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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #529935 it is the complementary color #AD66CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #529935. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #529935 shade: #579930, #68AB43, #79BD56, #8ACF69 and #9BE17C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #529935. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #529935 shade: #529935, #418722, #30750F, #1F6300 and #0E5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #529935 shade: #519834, #6C9834, #879834, #988E34 and #987334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #529935 shade: #519834, #369834, #34984D, #349868 and #349883

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #529935 shade matches the following richer shades: #519834, #4AA824, #43B913 and #3CC903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #529935 shade: #519834, #588745, #5F7755, #666666 and #6D5676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #529935 shade: #879834, #6D9834, #529834, #379834 and #34984B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #529935 shade: #305B1F, #417929, #519834, #61B73F and #78C659

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #529935 shade: #529935, #34988E and #98347A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #529935 shade: #529935, #345298 and #983452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #529935 shade: #529935, #34988E, #7A3498 and #98343E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #529935 shade: #529935, #348498, #7A3498 and #984834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 65 / 40

HEX #529935

RGB 82 153 53

HSL 102.6, 0.49%, 0.4%

LAB 56.91, -41.03, 44.3

 

Complementary color

CMYK 14 / 50 / 0 / 21

HEX #AD66CA

RGB 173 102 202

HSL 282.6, 0.49%, 0.6%

LAB 54.71, 45.37, -40.7

 

CMYK 43 / 0 / 69 / 40

HEX #579930

RGB 87 153 48

HSL 97.71, 0.52%, 0.39%

LAB 57.1, -39.83, 46.72

 

CMYK 39 / 0 / 61 / 33

HEX #68AB43

RGB 104 171 67

HSL 98.65, 0.44%, 0.47%

LAB 63.73, -40.04, 45.88

 

CMYK 36 / 0 / 54 / 26

HEX #79BD56

RGB 121 189 86

HSL 99.61, 0.44%, 0.54%

LAB 70.27, -40.1, 44.81

 

CMYK 33 / 0 / 49 / 19

HEX #8ACF69

RGB 138 207 105

HSL 100.59, 0.52%, 0.61%

LAB 76.71, -40.05, 43.64

 

CMYK 31 / 0 / 45 / 12

HEX #9BE17C

RGB 155 225 124

HSL 101.58, 0.63%, 0.68%

LAB 83.06, -39.95, 42.46

 

CMYK 46 / 0 / 65 / 40

HEX #529935

RGB 82 153 53

HSL 102.6, 0.49%, 0.4%

LAB 56.91, -41.03, 44.3

 

CMYK 52 / 0 / 75 / 47

HEX #418722

RGB 65 135 34

HSL 101.58, 0.6%, 0.33%

LAB 50.18, -40.61, 44.9

 

CMYK 59 / 0 / 87 / 54

HEX #30750F

RGB 48 117 15

HSL 100.59, 0.77%, 0.26%

LAB 43.34, -39.74, 44.48

 

CMYK 69 / 0 / 100 / 61

HEX #1F6300

RGB 31 99 0

HSL 101.21, 1%, 0.19%

LAB 36.39, -38.16, 42.25

 

CMYK 83 / 0 / 100 / 68

HEX #0E5100

RGB 14 81 0

HSL 109.63, 1%, 0.16%

LAB 29.36, -35.35, 36.47

 

CMYK 47 / 0 / 66 / 40

HEX #519834

RGB 81 152 52

HSL 102.6, 0.49%, 0.4%

LAB 56.54, -41.03, 44.32

 

CMYK 29 / 0 / 66 / 40

HEX #6C9834

RGB 108 152 52

HSL 86.4, 0.49%, 0.4%

LAB 57.93, -31.38, 46.24

 

CMYK 11 / 0 / 66 / 40

HEX #879834

RGB 135 152 52

HSL 70.2, 0.49%, 0.4%

LAB 59.76, -20.29, 48.73

 

CMYK 0 / 7 / 66 / 40

HEX #988E34

RGB 152 142 52

HSL 54, 0.49%, 0.4%

LAB 58.29, -7.56, 47.61

 

CMYK 0 / 24 / 66 / 40

HEX #987334

RGB 152 115 52

HSL 37.8, 0.49%, 0.4%

LAB 50.9, 7.52, 39.61

 

CMYK 47 / 0 / 66 / 40

HEX #519834

RGB 81 152 52

HSL 102.6, 0.49%, 0.4%

LAB 56.54, -41.03, 44.32

 

CMYK 64 / 0 / 66 / 40

HEX #369834

RGB 54 152 52

HSL 118.8, 0.49%, 0.4%

LAB 55.57, -48.47, 42.98

 

CMYK 66 / 0 / 49 / 40

HEX #34984D

RGB 52 152 77

HSL 135, 0.49%, 0.4%

LAB 55.81, -45.56, 31.05

 

CMYK 66 / 0 / 32 / 40

HEX #349868

RGB 52 152 104

HSL 151.2, 0.49%, 0.4%

LAB 56.27, -40.47, 16.99

 

CMYK 66 / 0 / 14 / 40

HEX #349883

RGB 52 152 131

HSL 167.4, 0.49%, 0.4%

LAB 56.9, -33.97, 2.61

 

CMYK 47 / 0 / 66 / 40

HEX #519834

RGB 81 152 52

HSL 102.6, 0.49%, 0.4%

LAB 56.54, -41.03, 44.32

 

CMYK 56 / 0 / 79 / 34

HEX #4AA824

RGB 74 168 36

HSL 102.73, 0.65%, 0.4%

LAB 61.3, -50.67, 55.2

 

CMYK 64 / 0 / 90 / 27

HEX #43B913

RGB 67 185 19

HSL 102.65, 0.81%, 0.4%

LAB 66.47, -59.18, 63.99

 

