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Color name
HEX #52DF40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DF40 it is the complementary color #AD20BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DF40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DF40 shade: #57DF3B, #68F14E, #79FF61, #8AFF74 and #9BFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DF40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DF40 shade: #52DF40, #41CD2D, #30BB1A, #1FA907 and #0E9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DF40 shade: #51DE3F, #7CDE3F, #A7DE3F, #D2DE3F and #DEC03F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DF40 shade: #51DE3F, #3FDE58, #3FDE83, #3FDEAE and #3FDED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DF40 shade matches the following richer shades: #51DE3F and #43F12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DF40 shade: #51DE3F, #5FCC51, #6DBA63, #7BA876 and #899688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DF40 shade: #A7DE3F, #7CDE3F, #52DE3F, #3FDE57 and #3FDE82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DF40 shade: #2EAE1D, #37D123, #51DE3F, #71E462 and #91EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DF40 shade: #52DF40, #3FD1DE and #DE3F91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DF40 shade: #52DF40, #3F52DE and #DE3F52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DF40 shade: #52DF40, #3FD1DE, #CC3FDE and #DE4C3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DF40 shade: #52DF40, #3FA1DE, #CC3FDE and #DE7C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 71 / 13

HEX #52DF40

RGB 82 223 64

HSL 113.21, 0.71%, 0.56%

LAB 79.01, -66.1, 63.26

 

Complementary color

CMYK 9 / 83 / 0 / 25

HEX #AD20BF

RGB 173 32 191

HSL 293.21, 0.71%, 0.44%

LAB 43.77, 71.68, -51.76

 

CMYK 61 / 0 / 74 / 13

HEX #57DF3B

RGB 87 223 59

HSL 109.76, 0.72%, 0.55%

LAB 79.11, -65.38, 65.15

 

CMYK 57 / 0 / 68 / 5

HEX #68F14E

RGB 104 241 78

HSL 110.43, 0.85%, 0.63%

LAB 85.2, -66.14, 64.73

 

CMYK 53 / 0 / 62 / 0

HEX #79FF61

RGB 121 255 97

HSL 110.89, 1%, 0.69%

LAB 90.07, -65.18, 62.65

 

CMYK 46 / 0 / 55 / 0

HEX #8AFF74

RGB 138 255 116

HSL 110.5, 1%, 0.73%

LAB 90.86, -58.63, 55.55

 

CMYK 39 / 0 / 47 / 0

HEX #9BFF87

RGB 155 255 135

HSL 110, 1%, 0.76%

LAB 91.79, -51.4, 48.09

 

CMYK 63 / 0 / 71 / 13

HEX #52DF40

RGB 82 223 64

HSL 113.21, 0.71%, 0.56%

LAB 79.01, -66.1, 63.26

 

CMYK 68 / 0 / 78 / 20

HEX #41CD2D

RGB 65 205 45

HSL 112.5, 0.64%, 0.49%

LAB 72.88, -64.94, 63.38

 

CMYK 74 / 0 / 86 / 27

HEX #30BB1A

RGB 48 187 26

HSL 111.8, 0.76%, 0.42%

LAB 66.71, -63.24, 62.62

 

CMYK 82 / 0 / 96 / 34

HEX #1FA907

RGB 31 169 7

HSL 111.11, 0.92%, 0.35%

LAB 60.5, -60.8, 60.48

 

CMYK 91 / 0 / 100 / 41

HEX #0E9700

RGB 14 151 0

HSL 114.44, 1%, 0.3%

LAB 54.27, -57.4, 56.38

 

CMYK 64 / 0 / 72 / 13

HEX #51DE3F

RGB 81 222 63

HSL 113.21, 0.71%, 0.56%

LAB 78.67, -66.06, 63.27

 

CMYK 44 / 0 / 72 / 13

HEX #7CDE3F

RGB 124 222 63

HSL 96.98, 0.71%, 0.56%

LAB 80.12, -54.78, 65.2

 

