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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BD5E it is the complementary color #AD42A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BD5E shade: #57BD59, #68CF6C, #79E17F, #8AF392 and #9BFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BD5E shade: #52BD5E, #41AB4B, #309938, #1F8725 and #0E7512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BD5E shade: #51BD5D, #62BD51, #7FBD51, #9CBD51 and #B9BD51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BD5E shade: #51BD5D, #51BD7A, #51BD97, #51BDB5 and #51A8BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BD5E shade matches the following richer shades: #51BD5D, #3ED04E, #2AE43F and #17F730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BD5E shade: #51BD5D, #65AA6C, #78967B, #8B838A and #9F7099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BD5E shade: #80BD51, #63BD51, #51BD5C, #51BD79 and #51BD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BD5E shade: #34883D, #3FA64B, #51BD5D, #6FC879 and #8DD495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BD5E shade: #52BD5E, #519DBD and #BD5172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BD5E shade: #52BD5E, #5C51BD and #BD5C51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BD5E shade: #52BD5E, #519DBD, #BD51B2 and #BD7251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BD5E shade: #52BD5E, #517CBD, #BD51B2 and #BD9251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 26

HEX #52BD5E

RGB 82 189 94

HSL 126.73, 0.45%, 0.53%

LAB 68.75, -50.6, 38.7

 

Complementary color

CMYK 0 / 62 / 7 / 32

HEX #AD42A1

RGB 173 66 161

HSL 306.73, 0.45%, 0.47%

LAB 46.12, 55.23, -30.34

 

CMYK 54 / 0 / 53 / 26

HEX #57BD59

RGB 87 189 89

HSL 121.18, 0.44%, 0.54%

LAB 68.85, -50.02, 41.32

 

CMYK 50 / 0 / 48 / 19

HEX #68CF6C

RGB 104 207 108

HSL 122.33, 0.52%, 0.61%

LAB 75.23, -50.08, 40.01

 

CMYK 46 / 0 / 44 / 12

HEX #79E17F

RGB 121 225 127

HSL 123.46, 0.63%, 0.68%

LAB 81.54, -50.02, 38.73

 

CMYK 43 / 0 / 40 / 5

HEX #8AF392

RGB 138 243 146

HSL 124.57, 0.81%, 0.75%

LAB 87.77, -49.87, 37.49

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA5

RGB 155 255 165

HSL 126, 1%, 0.8%

LAB 92.22, -47.14, 34.04

 

CMYK 57 / 0 / 50 / 26

HEX #52BD5E

RGB 82 189 94

HSL 126.73, 0.45%, 0.53%

LAB 68.75, -50.6, 38.7

 

CMYK 62 / 0 / 56 / 33

HEX #41AB4B

RGB 65 171 75

HSL 125.66, 0.45%, 0.46%

LAB 62.3, -50.31, 40.07

 

CMYK 69 / 0 / 63 / 40

HEX #309938

RGB 48 153 56

HSL 124.57, 0.52%, 0.39%

LAB 55.78, -49.67, 41.37

 

CMYK 77 / 0 / 73 / 47

HEX #1F8725

RGB 31 135 37

HSL 123.46, 0.63%, 0.33%

LAB 49.19, -48.46, 42.38

 

CMYK 88 / 0 / 85 / 54

HEX #0E7512

RGB 14 117 18

HSL 122.33, 0.79%, 0.26%

LAB 42.55, -46.33, 42.6

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5D

RGB 81 189 93

HSL 126.67, 0.45%, 0.53%

LAB 68.7, -50.99, 39.14

 

CMYK 48 / 0 / 57 / 26

HEX #62BD51

RGB 98 189 81

HSL 110.56, 0.45%, 0.53%

LAB 69.17, -47.97, 45.61

 

CMYK 33 / 0 / 57 / 26

HEX #7FBD51

RGB 127 189 81

HSL 94.44, 0.45%, 0.53%

LAB 70.53, -38.55, 47.53

 

