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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52E13B it is the complementary color #AD1EC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52E13B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52E13B shade: #57E136, #68F349, #79FF5C, #8AFF6F and #9BFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52E13B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52E13B shade: #52E13B, #41CF28, #30BD15, #1FAB02 and #0E9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52E13B shade: #54E13D, #80E13D, #ACE13D, #D8E13D and #E1BD3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52E13B shade: #54E13D, #3DE152, #3DE17F, #3DE1AB and #3DE1D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52E13B shade matches the following richer shades: #54E13D and #46F32B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52E13B shade: #54E13D, #61CF4F, #6EBC61, #7BAA73 and #889886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52E13B shade: #ADE13D, #81E13D, #55E13D, #3DE150 and #3DE17C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52E13B shade: #30B01B, #3AD321, #54E13D, #73E661 and #93EC84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52E13B shade: #52E13B, #3DD9E1 and #E13D97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52E13B shade: #52E13B, #3D55E1 and #E13D55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52E13B shade: #52E13B, #3DD9E1, #C83DE1 and #E1453D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52E13B shade: #52E13B, #3DA7E1, #C83DE1 and #E1763D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 74 / 12

HEX #52E13B

RGB 82 225 59

HSL 111.69, 0.73%, 0.56%

LAB 79.59, -67.14, 65.59

 

Complementary color

CMYK 12 / 85 / 0 / 23

HEX #AD1EC4

RGB 173 30 196

HSL 291.69, 0.73%, 0.44%

LAB 43.94, 72.98, -54.4

 

CMYK 61 / 0 / 76 / 12

HEX #57E136

RGB 87 225 54

HSL 108.42, 0.74%, 0.55%

LAB 79.7, -66.39, 67.36

 

CMYK 57 / 0 / 70 / 5

HEX #68F349

RGB 104 243 73

HSL 109.06, 0.88%, 0.62%

LAB 85.77, -67.23, 67.17

 

CMYK 53 / 0 / 64 / 0

HEX #79FF5C

RGB 121 255 92

HSL 109.33, 1%, 0.68%

LAB 90.03, -65.65, 64.63

 

CMYK 46 / 0 / 56 / 0

HEX #8AFF6F

RGB 138 255 111

HSL 108.75, 1%, 0.72%

LAB 90.81, -59.18, 57.71

 

CMYK 39 / 0 / 49 / 0

HEX #9BFF82

RGB 155 255 130

HSL 108, 1%, 0.75%

LAB 91.73, -52.02, 50.36

 

CMYK 64 / 0 / 74 / 12

HEX #52E13B

RGB 82 225 59

HSL 111.69, 0.73%, 0.56%

LAB 79.59, -67.14, 65.59

 

CMYK 69 / 0 / 81 / 19

HEX #41CF28

RGB 65 207 40

HSL 111.02, 0.68%, 0.48%

LAB 73.48, -65.87, 65.4

 

CMYK 75 / 0 / 89 / 26

HEX #30BD15

RGB 48 189 21

HSL 110.36, 0.8%, 0.41%

LAB 67.34, -64.05, 64.19

 

CMYK 82 / 0 / 99 / 33

HEX #1FAB02

RGB 31 171 2

HSL 109.7, 0.98%, 0.34%

LAB 61.15, -61.52, 61.7

 

CMYK 91 / 0 / 100 / 40

HEX #0E9900

RGB 14 153 0

HSL 114.51, 1%, 0.3%

LAB 54.94, -57.98, 56.93

 

CMYK 63 / 0 / 73 / 12

HEX #54E13D

RGB 84 225 61

HSL 111.59, 0.73%, 0.56%

LAB 79.65, -66.57, 64.99

 

CMYK 43 / 0 / 73 / 12

HEX #80E13D

RGB 128 225 61

HSL 95.49, 0.73%, 0.56%

LAB 81.17, -54.84, 67

 

