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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BE16 it is the complementary color #AD41E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BE16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BE16 shade: #57BE11, #68D024, #79E237, #8AF44A and #9BFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BE16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BE16 shade: #52BE16, #41AC03, #309A00, #1F8800 and #0E7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BE16 shade: #53C016, #81C016, #AEC016, #C0A416 and #C07616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BE16 shade: #53C016, #25C016, #16C035, #16C063 and #16C091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BE16 shade matches the following richer shades: #53C016 and #4ED105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BE16 shade: #53C016, #58AE28, #5D9D39, #628C4A and #677A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BE16 shade: #AFC016, #82C016, #55C016, #27C016 and #16C033

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BE16 shade: #33760E, #439B12, #53C016, #63E41B and #7CE940

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BE16 shade: #52BE16, #16C0A4 and #C01698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BE16 shade: #52BE16, #1655C0 and #C01655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BE16 shade: #52BE16, #16C0A4, #8216C0 and #C01633

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BE16 shade: #52BE16, #16A9C0, #8216C0 and #C02D16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 88 / 25

HEX #52BE16

RGB 82 190 22

HSL 98.57, 0.79%, 0.42%

LAB 68.52, -57.13, 65.36

 

Complementary color

CMYK 26 / 72 / 0 / 9

HEX #AD41E9

RGB 173 65 233

HSL 278.57, 0.79%, 0.58%

LAB 50.15, 69.2, -65.57

 

CMYK 54 / 0 / 91 / 25

HEX #57BE11

RGB 87 190 17

HSL 95.72, 0.84%, 0.41%

LAB 68.67, -55.92, 66.43

 

CMYK 50 / 0 / 83 / 18

HEX #68D024

RGB 104 208 36

HSL 96.28, 0.7%, 0.48%

LAB 74.94, -56.99, 68.2

 

CMYK 46 / 0 / 76 / 11

HEX #79E237

RGB 121 226 55

HSL 96.84, 0.75%, 0.55%

LAB 81.14, -57.73, 68.84

 

CMYK 43 / 0 / 70 / 4

HEX #8AF44A

RGB 138 244 74

HSL 97.41, 0.89%, 0.62%

LAB 87.29, -58.23, 68.76

 

CMYK 39 / 0 / 64 / 0

HEX #9BFF5D

RGB 155 255 93

HSL 97.04, 1%, 0.68%

LAB 91.36, -55.79, 66.07

 

CMYK 57 / 0 / 88 / 25

HEX #52BE16

RGB 82 190 22

HSL 98.57, 0.79%, 0.42%

LAB 68.52, -57.13, 65.36

 

CMYK 62 / 0 / 98 / 33

HEX #41AC03

RGB 65 172 3

HSL 97.99, 0.97%, 0.34%

LAB 62.2, -55.63, 62.7

 

CMYK 69 / 0 / 100 / 40

HEX #309A00

RGB 48 154 0

HSL 101.3, 1%, 0.3%

LAB 55.83, -53.48, 57.86

 

CMYK 77 / 0 / 100 / 47

HEX #1F8800

RGB 31 136 0

HSL 106.32, 1%, 0.27%

LAB 49.37, -50.81, 52.57

 

CMYK 88 / 0 / 100 / 54

HEX #0E7600

RGB 14 118 0

HSL 112.88, 1%, 0.23%

LAB 42.84, -47.49, 47.24

 

CMYK 57 / 0 / 89 / 25

HEX #53C016

RGB 83 192 22

HSL 98.47, 0.79%, 0.42%

LAB 69.18, -57.57, 65.94

 

CMYK 33 / 0 / 89 / 25

HEX #81C016

RGB 129 192 22

HSL 82.24, 0.79%, 0.42%

LAB 71.16, -42.82, 68.41

 

CMYK 9 / 0 / 89 / 25

HEX #AEC016

RGB 174 192 22

HSL 66.35, 0.79%, 0.42%

LAB 74.03, -24.81, 71.94

 

CMYK 0 / 15 / 89 / 25

HEX #C0A416

RGB 192 164 22

HSL 50.12, 0.79%, 0.42%

LAB 67.88, -2.65, 67.66

 

CMYK 0 / 39 / 89 / 25

HEX #C07616

RGB 192 118 22

HSL 33.88, 0.79%, 0.42%

LAB 56.31, 22.44, 58.52

 

CMYK 57 / 0 / 89 / 25

HEX #53C016

RGB 83 192 22

HSL 98.47, 0.79%, 0.42%

LAB 69.18, -57.57, 65.94

 

CMYK 81 / 0 / 89 / 25

HEX #25C016

RGB 37 192 22

HSL 114.71, 0.79%, 0.42%

LAB 68.13, -66.45, 64.62

 

CMYK 89 / 0 / 72 / 25

HEX #16C035

RGB 22 192 53

HSL 130.94, 0.79%, 0.42%

LAB 68.11, -66.04, 55.75

 

CMYK 89 / 0 / 48 / 25

HEX #16C063

RGB 22 192 99

HSL 147.18, 0.79%, 0.42%

LAB 68.58, -60.26, 35.75

 

CMYK 89 / 0 / 24 / 25

HEX #16C091

RGB 22 192 145

HSL 163.41, 0.79%, 0.42%

LAB 69.41, -50.84, 12.63

 

CMYK 57 / 0 / 89 / 25

HEX #53C016

RGB 83 192 22

HSL 98.47, 0.79%, 0.42%

LAB 69.18, -57.57, 65.94

 

CMYK 63 / 0 / 98 / 18

HEX #4ED105

RGB 78 209 5

HSL 98.53, 0.95%, 0.42%

LAB 74.34, -64.94, 72.37

 

