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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BC45 it is the complementary color #AD43BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BC45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BC45 shade: #57BC40, #68CE53, #79E066, #8AF279 and #9BFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BC45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BC45 shade: #52BC45, #41AA32, #30981F, #1F860C and #0E7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BC45 shade: #51BB44, #71BB44, #91BB44, #B2BB44 and #BBA544

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BC45 shade: #51BB44, #44BB57, #44BB77, #44BB97 and #44BBB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BC45 shade matches the following richer shades: #51BB44, #41D02F, #30E51A and #20F906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BC45 shade: #51BB44, #61A758, #71926D, #817E81 and #916996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BC45 shade: #91BB44, #72BB44, #52BB44, #44BB56 and #44BB76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BC45 shade: #377F2E, #449D39, #51BB44, #6DC662 and #89D180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BC45 shade: #52BC45, #44B1BB and #BB4481

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BC45 shade: #52BC45, #4452BB and #BB4452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BC45 shade: #52BC45, #44B1BB, #AD44BB and #BB4E44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BC45 shade: #52BC45, #448DBB, #AD44BB and #BB7244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 63 / 26

HEX #52BC45

RGB 82 188 69

HSL 113.45, 0.47%, 0.5%

LAB 68.16, -53.29, 49.71

 

Complementary color

CMYK 7 / 64 / 0 / 27

HEX #AD43BA

RGB 173 67 186

HSL 293.45, 0.47%, 0.5%

LAB 47.55, 59.17, -42.8

 

CMYK 54 / 0 / 66 / 26

HEX #57BC40

RGB 87 188 64

HSL 108.87, 0.49%, 0.49%

LAB 68.29, -52.46, 52.03

 

CMYK 50 / 0 / 60 / 19

HEX #68CE53

RGB 104 206 83

HSL 109.76, 0.56%, 0.57%

LAB 74.64, -52.77, 51.08

 

CMYK 46 / 0 / 54 / 12

HEX #79E066

RGB 121 224 102

HSL 110.66, 0.66%, 0.64%

LAB 80.92, -52.9, 49.96

 

CMYK 43 / 0 / 50 / 5

HEX #8AF279

RGB 138 242 121

HSL 111.57, 0.82%, 0.71%

LAB 87.14, -52.9, 48.78

 

CMYK 39 / 0 / 45 / 0

HEX #9BFF8C

RGB 155 255 140

HSL 112.17, 1%, 0.77%

LAB 91.86, -50.75, 45.79

 

CMYK 56 / 0 / 63 / 26

HEX #52BC45

RGB 82 188 69

HSL 113.45, 0.47%, 0.5%

LAB 68.16, -53.29, 49.71

 

CMYK 62 / 0 / 71 / 33

HEX #41AA32

RGB 65 170 50

HSL 112.5, 0.55%, 0.43%

LAB 61.74, -52.67, 50.53

 

CMYK 68 / 0 / 80 / 40

HEX #30981F

RGB 48 152 31

HSL 111.57, 0.66%, 0.36%

LAB 55.26, -51.58, 50.76

 

CMYK 77 / 0 / 91 / 47

HEX #1F860C

RGB 31 134 12

HSL 110.66, 0.84%, 0.29%

LAB 48.72, -49.76, 49.75

 

CMYK 88 / 0 / 100 / 55

HEX #0E7400

RGB 14 116 0

HSL 112.76, 1%, 0.23%

LAB 42.13, -46.86, 46.67

 

CMYK 57 / 0 / 64 / 27

HEX #51BB44

RGB 81 187 68

HSL 113.45, 0.47%, 0.5%

LAB 67.8, -53.27, 49.74

 

CMYK 40 / 0 / 64 / 27

HEX #71BB44

RGB 113 187 68

HSL 97.31, 0.47%, 0.5%

LAB 69.09, -43.76, 51.52

 

CMYK 22 / 0 / 64 / 27

HEX #91BB44

RGB 145 187 68

HSL 81.18, 0.47%, 0.5%

LAB 70.86, -32.1, 53.96

 