CMYK 24 / 0 / 73 / 12

HEX #ACE13D

RGB 172 225 61

HSL 79.39, 0.73%, 0.56%

LAB 83.42, -39.47, 69.97

 

CMYK 4 / 0 / 73 / 12

HEX #D8E13D

RGB 216 225 61

HSL 63.29, 0.73%, 0.56%

LAB 86.4, -21.99, 73.86

 

CMYK 0 / 16 / 73 / 12

HEX #E1BD3D

RGB 225 189 61

HSL 46.83, 0.73%, 0.56%

LAB 77.72, -0.1, 65.82

 

CMYK 63 / 0 / 73 / 12

HEX #54E13D

RGB 84 225 61

HSL 111.59, 0.73%, 0.56%

LAB 79.65, -66.57, 64.99

 

CMYK 73 / 0 / 64 / 12

HEX #3DE152

RGB 61 225 82

HSL 127.68, 0.73%, 0.56%

LAB 79.3, -68.94, 56.44

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17F

RGB 61 225 127

HSL 144.15, 0.73%, 0.56%

LAB 79.83, -62.76, 36.19

 

CMYK 73 / 0 / 24 / 12

HEX #3DE1AB

RGB 61 225 171

HSL 160.24, 0.73%, 0.56%

LAB 80.62, -54.02, 14.61

 

CMYK 73 / 0 / 4 / 12

HEX #3DE1D7

RGB 61 225 215

HSL 176.34, 0.73%, 0.56%

LAB 81.7, -42.98, -7.12

 

CMYK 63 / 0 / 73 / 12

HEX #54E13D

RGB 84 225 61

HSL 111.59, 0.73%, 0.56%

LAB 79.65, -66.57, 64.99

 

CMYK 71 / 0 / 82 / 5

HEX #46F32B

RGB 70 243 43

HSL 111.9, 0.89%, 0.56%

LAB 84.78, -75.97, 75.03

 

CMYK 63 / 0 / 73 / 12

HEX #54E13D

RGB 84 225 61

HSL 111.59, 0.73%, 0.56%

LAB 79.65, -66.57, 64.99

 

CMYK 53 / 0 / 62 / 19

HEX #61CF4F

RGB 97 207 79

HSL 111.56, 0.57%, 0.56%

LAB 74.66, -55.49, 52.78

 

CMYK 41 / 0 / 48 / 26

HEX #6EBC61

RGB 110 188 97

HSL 111.43, 0.4%, 0.56%

LAB 69.57, -41.91, 38.47

 

CMYK 28 / 0 / 32 / 33

HEX #7BAA73

RGB 123 170 115

HSL 111.27, 0.24%, 0.56%

LAB 65.12, -26.59, 23.45

 

CMYK 11 / 0 / 12 / 40

HEX #889886

RGB 136 152 134

HSL 113.33, 0.08%, 0.56%

LAB 61.14, -9.26, 7.55

 

CMYK 23 / 0 / 73 / 12

HEX #ADE13D

RGB 173 225 61

HSL 79.02, 0.73%, 0.56%

LAB 83.48, -39.09, 70.05

 

CMYK 43 / 0 / 73 / 12

HEX #81E13D

RGB 129 225 61

HSL 95.12, 0.73%, 0.56%

LAB 81.21, -54.52, 67.06

 

CMYK 62 / 0 / 73 / 12

HEX #55E13D

RGB 85 225 61

HSL 111.22, 0.73%, 0.56%

LAB 79.68, -66.35, 65.03

 

CMYK 73 / 0 / 64 / 12

HEX #3DE150

RGB 61 225 80

HSL 126.95, 0.73%, 0.56%

LAB 79.28, -69.15, 57.25

 

CMYK 73 / 0 / 45 / 12

HEX #3DE17C

RGB 61 225 124

HSL 143.05, 0.73%, 0.56%

LAB 79.78, -63.26, 37.62

 

