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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52D74E it is the complementary color #AD28B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52D74E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52D74E shade: #57D749, #68E95C, #79FB6F, #8AFF82 and #9BFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52D74E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52D74E shade: #52D74E, #41C53B, #30B328, #1FA115 and #0E8F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52D74E shade: #50D64C, #76D64C, #9BD64C, #C0D64C and #D6C84C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52D74E shade: #50D64C, #4CD66D, #4CD693, #4CD6B8 and #4CD0D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52D74E shade matches the following richer shades: #50D64C, #40E83B and #2FFA29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52D74E shade: #50D64C, #61C55E, #72B370, #82A181 and #938F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52D74E shade: #9BD64C, #76D64C, #51D64C, #4CD66D and #4CD691

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52D74E shade: #2AAA27, #33CB2E, #50D64C, #71DE6E and #92E690

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52D74E shade: #52D74E, #4CBFD6 and #D64C88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52D74E shade: #52D74E, #4C51D6 and #D64C51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52D74E shade: #52D74E, #4CBFD6, #D24CD6 and #D6634C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52D74E shade: #52D74E, #4C96D6, #D24CD6 and #D68D4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 64 / 16

HEX #52D74E

RGB 82 215 78

HSL 118.25, 0.63%, 0.57%

LAB 76.65, -62.13, 55.29

 

Complementary color

CMYK 2 / 77 / 0 / 31

HEX #AD28B1

RGB 173 40 177

HSL 298.25, 0.63%, 0.43%

LAB 43.62, 67.3, -43.77

 

CMYK 60 / 0 / 66 / 16

HEX #57D749

RGB 87 215 73

HSL 114.08, 0.64%, 0.56%

LAB 76.74, -61.48, 57.5

 

CMYK 55 / 0 / 61 / 9

HEX #68E95C

RGB 104 233 92

HSL 114.89, 0.76%, 0.64%

LAB 82.91, -61.98, 56.56

 

CMYK 52 / 0 / 56 / 2

HEX #79FB6F

RGB 121 251 111

HSL 115.71, 0.95%, 0.71%

LAB 89.02, -62.25, 55.45

 

CMYK 46 / 0 / 49 / 0

HEX #8AFF82

RGB 138 255 130

HSL 116.16, 1%, 0.75%

LAB 91.02, -56.95, 49.33

 

CMYK 39 / 0 / 42 / 0

HEX #9BFF95

RGB 155 255 149

HSL 116.6, 1%, 0.79%

LAB 91.98, -49.53, 41.61

 

CMYK 62 / 0 / 64 / 16

HEX #52D74E

RGB 82 215 78

HSL 118.25, 0.63%, 0.57%

LAB 76.65, -62.13, 55.29

 

CMYK 67 / 0 / 70 / 23

HEX #41C53B

RGB 65 197 59

HSL 117.39, 0.54%, 0.5%

LAB 70.44, -61.28, 56.12

 

CMYK 73 / 0 / 78 / 30

HEX #30B328

RGB 48 179 40

HSL 116.55, 0.63%, 0.43%

LAB 64.18, -59.95, 56.45

 

CMYK 81 / 0 / 87 / 37

HEX #1FA115

RGB 31 161 21

HSL 115.71, 0.77%, 0.36%

LAB 57.88, -57.93, 55.82

 

CMYK 90 / 0 / 99 / 44

HEX #0E8F02

RGB 14 143 2

HSL 114.89, 0.97%, 0.28%

LAB 51.55, -54.99, 53.85

 

CMYK 63 / 0 / 64 / 16

HEX #50D64C

RGB 80 214 76

HSL 118.26, 0.63%, 0.57%

LAB 76.27, -62.41, 55.69

 

CMYK 45 / 0 / 64 / 16

HEX #76D64C

RGB 118 214 76

HSL 101.74, 0.63%, 0.57%

LAB 77.56, -52.48, 57.48

 