CMYK 5 / 0 / 64 / 27

HEX #B2BB44

RGB 178 187 68

HSL 64.54, 0.47%, 0.5%

LAB 73.17, -18.7, 57.12

 

CMYK 0 / 12 / 64 / 27

HEX #BBA544

RGB 187 165 68

HSL 48.91, 0.47%, 0.5%

LAB 67.94, -3.46, 51.75

 

CMYK 57 / 0 / 64 / 27

HEX #51BB44

RGB 81 187 68

HSL 113.45, 0.47%, 0.5%

LAB 67.8, -53.27, 49.74

 

CMYK 64 / 0 / 53 / 27

HEX #44BB57

RGB 68 187 87

HSL 129.58, 0.47%, 0.5%

LAB 67.62, -54.02, 40.66

 

CMYK 64 / 0 / 36 / 27

HEX #44BB77

RGB 68 187 119

HSL 145.71, 0.47%, 0.5%

LAB 68.1, -48.73, 24.91

 

CMYK 64 / 0 / 19 / 27

HEX #44BB97

RGB 68 187 151

HSL 161.85, 0.47%, 0.5%

LAB 68.75, -41.83, 8.54

 

CMYK 64 / 0 / 2 / 27

HEX #44BBB8

RGB 68 187 184

HSL 178.49, 0.47%, 0.5%

LAB 69.63, -33.25, -8.28

 

CMYK 57 / 0 / 64 / 27

HEX #51BB44

RGB 81 187 68

HSL 113.45, 0.47%, 0.5%

LAB 67.8, -53.27, 49.74

 

CMYK 69 / 0 / 77 / 18

HEX #41D02F

RGB 65 208 47

HSL 113.29, 0.63%, 0.5%

LAB 73.83, -65.78, 63.69

 

CMYK 79 / 0 / 89 / 10

HEX #30E51A

RGB 48 229 26

HSL 113.5, 0.8%, 0.5%

LAB 80.03, -75.7, 74.22

 

CMYK 87 / 0 / 98 / 2

HEX #20F906

RGB 32 249 6

HSL 113.58, 0.95%, 0.5%

LAB 86.04, -83.16, 81.42

 

CMYK 57 / 0 / 64 / 27

HEX #51BB44

RGB 81 187 68

HSL 113.45, 0.47%, 0.5%

LAB 67.8, -53.27, 49.74

 

CMYK 42 / 0 / 47 / 35

HEX #61A758

RGB 97 167 88

HSL 113.16, 0.31%, 0.5%

LAB 62.41, -38.07, 33.97

 

CMYK 23 / 0 / 25 / 43

HEX #71926D

RGB 113 146 109

HSL 113.51, 0.15%, 0.5%

LAB 57.24, -19.06, 15.95

 

CMYK 0 / 2 / 0 / 49

HEX #817E81

RGB 129 126 129

HSL 300, 0.01%, 0.5%

LAB 53.14, 1.72, -1.23

 

CMYK 3 / 30 / 0 / 41

HEX #916996

RGB 145 105 150

HSL 293.33, 0.18%, 0.5%

LAB 49.89, 24.08, -18.28

 

CMYK 22 / 0 / 64 / 27

HEX #91BB44

RGB 145 187 68

HSL 81.18, 0.47%, 0.5%

LAB 70.86, -32.1, 53.96

 

CMYK 39 / 0 / 64 / 27

HEX #72BB44

RGB 114 187 68

HSL 96.81, 0.47%, 0.5%

LAB 69.14, -43.43, 51.59

 

CMYK 56 / 0 / 64 / 27

HEX #52BB44

RGB 82 187 68

HSL 112.94, 0.47%, 0.5%

LAB 67.84, -53.01, 49.79

 

CMYK 64 / 0 / 54 / 27

HEX #44BB56

RGB 68 187 86

HSL 129.08, 0.47%, 0.5%

LAB 67.61, -54.15, 41.13

 