CMYK 70 / 0 / 99 / 21

HEX #3CC903

RGB 60 201 3

HSL 102.73, 0.97%, 0.4%

LAB 71.38, -66.11, 70.02

 

CMYK 47 / 0 / 66 / 40

HEX #519834

RGB 81 152 52

HSL 102.6, 0.49%, 0.4%

LAB 56.54, -41.03, 44.32

 

CMYK 35 / 0 / 49 / 47

HEX #588745

RGB 88 135 69

HSL 102.73, 0.32%, 0.4%

LAB 51.65, -29.02, 30.38

 

CMYK 20 / 0 / 29 / 53

HEX #5F7755

RGB 95 119 85

HSL 102.35, 0.17%, 0.4%

LAB 47.34, -15.71, 15.91

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 8 / 27 / 0 / 54

HEX #6D5676

RGB 109 86 118

HSL 283.13, 0.16%, 0.4%

LAB 39.94, 15.86, -14.57

 

CMYK 11 / 0 / 66 / 40

HEX #879834

RGB 135 152 52

HSL 70.2, 0.49%, 0.4%

LAB 59.76, -20.29, 48.73

 

CMYK 28 / 0 / 66 / 40

HEX #6D9834

RGB 109 152 52

HSL 85.8, 0.49%, 0.4%

LAB 57.99, -30.99, 46.32

 

CMYK 46 / 0 / 66 / 40

HEX #529834

RGB 82 152 52

HSL 102, 0.49%, 0.4%

LAB 56.58, -40.7, 44.38

 

CMYK 64 / 0 / 66 / 40

HEX #379834

RGB 55 152 52

HSL 118.2, 0.49%, 0.4%

LAB 55.6, -48.24, 43.02

 

CMYK 66 / 0 / 51 / 40

HEX #34984B

RGB 52 152 75

HSL 133.8, 0.49%, 0.4%

LAB 55.78, -45.88, 32.05

 

CMYK 47 / 0 / 66 / 64

HEX #305B1F

RGB 48 91 31

HSL 103, 0.49%, 0.24%

LAB 34.42, -27.41, 29.28

 

CMYK 46 / 0 / 66 / 53

HEX #417929

RGB 65 121 41

HSL 102, 0.49%, 0.32%

LAB 45.58, -34.05, 37.08

 

CMYK 47 / 0 / 66 / 40

HEX #519834

RGB 81 152 52

HSL 102.6, 0.49%, 0.4%

LAB 56.54, -41.03, 44.32

 

CMYK 47 / 0 / 66 / 28

HEX #61B73F

RGB 97 183 63

HSL 103, 0.49%, 0.48%

LAB 67.1, -47.71, 51.27

 

CMYK 39 / 0 / 55 / 22

HEX #78C659

RGB 120 198 89

HSL 102.94, 0.49%, 0.56%

LAB 72.96, -43.99, 46.56

 

CMYK 46 / 0 / 65 / 40

HEX #529935

RGB 82 153 53

HSL 102.6, 0.49%, 0.4%

LAB 56.91, -41.03, 44.3

 

CMYK 66 / 0 / 7 / 40

HEX #34988E

RGB 52 152 142

HSL 174, 0.49%, 0.4%

LAB 57.21, -30.97, -3.22

 

CMYK 0 / 66 / 20 / 40

HEX #98347A

RGB 152 52 122

HSL 318, 0.49%, 0.4%

LAB 38.79, 49.31, -18.3

 

CMYK 46 / 0 / 65 / 40

HEX #529935

RGB 82 153 53

HSL 102.6, 0.49%, 0.4%

LAB 56.91, -41.03, 44.3

 

CMYK 66 / 46 / 0 / 40

HEX #345298

RGB 52 82 152

HSL 222, 0.49%, 0.4%

LAB 36.05, 12.5, -41.72

 

CMYK 0 / 66 / 46 / 40

HEX #983452

RGB 152 52 82

HSL 342, 0.49%, 0.4%

LAB 37.37, 44.29, 4.79

 

CMYK 46 / 0 / 65 / 40

HEX #529935

RGB 82 153 53

HSL 102.6, 0.49%, 0.4%

LAB 56.91, -41.03, 44.3

 

CMYK 66 / 0 / 7 / 40

HEX #34988E

RGB 52 152 142

HSL 174, 0.49%, 0.4%

LAB 57.21, -30.97, -3.22

 

CMYK 20 / 66 / 0 / 40

HEX #7A3498

RGB 122 52 152

HSL 282, 0.49%, 0.4%

LAB 35.71, 46.82, -41.88

 

CMYK 0 / 66 / 59 / 40

HEX #98343E

RGB 152 52 62

HSL 354, 0.49%, 0.4%

LAB 36.89, 42.5, 16.84

 

CMYK 46 / 0 / 65 / 40

HEX #529935

RGB 82 153 53

HSL 102.6, 0.49%, 0.4%

LAB 56.91, -41.03, 44.3

 

CMYK 66 / 13 / 0 / 40

HEX #348498

RGB 52 132 152

HSL 192, 0.49%, 0.4%

LAB 51.27, -17.74, -17.9

 

CMYK 20 / 66 / 0 / 40

HEX #7A3498

RGB 122 52 152

HSL 282, 0.49%, 0.4%

LAB 35.71, 46.82, -41.88

 

CMYK 0 / 53 / 66 / 40

HEX #984834

RGB 152 72 52

HSL 12, 0.49%, 0.4%

LAB 40.5, 31.86, 27.55

 

Description

Color code: HEX #529935 | qconv.com Color code: HEX #529935 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 153 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 153 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 65 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 65% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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