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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DC5E it is the complementary color #AD23A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DC5E shade: #57DC59, #68EE6C, #79FF7F, #8AFF92 and #9BFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DC5E shade: #52DC5E, #41CA4B, #30B838, #1FA625 and #0E9412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DC5E shade: #51DB5D, #6ADB51, #8FDB51, #B5DB51 and #DADB51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DC5E shade: #51DB5D, #51DB82, #51DBA7, #51DBCD and #51C4DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DC5E shade matches the following richer shades: #51DB5D, #40EC4F and #2FFD41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DC5E shade: #51DB5D, #62CA6B, #73B979, #84A887 and #959795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DC5E shade: #8FDB51, #6ADB51, #51DB5C, #51DB81 and #51DBA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DC5E shade: #25B531, #2FD43D, #51DB5D, #73E27D and #95E99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DC5E shade: #52DC5E, #51B4DB and #DB517D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DC5E shade: #52DC5E, #5C51DB and #DB5C51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DC5E shade: #52DC5E, #51B4DB, #DB51CF and #DB7851

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DC5E shade: #52DC5E, #518ADB, #DB51CF and #DBA151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 57 / 14

HEX #52DC5E

RGB 82 220 94

HSL 125.22, 0.66%, 0.59%

LAB 78.34, -62.11, 50.24

 

Complementary color

CMYK 0 / 80 / 7 / 32

HEX #AD23A1

RGB 173 35 161

HSL 305.22, 0.66%, 0.41%

LAB 42.25, 66.14, -36.43

 

CMYK 60 / 0 / 60 / 14

HEX #57DC59

RGB 87 220 89

HSL 120.9, 0.66%, 0.6%

LAB 78.42, -61.62, 52.61

 

CMYK 56 / 0 / 55 / 7

HEX #68EE6C

RGB 104 238 108

HSL 121.79, 0.8%, 0.67%

LAB 84.57, -61.99, 51.41

 

CMYK 53 / 0 / 50 / 0

HEX #79FF7F

RGB 121 255 127

HSL 122.69, 1%, 0.74%

LAB 90.38, -61.8, 49.8

 

CMYK 46 / 0 / 43 / 0

HEX #8AFF92

RGB 138 255 146

HSL 124.1, 1%, 0.77%

LAB 91.23, -54.78, 41.97

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA5

RGB 155 255 165

HSL 126, 1%, 0.8%

LAB 92.22, -47.14, 34.04

 

CMYK 63 / 0 / 57 / 14

HEX #52DC5E

RGB 82 220 94

HSL 125.22, 0.66%, 0.59%

LAB 78.34, -62.11, 50.24

 

CMYK 68 / 0 / 63 / 21

HEX #41CA4B

RGB 65 202 75

HSL 124.38, 0.56%, 0.52%

LAB 72.14, -61.41, 51.44

 

CMYK 74 / 0 / 70 / 28

HEX #30B838

RGB 48 184 56

HSL 123.53, 0.59%, 0.45%

LAB 65.9, -60.29, 52.41

 

CMYK 81 / 0 / 78 / 35

HEX #1FA625

RGB 31 166 37

HSL 122.67, 0.69%, 0.39%

LAB 59.61, -58.54, 52.89

 

CMYK 91 / 0 / 88 / 42

HEX #0E9412

RGB 14 148 18

HSL 121.79, 0.83%, 0.32%

LAB 53.29, -55.91, 52.36

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5D

RGB 81 219 93

HSL 125.22, 0.66%, 0.59%

LAB 77.99, -62.09, 50.28

 

CMYK 52 / 0 / 63 / 14

HEX #6ADB51

RGB 106 219 81

HSL 109.13, 0.66%, 0.59%

LAB 78.65, -57.4, 56.47

 

CMYK 35 / 0 / 63 / 14

HEX #8FDB51

RGB 143 219 81

HSL 93.04, 0.66%, 0.59%

LAB 80.23, -45.99, 58.66

 

CMYK 17 / 0 / 63 / 14

HEX #B5DB51

RGB 181 219 81

HSL 76.52, 0.66%, 0.59%

LAB 82.42, -32.03, 61.67

 

CMYK 0 / 0 / 63 / 14

HEX #DADB51

RGB 218 219 81

HSL 60.43, 0.66%, 0.59%

LAB 85.08, -17.19, 65.29

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5D

RGB 81 219 93

HSL 125.22, 0.66%, 0.59%

LAB 77.99, -62.09, 50.28

 

CMYK 63 / 0 / 41 / 14

HEX #51DB82

RGB 81 219 130

HSL 141.3, 0.66%, 0.59%

LAB 78.48, -56.68, 33.01

 

CMYK 63 / 0 / 24 / 14

HEX #51DBA7

RGB 81 219 167

HSL 157.39, 0.66%, 0.59%

LAB 79.16, -49.41, 14.72

 

CMYK 63 / 0 / 6 / 14

HEX #51DBCD

RGB 81 219 205

HSL 173.91, 0.66%, 0.59%

LAB 80.08, -40.24, -4.15

 

CMYK 63 / 11 / 0 / 14

HEX #51C4DB

RGB 81 196 219

HSL 190, 0.66%, 0.59%

LAB 73.77, -25.44, -21.12

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5D

RGB 81 219 93

HSL 125.22, 0.66%, 0.59%

LAB 77.99, -62.09, 50.28

 

CMYK 73 / 0 / 67 / 7

HEX #40EC4F

RGB 64 236 79

HSL 125.23, 0.82%, 0.59%

LAB 82.72, -72.27, 61.41

 

