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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DF63 it is the complementary color #AD209C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DF63 shade: #57DF5E, #68F171, #79FF84, #8AFF97 and #9BFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DF63 shade: #52DF63, #41CD50, #30BB3D, #1FA92A and #0E9717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DF63 shade: #53DF64, #68DF53, #8EDF53, #B4DF53 and #D9DF53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DF63 shade: #53DF64, #53DF8A, #53DFAF, #53DFD5 and #53C3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DF63 shade matches the following richer shades: #53DF64 and #42F057

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DF63 shade: #53DF64, #63CF70, #74BE7D, #84AE89 and #959D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DF63 shade: #8DDF53, #68DF53, #53DF63, #53DF89 and #53DFAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DF63 shade: #23BD35, #30D944, #53DF64, #75E683 and #98ECA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DF63 shade: #52DF63, #53B3DF and #DF537B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DF63 shade: #52DF63, #6353DF and #DF6353

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DF63 shade: #52DF63, #53B3DF, #DF53CF and #DF7F53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DF63 shade: #52DF63, #5389DF, #DF53CF and #DFA953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 56 / 13

HEX #52DF63

RGB 82 223 99

HSL 127.23, 0.69%, 0.6%

LAB 79.31, -62.56, 49.11

 

Complementary color

CMYK 0 / 82 / 10 / 32

HEX #AD209C

RGB 173 32 156

HSL 307.23, 0.69%, 0.4%

LAB 41.72, 66.15, -34.26

 

CMYK 61 / 0 / 58 / 13

HEX #57DF5E

RGB 87 223 94

HSL 123.09, 0.68%, 0.61%

LAB 79.39, -62.11, 51.5

 

CMYK 57 / 0 / 53 / 5

HEX #68F171

RGB 104 241 113

HSL 123.94, 0.83%, 0.68%

LAB 85.53, -62.47, 50.26

 

CMYK 53 / 0 / 48 / 0

HEX #79FF84

RGB 121 255 132

HSL 124.93, 1%, 0.74%

LAB 90.44, -61.13, 47.53

 

CMYK 46 / 0 / 41 / 0

HEX #8AFF97

RGB 138 255 151

HSL 126.67, 1%, 0.77%

LAB 91.31, -54.04, 39.62

 

CMYK 39 / 0 / 33 / 0

HEX #9BFFAA

RGB 155 255 170

HSL 129, 1%, 0.8%

LAB 92.31, -46.34, 31.65

 

CMYK 63 / 0 / 56 / 13

HEX #52DF63

RGB 82 223 99

HSL 127.23, 0.69%, 0.6%

LAB 79.31, -62.56, 49.11

 

CMYK 68 / 0 / 61 / 20

HEX #41CD50

RGB 65 205 80

HSL 126.43, 0.58%, 0.53%

LAB 73.13, -61.88, 50.37

 

CMYK 74 / 0 / 67 / 27

HEX #30BB3D

RGB 48 187 61

HSL 125.61, 0.59%, 0.46%

LAB 66.9, -60.79, 51.47

 

CMYK 82 / 0 / 75 / 34

HEX #1FA92A

RGB 31 169 42

HSL 124.78, 0.69%, 0.39%

LAB 60.64, -59.1, 52.18

 

CMYK 91 / 0 / 85 / 41

HEX #0E9717

RGB 14 151 23

HSL 123.94, 0.83%, 0.32%

LAB 54.33, -56.56, 52.05

 

CMYK 63 / 0 / 55 / 13

HEX #53DF64

RGB 83 223 100

HSL 127.29, 0.69%, 0.6%

LAB 79.35, -62.23, 48.7

 

CMYK 53 / 0 / 63 / 13

HEX #68DF53

RGB 104 223 83

HSL 111, 0.69%, 0.6%

LAB 79.81, -59.23, 56.89

 

