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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DDBB it is the complementary color #AD2244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DDBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DDBB shade: #57DDB6, #68EFC9, #79FFDC, #8AFFEF and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DDBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DDBB shade: #52DDBB, #41CBA8, #30B995, #1FA782 and #0E956F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DDBB shade: #50DCBA, #50DC94, #50DC6F, #58DC50 and #7EDC50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DDBB shade: #50DCBA, #50D9DC, #50B3DC, #508DDC and #5068DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DDBB shade matches the following richer shades: #50DCBA, #3FEDC3 and #2FFECB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DDBB shade: #50DCBA, #61CCB2, #72BBA9, #83AAA0 and #949998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DDBB shade: #50DC6F, #50DC94, #50DCB9, #50DADC and #50B5DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DDBB shade: #24B693, #2ED6AD, #50DCBA, #73E3C8 and #95EAD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DDBB shade: #52DDBB, #5057DC and #DC8150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DDBB shade: #52DDBB, #B950DC and #DCB950

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DDBB shade: #52DDBB, #5057DC, #DC5073 and #DCD550

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DDBB shade: #52DDBB, #7350DC, #DC5073 and #B9DC50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 15 / 13

HEX #52DDBB

RGB 82 221 187

HSL 165.32, 0.67%, 0.59%

LAB 80.23, -45.47, 5.66

 

Complementary color

CMYK 0 / 80 / 61 / 32

HEX #AD2244

RGB 173 34 68

HSL 345.32, 0.67%, 0.41%

LAB 38.63, 56.1, 16.06

 

CMYK 61 / 0 / 18 / 13

HEX #57DDB6

RGB 87 221 182

HSL 162.54, 0.66%, 0.6%

LAB 80.25, -45.76, 8.35

 

CMYK 56 / 0 / 16 / 6

HEX #68EFC9

RGB 104 239 201

HSL 163.11, 0.81%, 0.67%

LAB 86.45, -45.88, 7.32

 

CMYK 53 / 0 / 14 / 0

HEX #79FFDC

RGB 121 255 220

HSL 164.33, 1%, 0.74%

LAB 92.02, -45.04, 5.54

 

CMYK 46 / 0 / 6 / 0

HEX #8AFFEF

RGB 138 255 239

HSL 171.79, 1%, 0.77%

LAB 93.08, -36.97, -2.67

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 63 / 0 / 15 / 13

HEX #52DDBB

RGB 82 221 187

HSL 165.32, 0.67%, 0.59%

LAB 80.23, -45.47, 5.66

 

CMYK 68 / 0 / 17 / 20

HEX #41CBA8

RGB 65 203 168

HSL 164.78, 0.57%, 0.53%

LAB 73.97, -45.12, 6.77

 

CMYK 74 / 0 / 19 / 27

HEX #30B995

RGB 48 185 149

HSL 164.23, 0.59%, 0.46%

LAB 67.65, -44.55, 7.99

 

CMYK 81 / 0 / 22 / 35

HEX #1FA782

RGB 31 167 130

HSL 163.68, 0.69%, 0.39%

LAB 61.26, -43.69, 9.36

 

CMYK 91 / 0 / 26 / 42

HEX #0E956F

RGB 14 149 111

HSL 163.11, 0.83%, 0.32%

LAB 54.8, -42.39, 10.9

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBA

RGB 80 220 186

HSL 165.43, 0.67%, 0.59%

LAB 79.86, -45.62, 5.65

 

CMYK 64 / 0 / 33 / 14

HEX #50DC94

RGB 80 220 148

HSL 149.14, 0.67%, 0.59%

LAB 79.06, -53.94, 24.54

 

CMYK 64 / 0 / 50 / 14

HEX #50DC6F

RGB 80 220 111

HSL 133.29, 0.67%, 0.59%

LAB 78.48, -60.26, 42.44

 

CMYK 60 / 0 / 64 / 14

HEX #58DC50

RGB 88 220 80

HSL 116.57, 0.67%, 0.59%

LAB 78.37, -62.34, 56.41

 

CMYK 43 / 0 / 64 / 14

HEX #7EDC50

RGB 126 220 80

HSL 100.29, 0.67%, 0.59%

LAB 79.73, -52.05, 58.29

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBA

RGB 80 220 186

HSL 165.43, 0.67%, 0.59%

LAB 79.86, -45.62, 5.65

 

CMYK 64 / 1 / 0 / 14

HEX #50D9DC

RGB 80 217 220

HSL 181.29, 0.67%, 0.59%

LAB 79.9, -35.44, -12.42

 

CMYK 64 / 19 / 0 / 14

HEX #50B3DC

RGB 80 179 220

HSL 197.57, 0.67%, 0.59%

LAB 68.83, -16.57, -29.22

 

CMYK 64 / 36 / 0 / 14

HEX #508DDC

RGB 80 141 220

HSL 213.86, 0.67%, 0.59%

LAB 57.96, 4.73, -46.2

 

CMYK 64 / 53 / 0 / 14

HEX #5068DC

RGB 80 104 220

HSL 229.71, 0.67%, 0.59%

LAB 47.97, 27.37, -62.18

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBA

RGB 80 220 186

HSL 165.43, 0.67%, 0.59%

LAB 79.86, -45.62, 5.65

 

CMYK 73 / 0 / 18 / 7

HEX #3FEDC3

RGB 63 237 195

HSL 165.52, 0.83%, 0.59%

LAB 84.77, -52.98, 7.92

 

CMYK 81 / 0 / 20 / 0

HEX #2FFECB

RGB 47 254 203

HSL 165.22, 0.99%, 0.59%

LAB 89.77, -59.4, 10.87

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBA

RGB 80 220 186

HSL 165.43, 0.67%, 0.59%

LAB 79.86, -45.62, 5.65

 

