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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52B7D100 it is the complementary color #AD482E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52B7D100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52B7D100 shade: #57B7CC00, #68C9DF00, #79DBF200, #8AEDFF00 and #9BFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52B7D100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52B7D100 shade: #52B7D100, #41A5BE00, #3093AB00, #1F819800 and #0E6F8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52B7D100 shade: #52B7D1, #5295D1, #5272D1, #5352D1 and #7652D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52B7D100 shade: #52B7D1, #5295D1, #5272D1 and #5252D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52B7D100 shade matches the following richer shades: #52B7D1, #40C1E3 and #2ECCF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52B7D100 shade: #52B7D1, #63ACBF, #75A2AD, #87979C and #998D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52B7D100 shade: #52D1A7, #52D1C8, #52B8D1, #5296D1 and #5274D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52B7D100 shade: #2C8CA4, #34A7C5, #52B7D1, #72C4DA and #93D2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52B7D100 shade: #52B7D1, #8552D1 and #D1B852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52B7D100 shade: #52B7D1, #D152B8 and #B8D152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52B7D100 shade: #52B7D1, #8552D1, #D16B52 and #9ED152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52B7D100 shade: #52B7D1, #AB52D1, #D16B52 and #78D152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #52B7D100

RGBA 82 183 209 0

HSLA 192.28, 0.58%, 0.57%, 0

LABA 69.66, -21.66, -21.93, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AD482E00

RGBA 173 72 46 0

HSLA 12.28, 0.58%, 0.43%, 0

LABA 43.82, 39.75, 35.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #57B7CC00

RGBA 87 183 204 0

HSLA 190.77, 0.53%, 0.57%, 0

LABA 69.65, -22.2, -19.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #68C9DF00

RGBA 104 201 223 0

HSLA 191.09, 0.65%, 0.64%, 0

LABA 76.1, -22.54, -19.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #79DBF200

RGBA 121 219 242 0

HSLA 191.4, 0.82%, 0.71%, 0

LABA 82.45, -22.79, -20.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8AEDFF00

RGBA 138 237 255 0

HSLA 189.23, 1%, 0.77%, 0

LABA 88.54, -24.52, -17.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9BFFFF00

RGBA 155 255 255 0

HSLA 180, 1%, 0.8%, 0

LABA 94.19, -29.23, -9.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #52B7D100

RGBA 82 183 209 0

HSLA 192.28, 0.58%, 0.57%, 0

LABA 69.66, -21.66, -21.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #41A5BE00

RGBA 65 165 190 0

HSLA 192, 0.49%, 0.5%, 0

LABA 63.14, -21.05, -21.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3093AB00

RGBA 48 147 171 0

HSLA 191.71, 0.56%, 0.43%, 0

LABA 56.52, -20.22, -20.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1F819800

RGBA 31 129 152 0

HSLA 191.4, 0.66%, 0.36%, 0

LABA 49.81, -19.08, -20.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0E6F8500

RGBA 14 111 133 0

HSLA 191.09, 0.81%, 0.29%, 0

LABA 43, -17.48, -19.42, 0

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 61 / 29 / 0 / 18

HEX #5295D1

RGB 82 149 209

HSL 208.35, 0.58%, 0.57%

LAB 59.79, -3.21, -37.16

 

CMYK 61 / 45 / 0 / 18

HEX #5272D1

RGB 82 114 209

HSL 224.88, 0.58%, 0.57%

LAB 50.02, 17.75, -52.64

 

CMYK 60 / 61 / 0 / 18

HEX #5352D1

RGB 83 82 209

HSL 240.47, 0.58%, 0.57%

LAB 41.96, 37.78, -65.63

 

CMYK 44 / 61 / 0 / 18

HEX #7652D1

RGB 118 82 209

HSL 257.01, 0.58%, 0.57%

LAB 44.93, 44.37, -60.69

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 61 / 29 / 0 / 18

HEX #5295D1

RGB 82 149 209

HSL 208.35, 0.58%, 0.57%

LAB 59.79, -3.21, -37.16

 

CMYK 61 / 45 / 0 / 18

HEX #5272D1

RGB 82 114 209

HSL 224.88, 0.58%, 0.57%

LAB 50.02, 17.75, -52.64

 

CMYK 61 / 61 / 0 / 18

HEX #5252D1

RGB 82 82 209

HSL 240, 0.58%, 0.57%

LAB 41.89, 37.62, -65.75

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 72 / 15 / 0 / 11

HEX #40C1E3

RGB 64 193 227

HSL 192.52, 0.74%, 0.57%

LAB 72.74, -23.97, -27.06

 