CMYK 36 / 0 / 63 / 13

HEX #8EDF53

RGB 142 223 83

HSL 94.71, 0.69%, 0.6%

LAB 81.37, -47.84, 59.06

 

CMYK 19 / 0 / 63 / 13

HEX #B4DF53

RGB 180 223 83

HSL 78.43, 0.69%, 0.6%

LAB 83.5, -34.12, 61.99

 

CMYK 3 / 0 / 63 / 13

HEX #D9DF53

RGB 217 223 83

HSL 62.57, 0.69%, 0.6%

LAB 86.08, -19.44, 65.52

 

CMYK 63 / 0 / 55 / 13

HEX #53DF64

RGB 83 223 100

HSL 127.29, 0.69%, 0.6%

LAB 79.35, -62.23, 48.7

 

CMYK 63 / 0 / 38 / 13

HEX #53DF8A

RGB 83 223 138

HSL 143.57, 0.69%, 0.6%

LAB 79.87, -56.41, 30.79

 

CMYK 63 / 0 / 22 / 13

HEX #53DFAF

RGB 83 223 175

HSL 159.43, 0.69%, 0.6%

LAB 80.58, -48.93, 12.51

 

CMYK 63 / 0 / 4 / 13

HEX #53DFD5

RGB 83 223 213

HSL 175.71, 0.69%, 0.6%

LAB 81.52, -39.62, -6.27

 

CMYK 63 / 13 / 0 / 13

HEX #53C3DF

RGB 83 195 223

HSL 192, 0.69%, 0.6%

LAB 73.67, -23.42, -23.43

 

CMYK 63 / 0 / 55 / 13

HEX #53DF64

RGB 83 223 100

HSL 127.29, 0.69%, 0.6%

LAB 79.35, -62.23, 48.7

 

CMYK 73 / 0 / 64 / 6

HEX #42F057

RGB 66 240 87

HSL 127.24, 0.85%, 0.6%

LAB 84.05, -72.44, 59.67

 

CMYK 63 / 0 / 55 / 13

HEX #53DF64

RGB 83 223 100

HSL 127.29, 0.69%, 0.6%

LAB 79.35, -62.23, 48.7

 

CMYK 52 / 0 / 46 / 19

HEX #63CF70

RGB 99 207 112

HSL 127.22, 0.53%, 0.6%

LAB 75.11, -50.83, 37.83

 

CMYK 39 / 0 / 34 / 25

HEX #74BE7D

RGB 116 190 125

HSL 127.3, 0.36%, 0.6%

LAB 70.89, -36.67, 25.77

 

CMYK 24 / 0 / 21 / 32

HEX #84AE89

RGB 132 174 137

HSL 127.14, 0.21%, 0.6%

LAB 67.26, -21.65, 14.49

 

CMYK 5 / 0 / 4 / 38

HEX #959D96

RGB 149 157 150

HSL 127.5, 0.04%, 0.6%

LAB 63.92, -4.22, 2.66

 

CMYK 37 / 0 / 63 / 13

HEX #8DDF53

RGB 141 223 83

HSL 95.14, 0.69%, 0.6%

LAB 81.33, -48.17, 59

 

CMYK 53 / 0 / 63 / 13

HEX #68DF53

RGB 104 223 83

HSL 111, 0.69%, 0.6%

LAB 79.81, -59.23, 56.89

 

CMYK 63 / 0 / 56 / 13

HEX #53DF63

RGB 83 223 99

HSL 126.86, 0.69%, 0.6%

LAB 79.34, -62.35, 49.15

 

CMYK 63 / 0 / 39 / 13

HEX #53DF89

RGB 83 223 137

HSL 143.14, 0.69%, 0.6%

LAB 79.85, -56.59, 31.27

 

CMYK 63 / 0 / 22 / 13

HEX #53DFAE

RGB 83 223 174

HSL 159, 0.69%, 0.6%

LAB 80.56, -49.16, 13.01

 