CMYK 25 / 0 / 72 / 13

HEX #A7DE3F

RGB 167 222 63

HSL 80.75, 0.71%, 0.56%

LAB 82.28, -39.92, 68.08

 

CMYK 5 / 0 / 72 / 13

HEX #D2DE3F

RGB 210 222 63

HSL 64.53, 0.71%, 0.56%

LAB 85.15, -22.91, 71.85

 

CMYK 0 / 14 / 72 / 13

HEX #DEC03F

RGB 222 192 63

HSL 48.68, 0.71%, 0.56%

LAB 78.22, -2.84, 65.46

 

CMYK 64 / 0 / 72 / 13

HEX #51DE3F

RGB 81 222 63

HSL 113.21, 0.71%, 0.56%

LAB 78.67, -66.06, 63.27

 

CMYK 72 / 0 / 60 / 13

HEX #3FDE58

RGB 63 222 88

HSL 129.43, 0.71%, 0.56%

LAB 78.46, -67, 52.94

 

CMYK 72 / 0 / 41 / 13

HEX #3FDE83

RGB 63 222 131

HSL 145.66, 0.71%, 0.56%

LAB 79.01, -60.7, 33.12

 

CMYK 72 / 0 / 22 / 13

HEX #3FDEAE

RGB 63 222 174

HSL 161.89, 0.71%, 0.56%

LAB 79.82, -51.87, 11.9

 

CMYK 72 / 0 / 2 / 13

HEX #3FDED9

RGB 63 222 217

HSL 178.11, 0.71%, 0.56%

LAB 80.91, -40.86, -9.35

 

CMYK 64 / 0 / 72 / 13

HEX #51DE3F

RGB 81 222 63

HSL 113.21, 0.71%, 0.56%

LAB 78.67, -66.06, 63.27

 

CMYK 72 / 0 / 81 / 5

HEX #43F12D

RGB 67 241 45

HSL 113.27, 0.88%, 0.56%

LAB 84.12, -75.76, 73.91

 

CMYK 64 / 0 / 72 / 13

HEX #51DE3F

RGB 81 222 63

HSL 113.21, 0.71%, 0.56%

LAB 78.67, -66.06, 63.27

 

CMYK 53 / 0 / 60 / 20

HEX #5FCC51

RGB 95 204 81

HSL 113.17, 0.55%, 0.56%

LAB 73.68, -54.68, 50.79

 

CMYK 41 / 0 / 47 / 27

HEX #6DBA63

RGB 109 186 99

HSL 113.1, 0.39%, 0.56%

LAB 68.95, -41.08, 36.68

 

CMYK 27 / 0 / 30 / 34

HEX #7BA876

RGB 123 168 118

HSL 114, 0.22%, 0.56%

LAB 64.58, -25.11, 21.1

 

CMYK 9 / 0 / 9 / 41

HEX #899688

RGB 137 150 136

HSL 115.71, 0.06%, 0.56%

LAB 60.7, -7.42, 5.79

 

CMYK 25 / 0 / 72 / 13

HEX #A7DE3F

RGB 167 222 63

HSL 80.75, 0.71%, 0.56%

LAB 82.28, -39.92, 68.08

 

CMYK 44 / 0 / 72 / 13

HEX #7CDE3F

RGB 124 222 63

HSL 96.98, 0.71%, 0.56%

LAB 80.12, -54.78, 65.2

 

CMYK 63 / 0 / 72 / 13

HEX #52DE3F

RGB 82 222 63

HSL 112.83, 0.71%, 0.56%

LAB 78.69, -65.85, 63.3

 

CMYK 72 / 0 / 61 / 13

HEX #3FDE57

RGB 63 222 87

HSL 129.06, 0.71%, 0.56%

LAB 78.45, -67.11, 53.37

 

CMYK 72 / 0 / 41 / 13

HEX #3FDE82

RGB 63 222 130

HSL 145.28, 0.71%, 0.56%

LAB 78.99, -60.88, 33.6

 

