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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52DA42 it is the complementary color #AD25BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52DA42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52DA42 shade: #57DA3D, #68EC50, #79FE63, #8AFF76 and #9BFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52DA42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52DA42 shade: #52DA42, #41C82F, #30B61C, #1FA409 and #0E9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52DA42 shade: #53DA44, #7CDA44, #A5DA44, #CDDA44 and #DABE44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52DA42 shade: #53DA44, #44DA5C, #44DA85, #44DAAD and #44DAD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52DA42 shade matches the following richer shades: #53DA44, #45EC31 and #37FE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52DA42 shade: #53DA44, #62C856, #70B668, #7EA47A and #8D918C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52DA42 shade: #A5DA44, #7DDA44, #55DA44, #44DA5A and #44DA82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52DA42 shade: #30AA22, #3ACC28, #53DA44, #73E166 and #93E889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52DA42 shade: #52DA42, #44CDDA and #DA4491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52DA42 shade: #52DA42, #4455DA and #DA4455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52DA42 shade: #52DA42, #44CDDA, #C844DA and #DA5044

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52DA42 shade: #52DA42, #44A0DA, #C844DA and #DA7D44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 70 / 15

HEX #52DA42

RGB 82 218 66

HSL 113.68, 0.67%, 0.56%

LAB 77.48, -64.26, 60.95

 

Complementary color

CMYK 8 / 80 / 0 / 26

HEX #AD25BD

RGB 173 37 189

HSL 293.68, 0.67%, 0.44%

LAB 44.06, 70.12, -50.12

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3D

RGB 87 218 61

HSL 110.06, 0.68%, 0.55%

LAB 77.58, -63.53, 62.93

 

CMYK 56 / 0 / 66 / 7

HEX #68EC50

RGB 104 236 80

HSL 110.77, 0.8%, 0.62%

LAB 83.71, -64.21, 62.37

 

CMYK 52 / 0 / 61 / 0

HEX #79FE63

RGB 121 254 99

HSL 111.48, 0.99%, 0.69%

LAB 89.79, -64.63, 61.51

 

CMYK 46 / 0 / 54 / 0

HEX #8AFF76

RGB 138 255 118

HSL 111.24, 1%, 0.73%

LAB 90.89, -58.4, 54.68

 

CMYK 39 / 0 / 46 / 0

HEX #9BFF89

RGB 155 255 137

HSL 110.85, 1%, 0.77%

LAB 91.82, -51.14, 47.17

 

CMYK 62 / 0 / 70 / 15

HEX #52DA42

RGB 82 218 66

HSL 113.68, 0.67%, 0.56%

LAB 77.48, -64.26, 60.95

 

CMYK 68 / 0 / 77 / 22

HEX #41C82F

RGB 65 200 47

HSL 112.94, 0.62%, 0.48%

LAB 71.31, -63.19, 61.24

 

CMYK 74 / 0 / 85 / 29

HEX #30B61C

RGB 48 182 28

HSL 112.21, 0.73%, 0.41%

LAB 65.1, -61.59, 60.72

 

CMYK 81 / 0 / 95 / 36

HEX #1FA409

RGB 31 164 9

HSL 111.48, 0.9%, 0.34%

LAB 58.85, -59.25, 58.83

 

CMYK 90 / 0 / 100 / 43

HEX #0E9200

RGB 14 146 0

HSL 114.25, 1%, 0.29%

LAB 52.57, -55.93, 55.02

 

CMYK 62 / 0 / 69 / 15

HEX #53DA44

RGB 83 218 68

HSL 114, 0.67%, 0.56%

LAB 77.52, -63.87, 60.25

 

CMYK 43 / 0 / 69 / 15

HEX #7CDA44

RGB 124 218 68

HSL 97.6, 0.67%, 0.56%

LAB 78.95, -52.86, 62.19

 

CMYK 24 / 0 / 69 / 15

HEX #A5DA44

RGB 165 218 68

HSL 81.2, 0.67%, 0.56%

LAB 81.05, -38.59, 65.01

 