CMYK 17 / 0 / 57 / 26

HEX #9CBD51

RGB 156 189 81

HSL 78.33, 0.45%, 0.53%

LAB 72.27, -27.65, 49.98

 

CMYK 2 / 0 / 57 / 26

HEX #B9BD51

RGB 185 189 81

HSL 62.22, 0.45%, 0.53%

LAB 74.38, -15.86, 52.95

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5D

RGB 81 189 93

HSL 126.67, 0.45%, 0.53%

LAB 68.7, -50.99, 39.14

 

CMYK 57 / 0 / 35 / 26

HEX #51BD7A

RGB 81 189 122

HSL 142.78, 0.45%, 0.53%

LAB 69.15, -46.21, 24.79

 

CMYK 57 / 0 / 20 / 26

HEX #51BD97

RGB 81 189 151

HSL 158.89, 0.45%, 0.53%

LAB 69.74, -40.16, 9.99

 

CMYK 57 / 0 / 4 / 26

HEX #51BDB5

RGB 81 189 181

HSL 175.56, 0.45%, 0.53%

LAB 70.51, -32.72, -5.29

 

CMYK 57 / 11 / 0 / 26

HEX #51A8BD

RGB 81 168 189

HSL 191.67, 0.45%, 0.53%

LAB 64.51, -20.04, -18.72

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5D

RGB 81 189 93

HSL 126.67, 0.45%, 0.53%

LAB 68.7, -50.99, 39.14

 

CMYK 70 / 0 / 63 / 18

HEX #3ED04E

RGB 62 208 78

HSL 126.58, 0.61%, 0.53%

LAB 73.99, -63.65, 52.2

 

CMYK 82 / 0 / 72 / 11

HEX #2AE43F

RGB 42 228 63

HSL 126.77, 0.78%, 0.53%

LAB 79.81, -74.06, 64.2

 

CMYK 91 / 0 / 81 / 3

HEX #17F730

RGB 23 247 48

HSL 126.7, 0.93%, 0.53%

LAB 85.46, -81.89, 74.2

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5D

RGB 81 189 93

HSL 126.67, 0.45%, 0.53%

LAB 68.7, -50.99, 39.14

 

CMYK 41 / 0 / 36 / 33

HEX #65AA6C

RGB 101 170 108

HSL 126.09, 0.29%, 0.53%

LAB 63.83, -35.05, 25.31

 

CMYK 20 / 0 / 18 / 41

HEX #78967B

RGB 120 150 123

HSL 126, 0.13%, 0.53%

LAB 59.19, -16.05, 10.83

 

CMYK 0 / 6 / 1 / 45

HEX #8B838A

RGB 139 131 138

HSL 307.5, 0.03%, 0.53%

LAB 55.64, 4.36, -2.69

 

CMYK 0 / 30 / 4 / 38

HEX #9F7099

RGB 159 112 153

HSL 307.66, 0.2%, 0.53%

LAB 53.23, 25.5, -14.81

 

CMYK 32 / 0 / 57 / 26

HEX #80BD51

RGB 128 189 81

HSL 93.89, 0.45%, 0.53%

LAB 70.58, -38.19, 47.61

 

CMYK 48 / 0 / 57 / 26

HEX #63BD51

RGB 99 189 81

HSL 110, 0.45%, 0.53%

LAB 69.21, -47.68, 45.67

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5C

RGB 81 189 92

HSL 126.11, 0.45%, 0.53%

LAB 68.69, -51.13, 39.61

 

CMYK 57 / 0 / 36 / 26

HEX #51BD79

RGB 81 189 121

HSL 142.22, 0.45%, 0.53%

LAB 69.13, -46.4, 25.3

 

CMYK 57 / 0 / 21 / 26

HEX #51BD96

RGB 81 189 150

HSL 158.33, 0.45%, 0.53%

LAB 69.72, -40.39, 10.5

 