CMYK 74 / 0 / 83 / 32

HEX #2EAE1D

RGB 46 174 29

HSL 112.97, 0.71%, 0.4%

LAB 62.46, -59.35, 58.06

 

CMYK 74 / 0 / 83 / 18

HEX #37D123

RGB 55 209 35

HSL 113.1, 0.71%, 0.48%

LAB 73.89, -68.48, 67

 

CMYK 64 / 0 / 72 / 13

HEX #51DE3F

RGB 81 222 63

HSL 113.21, 0.71%, 0.56%

LAB 78.67, -66.06, 63.27

 

CMYK 50 / 0 / 57 / 11

HEX #71E462

RGB 113 228 98

HSL 113.08, 0.71%, 0.64%

LAB 81.77, -57.15, 52.7

 

CMYK 38 / 0 / 43 / 8

HEX #91EA86

RGB 145 234 134

HSL 113.4, 0.7%, 0.72%

LAB 85.29, -45.76, 40.28

 

CMYK 63 / 0 / 71 / 13

HEX #52DF40

RGB 82 223 64

HSL 113.21, 0.71%, 0.56%

LAB 79.01, -66.1, 63.26

 

CMYK 72 / 6 / 0 / 13

HEX #3FD1DE

RGB 63 209 222

HSL 184.91, 0.71%, 0.56%

LAB 77.24, -33.44, -17.52

 

CMYK 0 / 72 / 35 / 13

HEX #DE3F91

RGB 222 63 145

HSL 329.06, 0.71%, 0.56%

LAB 53.09, 67.32, -9.43

 

CMYK 63 / 0 / 71 / 13

HEX #52DF40

RGB 82 223 64

HSL 113.21, 0.71%, 0.56%

LAB 79.01, -66.1, 63.26

 

CMYK 72 / 63 / 0 / 13

HEX #3F52DE

RGB 63 82 222

HSL 232.83, 0.71%, 0.56%

LAB 41.79, 39.37, -73.41

 

CMYK 0 / 72 / 63 / 13

HEX #DE3F52

RGB 222 63 82

HSL 352.83, 0.71%, 0.56%

LAB 51.49, 62.02, 26.06

 

CMYK 63 / 0 / 71 / 13

HEX #52DF40

RGB 82 223 64

HSL 113.21, 0.71%, 0.56%

LAB 79.01, -66.1, 63.26

 

CMYK 72 / 6 / 0 / 13

HEX #3FD1DE

RGB 63 209 222

HSL 184.91, 0.71%, 0.56%

LAB 77.24, -33.44, -17.52

 

CMYK 8 / 72 / 0 / 13

HEX #CC3FDE

RGB 204 63 222

HSL 293.21, 0.71%, 0.56%

LAB 53.67, 73.96, -53.46

 

CMYK 0 / 66 / 72 / 13

HEX #DE4C3F

RGB 222 76 63

HSL 4.91, 0.71%, 0.56%

LAB 53.01, 56.09, 38.88

 

CMYK 63 / 0 / 71 / 13

HEX #52DF40

RGB 82 223 64

HSL 113.21, 0.71%, 0.56%

LAB 79.01, -66.1, 63.26

 

CMYK 72 / 27 / 0 / 13

HEX #3FA1DE

RGB 63 161 222

HSL 203.02, 0.71%, 0.56%

LAB 63.19, -8.74, -39.12

 

CMYK 8 / 72 / 0 / 13

HEX #CC3FDE

RGB 204 63 222

HSL 293.21, 0.71%, 0.56%

LAB 53.67, 73.96, -53.46

 

CMYK 0 / 44 / 72 / 13

HEX #DE7C3F

RGB 222 124 63

HSL 23.02, 0.71%, 0.56%

LAB 61.92, 33.24, 48.74

 

Description

Color code: HEX #52DF40 | qconv.com Color code: HEX #52DF40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 223 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 223 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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