CMYK 81 / 16 / 0 / 4

HEX #2ECCF4

RGB 46 204 244

HSL 192.12, 0.9%, 0.57%

LAB 76.25, -25.94, -30.87

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 48 / 10 / 0 / 25

HEX #63ACBF

RGB 99 172 191

HSL 192.39, 0.42%, 0.57%

LAB 66.46, -17.65, -16.8

 

CMYK 32 / 6 / 0 / 32

HEX #75A2AD

RGB 117 162 173

HSL 191.79, 0.25%, 0.57%

LAB 63.87, -12.36, -10.57

 

CMYK 13 / 3 / 0 / 39

HEX #87979C

RGB 135 151 156

HSL 194.29, 0.1%, 0.57%

LAB 61.38, -4.62, -4.57

 

CMYK 0 / 8 / 10 / 40

HEX #998D8A

RGB 153 141 138

HSL 12, 0.07%, 0.57%

LAB 59.58, 3.93, 3.2

 

CMYK 61 / 0 / 20 / 18

HEX #52D1A7

RGB 82 209 167

HSL 160.16, 0.58%, 0.57%

LAB 76.18, -45.01, 10.52

 

CMYK 61 / 0 / 4 / 18

HEX #52D1C8

RGB 82 209 200

HSL 175.75, 0.58%, 0.57%

LAB 77.02, -36.84, -5.98

 

CMYK 61 / 12 / 0 / 18

HEX #52B8D1

RGB 82 184 209

HSL 191.81, 0.58%, 0.57%

LAB 69.95, -22.17, -21.48

 

CMYK 61 / 28 / 0 / 18

HEX #5296D1

RGB 82 150 209

HSL 207.87, 0.58%, 0.57%

LAB 60.08, -3.79, -36.72

 

CMYK 61 / 44 / 0 / 18

HEX #5274D1

RGB 82 116 209

HSL 223.94, 0.58%, 0.57%

LAB 50.56, 16.51, -51.77

 

CMYK 73 / 15 / 0 / 36

HEX #2C8CA4

RGB 44 140 164

HSL 192, 0.58%, 0.41%

LAB 54, -19.35, -20.69

 

CMYK 74 / 15 / 0 / 23

HEX #34A7C5

RGB 52 167 197

HSL 192.41, 0.58%, 0.49%

LAB 63.67, -21.72, -24.52

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 48 / 10 / 0 / 15

HEX #72C4DA

RGB 114 196 218

HSL 192.69, 0.58%, 0.65%

LAB 74.9, -19.21, -18.76

 

CMYK 35 / 7 / 0 / 11

HEX #93D2E2

RGB 147 210 226

HSL 192.15, 0.58%, 0.73%

LAB 80.62, -16.08, -14.28

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 36 / 61 / 0 / 18

HEX #8552D1

RGB 133 82 209

HSL 264.09, 0.58%, 0.57%

LAB 46.48, 47.6, -58.1

 

CMYK 0 / 12 / 61 / 18

HEX #D1B852

RGB 209 184 82

HSL 48.19, 0.58%, 0.57%

LAB 75.11, -3.12, 53.87

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 0 / 61 / 12 / 18

HEX #D152B8

RGB 209 82 184

HSL 311.81, 0.58%, 0.57%

LAB 55.12, 61.65, -29.37

 

CMYK 12 / 0 / 61 / 18

HEX #B8D152

RGB 184 209 82

HSL 71.81, 0.58%, 0.57%

LAB 79.84, -26.05, 58.52

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 36 / 61 / 0 / 18

HEX #8552D1

RGB 133 82 209

HSL 264.09, 0.58%, 0.57%

LAB 46.48, 47.6, -58.1

 

CMYK 0 / 49 / 61 / 18

HEX #D16B52

RGB 209 107 82

HSL 11.81, 0.58%, 0.57%

LAB 56.76, 38.06, 32.3

 

CMYK 24 / 0 / 61 / 18

HEX #9ED152

RGB 158 209 82

HSL 84.09, 0.58%, 0.57%

LAB 78.16, -36.14, 56.19

 

CMYK 61 / 12 / 0 / 18

HEX #52B7D1

RGB 82 183 209

HSL 192.28, 0.58%, 0.57%

LAB 69.66, -21.66, -21.93

 

CMYK 18 / 61 / 0 / 18

HEX #AB52D1

RGB 171 82 209

HSL 282.05, 0.58%, 0.57%

LAB 51.03, 56.43, -50.55

 

CMYK 0 / 49 / 61 / 18

HEX #D16B52

RGB 209 107 82

HSL 11.81, 0.58%, 0.57%

LAB 56.76, 38.06, 32.3

 

CMYK 43 / 0 / 61 / 18

HEX #78D152

RGB 120 209 82

HSL 102.05, 0.58%, 0.57%

LAB 76.19, -49.3, 53.45

 

Description

Color code: HEX #52B7D100 | qconv.com Color code: HEX #52B7D100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 183 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 183 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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