CMYK 57 / 0 / 89 / 25

HEX #53C016

RGB 83 192 22

HSL 98.47, 0.79%, 0.42%

LAB 69.18, -57.57, 65.94

 

CMYK 49 / 0 / 77 / 32

HEX #58AE28

RGB 88 174 40

HSL 98.51, 0.63%, 0.42%

LAB 63.75, -48.65, 56.44

 

CMYK 41 / 0 / 64 / 38

HEX #5D9D39

RGB 93 157 57

HSL 98.4, 0.47%, 0.42%

LAB 58.73, -38.7, 44.66

 

CMYK 30 / 0 / 47 / 45

HEX #628C4A

RGB 98 140 74

HSL 98.18, 0.31%, 0.42%

LAB 53.86, -27.08, 30.61

 

CMYK 16 / 0 / 25 / 52

HEX #677A5C

RGB 103 122 92

HSL 98, 0.14%, 0.42%

LAB 48.98, -13, 14.17

 

CMYK 9 / 0 / 89 / 25

HEX #AFC016

RGB 175 192 22

HSL 66, 0.79%, 0.42%

LAB 74.11, -24.39, 72.04

 

CMYK 32 / 0 / 89 / 25

HEX #82C016

RGB 130 192 22

HSL 81.88, 0.79%, 0.42%

LAB 71.22, -42.45, 68.47

 

CMYK 56 / 0 / 89 / 25

HEX #55C016

RGB 85 192 22

HSL 97.76, 0.79%, 0.42%

LAB 69.25, -57.04, 66.02

 

CMYK 80 / 0 / 89 / 25

HEX #27C016

RGB 39 192 22

HSL 114, 0.79%, 0.42%

LAB 68.16, -66.2, 64.66

 

CMYK 89 / 0 / 73 / 25

HEX #16C033

RGB 22 192 51

HSL 130.24, 0.79%, 0.42%

LAB 68.1, -66.21, 56.47

 

CMYK 57 / 0 / 88 / 54

HEX #33760E

RGB 51 118 14

HSL 98.65, 0.79%, 0.26%

LAB 43.79, -39.29, 45.19

 

CMYK 57 / 0 / 88 / 39

HEX #439B12

RGB 67 155 18

HSL 98.54, 0.79%, 0.34%

LAB 56.76, -48.66, 55.84

 

CMYK 57 / 0 / 89 / 25

HEX #53C016

RGB 83 192 22

HSL 98.47, 0.79%, 0.42%

LAB 69.18, -57.57, 65.94

 

CMYK 57 / 0 / 88 / 11

HEX #63E41B

RGB 99 228 27

HSL 98.51, 0.79%, 0.5%

LAB 80.86, -65.77, 75.2

 

CMYK 47 / 0 / 73 / 9

HEX #7CE940

RGB 124 233 64

HSL 98.7, 0.79%, 0.58%

LAB 83.41, -58.92, 68.16

 

CMYK 57 / 0 / 88 / 25

HEX #52BE16

RGB 82 190 22

HSL 98.57, 0.79%, 0.42%

LAB 68.52, -57.13, 65.36

 

CMYK 89 / 0 / 15 / 25

HEX #16C0A4

RGB 22 192 164

HSL 170.12, 0.79%, 0.42%

LAB 69.86, -46, 2.93

 

CMYK 0 / 89 / 21 / 25

HEX #C01698

RGB 192 22 152

HSL 314.12, 0.79%, 0.42%

LAB 44.3, 71.55, -27.55

 

CMYK 57 / 0 / 88 / 25

HEX #52BE16

RGB 82 190 22

HSL 98.57, 0.79%, 0.42%

LAB 68.52, -57.13, 65.36

 

CMYK 89 / 56 / 0 / 25

HEX #1655C0

RGB 22 85 192

HSL 217.76, 0.79%, 0.42%

LAB 38.68, 22.55, -61.25

 

CMYK 0 / 89 / 56 / 25

HEX #C01655

RGB 192 22 85

HSL 337.76, 0.79%, 0.42%

LAB 41.9, 64.98, 10.36

 

CMYK 57 / 0 / 88 / 25

HEX #52BE16

RGB 82 190 22

HSL 98.57, 0.79%, 0.42%

LAB 68.52, -57.13, 65.36

 

CMYK 89 / 0 / 15 / 25

HEX #16C0A4

RGB 22 192 164

HSL 170.12, 0.79%, 0.42%

LAB 69.86, -46, 2.93

 

CMYK 32 / 89 / 0 / 25

HEX #8216C0

RGB 130 22 192

HSL 278.12, 0.79%, 0.42%

LAB 36.22, 67.28, -64.9

 

CMYK 0 / 89 / 73 / 25

HEX #C01633

RGB 192 22 51

HSL 349.76, 0.79%, 0.42%

LAB 41.25, 63.11, 30.81

 

CMYK 57 / 0 / 88 / 25

HEX #52BE16

RGB 82 190 22

HSL 98.57, 0.79%, 0.42%

LAB 68.52, -57.13, 65.36

 

CMYK 89 / 12 / 0 / 25

HEX #16A9C0

RGB 22 169 192

HSL 188.12, 0.79%, 0.42%

LAB 63.63, -27.07, -21.84

 

CMYK 32 / 89 / 0 / 25

HEX #8216C0

RGB 130 22 192

HSL 278.12, 0.79%, 0.42%

LAB 36.22, 67.28, -64.9

 

CMYK 0 / 77 / 89 / 25

HEX #C02D16

RGB 192 45 22

HSL 8.12, 0.79%, 0.42%

LAB 42.98, 56.57, 48.11

 

Description

Color code: HEX #52BE16 | qconv.com Color code: HEX #52BE16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 190 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 190 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 88 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 88% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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