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Color name
HEX #52DF5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DF5A it is the complementary color #AD20A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DF5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DF5A shade: #57DF55, #68F168, #79FF7B, #8AFF8E and #9BFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DF5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DF5A shade: #52DF5A, #41CD47, #30BB34, #1FA921 and #0E970E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DF5A shade: #52DF5A, #70DF52, #96DF52, #BCDF52 and #DFDC52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DF5A shade: #52DF5A, #52DF80, #52DFA6, #52DFCC and #52CCDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DF5A shade matches the following richer shades: #52DF5A and #42EF4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DF5A shade: #52DF5A, #63CE69, #73BE77, #84AD86 and #949D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DF5A shade: #96DF52, #71DF52, #52DF59, #52DF7F and #52DFA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DF5A shade: #22BC2B, #2FD839, #52DF5A, #75E57B and #98EC9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DF5A shade: #52DF5A, #52BCDF and #DF5283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DF5A shade: #52DF5A, #5952DF and #DF5952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DF5A shade: #52DF5A, #52BCDF, #DF52D8 and #DF7552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DF5A shade: #52DF5A, #5291DF, #DF52D8 and #DFA052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

Complementary color

CMYK 0 / 82 / 5 / 32

HEX #AD20A5

RGB 173 32 165

HSL 303.4, 0.69%, 0.4%

LAB 42.21, 67.5, -38.88

 

CMYK 61 / 0 / 62 / 13

HEX #57DF55

RGB 87 223 85

HSL 119.13, 0.68%, 0.6%

LAB 79.3, -63.11, 55.34

 

CMYK 57 / 0 / 57 / 5

HEX #68F168

RGB 104 241 104

HSL 120, 0.83%, 0.68%

LAB 85.43, -63.56, 54.22

 

CMYK 53 / 0 / 52 / 0

HEX #79FF7B

RGB 121 255 123

HSL 120.9, 1%, 0.74%

LAB 90.33, -62.31, 51.59

 

CMYK 46 / 0 / 44 / 0

HEX #8AFF8E

RGB 138 255 142

HSL 122.05, 1%, 0.77%

LAB 91.18, -55.35, 43.83

 

CMYK 39 / 0 / 37 / 0

HEX #9BFFA1

RGB 155 255 161

HSL 123.6, 1%, 0.8%

LAB 92.16, -47.76, 35.95

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 68 / 0 / 65 / 20

HEX #41CD47

RGB 65 205 71

HSL 122.57, 0.58%, 0.53%

LAB 73.05, -62.85, 54.13

 

CMYK 74 / 0 / 72 / 27

HEX #30BB34

RGB 48 187 52

HSL 121.73, 0.59%, 0.46%

LAB 66.84, -61.61, 54.92

 

CMYK 82 / 0 / 80 / 34

HEX #1FA921

RGB 31 169 33

HSL 120.87, 0.69%, 0.39%

LAB 60.58, -59.74, 55.09

 

CMYK 91 / 0 / 91 / 41

HEX #0E970E

RGB 14 151 14

HSL 120, 0.83%, 0.32%

LAB 54.3, -56.96, 54.09

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 50 / 0 / 63 / 13

HEX #70DF52

RGB 112 223 82

HSL 107.23, 0.69%, 0.6%

LAB 80.08, -57.17, 57.7

 

CMYK 33 / 0 / 63 / 13

HEX #96DF52

RGB 150 223 82

HSL 91.06, 0.69%, 0.6%

LAB 81.77, -45.2, 60.02

 

CMYK 16 / 0 / 63 / 13

HEX #BCDF52

RGB 188 223 82

HSL 74.89, 0.69%, 0.6%

LAB 84.01, -31.1, 63.09

 

CMYK 0 / 1 / 63 / 13

HEX #DFDC52

RGB 223 220 82

HSL 58.72, 0.69%, 0.6%

LAB 85.75, -15.57, 65.71

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 63 / 0 / 43 / 13

HEX #52DF80

RGB 82 223 128

HSL 139.57, 0.69%, 0.6%

LAB 79.69, -58.33, 35.6

 

CMYK 63 / 0 / 26 / 13

HEX #52DFA6

RGB 82 223 166

HSL 155.74, 0.69%, 0.6%

LAB 80.36, -51.09, 16.94

 

CMYK 63 / 0 / 9 / 13

HEX #52DFCC

RGB 82 223 204

HSL 171.91, 0.69%, 0.6%

LAB 81.25, -42.12, -1.89

 

CMYK 63 / 9 / 0 / 13

HEX #52CCDF

RGB 82 204 223

HSL 188.09, 0.69%, 0.6%

LAB 76.26, -28.06, -19.51

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 72 / 0 / 69 / 6

HEX #42EF4B

RGB 66 239 75

HSL 123.12, 0.84%, 0.6%

LAB 83.65, -73.27, 63.95

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 52 / 0 / 49 / 19

HEX #63CE69

RGB 99 206 105

HSL 123.36, 0.52%, 0.6%

LAB 74.71, -51.44, 40.79

 