CMYK 52 / 0 / 13 / 20

HEX #61CCB2

RGB 97 204 178

HSL 165.42, 0.51%, 0.59%

LAB 75.41, -37.16, 3.57

 

CMYK 39 / 0 / 10 / 27

HEX #72BBA9

RGB 114 187 169

HSL 165.21, 0.35%, 0.59%

LAB 70.86, -27.02, 1.94

 

CMYK 23 / 0 / 6 / 33

HEX #83AAA0

RGB 131 170 160

HSL 164.62, 0.19%, 0.59%

LAB 66.61, -15.33, 0.82

 

CMYK 3 / 0 / 1 / 40

HEX #949998

RGB 148 153 152

HSL 168, 0.02%, 0.59%

LAB 62.8, -1.99, -0.11

 

CMYK 64 / 0 / 50 / 14

HEX #50DC6F

RGB 80 220 111

HSL 133.29, 0.67%, 0.59%

LAB 78.48, -60.26, 42.44

 

CMYK 64 / 0 / 33 / 14

HEX #50DC94

RGB 80 220 148

HSL 149.14, 0.67%, 0.59%

LAB 79.06, -53.94, 24.54

 

CMYK 64 / 0 / 16 / 14

HEX #50DCB9

RGB 80 220 185

HSL 165, 0.67%, 0.59%

LAB 79.84, -45.86, 6.15

 

CMYK 64 / 1 / 0 / 14

HEX #50DADC

RGB 80 218 220

HSL 180.86, 0.67%, 0.59%

LAB 80.19, -35.9, -11.99

 

CMYK 64 / 18 / 0 / 14

HEX #50B5DC

RGB 80 181 220

HSL 196.71, 0.67%, 0.59%

LAB 69.41, -17.63, -28.33

 

CMYK 80 / 0 / 19 / 29

HEX #24B693

RGB 36 182 147

HSL 165.62, 0.67%, 0.43%

LAB 66.47, -45.17, 7.39

 

CMYK 79 / 0 / 19 / 16

HEX #2ED6AD

RGB 46 214 173

HSL 165.36, 0.67%, 0.51%

LAB 77.1, -50.86, 8.52

 

CMYK 64 / 0 / 15 / 14

HEX #50DCBA

RGB 80 220 186

HSL 165.43, 0.67%, 0.59%

LAB 79.86, -45.62, 5.65

 

CMYK 49 / 0 / 12 / 11

HEX #73E3C8

RGB 115 227 200

HSL 165.54, 0.67%, 0.67%

LAB 83.31, -38.47, 3.36

 

CMYK 36 / 0 / 9 / 8

HEX #95EAD5

RGB 149 234 213

HSL 165.18, 0.67%, 0.75%

LAB 87.02, -30.36, 2.06

 

CMYK 63 / 0 / 15 / 13

HEX #52DDBB

RGB 82 221 187

HSL 165.32, 0.67%, 0.59%

LAB 80.23, -45.47, 5.66

 

CMYK 64 / 60 / 0 / 14

HEX #5057DC

RGB 80 87 220

HSL 237, 0.67%, 0.59%

LAB 43.78, 37.88, -68.98

 

CMYK 0 / 41 / 64 / 14

HEX #DC8150

RGB 220 129 80

HSL 21, 0.67%, 0.59%

LAB 62.92, 30.76, 41.2

 

CMYK 63 / 0 / 15 / 13

HEX #52DDBB

RGB 82 221 187

HSL 165.32, 0.67%, 0.59%

LAB 80.23, -45.47, 5.66

 

CMYK 16 / 64 / 0 / 14

HEX #B950DC

RGB 185 80 220

HSL 285, 0.67%, 0.59%

LAB 53.19, 62.85, -53.26

 

CMYK 0 / 16 / 64 / 14

HEX #DCB950

RGB 220 185 80

HSL 45, 0.67%, 0.59%

LAB 76.37, 0.88, 56.45

 

CMYK 63 / 0 / 15 / 13

HEX #52DDBB

RGB 82 221 187

HSL 165.32, 0.67%, 0.59%

LAB 80.23, -45.47, 5.66

 

CMYK 64 / 60 / 0 / 14

HEX #5057DC

RGB 80 87 220

HSL 237, 0.67%, 0.59%

LAB 43.78, 37.88, -68.98

 

CMYK 0 / 64 / 48 / 14

HEX #DC5073

RGB 220 80 115

HSL 345, 0.67%, 0.59%

LAB 54.23, 57.3, 10.05

 

CMYK 0 / 3 / 64 / 14

HEX #DCD550

RGB 220 213 80

HSL 57, 0.67%, 0.59%

LAB 83.64, -13.46, 64.24

 

CMYK 63 / 0 / 15 / 13

HEX #52DDBB

RGB 82 221 187

HSL 165.32, 0.67%, 0.59%

LAB 80.23, -45.47, 5.66

 

CMYK 48 / 64 / 0 / 14

HEX #7350DC

RGB 115 80 220

HSL 255, 0.67%, 0.59%

LAB 45.01, 47.95, -66.86

 

CMYK 0 / 64 / 48 / 14

HEX #DC5073

RGB 220 80 115

HSL 345, 0.67%, 0.59%

LAB 54.23, 57.3, 10.05

 

CMYK 16 / 0 / 64 / 14

HEX #B9DC50

RGB 185 220 80

HSL 75, 0.67%, 0.59%

LAB 82.96, -31.01, 62.72

 

Description

Color code: HEX #52DDBB | qconv.com Color code: HEX #52DDBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 221 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 221 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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