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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52CBFD it is the complementary color #AD3402. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52CBFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52CBFD shade: #57CBF8, #68DDFF, #79EFFF, #8AFFFF and #9BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52CBFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52CBFD shade: #52CBFD, #41B9EA, #30A7D7, #1F95C4 and #0E83B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52CBFD shade: #53CCFD, #539EFD, #5370FD, #6553FD and #9253FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52CBFD shade: #53CCFD, #539EFD, #5370FD and #5353FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52CBFD shade matches the following richer shades: #53CCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52CBFD shade: #53CCFD, #61C6EF, #6FC0E1, #7DBAD3 and #8BB4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52CBFD shade: #53FDD3, #53FAFD, #53CDFD, #53A0FD and #5372FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52CBFD shade: #03B3FC, #2ABFFD, #53CCFD, #7CD8FE and #A5E4FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52CBFD shade: #52CBFD, #A553FD and #FDE953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52CBFD shade: #52CBFD, #FD53CD and #CDFD53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52CBFD shade: #52CBFD, #A553FD, #FD8353 and #ABFD53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52CBFD shade: #52CBFD, #D853FD, #FD8353 and #78FD53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 20 / 0 / 1

HEX #52CBFD

RGB 82 203 253

HSL 197.54, 0.98%, 0.66%

LAB 77.04, -18.49, -34.41

 

Complementary color

CMYK 0 / 70 / 99 / 32

HEX #AD3402

RGB 173 52 2

HSL 17.54, 0.98%, 0.34%

LAB 40.15, 47.58, 51.42

 

CMYK 65 / 18 / 0 / 3

HEX #57CBF8

RGB 87 203 248

HSL 196.77, 0.92%, 0.66%

LAB 76.99, -19.29, -31.8

 

CMYK 59 / 13 / 0 / 0

HEX #68DDFF

RGB 104 221 255

HSL 193.51, 1%, 0.7%

LAB 82.85, -23.48, -26.5

 

CMYK 53 / 6 / 0 / 0

HEX #79EFFF

RGB 121 239 255

HSL 187.16, 1%, 0.74%

LAB 88.46, -29.09, -17.94

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 68 / 20 / 0 / 1

HEX #52CBFD

RGB 82 203 253

HSL 197.54, 0.98%, 0.66%

LAB 77.04, -18.49, -34.41

 

CMYK 72 / 21 / 0 / 8

HEX #41B9EA

RGB 65 185 234

HSL 197.4, 0.8%, 0.59%

LAB 70.71, -17.48, -34

 

CMYK 78 / 22 / 0 / 16

HEX #30A7D7

RGB 48 167 215

HSL 197.25, 0.68%, 0.52%

LAB 64.3, -16.21, -33.55

 

CMYK 84 / 24 / 0 / 23

HEX #1F95C4

RGB 31 149 196

HSL 197.09, 0.73%, 0.45%

LAB 57.82, -14.6, -33.04

 

CMYK 92 / 26 / 0 / 31

HEX #0E83B1

RGB 14 131 177

HSL 196.93, 0.85%, 0.37%

LAB 51.27, -12.53, -32.45

 

CMYK 67 / 19 / 0 / 1

HEX #53CCFD

RGB 83 204 253

HSL 197.29, 0.98%, 0.66%

LAB 77.35, -18.86, -33.93

 

CMYK 67 / 38 / 0 / 1

HEX #539EFD

RGB 83 158 253

HSL 213.53, 0.98%, 0.66%

LAB 64.47, 6.41, -54.1

 

CMYK 67 / 56 / 0 / 1

HEX #5370FD

RGB 83 112 253

HSL 229.76, 0.98%, 0.66%

LAB 52.42, 34.14, -73.46

 

CMYK 60 / 67 / 0 / 1

HEX #6553FD

RGB 101 83 253

HSL 246.35, 0.98%, 0.66%

LAB 47.03, 53.67, -82.19

 

CMYK 42 / 67 / 0 / 1

HEX #9253FD

RGB 146 83 253

HSL 262.24, 0.98%, 0.66%

LAB 51.14, 60.88, -75.32

 

CMYK 67 / 19 / 0 / 1

HEX #53CCFD

RGB 83 204 253

HSL 197.29, 0.98%, 0.66%

LAB 77.35, -18.86, -33.93

 

CMYK 67 / 38 / 0 / 1

HEX #539EFD

RGB 83 158 253

HSL 213.53, 0.98%, 0.66%

LAB 64.47, 6.41, -54.1

 

CMYK 67 / 56 / 0 / 1

HEX #5370FD

RGB 83 112 253

HSL 229.76, 0.98%, 0.66%

LAB 52.42, 34.14, -73.46

 

CMYK 67 / 67 / 0 / 1

HEX #5353FD

RGB 83 83 253

HSL 240, 0.98%, 0.66%

LAB 45.79, 51.38, -84.27

 

CMYK 67 / 19 / 0 / 1

HEX #53CCFD

RGB 83 204 253

HSL 197.29, 0.98%, 0.66%

LAB 77.35, -18.86, -33.93

 

CMYK 67 / 19 / 0 / 1

HEX #53CCFD

RGB 83 204 253

HSL 197.29, 0.98%, 0.66%

LAB 77.35, -18.86, -33.93

 

CMYK 59 / 17 / 0 / 6

HEX #61C6EF

RGB 97 198 239

HSL 197.32, 0.82%, 0.66%

LAB 75.55, -17.74, -29.16

 