CMYK 6 / 0 / 69 / 15

HEX #CDDA44

RGB 205 218 68

HSL 65.2, 0.67%, 0.56%

LAB 83.73, -22.78, 68.58

 

CMYK 0 / 13 / 69 / 15

HEX #DABE44

RGB 218 190 68

HSL 48.8, 0.67%, 0.56%

LAB 77.37, -3.26, 62.54

 

CMYK 62 / 0 / 69 / 15

HEX #53DA44

RGB 83 218 68

HSL 114, 0.67%, 0.56%

LAB 77.52, -63.87, 60.25

 

CMYK 69 / 0 / 58 / 15

HEX #44DA5C

RGB 68 218 92

HSL 129.6, 0.67%, 0.56%

LAB 77.37, -64.35, 49.92

 

CMYK 69 / 0 / 39 / 15

HEX #44DA85

RGB 68 218 133

HSL 146, 0.67%, 0.56%

LAB 77.91, -58.09, 30.68

 

CMYK 69 / 0 / 21 / 15

HEX #44DAAD

RGB 68 218 173

HSL 162, 0.67%, 0.56%

LAB 78.69, -49.76, 10.84

 

CMYK 69 / 0 / 2 / 15

HEX #44DAD6

RGB 68 218 214

HSL 178.4, 0.67%, 0.56%

LAB 79.74, -39.27, -9.48

 

CMYK 62 / 0 / 69 / 15

HEX #53DA44

RGB 83 218 68

HSL 114, 0.67%, 0.56%

LAB 77.52, -63.87, 60.25

 

CMYK 71 / 0 / 79 / 7

HEX #45EC31

RGB 69 236 49

HSL 113.58, 0.83%, 0.56%

LAB 82.63, -73.71, 71.5

 

CMYK 78 / 0 / 88 / 0

HEX #37FE1F

RGB 55 254 31

HSL 113.54, 0.99%, 0.56%

LAB 87.87, -81.76, 80.13

 

CMYK 62 / 0 / 69 / 15

HEX #53DA44

RGB 83 218 68

HSL 114, 0.67%, 0.56%

LAB 77.52, -63.87, 60.25

 

CMYK 51 / 0 / 57 / 22

HEX #62C856

RGB 98 200 86

HSL 113.68, 0.51%, 0.56%

LAB 72.61, -51.77, 47.32

 

CMYK 38 / 0 / 43 / 29

HEX #70B668

RGB 112 182 104

HSL 113.85, 0.35%, 0.56%

LAB 67.95, -37.65, 32.88

 

CMYK 23 / 0 / 26 / 36

HEX #7EA47A

RGB 126 164 122

HSL 114.29, 0.19%, 0.56%

LAB 63.67, -21.36, 17.68

 

CMYK 3 / 0 / 3 / 43

HEX #8D918C

RGB 141 145 140

HSL 108, 0.02%, 0.56%

LAB 59.71, -2.43, 2.13

 

CMYK 24 / 0 / 69 / 15

HEX #A5DA44

RGB 165 218 68

HSL 81.2, 0.67%, 0.56%

LAB 81.05, -38.59, 65.01

 

CMYK 43 / 0 / 69 / 15

HEX #7DDA44

RGB 125 218 68

HSL 97.2, 0.67%, 0.56%

LAB 79, -52.55, 62.25

 

CMYK 61 / 0 / 69 / 15

HEX #55DA44

RGB 85 218 68

HSL 113.2, 0.67%, 0.56%

LAB 77.57, -63.43, 60.32

 

CMYK 69 / 0 / 59 / 15

HEX #44DA5A

RGB 68 218 90

HSL 128.8, 0.67%, 0.56%

LAB 77.35, -64.59, 50.8

 

CMYK 69 / 0 / 40 / 15

HEX #44DA82

RGB 68 218 130

HSL 144.8, 0.67%, 0.56%

LAB 77.87, -58.63, 32.15

 

