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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52D2BA it is the complementary color #AD2D45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52D2BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52D2BA shade: #57D2B5, #68E4C8, #79F6DB, #8AFFEE and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52D2BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52D2BA shade: #52D2BA, #41C0A7, #30AE94, #1F9C81 and #0E8A6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52D2BA shade: #51D2BA, #51D297, #51D274, #51D251 and #73D251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52D2BA shade: #51D2BA, #51C7D2, #51A5D2, #5182D2 and #515FD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52D2BA shade matches the following richer shades: #51D2BA, #3FE4C5 and #2DF6D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52D2BA shade: #51D2BA, #62C0AF, #74AFA4, #869D99 and #988B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52D2BA shade: #51D273, #51D296, #51D2B8, #51C9D2 and #51A7D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52D2BA shade: #2BA68E, #33C6AB, #51D2BA, #71DBC7 and #92E3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52D2BA shade: #52D2BA, #5151D2 and #D28451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52D2BA shade: #52D2BA, #B851D2 and #D2B851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52D2BA shade: #52D2BA, #5151D2, #D2516B and #D2D251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52D2BA shade: #52D2BA, #7751D2, #D2516B and #ABD251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 11 / 18

HEX #52D2BA

RGB 82 210 186

HSL 168.75, 0.59%, 0.57%

LAB 76.94, -40.9, 1.43

 

Complementary color

CMYK 0 / 74 / 60 / 32

HEX #AD2D45

RGB 173 45 69

HSL 348.75, 0.59%, 0.43%

LAB 39.9, 52.66, 17.12

 

CMYK 59 / 0 / 14 / 18

HEX #57D2B5

RGB 87 210 181

HSL 165.85, 0.58%, 0.58%

LAB 76.95, -41.2, 4.15

 

CMYK 54 / 0 / 12 / 11

HEX #68E4C8

RGB 104 228 200

HSL 166.45, 0.7%, 0.65%

LAB 83.23, -41.29, 3.19

 

CMYK 51 / 0 / 11 / 4

HEX #79F6DB

RGB 121 246 219

HSL 167.04, 0.87%, 0.72%

LAB 89.44, -41.3, 2.31

 

CMYK 46 / 0 / 7 / 0

HEX #8AFFEE

RGB 138 255 238

HSL 171.28, 1%, 0.77%

LAB 93.06, -37.2, -2.19

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 61 / 0 / 11 / 18

HEX #52D2BA

RGB 82 210 186

HSL 168.75, 0.59%, 0.57%

LAB 76.94, -40.9, 1.43

 

CMYK 66 / 0 / 13 / 25

HEX #41C0A7

RGB 65 192 167

HSL 168.19, 0.5%, 0.5%

LAB 70.6, -40.58, 2.45

 

CMYK 72 / 0 / 15 / 32

HEX #30AE94

RGB 48 174 148

HSL 167.62, 0.57%, 0.44%

LAB 64.19, -40.06, 3.58

 

CMYK 80 / 0 / 17 / 39

HEX #1F9C81

RGB 31 156 129

HSL 167.04, 0.67%, 0.37%

LAB 57.71, -39.25, 4.85

 

CMYK 90 / 0 / 20 / 46

HEX #0E8A6E

RGB 14 138 110

HSL 166.45, 0.82%, 0.3%

LAB 51.15, -38.01, 6.29

 

CMYK 61 / 0 / 11 / 18

HEX #51D2BA

RGB 81 210 186

HSL 168.84, 0.59%, 0.57%

LAB 76.91, -41.08, 1.39

 

CMYK 61 / 0 / 28 / 18

HEX #51D297

RGB 81 210 151

HSL 152.56, 0.59%, 0.57%

LAB 76.12, -49.12, 18.94

 

CMYK 61 / 0 / 45 / 18

HEX #51D274

RGB 81 210 116

HSL 136.28, 0.59%, 0.57%

LAB 75.52, -55.58, 36.24

 