CMYK 51 / 15 / 0 / 12

HEX #6FC0E1

RGB 111 192 225

HSL 197.37, 0.66%, 0.66%

LAB 73.88, -15.88, -24.11

 

CMYK 41 / 12 / 0 / 17

HEX #7DBAD3

RGB 125 186 211

HSL 197.44, 0.49%, 0.66%

LAB 72.35, -13.2, -18.77

 

CMYK 29 / 9 / 0 / 23

HEX #8BB4C5

RGB 139 180 197

HSL 197.59, 0.33%, 0.66%

LAB 70.98, -9.69, -13.09

 

CMYK 67 / 0 / 17 / 1

HEX #53FDD3

RGB 83 253 211

HSL 165.18, 0.98%, 0.66%

LAB 90.23, -53.04, 7.47

 

CMYK 67 / 1 / 0 / 1

HEX #53FAFD

RGB 83 250 253

HSL 181.06, 0.98%, 0.66%

LAB 90.46, -41.01, -13.99

 

CMYK 67 / 19 / 0 / 1

HEX #53CDFD

RGB 83 205 253

HSL 196.94, 0.98%, 0.66%

LAB 77.63, -19.38, -33.49

 

CMYK 67 / 37 / 0 / 1

HEX #53A0FD

RGB 83 160 253

HSL 212.82, 0.98%, 0.66%

LAB 65.02, 5.25, -53.23

 

CMYK 67 / 55 / 0 / 1

HEX #5372FD

RGB 83 114 253

HSL 229.06, 0.98%, 0.66%

LAB 52.91, 32.92, -72.66

 

CMYK 99 / 29 / 0 / 1

HEX #03B3FC

RGB 3 179 252

HSL 197.59, 0.98%, 0.5%

LAB 68.96, -12.22, -46.55

 

CMYK 83 / 25 / 0 / 1

HEX #2ABFFD

RGB 42 191 253

HSL 197.63, 0.98%, 0.58%

LAB 72.79, -16.6, -41.07

 

CMYK 67 / 19 / 0 / 1

HEX #53CCFD

RGB 83 204 253

HSL 197.29, 0.98%, 0.66%

LAB 77.35, -18.86, -33.93

 

CMYK 51 / 15 / 0 / 0

HEX #7CD8FE

RGB 124 216 254

HSL 197.54, 0.98%, 0.74%

LAB 82.14, -17.35, -26.99

 

CMYK 35 / 10 / 0 / 0

HEX #A5E4FE

RGB 165 228 254

HSL 197.53, 0.98%, 0.82%

LAB 87.31, -13.66, -18.95

 

CMYK 68 / 20 / 0 / 1

HEX #52CBFD

RGB 82 203 253

HSL 197.54, 0.98%, 0.66%

LAB 77.04, -18.49, -34.41

 

CMYK 35 / 67 / 0 / 1

HEX #A553FD

RGB 165 83 253

HSL 268.94, 0.98%, 0.66%

LAB 53.25, 64.4, -71.79

 

CMYK 0 / 8 / 67 / 1

HEX #FDE953

RGB 253 233 83

HSL 52.94, 0.98%, 0.66%

LAB 91.59, -9.63, 72.13

 

CMYK 68 / 20 / 0 / 1

HEX #52CBFD

RGB 82 203 253

HSL 197.54, 0.98%, 0.66%

LAB 77.04, -18.49, -34.41

 

CMYK 0 / 67 / 19 / 1

HEX #FD53CD

RGB 253 83 205

HSL 316.94, 0.98%, 0.66%

LAB 62.91, 75.57, -28.78

 

CMYK 19 / 0 / 67 / 1

HEX #CDFD53

RGB 205 253 83

HSL 76.94, 0.98%, 0.66%

LAB 93.39, -38.18, 72.85

 

CMYK 68 / 20 / 0 / 1

HEX #52CBFD

RGB 82 203 253

HSL 197.54, 0.98%, 0.66%

LAB 77.04, -18.49, -34.41

 

CMYK 35 / 67 / 0 / 1

HEX #A553FD

RGB 165 83 253

HSL 268.94, 0.98%, 0.66%

LAB 53.25, 64.4, -71.79

 

CMYK 0 / 48 / 67 / 1

HEX #FD8353

RGB 253 131 83

HSL 16.94, 0.98%, 0.66%

LAB 67.83, 42.8, 46.5

 

CMYK 32 / 0 / 67 / 1

HEX #ABFD53

RGB 171 253 83

HSL 88.94, 0.98%, 0.66%

LAB 91.47, -50.47, 70.27

 

CMYK 68 / 20 / 0 / 1

HEX #52CBFD

RGB 82 203 253

HSL 197.54, 0.98%, 0.66%

LAB 77.04, -18.49, -34.41

 

CMYK 15 / 67 / 0 / 1

HEX #D853FD

RGB 216 83 253

HSL 286.94, 0.98%, 0.66%

LAB 59.78, 74.68, -60.94

 

CMYK 0 / 48 / 67 / 1

HEX #FD8353

RGB 253 131 83

HSL 16.94, 0.98%, 0.66%

LAB 67.83, 42.8, 46.5

 

CMYK 53 / 0 / 67 / 1

HEX #78FD53

RGB 120 253 83

HSL 106.94, 0.98%, 0.66%

LAB 89.33, -65.96, 67.36

 

Description

Color code: HEX #52CBFD | qconv.com Color code: HEX #52CBFD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 203 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 203 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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