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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5295CB it is the complementary color #AD6A34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5295CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5295CB shade: #5795C6, #68A7D9, #79B9EC, #8ACBFF and #9BDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5295CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5295CB shade: #5295CB, #4183B8, #3071A5, #1F5F92 and #0E4D7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5295CB shade: #5295CB, #5275CB, #5254CB, #7152CB and #9252CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5295CB shade: #5295CB, #5275CB, #5254CB and #5252CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5295CB shade matches the following richer shades: #5295CB, #4097DE and #2E99F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5295CB shade: #5295CB, #6493B9, #7791A7, #898F95 and #9B8E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5295CB shade: #52CBBF, #52B7CB, #5297CB, #5277CB and #5256CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5295CB shade: #2F6B9C, #3881BC, #5295CB, #72A9D5 and #92BCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5295CB shade: #5295CB, #9F52CB and #C7CB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5295CB shade: #5295CB, #CB5297 and #97CB52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5295CB shade: #5295CB, #9F52CB, #CB8752 and #7FCB52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5295CB shade: #5295CB, #C352CB, #CB8752 and #5ACB52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

Complementary color

CMYK 0 / 39 / 70 / 32

HEX #AD6A34

RGB 173 106 52

HSL 26.78, 0.54%, 0.44%

LAB 51.2, 21.96, 40.66

 

CMYK 56 / 25 / 0 / 22

HEX #5795C6

RGB 87 149 198

HSL 206.49, 0.49%, 0.56%

LAB 59.52, -5.73, -31.39

 

CMYK 52 / 23 / 0 / 15

HEX #68A7D9

RGB 104 167 217

HSL 206.55, 0.6%, 0.63%

LAB 66.21, -6.31, -31.56

 

CMYK 49 / 22 / 0 / 7

HEX #79B9EC

RGB 121 185 236

HSL 206.61, 0.75%, 0.7%

LAB 72.77, -6.78, -31.73

 

CMYK 46 / 20 / 0 / 0

HEX #8ACBFF

RGB 138 203 255

HSL 206.67, 1%, 0.77%

LAB 79.23, -7.17, -31.92

 

CMYK 39 / 13 / 0 / 0

HEX #9BDDFF

RGB 155 221 255

HSL 200.4, 1%, 0.8%

LAB 84.95, -12.42, -23.11

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 65 / 29 / 0 / 28

HEX #4183B8

RGB 65 131 184

HSL 206.72, 0.48%, 0.49%

LAB 52.75, -4.24, -34.07

 

CMYK 71 / 32 / 0 / 35

HEX #3071A5

RGB 48 113 165

HSL 206.67, 0.55%, 0.42%

LAB 45.85, -3.05, -33.92

 

CMYK 79 / 35 / 0 / 43

HEX #1F5F92

RGB 31 95 146

HSL 206.61, 0.65%, 0.35%

LAB 38.81, -1.44, -33.75

 

CMYK 89 / 39 / 0 / 50

HEX #0E4D7F

RGB 14 77 127

HSL 206.55, 0.8%, 0.28%

LAB 31.65, 0.78, -33.51

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 60 / 42 / 0 / 20

HEX #5275CB

RGB 82 117 203

HSL 222.64, 0.54%, 0.56%

LAB 50.49, 13.86, -48.47

 

CMYK 60 / 59 / 0 / 20

HEX #5254CB

RGB 82 84 203

HSL 239.01, 0.54%, 0.56%

LAB 41.92, 34.42, -62.25

 

CMYK 44 / 60 / 0 / 20

HEX #7152CB

RGB 113 82 203

HSL 255.37, 0.54%, 0.56%

LAB 44.03, 41.63, -58.71

 

CMYK 28 / 60 / 0 / 20

HEX #9252CB

RGB 146 82 203

HSL 271.74, 0.54%, 0.56%

LAB 47.57, 49.11, -52.83

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 60 / 42 / 0 / 20

HEX #5275CB

RGB 82 117 203

HSL 222.64, 0.54%, 0.56%

LAB 50.49, 13.86, -48.47

 

CMYK 60 / 59 / 0 / 20

HEX #5254CB

RGB 82 84 203

HSL 239.01, 0.54%, 0.56%

LAB 41.92, 34.42, -62.25

 

CMYK 60 / 60 / 0 / 20

HEX #5252CB

RGB 82 82 203

HSL 240, 0.54%, 0.56%

LAB 41.44, 35.65, -63.03

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 71 / 32 / 0 / 13

HEX #4097DE

RGB 64 151 222

HSL 206.96, 0.71%, 0.56%

LAB 60.34, -2.94, -43.61

 