CMYK 61 / 0 / 61 / 18

HEX #51D251

RGB 81 210 81

HSL 120, 0.59%, 0.57%

LAB 75.1, -60.27, 52.28

 

CMYK 45 / 0 / 61 / 18

HEX #73D251

RGB 115 210 81

HSL 104.19, 0.59%, 0.57%

LAB 76.27, -51.34, 53.92

 

CMYK 61 / 0 / 11 / 18

HEX #51D2BA

RGB 81 210 186

HSL 168.84, 0.59%, 0.57%

LAB 76.91, -41.08, 1.39

 

CMYK 61 / 5 / 0 / 18

HEX #51C7D2

RGB 81 199 210

HSL 185.12, 0.59%, 0.57%

LAB 74.35, -29.52, -15.37

 

CMYK 61 / 21 / 0 / 18

HEX #51A5D2

RGB 81 165 210

HSL 200.93, 0.59%, 0.57%

LAB 64.41, -12.02, -30.53

 

CMYK 61 / 38 / 0 / 18

HEX #5182D2

RGB 81 130 210

HSL 217.21, 0.59%, 0.57%

LAB 54.42, 8.1, -46.2

 

CMYK 61 / 55 / 0 / 18

HEX #515FD2

RGB 81 95 210

HSL 233.49, 0.59%, 0.57%

LAB 45.06, 29.76, -61.18

 

CMYK 61 / 0 / 11 / 18

HEX #51D2BA

RGB 81 210 186

HSL 168.84, 0.59%, 0.57%

LAB 76.91, -41.08, 1.39

 

CMYK 72 / 0 / 14 / 11

HEX #3FE4C5

RGB 63 228 197

HSL 168.73, 0.75%, 0.57%

LAB 82.15, -48.77, 3.08

 

CMYK 82 / 0 / 15 / 4

HEX #2DF6D0

RGB 45 246 208

HSL 168.66, 0.92%, 0.57%

LAB 87.5, -55.19, 5.02

 

CMYK 61 / 0 / 11 / 18

HEX #51D2BA

RGB 81 210 186

HSL 168.84, 0.59%, 0.57%

LAB 76.91, -41.08, 1.39

 

CMYK 49 / 0 / 9 / 25

HEX #62C0AF

RGB 98 192 175

HSL 169.15, 0.43%, 0.57%

LAB 71.82, -32.06, -0.02

 

CMYK 34 / 0 / 6 / 31

HEX #74AFA4

RGB 116 175 164

HSL 168.81, 0.27%, 0.57%

LAB 67.32, -21.62, -0.46

 

CMYK 15 / 0 / 3 / 38

HEX #869D99

RGB 134 157 153

HSL 169.57, 0.11%, 0.57%

LAB 62.91, -8.89, -0.63

 

CMYK 0 / 9 / 7 / 40

HEX #988B8D

RGB 152 139 141

HSL 350.77, 0.06%, 0.57%

LAB 59.03, 5.22, 0.69

 

CMYK 61 / 0 / 45 / 18

HEX #51D273

RGB 81 210 115

HSL 135.81, 0.59%, 0.57%

LAB 75.5, -55.74, 36.72

 

CMYK 61 / 0 / 29 / 18

HEX #51D296

RGB 81 210 150

HSL 152.09, 0.59%, 0.57%

LAB 76.1, -49.33, 19.44

 

CMYK 61 / 0 / 12 / 18

HEX #51D2B8

RGB 81 210 184

HSL 167.91, 0.59%, 0.57%

LAB 76.86, -41.57, 2.39

 

CMYK 61 / 4 / 0 / 18

HEX #51C9D2

RGB 81 201 210

HSL 184.19, 0.59%, 0.57%

LAB 74.94, -30.49, -14.49

 

CMYK 61 / 20 / 0 / 18

HEX #51A7D2

RGB 81 167 210

HSL 200, 0.59%, 0.57%

LAB 64.99, -13.11, -29.64

 

