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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BA46 it is the complementary color #AD45B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BA46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BA46 shade: #57BA41, #68CC54, #79DE67, #8AF07A and #9BFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BA46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BA46 shade: #52BA46, #41A833, #309620, #1F840D and #0E7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BA46 shade: #51BA45, #71BA45, #90BA45, #B0BA45 and #BAA545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BA46 shade: #51BA45, #45BA58, #45BA78, #45BA98 and #45BAB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BA46 shade matches the following richer shades: #51BA45, #41CF30, #30E31C and #20F807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BA46 shade: #51BA45, #61A659, #72916E, #827C83 and #926897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BA46 shade: #91BA45, #72BA45, #53BA45, #45BA56 and #45BA76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BA46 shade: #377E2F, #449C3A, #51BA45, #6DC563 and #89D081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BA46 shade: #52BA46, #45B0BA and #BA4581

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BA46 shade: #52BA46, #4553BA and #BA4553

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BA46 shade: #52BA46, #45B0BA, #AC45BA and #BA4F45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BA46 shade: #52BA46, #458DBA, #AC45BA and #BA7245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 62 / 27

HEX #52BA46

RGB 82 186 70

HSL 113.79, 0.46%, 0.5%

LAB 67.54, -52.43, 48.58

 

Complementary color

CMYK 6 / 63 / 0 / 27

HEX #AD45B9

RGB 173 69 185

HSL 293.79, 0.46%, 0.5%

LAB 47.81, 58.13, -41.81

 

CMYK 53 / 0 / 65 / 27

HEX #57BA41

RGB 87 186 65

HSL 109.09, 0.48%, 0.49%

LAB 67.67, -51.6, 50.94

 

CMYK 49 / 0 / 59 / 20

HEX #68CC54

RGB 104 204 84

HSL 110, 0.54%, 0.56%

LAB 74.04, -51.88, 49.94

 

CMYK 45 / 0 / 54 / 13

HEX #79DE67

RGB 121 222 103

HSL 110.92, 0.64%, 0.64%

LAB 80.34, -51.98, 48.8

 

CMYK 43 / 0 / 49 / 6

HEX #8AF07A

RGB 138 240 122

HSL 111.86, 0.8%, 0.71%

LAB 86.57, -51.96, 47.61

 

CMYK 39 / 0 / 45 / 0

HEX #9BFF8D

RGB 155 255 141

HSL 112.63, 1%, 0.78%

LAB 91.87, -50.62, 45.33

 

CMYK 56 / 0 / 62 / 27

HEX #52BA46

RGB 82 186 70

HSL 113.79, 0.46%, 0.5%

LAB 67.54, -52.43, 48.58

 

CMYK 61 / 0 / 70 / 34

HEX #41A833

RGB 65 168 51

HSL 112.82, 0.53%, 0.43%

LAB 61.11, -51.86, 49.47

 

CMYK 68 / 0 / 79 / 41

HEX #309620

RGB 48 150 32

HSL 111.86, 0.65%, 0.36%

LAB 54.6, -50.82, 49.8

 

CMYK 77 / 0 / 90 / 48

HEX #1F840D

RGB 31 132 13

HSL 110.92, 0.82%, 0.28%

LAB 48.04, -49.06, 48.95

 

CMYK 88 / 0 / 100 / 55

HEX #0E7200

RGB 14 114 0

HSL 112.63, 1%, 0.22%

LAB 41.42, -46.24, 46.1

 

CMYK 56 / 0 / 63 / 27

HEX #51BA45

RGB 81 186 69

HSL 113.85, 0.46%, 0.5%

LAB 67.5, -52.79, 48.97

 

CMYK 39 / 0 / 63 / 27

HEX #71BA45

RGB 113 186 69

HSL 97.44, 0.46%, 0.5%

LAB 68.79, -43.25, 50.77

 

CMYK 23 / 0 / 63 / 27

HEX #90BA45

RGB 144 186 69

HSL 81.54, 0.46%, 0.5%

LAB 70.51, -31.94, 53.14

 