CMYK 73 / 0 / 85 / 31

HEX #30B01B

RGB 48 176 27

HSL 111.54, 0.73%, 0.4%

LAB 63.14, -59.74, 59.2

 

CMYK 73 / 0 / 84 / 17

HEX #3AD321

RGB 58 211 33

HSL 111.57, 0.73%, 0.48%

LAB 74.57, -68.7, 68.1

 

CMYK 63 / 0 / 73 / 12

HEX #54E13D

RGB 84 225 61

HSL 111.59, 0.73%, 0.56%

LAB 79.65, -66.57, 64.99

 

CMYK 50 / 0 / 58 / 10

HEX #73E661

RGB 115 230 97

HSL 111.88, 0.73%, 0.64%

LAB 82.43, -57.48, 53.93

 

CMYK 38 / 0 / 44 / 7

HEX #93EC84

RGB 147 236 132

HSL 111.35, 0.73%, 0.72%

LAB 85.94, -46.27, 42.1

 

CMYK 64 / 0 / 74 / 12

HEX #52E13B

RGB 82 225 59

HSL 111.69, 0.73%, 0.56%

LAB 79.59, -67.14, 65.59

 

CMYK 73 / 4 / 0 / 12

HEX #3DD9E1

RGB 61 217 225

HSL 182.93, 0.73%, 0.56%

LAB 79.64, -36.55, -15.51

 

CMYK 0 / 73 / 33 / 12

HEX #E13D97

RGB 225 61 151

HSL 327.07, 0.73%, 0.56%

LAB 53.58, 69.42, -12.21

 

CMYK 64 / 0 / 74 / 12

HEX #52E13B

RGB 82 225 59

HSL 111.69, 0.73%, 0.56%

LAB 79.59, -67.14, 65.59

 

CMYK 73 / 62 / 0 / 12

HEX #3D55E1

RGB 61 85 225

HSL 231.22, 0.73%, 0.56%

LAB 42.65, 38.33, -73.72

 

CMYK 0 / 73 / 62 / 12

HEX #E13D55

RGB 225 61 85

HSL 351.22, 0.73%, 0.56%

LAB 51.84, 63.78, 24.83

 

CMYK 64 / 0 / 74 / 12

HEX #52E13B

RGB 82 225 59

HSL 111.69, 0.73%, 0.56%

LAB 79.59, -67.14, 65.59

 

CMYK 73 / 4 / 0 / 12

HEX #3DD9E1

RGB 61 217 225

HSL 182.93, 0.73%, 0.56%

LAB 79.64, -36.55, -15.51

 

CMYK 11 / 73 / 0 / 12

HEX #C83DE1

RGB 200 61 225

HSL 290.85, 0.73%, 0.56%

LAB 53.01, 74.35, -56.26

 

CMYK 0 / 69 / 73 / 12

HEX #E1453D

RGB 225 69 61

HSL 2.93, 0.73%, 0.56%

LAB 52.51, 59.71, 39.56

 

CMYK 64 / 0 / 74 / 12

HEX #52E13B

RGB 82 225 59

HSL 111.69, 0.73%, 0.56%

LAB 79.59, -67.14, 65.59

 

CMYK 73 / 26 / 0 / 12

HEX #3DA7E1

RGB 61 167 225

HSL 201.22, 0.73%, 0.56%

LAB 65.01, -11.31, -37.94

 

CMYK 11 / 73 / 0 / 12

HEX #C83DE1

RGB 200 61 225

HSL 290.85, 0.73%, 0.56%

LAB 53.01, 74.35, -56.26

 

CMYK 0 / 48 / 73 / 12

HEX #E1763D

RGB 225 118 61

HSL 20.85, 0.73%, 0.56%

LAB 61.05, 37.44, 48.9

 

Description

Color code: HEX #52E13B | qconv.com Color code: HEX #52E13B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 225 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 225 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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