CMYK 74 / 0 / 14 / 35

HEX #2BA68E

RGB 43 166 142

HSL 168.29, 0.59%, 0.41%

LAB 61.43, -38.77, 2.92

 

CMYK 74 / 0 / 14 / 22

HEX #33C6AB

RGB 51 198 171

HSL 168.98, 0.59%, 0.49%

LAB 72.25, -44.13, 2.63

 

CMYK 61 / 0 / 11 / 18

HEX #51D2BA

RGB 81 210 186

HSL 168.84, 0.59%, 0.57%

LAB 76.91, -41.08, 1.39

 

CMYK 48 / 0 / 9 / 14

HEX #71DBC7

RGB 113 219 199

HSL 168.68, 0.6%, 0.65%

LAB 80.9, -35.49, 0.38

 

CMYK 36 / 0 / 7 / 11

HEX #92E3D4

RGB 146 227 212

HSL 168.89, 0.59%, 0.73%

LAB 84.9, -28.05, -0.52

 

CMYK 61 / 0 / 11 / 18

HEX #52D2BA

RGB 82 210 186

HSL 168.75, 0.59%, 0.57%

LAB 76.94, -40.9, 1.43

 

CMYK 61 / 61 / 0 / 18

HEX #5151D2

RGB 81 81 210

HSL 240, 0.59%, 0.57%

LAB 41.67, 38.39, -66.69

 

CMYK 0 / 37 / 61 / 18

HEX #D28451

RGB 210 132 81

HSL 23.72, 0.59%, 0.57%

LAB 62.34, 25.16, 39.67

 

CMYK 61 / 0 / 11 / 18

HEX #52D2BA

RGB 82 210 186

HSL 168.75, 0.59%, 0.57%

LAB 76.94, -40.9, 1.43

 

CMYK 12 / 61 / 0 / 18

HEX #B851D2

RGB 184 81 210

HSL 287.91, 0.59%, 0.57%

LAB 52.65, 60.21, -48.44

 

CMYK 0 / 12 / 61 / 18

HEX #D2B851

RGB 210 184 81

HSL 47.91, 0.59%, 0.57%

LAB 75.19, -2.76, 54.44

 

CMYK 61 / 0 / 11 / 18

HEX #52D2BA

RGB 82 210 186

HSL 168.75, 0.59%, 0.57%

LAB 76.94, -40.9, 1.43

 

CMYK 61 / 61 / 0 / 18

HEX #5151D2

RGB 81 81 210

HSL 240, 0.59%, 0.57%

LAB 41.67, 38.39, -66.69

 

CMYK 0 / 61 / 49 / 18

HEX #D2516B

RGB 210 81 107

HSL 347.91, 0.59%, 0.57%

LAB 52.56, 52.94, 12.23

 

CMYK 0 / 0 / 61 / 18

HEX #D2D251

RGB 210 210 81

HSL 60, 0.59%, 0.57%

LAB 82.05, -16.03, 61.89

 

CMYK 61 / 0 / 11 / 18

HEX #52D2BA

RGB 82 210 186

HSL 168.75, 0.59%, 0.57%

LAB 76.94, -40.9, 1.43

 

CMYK 43 / 61 / 0 / 18

HEX #7751D2

RGB 119 81 210

HSL 257.67, 0.59%, 0.57%

LAB 44.89, 45.41, -61.32

 

CMYK 0 / 61 / 49 / 18

HEX #D2516B

RGB 210 81 107

HSL 347.91, 0.59%, 0.57%

LAB 52.56, 52.94, 12.23

 

CMYK 19 / 0 / 61 / 18

HEX #ABD251

RGB 171 210 81

HSL 78.14, 0.59%, 0.57%

LAB 79.24, -31.72, 58.03

 

Description

Color code: HEX #52D2BA | qconv.com Color code: HEX #52D2BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 210 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 210 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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