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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52BA42 it is the complementary color #AD45BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52BA42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52BA42 shade: #57BA3D, #68CC50, #79DE63, #8AF076 and #9BFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52BA42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52BA42 shade: #52BA42, #41A82F, #30961C, #1F8409 and #0E7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52BA42 shade: #51B941, #71B941, #92B941, #B2B941 and #B99F41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52BA42 shade: #51B941, #41B951, #41B972, #41B992 and #41B9B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52BA42 shade matches the following richer shades: #51B941, #42CD2D, #33E119 and #24F604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52BA42 shade: #51B941, #60A555, #6F9069, #7D7C7E and #8C6892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52BA42 shade: #91B941, #71B941, #51B941, #41B951 and #41B971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52BA42 shade: #367C2C, #449A36, #51B941, #6BC65D and #87D17C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52BA42 shade: #52BA42, #41B1B9 and #B94181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52BA42 shade: #52BA42, #4151B9 and #B94151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52BA42 shade: #52BA42, #41B1B9, #A941B9 and #B94941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52BA42 shade: #52BA42, #418DB9, #A941B9 and #B96D41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 65 / 27

HEX #52BA42

RGB 82 186 66

HSL 112, 0.48%, 0.49%

LAB 67.51, -52.84, 50.28

 

Complementary color

CMYK 8 / 63 / 0 / 26

HEX #AD45BD

RGB 173 69 189

HSL 292, 0.48%, 0.51%

LAB 48.03, 58.87, -43.79

 

CMYK 53 / 0 / 67 / 27

HEX #57BA3D

RGB 87 186 61

HSL 107.52, 0.51%, 0.48%

LAB 67.64, -51.97, 52.57

 

CMYK 49 / 0 / 61 / 20

HEX #68CC50

RGB 104 204 80

HSL 108.39, 0.55%, 0.56%

LAB 74, -52.31, 51.68

 

CMYK 45 / 0 / 55 / 13

HEX #79DE63

RGB 121 222 99

HSL 109.27, 0.65%, 0.63%

LAB 80.3, -52.44, 50.59

 

CMYK 43 / 0 / 51 / 6

HEX #8AF076

RGB 138 240 118

HSL 110.16, 0.8%, 0.7%

LAB 86.52, -52.45, 49.43

 

CMYK 39 / 0 / 46 / 0

HEX #9BFF89

RGB 155 255 137

HSL 110.85, 1%, 0.77%

LAB 91.82, -51.14, 47.17

 

CMYK 56 / 0 / 65 / 27

HEX #52BA42

RGB 82 186 66

HSL 112, 0.48%, 0.49%

LAB 67.51, -52.84, 50.28

 

CMYK 61 / 0 / 72 / 34

HEX #41A82F

RGB 65 168 47

HSL 111.07, 0.56%, 0.42%

LAB 61.08, -52.2, 51.01

 

CMYK 68 / 0 / 81 / 41

HEX #30961C

RGB 48 150 28

HSL 110.16, 0.69%, 0.35%

LAB 54.58, -51.08, 51.06

 

CMYK 77 / 0 / 93 / 48

HEX #1F8409

RGB 31 132 9

HSL 109.27, 0.87%, 0.28%

LAB 48.02, -49.21, 49.74

 

CMYK 88 / 0 / 100 / 55

HEX #0E7200

RGB 14 114 0

HSL 112.63, 1%, 0.22%

LAB 41.42, -46.24, 46.1

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 39 / 0 / 65 / 27

HEX #71B941

RGB 113 185 65

HSL 96, 0.48%, 0.49%

LAB 68.45, -43.18, 52.11

 

CMYK 21 / 0 / 65 / 27

HEX #92B941

RGB 146 185 65

HSL 79.5, 0.48%, 0.49%

LAB 70.31, -31, 54.65

 

CMYK 4 / 0 / 65 / 27

HEX #B2B941

RGB 178 185 65

HSL 63.5, 0.48%, 0.49%

LAB 72.59, -17.89, 57.75

 

CMYK 0 / 14 / 65 / 27

HEX #B99F41

RGB 185 159 65

HSL 47, 0.48%, 0.49%

LAB 66.13, -1.31, 51.09

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 65 / 0 / 56 / 27

HEX #41B951

RGB 65 185 81

HSL 128, 0.48%, 0.49%

LAB 66.84, -54.71, 42.59

 

CMYK 65 / 0 / 38 / 27

HEX #41B972

RGB 65 185 114

HSL 144.5, 0.48%, 0.49%

LAB 67.3, -49.46, 26.48

 

CMYK 65 / 0 / 21 / 27

HEX #41B992

RGB 65 185 146

HSL 160.5, 0.48%, 0.49%

LAB 67.94, -42.68, 10.11

 

CMYK 65 / 0 / 4 / 27

HEX #41B9B2

RGB 65 185 178

HSL 176.5, 0.48%, 0.49%

LAB 68.78, -34.46, -6.26

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 68 / 0 / 78 / 20

HEX #42CD2D

RGB 66 205 45

HSL 112.13, 0.64%, 0.49%

LAB 72.9, -64.75, 63.41

 

CMYK 77 / 0 / 89 / 12

HEX #33E119

RGB 51 225 25

HSL 112.2, 0.8%, 0.49%

LAB 78.82, -74.2, 73.37

 

