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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BD71 it is the complementary color #AD428E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BD71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BD71 shade: #57BD6C, #68CF7F, #79E192, #8AF3A5 and #9BFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BD71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BD71 shade: #52BD71, #41AB5E, #30994B, #1F8738 and #0E7525

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BD71 shade: #51BD70, #51BD53, #6CBD51, #89BD51 and #A6BD51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BD71 shade: #51BD70, #51BD8E, #51BDAB, #51B2BD and #5195BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BD71 shade matches the following richer shades: #51BD70, #3ED068, #2AE460 and #17F758

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BD71 shade: #51BD70, #65AA79, #789681, #8B8389 and #9F7091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BD71 shade: #6CBD51, #51BD53, #51BD70, #51BD8D and #51BDA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BD71 shade: #34884C, #3FA65D, #51BD70, #6FC889 and #8DD4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BD71 shade: #52BD71, #5189BD and #BD515E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BD71 shade: #52BD71, #7051BD and #BD7051

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BD71 shade: #52BD71, #5189BD, #BD519F and #BD8551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BD71 shade: #52BD71, #5169BD, #BD519F and #BDA651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 40 / 26

HEX #52BD71

RGB 82 189 113

HSL 137.38, 0.45%, 0.53%

LAB 69.03, -47.6, 29.37

 

Complementary color

CMYK 0 / 62 / 18 / 32

HEX #AD428E

RGB 173 66 142

HSL 317.38, 0.45%, 0.47%

LAB 45.27, 52.23, -20.28

 

CMYK 54 / 0 / 43 / 26

HEX #57BD6C

RGB 87 189 108

HSL 132.35, 0.44%, 0.54%

LAB 69.11, -47.22, 32.11

 

CMYK 50 / 0 / 39 / 19

HEX #68CF7F

RGB 104 207 127

HSL 133.4, 0.52%, 0.61%

LAB 75.51, -47.16, 30.79

 

CMYK 46 / 0 / 35 / 12

HEX #79E192

RGB 121 225 146

HSL 134.42, 0.63%, 0.68%

LAB 81.83, -47, 29.53

 

CMYK 43 / 0 / 32 / 5

HEX #8AF3A5

RGB 138 243 165

HSL 135.43, 0.81%, 0.75%

LAB 88.07, -46.8, 28.36

 

CMYK 39 / 0 / 28 / 0

HEX #9BFFB8

RGB 155 255 184

HSL 137.4, 1%, 0.8%

LAB 92.55, -43.97, 24.93

 

CMYK 57 / 0 / 40 / 26

HEX #52BD71

RGB 82 189 113

HSL 137.38, 0.45%, 0.53%

LAB 69.03, -47.6, 29.37

 

CMYK 62 / 0 / 45 / 33

HEX #41AB5E

RGB 65 171 94

HSL 136.42, 0.45%, 0.46%

LAB 62.56, -47.47, 30.8

 

CMYK 69 / 0 / 51 / 40

HEX #30994B

RGB 48 153 75

HSL 135.43, 0.52%, 0.39%

LAB 56.01, -47.07, 32.31

 

CMYK 77 / 0 / 59 / 47

HEX #1F8738

RGB 31 135 56

HSL 134.42, 0.63%, 0.33%

LAB 49.38, -46.22, 33.87

 

CMYK 88 / 0 / 68 / 54

HEX #0E7525

RGB 14 117 37

HSL 133.4, 0.79%, 0.26%

LAB 42.69, -44.62, 35.33

 

CMYK 57 / 0 / 41 / 26

HEX #51BD70

RGB 81 189 112

HSL 137.22, 0.45%, 0.53%

LAB 68.98, -48.01, 29.82

 

CMYK 57 / 0 / 56 / 26

HEX #51BD53

RGB 81 189 83

HSL 121.11, 0.45%, 0.53%

LAB 68.58, -52.32, 43.83

 

CMYK 43 / 0 / 57 / 26

HEX #6CBD51

RGB 108 189 81

HSL 105, 0.45%, 0.53%

LAB 69.6, -44.93, 46.21

 

