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Color name
HEX #5294AF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5294AF it is the complementary color #AD6B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5294AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5294AF shade: #5794AA, #68A6BD, #79B8D0, #8ACAE3 and #9BDCF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5294AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5294AF shade: #5294AF, #41829C, #307089, #1F5E76 and #0E4C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5294AF shade: #5093AF, #507AAF, #5060AF, #5A50AF and #7350AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5294AF shade: #5093AF, #507AAF, #5060AF and #5050AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5294AF shade matches the following richer shades: #5093AF, #3C9CC3, #27A5D8 and #12ADED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5294AF shade: #5093AF, #658B9A, #7A8285, #8E7971 and #A3715C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5294AF shade: #50AF97, #50ADAF, #5094AF, #507BAF and #5062AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5294AF shade: #366476, #437B92, #5093AF, #6DA5BC and #89B6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5294AF shade: #5294AF, #7E50AF and #AFA450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5294AF shade: #5294AF, #AF5094 and #94AF50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5294AF shade: #5294AF, #7E50AF, #AF6B50 and #81AF50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5294AF shade: #5294AF, #9A50AF, #AF6B50 and #65AF50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 15 / 0 / 31

HEX #5294AF

RGB 82 148 175

HSL 197.42, 0.37%, 0.5%

LAB 58.1, -13.31, -20.59

 

Complementary color

CMYK 0 / 38 / 54 / 32

HEX #AD6B50

RGB 173 107 80

HSL 17.42, 0.37%, 0.5%

LAB 51.81, 23.46, 26.13

 

CMYK 49 / 13 / 0 / 33

HEX #5794AA

RGB 87 148 170

HSL 195.9, 0.33%, 0.5%

LAB 58.14, -13.62, -17.67

 

CMYK 45 / 12 / 0 / 26

HEX #68A6BD

RGB 104 166 189

HSL 196.24, 0.39%, 0.57%

LAB 64.87, -13.82, -18.07

 

CMYK 42 / 12 / 0 / 18

HEX #79B8D0

RGB 121 184 208

HSL 196.55, 0.48%, 0.65%

LAB 71.49, -13.96, -18.45

 

CMYK 39 / 11 / 0 / 11

HEX #8ACAE3

RGB 138 202 227

HSL 196.85, 0.61%, 0.72%

LAB 77.99, -14.08, -18.83

 

CMYK 37 / 11 / 0 / 4

HEX #9BDCF6

RGB 155 220 246

HSL 197.14, 0.83%, 0.79%

LAB 84.39, -14.16, -19.21

 

CMYK 53 / 15 / 0 / 31

HEX #5294AF

RGB 82 148 175

HSL 197.42, 0.37%, 0.5%

LAB 58.1, -13.31, -20.59

 

CMYK 58 / 17 / 0 / 39

HEX #41829C

RGB 65 130 156

HSL 197.14, 0.41%, 0.43%

LAB 51.25, -12.88, -20.21

 

CMYK 65 / 18 / 0 / 46

HEX #307089

RGB 48 112 137

HSL 196.85, 0.48%, 0.36%

LAB 44.27, -12.26, -19.8

 

CMYK 74 / 20 / 0 / 54

HEX #1F5E76

RGB 31 94 118

HSL 196.55, 0.58%, 0.29%

LAB 37.12, -11.35, -19.34

 

CMYK 86 / 23 / 0 / 61

HEX #0E4C63

RGB 14 76 99

HSL 196.24, 0.75%, 0.22%

LAB 29.82, -9.93, -18.79

 

CMYK 54 / 16 / 0 / 31

HEX #5093AF

RGB 80 147 175

HSL 197.68, 0.37%, 0.5%

LAB 57.72, -13.2, -21.18

 

CMYK 54 / 30 / 0 / 31

HEX #507AAF

RGB 80 122 175

HSL 213.47, 0.37%, 0.5%

LAB 50.36, 1.14, -32.58

 

