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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52CE66 it is the complementary color #AD3199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52CE66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52CE66 shade: #57CE61, #68E074, #79F287, #8AFF9A and #9BFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52CE66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52CE66 shade: #52CE66, #41BC53, #30AA40, #1F982D and #0E861A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52CE66 shade: #50CE64, #5ECE50, #7FCE50, #A1CE50 and #C3CE50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52CE66 shade: #50CE64, #50CE86, #50CEA8, #50CECA and #50AFCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52CE66 shade matches the following richer shades: #50CE64, #3EE058 and #2CF24C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52CE66 shade: #50CE64, #62BB71, #74A97D, #869789 and #998595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52CE66 shade: #80CE50, #5FCE50, #50CE63, #50CE84 and #50CEA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52CE66 shade: #2D9E3F, #36BF4C, #50CE64, #70D781 and #90E09D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52CE66 shade: #52CE66, #50A2CE and #CE506F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52CE66 shade: #52CE66, #6350CE and #CE6350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52CE66 shade: #52CE66, #50A2CE, #CE50BB and #CE7C50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52CE66 shade: #52CE66, #507CCE, #CE50BB and #CEA250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 50 / 19

HEX #52CE66

RGB 82 206 102

HSL 129.68, 0.56%, 0.56%

LAB 74.12, -55.97, 41.41

 

Complementary color

CMYK 0 / 72 / 12 / 32

HEX #AD3199

RGB 173 49 153

HSL 309.68, 0.56%, 0.44%

LAB 43.33, 60.65, -29.91

 

CMYK 58 / 0 / 53 / 19

HEX #57CE61

RGB 87 206 97

HSL 125.04, 0.55%, 0.57%

LAB 74.21, -55.51, 43.96

 

CMYK 54 / 0 / 48 / 12

HEX #68E074

RGB 104 224 116

HSL 126, 0.66%, 0.64%

LAB 80.47, -55.67, 42.64

 

CMYK 50 / 0 / 44 / 5

HEX #79F287

RGB 121 242 135

HSL 126.94, 0.82%, 0.71%

LAB 86.66, -55.69, 41.34

 

CMYK 46 / 0 / 40 / 0

HEX #8AFF9A

RGB 138 255 154

HSL 128.21, 1%, 0.77%

LAB 91.35, -53.58, 38.21

 

CMYK 39 / 0 / 32 / 0

HEX #9BFFAD

RGB 155 255 173

HSL 130.8, 1%, 0.8%

LAB 92.36, -45.85, 30.22

 

CMYK 60 / 0 / 50 / 19

HEX #52CE66

RGB 82 206 102

HSL 129.68, 0.56%, 0.56%

LAB 74.12, -55.97, 41.41

 

CMYK 65 / 0 / 56 / 26

HEX #41BC53

RGB 65 188 83

HSL 128.78, 0.49%, 0.5%

LAB 67.81, -55.54, 42.8

 

CMYK 72 / 0 / 62 / 33

HEX #30AA40

RGB 48 170 64

HSL 127.87, 0.56%, 0.43%

LAB 61.44, -54.75, 44.12

 

CMYK 80 / 0 / 70 / 40

HEX #1F982D

RGB 31 152 45

HSL 126.94, 0.66%, 0.36%

LAB 55.01, -53.39, 45.22

 

CMYK 90 / 0 / 81 / 47

HEX #0E861A

RGB 14 134 26

HSL 126, 0.81%, 0.29%

LAB 48.53, -51.18, 45.72

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 54 / 0 / 61 / 19

HEX #5ECE50

RGB 94 206 80

HSL 113.33, 0.56%, 0.56%

LAB 74.25, -55.8, 51.87

 

CMYK 38 / 0 / 61 / 19

HEX #7FCE50

RGB 127 206 80

HSL 97.62, 0.56%, 0.56%

LAB 75.6, -46, 53.74

 

CMYK 22 / 0 / 61 / 19

HEX #A1CE50

RGB 161 206 80

HSL 81.43, 0.56%, 0.56%

LAB 77.46, -33.8, 56.33

 

CMYK 5 / 0 / 61 / 19

HEX #C3CE50

RGB 195 206 80

HSL 65.24, 0.56%, 0.56%

LAB 79.8, -20.29, 59.55

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 61 / 0 / 35 / 19

HEX #50CE86

RGB 80 206 134

HSL 145.71, 0.56%, 0.56%

LAB 74.55, -51.08, 25.74

 

CMYK 61 / 0 / 18 / 19

HEX #50CEA8

RGB 80 206 168

HSL 161.9, 0.56%, 0.56%

LAB 75.25, -43.86, 8.65

 

CMYK 61 / 0 / 2 / 19

HEX #50CECA

RGB 80 206 202

HSL 178.1, 0.56%, 0.56%

LAB 76.14, -35.25, -8.37

 

CMYK 61 / 15 / 0 / 19

HEX #50AFCE

RGB 80 175 206

HSL 194.76, 0.56%, 0.56%

LAB 67.14, -18.78, -24.12

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 72 / 0 / 61 / 12

HEX #3EE058

RGB 62 224 88

HSL 129.63, 0.72%, 0.56%

LAB 79.06, -67.81, 53.62

 

