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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DACD it is the complementary color #AD2532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DACD shade: #57DAC8, #68ECDB, #79FEEE, #8AFFFF and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DACD shade: #52DACD, #41C8BA, #30B6A7, #1FA494 and #0E9281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DACD shade: #52DACD, #52DAA9, #52DA84, #52DA5F and #6ADA52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DACD shade: #52DACD, #52C3DA, #529EDA, #5279DA and #5255DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DACD shade matches the following richer shades: #52DACD, #42EBDB and #31FCE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DACD shade: #52DACD, #63C9C0, #74B9B2, #85A8A4 and #969797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DACD shade: #52DA84, #52DAA9, #52DACD, #52C4DA and #52A0DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DACD shade: #26B4A7, #30D3C4, #52DACD, #75E2D7 and #97E9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DACD shade: #52DACD, #6052DA and #DA9652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DACD shade: #52DACD, #CD52DA and #DACD52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DACD shade: #52DACD, #6052DA, #DA5260 and #CDDA52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DACD shade: #52DACD, #8952DA, #DA5260 and #A4DA52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

Complementary color

CMYK 0 / 79 / 71 / 32

HEX #AD2532

RGB 173 37 50

HSL 354.26, 0.65%, 0.41%

LAB 38.62, 54.2, 27.36

 

CMYK 60 / 0 / 8 / 15

HEX #57DAC8

RGB 87 218 200

HSL 171.76, 0.64%, 0.6%

LAB 79.81, -40.06, -1.86

 

CMYK 56 / 0 / 7 / 7

HEX #68ECDB

RGB 104 236 219

HSL 172.27, 0.78%, 0.67%

LAB 86.03, -40.26, -2.73

 

CMYK 52 / 0 / 6 / 0

HEX #79FEEE

RGB 121 254 238

HSL 172.78, 0.99%, 0.74%

LAB 92.19, -40.38, -3.54

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 68 / 0 / 7 / 22

HEX #41C8BA

RGB 65 200 186

HSL 173.78, 0.55%, 0.52%

LAB 73.53, -39.17, -3.61

 

CMYK 74 / 0 / 8 / 29

HEX #30B6A7

RGB 48 182 167

HSL 173.28, 0.58%, 0.45%

LAB 67.18, -38.52, -2.59

 

CMYK 81 / 0 / 10 / 36

HEX #1FA494

RGB 31 164 148

HSL 172.78, 0.68%, 0.38%

LAB 60.76, -37.58, -1.45

 

CMYK 90 / 0 / 12 / 43

HEX #0E9281

RGB 14 146 129

HSL 172.27, 0.83%, 0.31%

LAB 54.28, -36.23, -0.15

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 62 / 0 / 22 / 15

HEX #52DAA9

RGB 82 218 169

HSL 158.38, 0.65%, 0.59%

LAB 78.93, -48.37, 13.34

 

CMYK 62 / 0 / 39 / 15

HEX #52DA84

RGB 82 218 132

HSL 142.06, 0.65%, 0.59%

LAB 78.23, -55.75, 31.67

 

CMYK 62 / 0 / 56 / 15

HEX #52DA5F

RGB 82 218 95

HSL 125.74, 0.65%, 0.59%

LAB 77.73, -61.28, 49.08

 

CMYK 51 / 0 / 62 / 15

HEX #6ADA52

RGB 106 218 82

HSL 109.41, 0.65%, 0.59%

LAB 78.35, -56.93, 55.72

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 62 / 11 / 0 / 15

HEX #52C3DA

RGB 82 195 218

HSL 190.15, 0.65%, 0.59%

LAB 73.47, -25.07, -21.03

 

CMYK 62 / 28 / 0 / 15

HEX #529EDA

RGB 82 158 218

HSL 206.47, 0.65%, 0.59%

LAB 62.77, -5.4, -37.53

 

CMYK 62 / 44 / 0 / 15

HEX #5279DA

RGB 82 121 218

HSL 222.79, 0.65%, 0.59%

LAB 52.43, 16.49, -53.87

 

CMYK 62 / 61 / 0 / 15

HEX #5255DA

RGB 82 85 218

HSL 238.68, 0.65%, 0.59%

LAB 43.29, 38.74, -68.63

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 72 / 0 / 7 / 8

HEX #42EBDB

RGB 66 235 219

HSL 174.32, 0.81%, 0.59%

LAB 84.84, -45.7, -4.59

 