CMYK 72 / 0 / 80 / 33

HEX #30AA22

RGB 48 170 34

HSL 113.82, 0.67%, 0.4%

LAB 61.21, -57.42, 55.49

 

CMYK 72 / 0 / 80 / 20

HEX #3ACC28

RGB 58 204 40

HSL 113.41, 0.67%, 0.48%

LAB 72.39, -66.18, 64.33

 

CMYK 62 / 0 / 69 / 15

HEX #53DA44

RGB 83 218 68

HSL 114, 0.67%, 0.56%

LAB 77.52, -63.87, 60.25

 

CMYK 49 / 0 / 55 / 12

HEX #73E166

RGB 115 225 102

HSL 113.66, 0.67%, 0.64%

LAB 80.99, -54.99, 49.98

 

CMYK 37 / 0 / 41 / 9

HEX #93E889

RGB 147 232 137

HSL 113.68, 0.67%, 0.72%

LAB 84.85, -43.86, 38.25

 

CMYK 62 / 0 / 70 / 15

HEX #52DA42

RGB 82 218 66

HSL 113.68, 0.67%, 0.56%

LAB 77.48, -64.26, 60.95

 

CMYK 69 / 6 / 0 / 15

HEX #44CDDA

RGB 68 205 218

HSL 185.2, 0.67%, 0.56%

LAB 76.04, -32.07, -17.17

 

CMYK 0 / 69 / 33 / 15

HEX #DA4491

RGB 218 68 145

HSL 329.2, 0.67%, 0.56%

LAB 53.04, 64.48, -9.58

 

CMYK 62 / 0 / 70 / 15

HEX #52DA42

RGB 82 218 66

HSL 113.68, 0.67%, 0.56%

LAB 77.48, -64.26, 60.95

 

CMYK 69 / 61 / 0 / 15

HEX #4455DA

RGB 68 85 218

HSL 233.2, 0.67%, 0.56%

LAB 42.44, 36.75, -70.05

 

CMYK 0 / 69 / 61 / 15

HEX #DA4455

RGB 218 68 85

HSL 353.2, 0.67%, 0.56%

LAB 51.49, 59.16, 24.14

 

CMYK 62 / 0 / 70 / 15

HEX #52DA42

RGB 82 218 66

HSL 113.68, 0.67%, 0.56%

LAB 77.48, -64.26, 60.95

 

CMYK 69 / 6 / 0 / 15

HEX #44CDDA

RGB 68 205 218

HSL 185.2, 0.67%, 0.56%

LAB 76.04, -32.07, -17.17

 

CMYK 8 / 69 / 0 / 15

HEX #C844DA

RGB 200 68 218

HSL 292.8, 0.67%, 0.56%

LAB 53.47, 70.66, -51.56

 

CMYK 0 / 63 / 69 / 15

HEX #DA5044

RGB 218 80 68

HSL 4.8, 0.67%, 0.56%

LAB 53.02, 53.32, 35.92

 

CMYK 62 / 0 / 70 / 15

HEX #52DA42

RGB 82 218 66

HSL 113.68, 0.67%, 0.56%

LAB 77.48, -64.26, 60.95

 

CMYK 69 / 27 / 0 / 15

HEX #44A0DA

RGB 68 160 218

HSL 203.2, 0.67%, 0.56%

LAB 62.87, -8.82, -37.4

 

CMYK 8 / 69 / 0 / 15

HEX #C844DA

RGB 200 68 218

HSL 292.8, 0.67%, 0.56%

LAB 53.47, 70.66, -51.56

 

CMYK 0 / 43 / 69 / 15

HEX #DA7D44

RGB 218 125 68

HSL 22.8, 0.67%, 0.56%

LAB 61.65, 31.36, 45.82

 

Description

Color code: HEX #52DA42 | qconv.com Color code: HEX #52DA42 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 218 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 218 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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