CMYK 28 / 0 / 64 / 16

HEX #9BD64C

RGB 155 214 76

HSL 85.65, 0.63%, 0.57%

LAB 79.38, -39.98, 59.97

 

CMYK 10 / 0 / 64 / 16

HEX #C0D64C

RGB 192 214 76

HSL 69.57, 0.63%, 0.57%

LAB 81.74, -25.66, 63.19

 

CMYK 0 / 7 / 64 / 16

HEX #D6C84C

RGB 214 200 76

HSL 53.91, 0.63%, 0.57%

LAB 79.69, -9.65, 61.56

 

CMYK 63 / 0 / 64 / 16

HEX #50D64C

RGB 80 214 76

HSL 118.26, 0.63%, 0.57%

LAB 76.27, -62.41, 55.69

 

CMYK 64 / 0 / 49 / 16

HEX #4CD66D

RGB 76 214 109

HSL 134.35, 0.63%, 0.57%

LAB 76.52, -59.16, 40.94

 

CMYK 64 / 0 / 31 / 16

HEX #4CD693

RGB 76 214 147

HSL 150.87, 0.63%, 0.57%

LAB 77.12, -52.5, 22.4

 

CMYK 64 / 0 / 14 / 16

HEX #4CD6B8

RGB 76 214 184

HSL 166.96, 0.63%, 0.57%

LAB 77.93, -44.18, 3.92

 

CMYK 64 / 3 / 0 / 16

HEX #4CD0D6

RGB 76 208 214

HSL 182.61, 0.63%, 0.57%

LAB 76.98, -33.5, -13.58

 

CMYK 63 / 0 / 64 / 16

HEX #50D64C

RGB 80 214 76

HSL 118.26, 0.63%, 0.57%

LAB 76.27, -62.41, 55.69

 

CMYK 72 / 0 / 75 / 9

HEX #40E83B

RGB 64 232 59

HSL 118.27, 0.79%, 0.57%

LAB 81.36, -72.68, 67.21

 

CMYK 81 / 0 / 84 / 2

HEX #2FFA29

RGB 47 250 41

HSL 118.28, 0.95%, 0.57%

LAB 86.57, -81.17, 76.98

 

CMYK 63 / 0 / 64 / 16

HEX #50D64C

RGB 80 214 76

HSL 118.26, 0.63%, 0.57%

LAB 76.27, -62.41, 55.69

 

CMYK 51 / 0 / 52 / 23

HEX #61C55E

RGB 97 197 94

HSL 118.25, 0.47%, 0.57%

LAB 71.75, -49.87, 42.49

 

CMYK 36 / 0 / 37 / 30

HEX #72B370

RGB 114 179 112

HSL 118.21, 0.31%, 0.57%

LAB 67.27, -34.4, 27.83

 

CMYK 19 / 0 / 20 / 37

HEX #82A181

RGB 130 161 129

HSL 118.13, 0.15%, 0.57%

LAB 63.19, -17.14, 13.19

 

CMYK 0 / 3 / 0 / 42

HEX #938F93

RGB 147 143 147

HSL 300, 0.02%, 0.57%

LAB 59.85, 2.25, -1.6

 

CMYK 28 / 0 / 64 / 16

HEX #9BD64C

RGB 155 214 76

HSL 85.65, 0.63%, 0.57%

LAB 79.38, -39.98, 59.97

 

CMYK 45 / 0 / 64 / 16

HEX #76D64C

RGB 118 214 76

HSL 101.74, 0.63%, 0.57%

LAB 77.56, -52.48, 57.48

 

CMYK 62 / 0 / 64 / 16

HEX #51D64C

RGB 81 214 76

HSL 117.83, 0.63%, 0.57%

LAB 76.29, -62.2, 55.73

 

CMYK 64 / 0 / 49 / 16

HEX #4CD66D

RGB 76 214 109

HSL 134.35, 0.63%, 0.57%

LAB 76.52, -59.16, 40.94

 