CMYK 85 / 0 / 98 / 4

HEX #24F604

RGB 36 246 4

HSL 112.07, 0.97%, 0.49%

LAB 85.15, -82.07, 80.86

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 42 / 0 / 48 / 35

HEX #60A555

RGB 96 165 85

HSL 111.75, 0.32%, 0.49%

LAB 61.7, -37.92, 34.62

 

CMYK 23 / 0 / 27 / 44

HEX #6F9069

RGB 111 144 105

HSL 110.77, 0.16%, 0.49%

LAB 56.43, -19.45, 17.07

 

CMYK 1 / 2 / 0 / 51

HEX #7D7C7E

RGB 125 124 126

HSL 270, 0.01%, 0.49%

LAB 52.15, 0.78, -0.96

 

CMYK 4 / 29 / 0 / 43

HEX #8C6892

RGB 140 104 146

HSL 291.43, 0.17%, 0.49%

LAB 48.95, 22.1, -17.4

 

CMYK 22 / 0 / 65 / 27

HEX #91B941

RGB 145 185 65

HSL 80, 0.48%, 0.49%

LAB 70.25, -31.39, 54.56

 

CMYK 39 / 0 / 65 / 27

HEX #71B941

RGB 113 185 65

HSL 96, 0.48%, 0.49%

LAB 68.45, -43.18, 52.11

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 65 / 0 / 56 / 27

HEX #41B951

RGB 65 185 81

HSL 128, 0.48%, 0.49%

LAB 66.84, -54.71, 42.59

 

CMYK 65 / 0 / 39 / 27

HEX #41B971

RGB 65 185 113

HSL 144, 0.48%, 0.49%

LAB 67.29, -49.65, 26.99

 

CMYK 56 / 0 / 65 / 51

HEX #367C2C

RGB 54 124 44

HSL 112.5, 0.48%, 0.33%

LAB 46.15, -38.46, 36.18

 

CMYK 56 / 0 / 65 / 40

HEX #449A36

RGB 68 154 54

HSL 111.6, 0.48%, 0.41%

LAB 56.69, -45.51, 43.45

 

CMYK 56 / 0 / 65 / 27

HEX #51B941

RGB 81 185 65

HSL 112, 0.48%, 0.49%

LAB 67.15, -52.82, 50.31

 

CMYK 46 / 0 / 53 / 22

HEX #6BC65D

RGB 107 198 93

HSL 112, 0.48%, 0.57%

LAB 72.43, -47.56, 43.9

 

CMYK 35 / 0 / 41 / 18

HEX #87D17C

RGB 135 209 124

HSL 112.24, 0.48%, 0.65%

LAB 77.4, -39.41, 35.04

 

CMYK 56 / 0 / 65 / 27

HEX #52BA42

RGB 82 186 66

HSL 112, 0.48%, 0.49%

LAB 67.51, -52.84, 50.28

 

CMYK 65 / 4 / 0 / 27

HEX #41B1B9

RGB 65 177 185

HSL 184, 0.48%, 0.49%

LAB 66.57, -28.63, -13.41

 

CMYK 0 / 65 / 30 / 27

HEX #B94181

RGB 185 65 129

HSL 328, 0.48%, 0.49%

LAB 46.55, 54.37, -10.28

 

CMYK 56 / 0 / 65 / 27

HEX #52BA42

RGB 82 186 66

HSL 112, 0.48%, 0.49%

LAB 67.51, -52.84, 50.28

 

CMYK 65 / 56 / 0 / 27

HEX #4151B9

RGB 65 81 185

HSL 232, 0.48%, 0.49%

LAB 38.75, 27.33, -56.97

 

CMYK 0 / 65 / 56 / 27

HEX #B94151

RGB 185 65 81

HSL 352, 0.48%, 0.49%

LAB 45.21, 49.48, 17.17

 

CMYK 56 / 0 / 65 / 27

HEX #52BA42

RGB 82 186 66

HSL 112, 0.48%, 0.49%

LAB 67.51, -52.84, 50.28

 

CMYK 65 / 4 / 0 / 27

HEX #41B1B9

RGB 65 177 185

HSL 184, 0.48%, 0.49%

LAB 66.57, -28.63, -13.41

 

CMYK 9 / 65 / 0 / 27

HEX #A941B9

RGB 169 65 185

HSL 292, 0.48%, 0.49%

LAB 46.6, 58.88, -43.76

 

CMYK 0 / 61 / 65 / 27

HEX #B94941

RGB 185 73 65

HSL 4, 0.48%, 0.49%

LAB 46.26, 44.77, 28.17

 

CMYK 56 / 0 / 65 / 27

HEX #52BA42

RGB 82 186 66

HSL 112, 0.48%, 0.49%

LAB 67.51, -52.84, 50.28

 

CMYK 65 / 24 / 0 / 27

HEX #418DB9

RGB 65 141 185

HSL 202, 0.48%, 0.49%

LAB 55.76, -9.65, -29.94

 

CMYK 9 / 65 / 0 / 27

HEX #A941B9

RGB 169 65 185

HSL 292, 0.48%, 0.49%

LAB 46.6, 58.88, -43.76

 

CMYK 0 / 41 / 65 / 27

HEX #B96D41

RGB 185 109 65

HSL 22, 0.48%, 0.49%

LAB 53.64, 26.2, 37.06

 

Description

Color code: HEX #52BA42 | qconv.com Color code: HEX #52BA42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 186 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 186 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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