CMYK 62 / 0 / 55 / 47

HEX #34883D

RGB 52 136 61

HSL 126.43, 0.45%, 0.37%

LAB 50.31, -41.67, 32.57

 

CMYK 62 / 0 / 55 / 35

HEX #3FA64B

RGB 63 166 75

HSL 126.99, 0.45%, 0.45%

LAB 60.64, -48.86, 38.07

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5D

RGB 81 189 93

HSL 126.67, 0.45%, 0.53%

LAB 68.7, -50.99, 39.14

 

CMYK 45 / 0 / 40 / 22

HEX #6FC879

RGB 111 200 121

HSL 126.74, 0.45%, 0.61%

LAB 73.59, -43.25, 31.4

 

CMYK 33 / 0 / 30 / 17

HEX #8DD495

RGB 141 212 149

HSL 126.76, 0.45%, 0.69%

LAB 78.99, -34.91, 24.31

 

CMYK 57 / 0 / 50 / 26

HEX #52BD5E

RGB 82 189 94

HSL 126.73, 0.45%, 0.53%

LAB 68.75, -50.6, 38.7

 

CMYK 57 / 17 / 0 / 26

HEX #519DBD

RGB 81 157 189

HSL 197.78, 0.45%, 0.53%

LAB 61.25, -14.19, -23.68

 

CMYK 0 / 57 / 40 / 26

HEX #BD5172

RGB 189 81 114

HSL 341.67, 0.45%, 0.53%

LAB 49.4, 46.66, 3.08

 

CMYK 57 / 0 / 50 / 26

HEX #52BD5E

RGB 82 189 94

HSL 126.73, 0.45%, 0.53%

LAB 68.75, -50.6, 38.7

 

CMYK 51 / 57 / 0 / 26

HEX #5C51BD

RGB 92 81 189

HSL 246.11, 0.45%, 0.53%

LAB 40.95, 33.68, -55.65

 

CMYK 0 / 51 / 57 / 26

HEX #BD5C51

RGB 189 92 81

HSL 6.11, 0.45%, 0.53%

LAB 50.77, 38.03, 24.64

 

CMYK 57 / 0 / 50 / 26

HEX #52BD5E

RGB 82 189 94

HSL 126.73, 0.45%, 0.53%

LAB 68.75, -50.6, 38.7

 

CMYK 57 / 17 / 0 / 26

HEX #519DBD

RGB 81 157 189

HSL 197.78, 0.45%, 0.53%

LAB 61.25, -14.19, -23.68

 

CMYK 0 / 57 / 6 / 26

HEX #BD51B2

RGB 189 81 178

HSL 306.11, 0.45%, 0.53%

LAB 51.74, 55.71, -31.37

 

CMYK 0 / 40 / 57 / 26

HEX #BD7251

RGB 189 114 81

HSL 18.33, 0.45%, 0.53%

LAB 55.53, 26.3, 30.72

 

CMYK 57 / 0 / 50 / 26

HEX #52BD5E

RGB 82 189 94

HSL 126.73, 0.45%, 0.53%

LAB 68.75, -50.6, 38.7

 

CMYK 57 / 34 / 0 / 26

HEX #517CBD

RGB 81 124 189

HSL 216.11, 0.45%, 0.53%

LAB 51.65, 4.72, -38.61

 

CMYK 0 / 57 / 6 / 26

HEX #BD51B2

RGB 189 81 178

HSL 306.11, 0.45%, 0.53%

LAB 51.74, 55.71, -31.37

 

CMYK 0 / 23 / 57 / 26

HEX #BD9251

RGB 189 146 81

HSL 36.11, 0.45%, 0.53%

LAB 63.32, 8.64, 40.26

 

Description

Color code: HEX #52BD5E | qconv.com Color code: HEX #52BD5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 189 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 189 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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