CMYK 81 / 0 / 72 / 26

HEX #23BD35

RGB 35 189 53

HSL 127.01, 0.69%, 0.44%

LAB 67.28, -63.92, 54.94

 

CMYK 78 / 0 / 69 / 15

HEX #30D944

RGB 48 217 68

HSL 127.1, 0.69%, 0.52%

LAB 76.48, -69.63, 58.93

 

CMYK 63 / 0 / 55 / 13

HEX #53DF64

RGB 83 223 100

HSL 127.29, 0.69%, 0.6%

LAB 79.35, -62.23, 48.7

 

CMYK 49 / 0 / 43 / 10

HEX #75E683

RGB 117 230 131

HSL 127.43, 0.69%, 0.68%

LAB 82.92, -52.54, 38.49

 

CMYK 36 / 0 / 31 / 7

HEX #98ECA2

RGB 152 236 162

HSL 127.14, 0.69%, 0.76%

LAB 86.64, -40.23, 28.05

 

CMYK 63 / 0 / 56 / 13

HEX #52DF63

RGB 82 223 99

HSL 127.23, 0.69%, 0.6%

LAB 79.31, -62.56, 49.11

 

CMYK 63 / 20 / 0 / 13

HEX #53B3DF

RGB 83 179 223

HSL 198.86, 0.69%, 0.6%

LAB 69.05, -15.13, -30.53

 

CMYK 0 / 63 / 45 / 13

HEX #DF537B

RGB 223 83 123

HSL 342.86, 0.69%, 0.6%

LAB 55.38, 57.72, 7.01

 

CMYK 63 / 0 / 56 / 13

HEX #52DF63

RGB 82 223 99

HSL 127.23, 0.69%, 0.6%

LAB 79.31, -62.56, 49.11

 

CMYK 56 / 63 / 0 / 13

HEX #6353DF

RGB 99 83 223

HSL 246.86, 0.69%, 0.6%

LAB 44.47, 44.27, -69.5

 

CMYK 0 / 56 / 63 / 13

HEX #DF6353

RGB 223 99 83

HSL 6.86, 0.69%, 0.6%

LAB 57.3, 47.31, 32.86

 

CMYK 63 / 0 / 56 / 13

HEX #52DF63

RGB 82 223 99

HSL 127.23, 0.69%, 0.6%

LAB 79.31, -62.56, 49.11

 

CMYK 63 / 20 / 0 / 13

HEX #53B3DF

RGB 83 179 223

HSL 198.86, 0.69%, 0.6%

LAB 69.05, -15.13, -30.53

 

CMYK 0 / 63 / 7 / 13

HEX #DF53CF

RGB 223 83 207

HSL 306.86, 0.69%, 0.6%

LAB 58.4, 68.41, -37.29

 

CMYK 0 / 43 / 63 / 13

HEX #DF7F53

RGB 223 127 83

HSL 18.86, 0.69%, 0.6%

LAB 62.92, 33.21, 39.71

 

CMYK 63 / 0 / 56 / 13

HEX #52DF63

RGB 82 223 99

HSL 127.23, 0.69%, 0.6%

LAB 79.31, -62.56, 49.11

 

CMYK 63 / 39 / 0 / 13

HEX #5389DF

RGB 83 137 223

HSL 216.86, 0.69%, 0.6%

LAB 57.13, 8.65, -49.19

 

CMYK 0 / 63 / 7 / 13

HEX #DF53CF

RGB 223 83 207

HSL 306.86, 0.69%, 0.6%

LAB 58.4, 68.41, -37.29

 

CMYK 0 / 24 / 63 / 13

HEX #DFA953

RGB 223 169 83

HSL 36.86, 0.69%, 0.6%

LAB 72.69, 10.81, 51.07

 

Description

Color code: HEX #52DF63 | qconv.com Color code: HEX #52DF63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 223 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 223 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 56 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 56% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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