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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #528F08CE it is the complementary color #AD70F7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #528F08CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #528F08CE shade: #578F03CE, #68A116CE, #79B329CE, #8AC53CCE and #9BD74FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #528F08CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #528F08CE shade: #528F08CE, #417D00CE, #306B00CE, #1F5900CE and #0E4700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #528F08CE shade: #539108, #789108, #918508, #916008 and #913B08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #528F08CE shade: #539108, #2E9108, #0A9108, #08912C and #089151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #528F08CE shade matches the following richer shades: #539108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #528F08CE shade: #539108, #528415, #517821, #4F6B2E and #4E5F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #528F08CE shade: #918508, #789108, #539108, #2F9108 and #0B9108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #528F08CE shade: #264304, #3D6A06, #539108, #69B80B and #80DF0D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #528F08CE shade: #528F08, #089161 and #91088A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #528F08CE shade: #528F08, #085391 and #910853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #528F08CE shade: #528F08, #089161, #460891 and #910838

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #528F08CE shade: #528F08, #08918A, #460891 and #91080F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 76 / 36

HEX #528F08CE

RGBA 82 143 8 0.81

HSLA 87.11, 0.89%, 0.3%, 0.81

LABA 53.45, -39.45, 55.14, 0.81

 

Complementary color

CMYK 24 / 44 / 0 / 3

HEX #AD70F7CE

RGBA 173 112 247 0.81

HSLA 267.11, 0.89%, 0.7%, 0.81

LABA 59.15, 50.21, -58.92, 0.81

 

CMYK 32 / 0 / 79 / 36

HEX #578F03CE

RGBA 87 143 3 0.81

HSLA 84, 0.96%, 0.29%, 0.81

LABA 53.68, -37.76, 56.28, 0.81

 

CMYK 29 / 0 / 70 / 30

HEX #68A116CE

RGBA 104 161 22 0.81

HSLA 84.6, 0.76%, 0.36%, 0.81

LABA 60.33, -38.73, 58.68, 0.81

 

CMYK 26 / 0 / 62 / 24

HEX #79B329CE

RGBA 121 179 41 0.81

HSLA 85.22, 0.63%, 0.43%, 0.81

LABA 66.87, -39.42, 59.65, 0.81

 

CMYK 24 / 0 / 56 / 18

HEX #8AC53CCE

RGBA 138 197 60 0.81

HSLA 85.84, 0.54%, 0.5%, 0.81

LABA 73.33, -39.88, 59.63, 0.81

 

CMYK 23 / 0 / 51 / 13

HEX #9BD74FCE

RGBA 155 215 79 0.81

HSLA 86.47, 0.63%, 0.58%, 0.81

LABA 79.69, -40.18, 59.08, 0.81

 

CMYK 35 / 0 / 76 / 36

HEX #528F08CE

RGBA 82 143 8 0.81

HSLA 87.11, 0.89%, 0.3%, 0.81

LABA 53.45, -39.45, 55.14, 0.81

 

CMYK 39 / 0 / 81 / 41

HEX #417D00CE

RGBA 65 125 0 0.81

HSLA 88.8, 1%, 0.25%, 0.81

LABA 46.7, -38.1, 50.91, 0.81

 

CMYK 45 / 0 / 81 / 47

HEX #306B00CE

RGBA 48 107 0 0.81

HSLA 93.08, 1%, 0.21%, 0.81

LABA 39.82, -36.39, 45.2, 0.81

 

CMYK 53 / 0 / 81 / 53

HEX #1F5900CE

RGBA 31 89 0 0.81

HSLA 99.1, 1%, 0.17%, 0.81

LABA 32.78, -34.37, 39.38, 0.81

 

CMYK 65 / 0 / 81 / 58

HEX #0E4700CE

RGBA 14 71 0 0.81

HSLA 108.17, 1%, 0.14%, 0.81

LABA 25.56, -31.77, 33.21, 0.81

 

CMYK 43 / 0 / 94 / 43

HEX #539108

RGB 83 145 8

HSL 87.15, 0.9%, 0.3%

LAB 54.14, -39.94, 55.73

 

CMYK 17 / 0 / 94 / 43

HEX #789108

RGB 120 145 8

HSL 70.95, 0.9%, 0.3%

LAB 56.35, -25.17, 58.43

 

CMYK 0 / 8 / 94 / 43

HEX #918508

RGB 145 133 8

HSL 54.74, 0.9%, 0.3%

LAB 54.88, -7.58, 58.17

 

CMYK 0 / 34 / 94 / 43

HEX #916008

RGB 145 96 8

HSL 38.54, 0.9%, 0.3%

LAB 44.81, 13.43, 50.6

 