CMYK 64 / 0 / 37 / 27

HEX #44BB76

RGB 68 187 118

HSL 145.21, 0.47%, 0.5%

LAB 68.08, -48.92, 25.41

 

CMYK 57 / 0 / 64 / 50

HEX #377F2E

RGB 55 127 46

HSL 113.33, 0.47%, 0.34%

LAB 47.22, -39.18, 36.44

 

CMYK 57 / 0 / 64 / 38

HEX #449D39

RGB 68 157 57

HSL 113.4, 0.47%, 0.42%

LAB 57.69, -46.36, 43.22

 

CMYK 57 / 0 / 64 / 27

HEX #51BB44

RGB 81 187 68

HSL 113.45, 0.47%, 0.5%

LAB 67.8, -53.27, 49.74

 

CMYK 45 / 0 / 51 / 22

HEX #6DC662

RGB 109 198 98

HSL 113.4, 0.47%, 0.58%

LAB 72.58, -46.33, 41.67

 

CMYK 34 / 0 / 39 / 18

HEX #89D180

RGB 137 209 128

HSL 113.33, 0.47%, 0.66%

LAB 77.57, -38.17, 33.23

 

CMYK 56 / 0 / 63 / 26

HEX #52BC45

RGB 82 188 69

HSL 113.45, 0.47%, 0.5%

LAB 68.16, -53.29, 49.71

 

CMYK 64 / 5 / 0 / 27

HEX #44B1BB

RGB 68 177 187

HSL 185.04, 0.47%, 0.5%

LAB 66.72, -27.56, -14.3

 

CMYK 0 / 64 / 31 / 27

HEX #BB4481

RGB 187 68 129

HSL 329.24, 0.47%, 0.5%

LAB 47.34, 53.7, -9.05

 

CMYK 56 / 0 / 63 / 26

HEX #52BC45

RGB 82 188 69

HSL 113.45, 0.47%, 0.5%

LAB 68.16, -53.29, 49.71

 

CMYK 64 / 56 / 0 / 27

HEX #4452BB

RGB 68 82 187

HSL 232.94, 0.47%, 0.5%

LAB 39.33, 27.88, -57.19

 

CMYK 0 / 64 / 56 / 27

HEX #BB4452

RGB 187 68 82

HSL 352.94, 0.47%, 0.5%

LAB 46.05, 48.92, 17.76

 

CMYK 56 / 0 / 63 / 26

HEX #52BC45

RGB 82 188 69

HSL 113.45, 0.47%, 0.5%

LAB 68.16, -53.29, 49.71

 

CMYK 64 / 5 / 0 / 27

HEX #44B1BB

RGB 68 177 187

HSL 185.04, 0.47%, 0.5%

LAB 66.72, -27.56, -14.3

 

CMYK 7 / 64 / 0 / 27

HEX #AD44BB

RGB 173 68 187

HSL 292.94, 0.47%, 0.5%

LAB 47.76, 58.93, -43.05

 

CMYK 0 / 58 / 64 / 27

HEX #BB4E44

RGB 187 78 68

HSL 5.04, 0.47%, 0.5%

LAB 47.53, 43.32, 28.07

 

CMYK 56 / 0 / 63 / 26

HEX #52BC45

RGB 82 188 69

HSL 113.45, 0.47%, 0.5%

LAB 68.16, -53.29, 49.71

 

CMYK 64 / 25 / 0 / 27

HEX #448DBB

RGB 68 141 187

HSL 203.19, 0.47%, 0.5%

LAB 55.95, -8.46, -30.77

 

CMYK 7 / 64 / 0 / 27

HEX #AD44BB

RGB 173 68 187

HSL 292.94, 0.47%, 0.5%

LAB 47.76, 58.93, -43.05

 

CMYK 0 / 39 / 64 / 27

HEX #BB7244

RGB 187 114 68

HSL 23.19, 0.47%, 0.5%

LAB 55.09, 24.5, 37.23

 

Description

Color code: HEX #52BC45 | qconv.com Color code: HEX #52BC45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 188 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 188 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 63 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 63% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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