CMYK 81 / 36 / 0 / 6

HEX #2E99F0

RGB 46 153 240

HSL 206.91, 0.87%, 0.56%

LAB 61.36, 0.24, -51.98

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 46 / 21 / 0 / 27

HEX #6493B9

RGB 100 147 185

HSL 206.82, 0.38%, 0.56%

LAB 59.05, -5.51, -24.74

 

CMYK 29 / 13 / 0 / 35

HEX #7791A7

RGB 119 145 167

HSL 207.5, 0.21%, 0.56%

LAB 58.94, -3.91, -14.58

 

CMYK 8 / 4 / 0 / 42

HEX #898F95

RGB 137 143 149

HSL 210, 0.05%, 0.56%

LAB 59.1, -0.95, -3.94

 

CMYK 0 / 8 / 15 / 39

HEX #9B8E83

RGB 155 142 131

HSL 27.5, 0.11%, 0.56%

LAB 59.85, 2.92, 7.6

 

CMYK 60 / 0 / 6 / 20

HEX #52CBBF

RGB 82 203 191

HSL 174.05, 0.54%, 0.56%

LAB 74.99, -36.44, -4.12

 

CMYK 60 / 10 / 0 / 20

HEX #52B7CB

RGB 82 183 203

HSL 189.92, 0.54%, 0.56%

LAB 69.45, -23.43, -18.95

 

CMYK 60 / 26 / 0 / 20

HEX #5297CB

RGB 82 151 203

HSL 205.79, 0.54%, 0.56%

LAB 60.1, -6.29, -33.31

 

CMYK 60 / 41 / 0 / 20

HEX #5277CB

RGB 82 119 203

HSL 221.65, 0.54%, 0.56%

LAB 51.04, 12.63, -47.59

 

CMYK 60 / 58 / 0 / 20

HEX #5256CB

RGB 82 86 203

HSL 238.02, 0.54%, 0.56%

LAB 42.4, 33.19, -61.47

 

CMYK 70 / 31 / 0 / 39

HEX #2F6B9C

RGB 47 107 156

HSL 206.97, 0.54%, 0.4%

LAB 43.54, -2.82, -32.24

 

CMYK 70 / 31 / 0 / 26

HEX #3881BC

RGB 56 129 188

HSL 206.82, 0.54%, 0.48%

LAB 52.03, -3.17, -37.51

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 46 / 21 / 0 / 16

HEX #72A9D5

RGB 114 169 213

HSL 206.67, 0.54%, 0.64%

LAB 67.09, -6.26, -27.94

 

CMYK 34 / 15 / 0 / 13

HEX #92BCDE

RGB 146 188 222

HSL 206.84, 0.54%, 0.72%

LAB 74.41, -5.81, -21.51

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 22 / 60 / 0 / 20

HEX #9F52CB

RGB 159 82 203

HSL 278.18, 0.54%, 0.56%

LAB 49.15, 52.24, -50.2

 

CMYK 2 / 0 / 60 / 20

HEX #C7CB52

RGB 199 203 82

HSL 61.98, 0.54%, 0.56%

LAB 79.31, -17.02, 58.26

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 0 / 60 / 26 / 20

HEX #CB5297

RGB 203 82 151

HSL 325.79, 0.54%, 0.56%

LAB 52.91, 55.21, -13.57

 

CMYK 26 / 0 / 60 / 20

HEX #97CB52

RGB 151 203 82

HSL 85.79, 0.54%, 0.56%

LAB 76.01, -36.03, 53.68

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 22 / 60 / 0 / 20

HEX #9F52CB

RGB 159 82 203

HSL 278.18, 0.54%, 0.56%

LAB 49.15, 52.24, -50.2

 

CMYK 0 / 33 / 60 / 20

HEX #CB8752

RGB 203 135 82

HSL 26.28, 0.54%, 0.56%

LAB 62.2, 20.7, 38.77

 

CMYK 37 / 0 / 60 / 20

HEX #7FCB52

RGB 127 203 82

HSL 97.69, 0.54%, 0.56%

LAB 74.72, -44.54, 51.88

 

CMYK 60 / 27 / 0 / 20

HEX #5295CB

RGB 82 149 203

HSL 206.78, 0.54%, 0.56%

LAB 59.53, -5.16, -34.21

 

CMYK 4 / 60 / 0 / 20

HEX #C352CB

RGB 195 82 203

HSL 296.03, 0.54%, 0.56%

LAB 53.97, 61.17, -42.25

 

CMYK 0 / 33 / 60 / 20

HEX #CB8752

RGB 203 135 82

HSL 26.28, 0.54%, 0.56%

LAB 62.2, 20.7, 38.77

 

CMYK 56 / 0 / 60 / 20

HEX #5ACB52

RGB 90 203 82

HSL 116.03, 0.54%, 0.56%

LAB 73.22, -55.48, 49.76

 

Description

Color code: HEX #5295CB | qconv.com Color code: HEX #5295CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 149 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 149 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 27% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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