CMYK 82 / 0 / 69 / 5

HEX #2CF24C

RGB 44 242 76

HSL 129.7, 0.88%, 0.56%

LAB 84.26, -76.88, 64.11

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 48 / 0 / 40 / 27

HEX #62BB71

RGB 98 187 113

HSL 130.11, 0.4%, 0.56%

LAB 68.99, -42.64, 29.43

 

CMYK 31 / 0 / 26 / 34

HEX #74A97D

RGB 116 169 125

HSL 130.19, 0.24%, 0.56%

LAB 64.62, -26.75, 17.26

 

CMYK 11 / 0 / 9 / 41

HEX #869789

RGB 134 151 137

HSL 130.59, 0.08%, 0.56%

LAB 60.79, -8.87, 5.32

 

CMYK 0 / 13 / 3 / 40

HEX #998595

RGB 153 133 149

HSL 312, 0.09%, 0.56%

LAB 57.77, 10.51, -5.75

 

CMYK 38 / 0 / 61 / 19

HEX #80CE50

RGB 128 206 80

HSL 97.14, 0.56%, 0.56%

LAB 75.64, -45.66, 53.81

 

CMYK 54 / 0 / 61 / 19

HEX #5FCE50

RGB 95 206 80

HSL 112.86, 0.56%, 0.56%

LAB 74.29, -55.54, 51.91

 

CMYK 61 / 0 / 52 / 19

HEX #50CE63

RGB 80 206 99

HSL 129.05, 0.56%, 0.56%

LAB 74.03, -56.83, 42.74

 

CMYK 61 / 0 / 36 / 19

HEX #50CE84

RGB 80 206 132

HSL 144.76, 0.56%, 0.56%

LAB 74.52, -51.46, 26.73

 

CMYK 61 / 0 / 19 / 19

HEX #50CEA6

RGB 80 206 166

HSL 160.95, 0.56%, 0.56%

LAB 75.2, -44.33, 9.66

 

CMYK 72 / 0 / 60 / 38

HEX #2D9E3F

RGB 45 158 63

HSL 129.56, 0.56%, 0.4%

LAB 57.43, -51.18, 39.97

 

CMYK 72 / 0 / 60 / 25

HEX #36BF4C

RGB 54 191 76

HSL 129.64, 0.56%, 0.48%

LAB 68.44, -59.51, 46.72

 

CMYK 61 / 0 / 51 / 19

HEX #50CE64

RGB 80 206 100

HSL 129.52, 0.56%, 0.56%

LAB 74.04, -56.69, 42.27

 

CMYK 48 / 0 / 40 / 16

HEX #70D781

RGB 112 215 129

HSL 129.9, 0.56%, 0.64%

LAB 78.25, -48.04, 33.4

 

CMYK 36 / 0 / 30 / 12

HEX #90E09D

RGB 144 224 157

HSL 129.75, 0.56%, 0.72%

LAB 82.74, -38.1, 25.27

 

CMYK 60 / 0 / 50 / 19

HEX #52CE66

RGB 82 206 102

HSL 129.68, 0.56%, 0.56%

LAB 74.12, -55.97, 41.41

 

CMYK 61 / 21 / 0 / 19

HEX #50A2CE

RGB 80 162 206

HSL 200.95, 0.56%, 0.56%

LAB 63.34, -11.83, -29.97

 

CMYK 0 / 61 / 46 / 19

HEX #CE506F

RGB 206 80 111

HSL 345.24, 0.56%, 0.56%

LAB 51.84, 52.45, 8.74

 

CMYK 60 / 0 / 50 / 19

HEX #52CE66

RGB 82 206 102

HSL 129.68, 0.56%, 0.56%

LAB 74.12, -55.97, 41.41

 

CMYK 52 / 61 / 0 / 19

HEX #6350CE

RGB 99 80 206

HSL 249.05, 0.56%, 0.56%

LAB 42.53, 40.86, -62.93

 

CMYK 0 / 52 / 61 / 19

HEX #CE6350

RGB 206 99 80

HSL 9.05, 0.56%, 0.56%

LAB 54.68, 40.84, 30.73

 

CMYK 60 / 0 / 50 / 19

HEX #52CE66

RGB 82 206 102

HSL 129.68, 0.56%, 0.56%

LAB 74.12, -55.97, 41.41

 

CMYK 61 / 21 / 0 / 19

HEX #50A2CE

RGB 80 162 206

HSL 200.95, 0.56%, 0.56%

LAB 63.34, -11.83, -29.97

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 0 / 40 / 61 / 19

HEX #CE7C50

RGB 206 124 80

HSL 20.95, 0.56%, 0.56%

LAB 59.99, 27.76, 37.26

 

CMYK 60 / 0 / 50 / 19

HEX #52CE66

RGB 82 206 102

HSL 129.68, 0.56%, 0.56%

LAB 74.12, -55.97, 41.41

 

CMYK 61 / 40 / 0 / 19

HEX #507CCE

RGB 80 124 206

HSL 219.05, 0.56%, 0.56%

LAB 52.48, 10.2, -47

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 0 / 21 / 61 / 19

HEX #CEA250

RGB 206 162 80

HSL 39.05, 0.56%, 0.56%

LAB 69.14, 7.15, 48

 

Description

Color code: HEX #52CE66 | qconv.com Color code: HEX #52CE66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 206 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 206 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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