CMYK 81 / 0 / 8 / 1

HEX #31FCE9

RGB 49 252 233

HSL 174.38, 0.97%, 0.59%

LAB 89.93, -50.88, -4.44

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 51 / 0 / 4 / 21

HEX #63C9C0

RGB 99 201 192

HSL 174.71, 0.49%, 0.59%

LAB 74.97, -31.88, -4.63

 

CMYK 37 / 0 / 4 / 27

HEX #74B9B2

RGB 116 185 178

HSL 173.91, 0.33%, 0.59%

LAB 70.61, -23.38, -3.34

 

CMYK 21 / 0 / 2 / 34

HEX #85A8A4

RGB 133 168 164

HSL 173.14, 0.17%, 0.59%

LAB 66.27, -12.76, -1.88

 

CMYK 1 / 0 / 0 / 41

HEX #969797

RGB 150 151 151

HSL 180, 0%, 0.59%

LAB 62.38, -0.36, -0.13

 

CMYK 62 / 0 / 39 / 15

HEX #52DA84

RGB 82 218 132

HSL 142.06, 0.65%, 0.59%

LAB 78.23, -55.75, 31.67

 

CMYK 62 / 0 / 22 / 15

HEX #52DAA9

RGB 82 218 169

HSL 158.38, 0.65%, 0.59%

LAB 78.93, -48.37, 13.34

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 62 / 10 / 0 / 15

HEX #52C4DA

RGB 82 196 218

HSL 189.71, 0.65%, 0.59%

LAB 73.76, -25.57, -20.59

 

CMYK 62 / 27 / 0 / 15

HEX #52A0DA

RGB 82 160 218

HSL 205.59, 0.65%, 0.59%

LAB 63.34, -6.52, -36.63

 

CMYK 79 / 0 / 7 / 29

HEX #26B4A7

RGB 38 180 167

HSL 174.51, 0.65%, 0.43%

LAB 66.4, -38.73, -3.76

 

CMYK 77 / 0 / 7 / 17

HEX #30D3C4

RGB 48 211 196

HSL 174.48, 0.65%, 0.51%

LAB 76.8, -43.42, -4.23

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 48 / 0 / 5 / 11

HEX #75E2D7

RGB 117 226 215

HSL 173.94, 0.65%, 0.67%

LAB 83.48, -33.99, -4.31

 

CMYK 35 / 0 / 3 / 9

HEX #97E9E1

RGB 151 233 225

HSL 174.15, 0.65%, 0.75%

LAB 87.14, -26.68, -4.04

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 56 / 62 / 0 / 15

HEX #6052DA

RGB 96 82 218

HSL 246.18, 0.65%, 0.59%

LAB 43.63, 42.81, -68.04

 

CMYK 0 / 31 / 62 / 15

HEX #DA9652

RGB 218 150 82

HSL 30, 0.65%, 0.59%

LAB 67.52, 18.83, 45.5

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 6 / 62 / 0 / 15

HEX #CD52DA

RGB 205 82 218

HSL 294.26, 0.65%, 0.59%

LAB 56.16, 66.28, -47.22

 

CMYK 0 / 6 / 62 / 15

HEX #DACD52

RGB 218 205 82

HSL 54.26, 0.65%, 0.59%

LAB 81.39, -10.14, 60.96

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 56 / 62 / 0 / 15

HEX #6052DA

RGB 96 82 218

HSL 246.18, 0.65%, 0.59%

LAB 43.63, 42.81, -68.04

 

CMYK 0 / 62 / 56 / 15

HEX #DA5260

RGB 218 82 96

HSL 353.82, 0.65%, 0.59%

LAB 53.8, 54.23, 20.67

 

CMYK 6 / 0 / 62 / 15

HEX #CDDA52

RGB 205 218 82

HSL 65.74, 0.65%, 0.59%

LAB 83.83, -21.94, 63.26

 

CMYK 62 / 0 / 6 / 15

HEX #52DACD

RGB 82 218 205

HSL 174.26, 0.65%, 0.59%

LAB 79.81, -39.62, -4.54

 

CMYK 37 / 62 / 0 / 15

HEX #8952DA

RGB 137 82 218

HSL 264.26, 0.65%, 0.59%

LAB 47.51, 50.76, -61.55

 

CMYK 0 / 62 / 56 / 15

HEX #DA5260

RGB 218 82 96

HSL 353.82, 0.65%, 0.59%

LAB 53.8, 54.23, 20.67

 

CMYK 25 / 0 / 62 / 15

HEX #A4DA52

RGB 164 218 82

HSL 83.82, 0.65%, 0.59%

LAB 81.1, -37.97, 59.51

 

Description

Color code: HEX #52DACD | qconv.com Color code: HEX #52DACD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 218 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 218 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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