CMYK 54 / 45 / 0 / 31

HEX #5060AF

RGB 80 96 175

HSL 229.89, 0.37%, 0.5%

LAB 43.01, 17.2, -44.18

 

CMYK 49 / 54 / 0 / 31

HEX #5A50AF

RGB 90 80 175

HSL 246.32, 0.37%, 0.5%

LAB 39.59, 29.52, -49.63

 

CMYK 34 / 54 / 0 / 31

HEX #7350AF

RGB 115 80 175

HSL 262.11, 0.37%, 0.5%

LAB 41.96, 35.55, -45.69

 

CMYK 54 / 16 / 0 / 31

HEX #5093AF

RGB 80 147 175

HSL 197.68, 0.37%, 0.5%

LAB 57.72, -13.2, -21.18

 

CMYK 54 / 30 / 0 / 31

HEX #507AAF

RGB 80 122 175

HSL 213.47, 0.37%, 0.5%

LAB 50.36, 1.14, -32.58

 

CMYK 54 / 45 / 0 / 31

HEX #5060AF

RGB 80 96 175

HSL 229.89, 0.37%, 0.5%

LAB 43.01, 17.2, -44.18

 

CMYK 54 / 54 / 0 / 31

HEX #5050AF

RGB 80 80 175

HSL 240, 0.37%, 0.5%

LAB 38.79, 27.35, -50.96

 

CMYK 54 / 16 / 0 / 31

HEX #5093AF

RGB 80 147 175

HSL 197.68, 0.37%, 0.5%

LAB 57.72, -13.2, -21.18

 

CMYK 69 / 20 / 0 / 24

HEX #3C9CC3

RGB 60 156 195

HSL 197.33, 0.53%, 0.5%

LAB 60.5, -15.45, -28.28

 

CMYK 82 / 24 / 0 / 15

HEX #27A5D8

RGB 39 165 216

HSL 197.29, 0.69%, 0.5%

LAB 63.59, -15.65, -35.22

 

CMYK 92 / 27 / 0 / 7

HEX #12ADED

RGB 18 173 237

HSL 197.53, 0.86%, 0.5%

LAB 66.62, -13.88, -42.06

 

CMYK 54 / 16 / 0 / 31

HEX #5093AF

RGB 80 147 175

HSL 197.68, 0.37%, 0.5%

LAB 57.72, -13.2, -21.18

 

CMYK 34 / 10 / 0 / 40

HEX #658B9A

RGB 101 139 154

HSL 196.98, 0.21%, 0.5%

LAB 55.65, -9.31, -12.21

 

CMYK 8 / 2 / 0 / 48

HEX #7A8285

RGB 122 130 133

HSL 196.36, 0.04%, 0.5%

LAB 53.81, -2.31, -2.64

 

CMYK 0 / 15 / 20 / 44

HEX #8E7971

RGB 142 121 113

HSL 16.55, 0.11%, 0.5%

LAB 52.53, 6.76, 7.39

 

CMYK 0 / 31 / 44 / 36

HEX #A3715C

RGB 163 113 92

HSL 17.75, 0.28%, 0.5%

LAB 52.25, 17.12, 19.58

 

CMYK 54 / 0 / 14 / 31

HEX #50AF97

RGB 80 175 151

HSL 164.84, 0.37%, 0.5%

LAB 65.44, -34.01, 3.82

 

CMYK 54 / 1 / 0 / 31

HEX #50ADAF

RGB 80 173 175

HSL 181.26, 0.37%, 0.5%

LAB 65.5, -26.78, -9.42

 

CMYK 54 / 15 / 0 / 31

HEX #5094AF

RGB 80 148 175

HSL 197.05, 0.37%, 0.5%

LAB 58.02, -13.75, -20.73

 

CMYK 54 / 30 / 0 / 31

HEX #507BAF

RGB 80 123 175

HSL 212.84, 0.37%, 0.5%

LAB 50.65, 0.54, -32.12

 