CMYK 5 / 0 / 63 / 27

HEX #B0BA45

RGB 176 186 69

HSL 65.13, 0.46%, 0.5%

LAB 72.75, -18.97, 56.2

 

CMYK 0 / 11 / 63 / 27

HEX #BAA545

RGB 186 165 69

HSL 49.23, 0.46%, 0.5%

LAB 67.86, -3.83, 51.18

 

CMYK 56 / 0 / 63 / 27

HEX #51BA45

RGB 81 186 69

HSL 113.85, 0.46%, 0.5%

LAB 67.5, -52.79, 48.97

 

CMYK 63 / 0 / 53 / 27

HEX #45BA58

RGB 69 186 88

HSL 129.74, 0.46%, 0.5%

LAB 67.34, -53.29, 39.84

 

CMYK 63 / 0 / 35 / 27

HEX #45BA78

RGB 69 186 120

HSL 146.15, 0.46%, 0.5%

LAB 67.83, -47.94, 24.02

 

CMYK 63 / 0 / 18 / 27

HEX #45BA98

RGB 69 186 152

HSL 162.56, 0.46%, 0.5%

LAB 68.5, -40.97, 7.63

 

CMYK 63 / 0 / 2 / 27

HEX #45BAB7

RGB 69 186 183

HSL 178.46, 0.46%, 0.5%

LAB 69.33, -32.9, -8.18

 

CMYK 56 / 0 / 63 / 27

HEX #51BA45

RGB 81 186 69

HSL 113.85, 0.46%, 0.5%

LAB 67.5, -52.79, 48.97

 

CMYK 69 / 0 / 77 / 19

HEX #41CF30

RGB 65 207 48

HSL 113.58, 0.62%, 0.5%

LAB 73.52, -65.4, 63.07

 

CMYK 79 / 0 / 88 / 11

HEX #30E31C

RGB 48 227 28

HSL 113.97, 0.78%, 0.5%

LAB 79.41, -75.06, 73.33

 

CMYK 87 / 0 / 97 / 3

HEX #20F807

RGB 32 248 7

HSL 113.78, 0.95%, 0.5%

LAB 85.73, -82.87, 81.09

 

CMYK 56 / 0 / 63 / 27

HEX #51BA45

RGB 81 186 69

HSL 113.85, 0.46%, 0.5%

LAB 67.5, -52.79, 48.97

 

CMYK 42 / 0 / 46 / 35

HEX #61A659

RGB 97 166 89

HSL 113.77, 0.3%, 0.5%

LAB 62.11, -37.48, 33.08

 

CMYK 21 / 0 / 24 / 43

HEX #72916E

RGB 114 145 110

HSL 113.14, 0.14%, 0.5%

LAB 57.03, -17.99, 15.1

 

CMYK 1 / 5 / 0 / 49

HEX #827C83

RGB 130 124 131

HSL 291.43, 0.03%, 0.5%

LAB 52.73, 3.65, -2.99

 

CMYK 3 / 31 / 0 / 41

HEX #926897

RGB 146 104 151

HSL 293.62, 0.18%, 0.5%

LAB 49.79, 25.21, -19.01

 

CMYK 22 / 0 / 63 / 27

HEX #91BA45

RGB 145 186 69

HSL 81.03, 0.46%, 0.5%

LAB 70.57, -31.55, 53.22

 

CMYK 39 / 0 / 63 / 27

HEX #72BA45

RGB 114 186 69

HSL 96.92, 0.46%, 0.5%

LAB 68.84, -42.91, 50.83

 

CMYK 55 / 0 / 63 / 27

HEX #53BA45

RGB 83 186 69

HSL 112.82, 0.46%, 0.5%

LAB 67.57, -52.27, 49.06

 

CMYK 63 / 0 / 54 / 27

HEX #45BA56

RGB 69 186 86

HSL 128.72, 0.46%, 0.5%

LAB 67.32, -53.57, 40.79

 

