #52E084

RGB 82 224 132

HSL 141.13, 0.7%, 0.6%

LAB 80.05, -58.03, 34.06

 

CMYK 49 / 0 / 32 / 9

HEX #75E79D

RGB 117 231 157

HSL 141.05, 0.7%, 0.68%

LAB 83.64, -48.63, 26.29

 

CMYK 36 / 0 / 24 / 7

HEX #98EDB5

RGB 152 237 181

HSL 140.47, 0.7%, 0.76%

LAB 87.28, -37.36, 19.16

 

CMYK 64 / 0 / 41 / 12

HEX #52E184

RGB 82 225 132

HSL 140.98, 0.7%, 0.6%

LAB 80.35, -58.41, 34.46

 

CMYK 63 / 34 / 0 / 12

HEX #5294E0

RGB 82 148 224

HSL 212.11, 0.7%, 0.6%

LAB 60.21, 2.31, -44.88

 

CMYK 0 / 63 / 59 / 12

HEX #E0525B

RGB 224 82 91

HSL 356.2, 0.7%, 0.6%

LAB 54.7, 55.85, 24.98

 

CMYK 64 / 0 / 41 / 12

HEX #52E184

RGB 82 225 132

HSL 140.98, 0.7%, 0.6%

LAB 80.35, -58.41, 34.46

 

CMYK 42 / 63 / 0 / 12

HEX #8152E0

RGB 129 82 224

HSL 259.86, 0.7%, 0.6%

LAB 47.08, 50.67, -65.7

 

CMYK 0 / 42 / 63 / 12

HEX #E08152

RGB 224 129 82

HSL 19.86, 0.7%, 0.6%

LAB 63.47, 32.5, 40.93

 

CMYK 64 / 0 / 41 / 12

HEX #52E184

RGB 82 225 132

HSL 140.98, 0.7%, 0.6%

LAB 80.35, -58.41, 34.46

 

CMYK 63 / 34 / 0 / 12

HEX #5294E0

RGB 82 148 224

HSL 212.11, 0.7%, 0.6%

LAB 60.21, 2.31, -44.88

 

CMYK 0 / 63 / 21 / 12

HEX #E052B1

RGB 224 82 177

HSL 319.86, 0.7%, 0.6%

LAB 57.13, 64.69, -22.04

 

CMYK 0 / 29 / 63 / 12

HEX #E09E52

RGB 224 158 82

HSL 32.11, 0.7%, 0.6%

LAB 70.11, 17.04, 48.66

 

CMYK 64 / 0 / 41 / 12

HEX #52E184

RGB 82 225 132

HSL 140.98, 0.7%, 0.6%

LAB 80.35, -58.41, 34.46

 

CMYK 63 / 53 / 0 / 12

HEX #5269E0

RGB 82 105 224

HSL 230.28, 0.7%, 0.6%

LAB 48.61, 28.44, -63.41

 

CMYK 0 / 63 / 21 / 12

HEX #E052B1

RGB 224 82 177

HSL 319.86, 0.7%, 0.6%

LAB 57.13, 64.69, -22.04

 

CMYK 0 / 10 / 63 / 12

HEX #E0C952

RGB 224 201 82

HSL 50.28, 0.7%, 0.6%

LAB 80.87, -5.6, 60.55

 

Description

Color code: HEX #52E184 | qconv.com Color code: HEX #52E184 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 225 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 225 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 41 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 41% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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