CMYK 64 / 0 / 32 / 16

HEX #4CD691

RGB 76 214 145

HSL 150, 0.63%, 0.57%

LAB 77.09, -52.9, 23.4

 

CMYK 75 / 0 / 77 / 33

HEX #2AAA27

RGB 42 170 39

HSL 118.63, 0.63%, 0.41%

LAB 61.12, -58.11, 53.76

 

CMYK 75 / 0 / 77 / 20

HEX #33CB2E

RGB 51 203 46

HSL 118.09, 0.63%, 0.49%

LAB 71.97, -66.63, 62.1

 

CMYK 63 / 0 / 64 / 16

HEX #50D64C

RGB 80 214 76

HSL 118.26, 0.63%, 0.57%

LAB 76.27, -62.41, 55.69

 

CMYK 49 / 0 / 50 / 13

HEX #71DE6E

RGB 113 222 110

HSL 118.39, 0.63%, 0.65%

LAB 80.11, -53.36, 45.15

 

CMYK 37 / 0 / 37 / 10

HEX #92E690

RGB 146 230 144

HSL 118.6, 0.63%, 0.73%

LAB 84.34, -42.26, 34.07

 

CMYK 62 / 0 / 64 / 16

HEX #52D74E

RGB 82 215 78

HSL 118.25, 0.63%, 0.57%

LAB 76.65, -62.13, 55.29

 

CMYK 64 / 11 / 0 / 16

HEX #4CBFD6

RGB 76 191 214

HSL 190, 0.63%, 0.57%

LAB 72, -25.23, -21.11

 

CMYK 0 / 64 / 36 / 16

HEX #D64C88

RGB 214 76 136

HSL 333.91, 0.63%, 0.57%

LAB 53.21, 59.22, -4.04

 

CMYK 62 / 0 / 64 / 16

HEX #52D74E

RGB 82 215 78

HSL 118.25, 0.63%, 0.57%

LAB 76.65, -62.13, 55.29

 

CMYK 64 / 62 / 0 / 16

HEX #4C51D6

RGB 76 81 214

HSL 237.83, 0.63%, 0.57%

LAB 41.65, 38.95, -69.03

 

CMYK 0 / 64 / 62 / 16

HEX #D64C51

RGB 214 76 81

HSL 357.83, 0.63%, 0.57%

LAB 51.9, 54.42, 26.9

 

CMYK 62 / 0 / 64 / 16

HEX #52D74E

RGB 82 215 78

HSL 118.25, 0.63%, 0.57%

LAB 76.65, -62.13, 55.29

 

CMYK 64 / 11 / 0 / 16

HEX #4CBFD6

RGB 76 191 214

HSL 190, 0.63%, 0.57%

LAB 72, -25.23, -21.11

 

CMYK 2 / 64 / 0 / 16

HEX #D24CD6

RGB 210 76 214

HSL 298.26, 0.63%, 0.57%

LAB 55.81, 69.18, -45.47

 

CMYK 0 / 54 / 64 / 16

HEX #D6634C

RGB 214 99 76

HSL 10, 0.63%, 0.57%

LAB 55.83, 43.58, 34.66

 

CMYK 62 / 0 / 64 / 16

HEX #52D74E

RGB 82 215 78

HSL 118.25, 0.63%, 0.57%

LAB 76.65, -62.13, 55.29

 

CMYK 64 / 30 / 0 / 16

HEX #4C96D6

RGB 76 150 214

HSL 207.83, 0.63%, 0.57%

LAB 60.07, -3.22, -39.53

 

CMYK 2 / 64 / 0 / 16

HEX #D24CD6

RGB 210 76 214

HSL 298.26, 0.63%, 0.57%

LAB 55.81, 69.18, -45.47

 

CMYK 0 / 34 / 64 / 16

HEX #D68D4C

RGB 214 141 76

HSL 28.26, 0.63%, 0.57%

LAB 64.86, 21.62, 45.31

 

Description

Color code: HEX #52D74E | qconv.com Color code: HEX #52D74E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 215 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 215 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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