CMYK 28 / 0 / 57 / 26

HEX #89BD51

RGB 137 189 81

HSL 88.89, 0.45%, 0.53%

LAB 71.08, -34.93, 48.32

 

CMYK 12 / 0 / 57 / 26

HEX #A6BD51

RGB 166 189 81

HSL 72.78, 0.45%, 0.53%

LAB 72.96, -23.66, 50.95

 

CMYK 57 / 0 / 41 / 26

HEX #51BD70

RGB 81 189 112

HSL 137.22, 0.45%, 0.53%

LAB 68.98, -48.01, 29.82

 

CMYK 57 / 0 / 25 / 26

HEX #51BD8E

RGB 81 189 142

HSL 153.89, 0.45%, 0.53%

LAB 69.54, -42.17, 14.6

 

CMYK 57 / 0 / 10 / 26

HEX #51BDAB

RGB 81 189 171

HSL 170, 0.45%, 0.53%

LAB 70.24, -35.32, -0.22

 

CMYK 57 / 6 / 0 / 26

HEX #51B2BD

RGB 81 178 189

HSL 186.11, 0.45%, 0.53%

LAB 67.47, -25.15, -14.23

 

CMYK 57 / 21 / 0 / 26

HEX #5195BD

RGB 81 149 189

HSL 202.22, 0.45%, 0.53%

LAB 58.9, -9.8, -27.31

 

CMYK 57 / 0 / 41 / 26

HEX #51BD70

RGB 81 189 112

HSL 137.22, 0.45%, 0.53%

LAB 68.98, -48.01, 29.82

 

CMYK 70 / 0 / 50 / 18

HEX #3ED068

RGB 62 208 104

HSL 137.26, 0.61%, 0.53%

LAB 74.28, -60.27, 40.52

 

CMYK 82 / 0 / 58 / 11

HEX #2AE460

RGB 42 228 96

HSL 137.42, 0.78%, 0.53%

LAB 80.08, -70.67, 51.19

 

CMYK 91 / 0 / 64 / 3

HEX #17F758

RGB 23 247 88

HSL 137.41, 0.93%, 0.53%

LAB 85.71, -78.74, 60.96

 

CMYK 57 / 0 / 41 / 26

HEX #51BD70

RGB 81 189 112

HSL 137.22, 0.45%, 0.53%

LAB 68.98, -48.01, 29.82

 

CMYK 41 / 0 / 29 / 33

HEX #65AA79

RGB 101 170 121

HSL 137.39, 0.29%, 0.53%

LAB 64.08, -32.71, 18.58

 

CMYK 20 / 0 / 14 / 41

HEX #789681

RGB 120 150 129

HSL 138, 0.13%, 0.53%

LAB 59.33, -14.89, 7.64

 

CMYK 0 / 6 / 1 / 45

HEX #8B8389

RGB 139 131 137

HSL 315, 0.03%, 0.53%

LAB 55.61, 4.16, -2.15

 

CMYK 0 / 30 / 9 / 38

HEX #9F7091

RGB 159 112 145

HSL 317.87, 0.2%, 0.53%

LAB 52.95, 24.01, -10.55

 

CMYK 43 / 0 / 57 / 26

HEX #6CBD51

RGB 108 189 81

HSL 105, 0.45%, 0.53%

LAB 69.6, -44.93, 46.21

 

CMYK 57 / 0 / 56 / 26

HEX #51BD53

RGB 81 189 83

HSL 121.11, 0.45%, 0.53%

LAB 68.58, -52.32, 43.83

 

CMYK 57 / 0 / 41 / 26

HEX #51BD70

RGB 81 189 112

HSL 137.22, 0.45%, 0.53%

LAB 68.98, -48.01, 29.82

 

CMYK 57 / 0 / 25 / 26

HEX #51BD8D

RGB 81 189 141

HSL 153.33, 0.45%, 0.53%

LAB 69.52, -42.39, 15.11

 