CMYK 81 / 0 / 74 / 1

HEX #2FFD41

RGB 47 253 65

HSL 125.24, 0.98%, 0.59%

LAB 87.6, -80.64, 71.38

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5D

RGB 81 219 93

HSL 125.22, 0.66%, 0.59%

LAB 77.99, -62.09, 50.28

 

CMYK 51 / 0 / 47 / 21

HEX #62CA6B

RGB 98 202 107

HSL 125.19, 0.5%, 0.59%

LAB 73.48, -49.81, 38.26

 

CMYK 38 / 0 / 35 / 27

HEX #73B979

RGB 115 185 121

HSL 125.14, 0.33%, 0.59%

LAB 69.27, -35.37, 25.73

 

CMYK 21 / 0 / 20 / 34

HEX #84A887

RGB 132 168 135

HSL 125, 0.17%, 0.59%

LAB 65.48, -18.96, 13.09

 

CMYK 1 / 0 / 1 / 41

HEX #959795

RGB 149 151 149

HSL 120, 0.01%, 0.59%

LAB 62.25, -1.11, 0.79

 

CMYK 35 / 0 / 63 / 14

HEX #8FDB51

RGB 143 219 81

HSL 93.04, 0.66%, 0.59%

LAB 80.23, -45.99, 58.66

 

CMYK 52 / 0 / 63 / 14

HEX #6ADB51

RGB 106 219 81

HSL 109.13, 0.66%, 0.59%

LAB 78.65, -57.4, 56.47

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5C

RGB 81 219 92

HSL 124.78, 0.66%, 0.59%

LAB 77.98, -62.21, 50.72

 

CMYK 63 / 0 / 41 / 14

HEX #51DB81

RGB 81 219 129

HSL 140.87, 0.66%, 0.59%

LAB 78.46, -56.85, 33.49

 

CMYK 63 / 0 / 24 / 14

HEX #51DBA6

RGB 81 219 166

HSL 156.96, 0.66%, 0.59%

LAB 79.14, -49.63, 15.22

 

CMYK 80 / 0 / 73 / 29

HEX #25B531

RGB 37 181 49

HSL 125, 0.66%, 0.43%

LAB 64.69, -61.53, 53.77

 

CMYK 78 / 0 / 71 / 17

HEX #2FD43D

RGB 47 212 61

HSL 125.09, 0.66%, 0.51%

LAB 74.84, -68.84, 59.84

 

CMYK 63 / 0 / 58 / 14

HEX #51DB5D

RGB 81 219 93

HSL 125.22, 0.66%, 0.59%

LAB 77.99, -62.09, 50.28

 

CMYK 49 / 0 / 45 / 11

HEX #73E27D

RGB 115 226 125

HSL 125.41, 0.66%, 0.67%

LAB 81.58, -52.34, 39.72

 

CMYK 36 / 0 / 33 / 9

HEX #95E99D

RGB 149 233 157

HSL 125.71, 0.66%, 0.75%

LAB 85.56, -40.62, 29.11

 

CMYK 63 / 0 / 57 / 14

HEX #52DC5E

RGB 82 220 94

HSL 125.22, 0.66%, 0.59%

LAB 78.34, -62.11, 50.24

 

CMYK 63 / 18 / 0 / 14

HEX #51B4DB

RGB 81 180 219

HSL 196.96, 0.66%, 0.59%

LAB 69.12, -17.24, -28.24

 

CMYK 0 / 63 / 43 / 14

HEX #DB517D

RGB 219 81 125

HSL 340.87, 0.66%, 0.59%

LAB 54.48, 57.51, 4.43

 

CMYK 63 / 0 / 57 / 14

HEX #52DC5E

RGB 82 220 94

HSL 125.22, 0.66%, 0.59%

LAB 78.34, -62.11, 50.24

 

CMYK 58 / 63 / 0 / 14

HEX #5C51DB

RGB 92 81 219

HSL 244.78, 0.66%, 0.59%

LAB 43.17, 43.04, -69.36

 

CMYK 0 / 58 / 63 / 14

HEX #DB5C51

RGB 219 92 81

HSL 4.78, 0.66%, 0.59%

LAB 55.39, 49.05, 31.47

 

CMYK 63 / 0 / 57 / 14

HEX #52DC5E

RGB 82 220 94

HSL 125.22, 0.66%, 0.59%

LAB 78.34, -62.11, 50.24

 

CMYK 63 / 18 / 0 / 14

HEX #51B4DB

RGB 81 180 219

HSL 196.96, 0.66%, 0.59%

LAB 69.12, -17.24, -28.24

 

CMYK 0 / 63 / 5 / 14

HEX #DB51CF

RGB 219 81 207

HSL 305.22, 0.66%, 0.59%

LAB 57.51, 68.22, -38.72

 

CMYK 0 / 45 / 63 / 14

HEX #DB7851

RGB 219 120 81

HSL 16.96, 0.66%, 0.59%

LAB 60.86, 35.16, 38.18

 

CMYK 63 / 0 / 57 / 14

HEX #52DC5E

RGB 82 220 94

HSL 125.22, 0.66%, 0.59%

LAB 78.34, -62.11, 50.24

 

CMYK 63 / 37 / 0 / 14

HEX #518ADB

RGB 81 138 219

HSL 215.22, 0.66%, 0.59%

LAB 57.12, 6.35, -46.98

 

CMYK 0 / 63 / 5 / 14

HEX #DB51CF

RGB 219 81 207

HSL 305.22, 0.66%, 0.59%

LAB 57.51, 68.22, -38.72

 

CMYK 0 / 26 / 63 / 14

HEX #DBA151

RGB 219 161 81

HSL 34.78, 0.66%, 0.59%

LAB 70.28, 13.27, 49.18

 

Description

Color code: HEX #52DC5E | qconv.com Color code: HEX #52DC5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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