CMYK 63 / 0 / 37 / 27

HEX #45BA76

RGB 69 186 118

HSL 145.13, 0.46%, 0.5%

LAB 67.79, -48.32, 25.04

 

CMYK 56 / 0 / 63 / 51

HEX #377E2F

RGB 55 126 47

HSL 113.92, 0.46%, 0.34%

LAB 46.89, -38.65, 35.59

 

CMYK 56 / 0 / 63 / 39

HEX #449C3A

RGB 68 156 58

HSL 113.88, 0.46%, 0.42%

LAB 57.38, -45.86, 42.41

 

CMYK 56 / 0 / 63 / 27

HEX #51BA45

RGB 81 186 69

HSL 113.85, 0.46%, 0.5%

LAB 67.5, -52.79, 48.97

 

CMYK 45 / 0 / 50 / 23

HEX #6DC563

RGB 109 197 99

HSL 113.88, 0.46%, 0.58%

LAB 72.28, -45.78, 40.83

 

CMYK 34 / 0 / 38 / 18

HEX #89D081

RGB 137 208 129

HSL 113.92, 0.46%, 0.66%

LAB 77.29, -37.57, 32.36

 

CMYK 56 / 0 / 62 / 27

HEX #52BA46

RGB 82 186 70

HSL 113.79, 0.46%, 0.5%

LAB 67.54, -52.43, 48.58

 

CMYK 63 / 5 / 0 / 27

HEX #45B0BA

RGB 69 176 186

HSL 185.13, 0.46%, 0.5%

LAB 66.41, -27.19, -14.2

 

CMYK 0 / 63 / 31 / 27

HEX #BA4581

RGB 186 69 129

HSL 329.23, 0.46%, 0.5%

LAB 47.34, 52.97, -9.07

 

CMYK 56 / 0 / 62 / 27

HEX #52BA46

RGB 82 186 70

HSL 113.79, 0.46%, 0.5%

LAB 67.54, -52.43, 48.58

 

CMYK 63 / 55 / 0 / 27

HEX #4553BA

RGB 69 83 186

HSL 232.82, 0.46%, 0.5%

LAB 39.58, 27.07, -56.2

 

CMYK 0 / 63 / 55 / 27

HEX #BA4553

RGB 186 69 83

HSL 352.82, 0.46%, 0.5%

LAB 46.07, 48.22, 17.15

 

CMYK 56 / 0 / 62 / 27

HEX #52BA46

RGB 82 186 70

HSL 113.79, 0.46%, 0.5%

LAB 67.54, -52.43, 48.58

 

CMYK 63 / 5 / 0 / 27

HEX #45B0BA

RGB 69 176 186

HSL 185.13, 0.46%, 0.5%

LAB 66.41, -27.19, -14.2

 

CMYK 8 / 63 / 0 / 27

HEX #AC45BA

RGB 172 69 186

HSL 292.82, 0.46%, 0.5%

LAB 47.72, 58.07, -42.55

 

CMYK 0 / 58 / 63 / 27

HEX #BA4F45

RGB 186 79 69

HSL 5.13, 0.46%, 0.5%

LAB 47.57, 42.53, 27.49

 

CMYK 56 / 0 / 62 / 27

HEX #52BA46

RGB 82 186 70

HSL 113.79, 0.46%, 0.5%

LAB 67.54, -52.43, 48.58

 

CMYK 63 / 24 / 0 / 27

HEX #458DBA

RGB 69 141 186

HSL 203.08, 0.46%, 0.5%

LAB 55.95, -8.61, -30.21

 

CMYK 8 / 63 / 0 / 27

HEX #AC45BA

RGB 172 69 186

HSL 292.82, 0.46%, 0.5%

LAB 47.72, 58.07, -42.55

 

CMYK 0 / 39 / 63 / 27

HEX #BA7245

RGB 186 114 69

HSL 23.08, 0.46%, 0.5%

LAB 54.97, 24.15, 36.52

 

Description

Color code: HEX #52BA46 | qconv.com Color code: HEX #52BA46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 186 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 186 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 62 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 62% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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