CMYK 57 / 0 / 11 / 26

HEX #51BDA9

RGB 81 189 169

HSL 168.89, 0.45%, 0.53%

LAB 70.18, -35.83, 0.8

 

CMYK 62 / 0 / 44 / 47

HEX #34884C

RGB 52 136 76

HSL 137.14, 0.45%, 0.37%

LAB 50.52, -39.26, 24.85

 

CMYK 62 / 0 / 44 / 35

HEX #3FA65D

RGB 63 166 93

HSL 137.48, 0.45%, 0.45%

LAB 60.89, -46.09, 29.17

 

CMYK 57 / 0 / 41 / 26

HEX #51BD70

RGB 81 189 112

HSL 137.22, 0.45%, 0.53%

LAB 68.98, -48.01, 29.82

 

CMYK 45 / 0 / 32 / 22

HEX #6FC889

RGB 111 200 137

HSL 137.53, 0.45%, 0.61%

LAB 73.87, -40.51, 23.41

 

CMYK 33 / 0 / 24 / 17

HEX #8DD4A2

RGB 141 212 162

HSL 137.75, 0.45%, 0.69%

LAB 79.25, -32.6, 17.82

 

CMYK 57 / 0 / 40 / 26

HEX #52BD71

RGB 82 189 113

HSL 137.38, 0.45%, 0.53%

LAB 69.03, -47.6, 29.37

 

CMYK 57 / 28 / 0 / 26

HEX #5189BD

RGB 81 137 189

HSL 208.89, 0.45%, 0.53%

LAB 55.4, -2.97, -32.74

 

CMYK 0 / 57 / 50 / 26

HEX #BD515E

RGB 189 81 94

HSL 352.78, 0.45%, 0.53%

LAB 48.9, 44.63, 14.43

 

CMYK 57 / 0 / 40 / 26

HEX #52BD71

RGB 82 189 113

HSL 137.38, 0.45%, 0.53%

LAB 69.03, -47.6, 29.37

 

CMYK 41 / 57 / 0 / 26

HEX #7051BD

RGB 112 81 189

HSL 257.22, 0.45%, 0.53%

LAB 42.77, 38.06, -52.63

 

CMYK 0 / 41 / 57 / 26

HEX #BD7051

RGB 189 112 81

HSL 17.22, 0.45%, 0.53%

LAB 55.07, 27.39, 30.15

 

CMYK 57 / 0 / 40 / 26

HEX #52BD71

RGB 82 189 113

HSL 137.38, 0.45%, 0.53%

LAB 69.03, -47.6, 29.37

 

CMYK 57 / 28 / 0 / 26

HEX #5189BD

RGB 81 137 189

HSL 208.89, 0.45%, 0.53%

LAB 55.4, -2.97, -32.74

 

CMYK 0 / 57 / 16 / 26

HEX #BD519F

RGB 189 81 159

HSL 316.67, 0.45%, 0.53%

LAB 50.93, 52.65, -21.5

 

CMYK 0 / 30 / 57 / 26

HEX #BD8551

RGB 189 133 81

HSL 28.89, 0.45%, 0.53%

LAB 60.06, 15.81, 36.33

 

CMYK 57 / 0 / 40 / 26

HEX #52BD71

RGB 82 189 113

HSL 137.38, 0.45%, 0.53%

LAB 69.03, -47.6, 29.37

 

CMYK 57 / 44 / 0 / 26

HEX #5169BD

RGB 81 105 189

HSL 226.67, 0.45%, 0.53%

LAB 46.35, 16.41, -47.02

 

CMYK 0 / 57 / 16 / 26

HEX #BD519F

RGB 189 81 159

HSL 316.67, 0.45%, 0.53%

LAB 50.93, 52.65, -21.5

 

CMYK 0 / 12 / 57 / 26

HEX #BDA651

RGB 189 166 81

HSL 47.22, 0.45%, 0.53%

LAB 68.52, -2.2, 46.37

 

Description

Color code: HEX #52BD71 | qconv.com Color code: HEX #52BD71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 189 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 189 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 40 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 40% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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