CMYK 54 / 44 / 0 / 31

HEX #5062AF

RGB 80 98 175

HSL 228.63, 0.37%, 0.5%

LAB 43.56, 15.94, -43.31

 

CMYK 54 / 15 / 0 / 54

HEX #366476

RGB 54 100 118

HSL 196.88, 0.37%, 0.34%

LAB 39.93, -10.26, -14.96

 

CMYK 54 / 16 / 0 / 43

HEX #437B92

RGB 67 123 146

HSL 197.47, 0.37%, 0.42%

LAB 48.8, -11.63, -18.11

 

CMYK 54 / 16 / 0 / 31

HEX #5093AF

RGB 80 147 175

HSL 197.68, 0.37%, 0.5%

LAB 57.72, -13.2, -21.18

 

CMYK 42 / 12 / 0 / 26

HEX #6DA5BC

RGB 109 165 188

HSL 197.47, 0.37%, 0.58%

LAB 64.8, -12.28, -17.6

 

CMYK 32 / 9 / 0 / 21

HEX #89B6C9

RGB 137 182 201

HSL 197.81, 0.37%, 0.66%

LAB 71.55, -10.36, -14.44

 

CMYK 53 / 15 / 0 / 31

HEX #5294AF

RGB 82 148 175

HSL 197.42, 0.37%, 0.5%

LAB 58.1, -13.31, -20.59

 

CMYK 28 / 54 / 0 / 31

HEX #7E50AF

RGB 126 80 175

HSL 269.05, 0.37%, 0.5%

LAB 43.16, 38.41, -43.7

 

CMYK 0 / 6 / 54 / 31

HEX #AFA450

RGB 175 164 80

HSL 53.05, 0.37%, 0.5%

LAB 66.71, -7.2, 44.42

 

CMYK 53 / 15 / 0 / 31

HEX #5294AF

RGB 82 148 175

HSL 197.42, 0.37%, 0.5%

LAB 58.1, -13.31, -20.59

 

CMYK 0 / 54 / 15 / 31

HEX #AF5094

RGB 175 80 148

HSL 317.05, 0.37%, 0.5%

LAB 48.25, 47.2, -19.27

 

CMYK 15 / 0 / 54 / 31

HEX #94AF50

RGB 148 175 80

HSL 77.05, 0.37%, 0.5%

LAB 67.68, -24.1, 45.02

 

CMYK 53 / 15 / 0 / 31

HEX #5294AF

RGB 82 148 175

HSL 197.42, 0.37%, 0.5%

LAB 58.1, -13.31, -20.59

 

CMYK 28 / 54 / 0 / 31

HEX #7E50AF

RGB 126 80 175

HSL 269.05, 0.37%, 0.5%

LAB 43.16, 38.41, -43.7

 

CMYK 0 / 39 / 54 / 31

HEX #AF6B50

RGB 175 107 80

HSL 17.05, 0.37%, 0.5%

LAB 52.07, 24.3, 26.52

 

CMYK 26 / 0 / 54 / 31

HEX #81AF50

RGB 129 175 80

HSL 89.05, 0.37%, 0.5%

LAB 66.45, -31.51, 43.27

 

CMYK 53 / 15 / 0 / 31

HEX #5294AF

RGB 82 148 175

HSL 197.42, 0.37%, 0.5%

LAB 58.1, -13.31, -20.59

 

CMYK 12 / 54 / 0 / 31

HEX #9A50AF

RGB 154 80 175

HSL 286.74, 0.37%, 0.5%

LAB 46.58, 45.99, -38.07

 

CMYK 0 / 39 / 54 / 31

HEX #AF6B50

RGB 175 107 80

HSL 17.05, 0.37%, 0.5%

LAB 52.07, 24.3, 26.52

 

CMYK 42 / 0 / 54 / 31

HEX #65AF50

RGB 101 175 80

HSL 106.74, 0.37%, 0.5%

LAB 64.97, -41.33, 41.15

 

Description

Color code: HEX #5294AF | qconv.com Color code: HEX #5294AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 148 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 148 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 15 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 15% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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