CMYK 39 / 0 / 37 / 25

HEX #73BE77

RGB 115 190 119

HSL 123.2, 0.37%, 0.6%

LAB 70.74, -37.98, 28.73

 

CMYK 24 / 0 / 23 / 32

HEX #84AD86

RGB 132 173 134

HSL 122.93, 0.2%, 0.6%

LAB 66.91, -21.69, 15.64

 

CMYK 6 / 0 / 5 / 38

HEX #949D95

RGB 148 157 149

HSL 126.67, 0.04%, 0.6%

LAB 63.82, -4.78, 3.06

 

CMYK 33 / 0 / 63 / 13

HEX #96DF52

RGB 150 223 82

HSL 91.06, 0.69%, 0.6%

LAB 81.77, -45.2, 60.02

 

CMYK 49 / 0 / 63 / 13

HEX #71DF52

RGB 113 223 82

HSL 106.81, 0.69%, 0.6%

LAB 80.12, -56.89, 57.75

 

CMYK 63 / 0 / 60 / 13

HEX #52DF59

RGB 82 223 89

HSL 122.98, 0.69%, 0.6%

LAB 79.21, -63.74, 53.47

 

CMYK 63 / 0 / 43 / 13

HEX #52DF7F

RGB 82 223 127

HSL 139.15, 0.69%, 0.6%

LAB 79.67, -58.49, 36.08

 

CMYK 63 / 0 / 26 / 13

HEX #52DFA4

RGB 82 223 164

HSL 154.89, 0.69%, 0.6%

LAB 80.32, -51.51, 17.93

 

CMYK 82 / 0 / 77 / 26

HEX #22BC2B

RGB 34 188 43

HSL 123.51, 0.69%, 0.44%

LAB 66.89, -64.51, 58.03

 

CMYK 78 / 0 / 74 / 15

HEX #2FD839

RGB 47 216 57

HSL 123.55, 0.68%, 0.52%

LAB 76.08, -70.38, 62.52

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 49 / 0 / 46 / 10

HEX #75E57B

RGB 117 229 123

HSL 123.21, 0.68%, 0.68%

LAB 82.51, -53.3, 41.9

 

CMYK 36 / 0 / 33 / 7

HEX #98EC9D

RGB 152 236 157

HSL 123.57, 0.69%, 0.76%

LAB 86.55, -41.04, 30.48

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 63 / 16 / 0 / 13

HEX #52BCDF

RGB 82 188 223

HSL 194.89, 0.69%, 0.6%

LAB 71.61, -20.01, -26.58

 

CMYK 0 / 63 / 41 / 13

HEX #DF5283

RGB 223 82 131

HSL 339.15, 0.69%, 0.6%

LAB 55.44, 58.93, 2.36

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 60 / 63 / 0 / 13

HEX #5952DF

RGB 89 82 223

HSL 242.98, 0.69%, 0.6%

LAB 43.49, 43.23, -71.14

 

CMYK 0 / 60 / 63 / 13

HEX #DF5952

RGB 223 89 82

HSL 2.98, 0.69%, 0.6%

LAB 55.52, 51.88, 31.21

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 63 / 16 / 0 / 13

HEX #52BCDF

RGB 82 188 223

HSL 194.89, 0.69%, 0.6%

LAB 71.61, -20.01, -26.58

 

CMYK 0 / 63 / 3 / 13

HEX #DF52D8

RGB 223 82 216

HSL 302.98, 0.69%, 0.6%

LAB 58.68, 70.23, -41.95

 

CMYK 0 / 48 / 63 / 13

HEX #DF7552

RGB 223 117 82

HSL 14.89, 0.69%, 0.6%

LAB 60.8, 38.33, 37.7

 

CMYK 63 / 0 / 60 / 13

HEX #52DF5A

RGB 82 223 90

HSL 123.4, 0.69%, 0.6%

LAB 79.22, -63.63, 53.04

 

CMYK 63 / 35 / 0 / 13

HEX #5291DF

RGB 82 145 223

HSL 213.19, 0.69%, 0.6%

LAB 59.32, 3.73, -45.73

 

CMYK 0 / 63 / 3 / 13

HEX #DF52D8

RGB 223 82 216

HSL 302.98, 0.69%, 0.6%

LAB 58.68, 70.23, -41.95

 

CMYK 0 / 28 / 63 / 13

HEX #DFA052

RGB 223 160 82

HSL 33.19, 0.69%, 0.6%

LAB 70.48, 15.55, 49.05

 

Description

Color code: HEX #52DF5A | qconv.com Color code: HEX #52DF5A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 223 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 223 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 60% 13% C M Y K

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