CMYK 0 / 59 / 94 / 43

HEX #913B08

RGB 145 59 8

HSL 22.34, 0.9%, 0.3%

LAB 36.3, 34.05, 44.48

 

CMYK 43 / 0 / 94 / 43

HEX #539108

RGB 83 145 8

HSL 87.15, 0.9%, 0.3%

LAB 54.14, -39.94, 55.73

 

CMYK 68 / 0 / 94 / 43

HEX #2E9108

RGB 46 145 8

HSL 103.36, 0.9%, 0.3%

LAB 52.78, -50.65, 54.05

 

CMYK 93 / 0 / 94 / 43

HEX #0A9108

RGB 10 145 8

HSL 119.12, 0.9%, 0.3%

LAB 52.21, -55.68, 53.34

 

CMYK 94 / 0 / 70 / 43

HEX #08912C

RGB 8 145 44

HSL 135.77, 0.9%, 0.3%

LAB 52.38, -53.47, 42.76

 

CMYK 94 / 0 / 44 / 43

HEX #089151

RGB 8 145 81

HSL 151.97, 0.9%, 0.3%

LAB 52.84, -47.91, 24.97

 

CMYK 43 / 0 / 94 / 43

HEX #539108

RGB 83 145 8

HSL 87.15, 0.9%, 0.3%

LAB 54.14, -39.94, 55.73

 

CMYK 43 / 0 / 94 / 43

HEX #539108

RGB 83 145 8

HSL 87.15, 0.9%, 0.3%

LAB 54.14, -39.94, 55.73

 

CMYK 38 / 0 / 84 / 48

HEX #528415

RGB 82 132 21

HSL 87.03, 0.73%, 0.3%

LAB 49.92, -34.23, 49.31

 

CMYK 33 / 0 / 73 / 53

HEX #517821

RGB 81 120 33

HSL 86.9, 0.57%, 0.3%

LAB 46.03, -28.35, 41.35

 

CMYK 26 / 0 / 57 / 58

HEX #4F6B2E

RGB 79 107 46

HSL 87.54, 0.4%, 0.3%

LAB 41.81, -21.48, 30.52

 

CMYK 18 / 0 / 39 / 63

HEX #4E5F3A

RGB 78 95 58

HSL 87.57, 0.24%, 0.3%

LAB 38.04, -13.82, 19.09

 

CMYK 0 / 8 / 94 / 43

HEX #918508

RGB 145 133 8

HSL 54.74, 0.9%, 0.3%

LAB 54.88, -7.58, 58.17

 

CMYK 17 / 0 / 94 / 43

HEX #789108

RGB 120 145 8

HSL 70.95, 0.9%, 0.3%

LAB 56.35, -25.17, 58.43

 

CMYK 43 / 0 / 94 / 43

HEX #539108

RGB 83 145 8

HSL 87.15, 0.9%, 0.3%

LAB 54.14, -39.94, 55.73

 

CMYK 68 / 0 / 94 / 43

HEX #2F9108

RGB 47 145 8

HSL 102.92, 0.9%, 0.3%

LAB 52.81, -50.44, 54.09

 

CMYK 92 / 0 / 94 / 43

HEX #0B9108

RGB 11 145 8

HSL 118.69, 0.9%, 0.3%

LAB 52.22, -55.61, 53.35

 

CMYK 43 / 0 / 94 / 74

HEX #264304

RGB 38 67 4

HSL 87.62, 0.89%, 0.14%

LAB 25.06, -22.04, 31.45

 

CMYK 42 / 0 / 94 / 58

HEX #3D6A06

RGB 61 106 6

HSL 87, 0.89%, 0.22%

LAB 40.1, -31.14, 44.13

 

CMYK 43 / 0 / 94 / 43

HEX #539108

RGB 83 145 8

HSL 87.15, 0.9%, 0.3%

LAB 54.14, -39.94, 55.73

 

CMYK 43 / 0 / 94 / 28

HEX #69B80B

RGB 105 184 11

HSL 87.4, 0.89%, 0.38%

LAB 67.51, -48.25, 66.61

 

CMYK 43 / 0 / 94 / 13

HEX #80DF0D

RGB 128 223 13

HSL 87.14, 0.89%, 0.46%

LAB 80.4, -55.9, 77.21

 

CMYK 43 / 0 / 94 / 44

HEX #528F08

RGB 82 143 8

HSL 87.11, 0.89%, 0.3%

LAB 53.45, -39.45, 55.14

 

CMYK 94 / 0 / 33 / 43

HEX #089161

RGB 8 145 97

HSL 158.98, 0.9%, 0.3%

LAB 53.13, -44.5, 16.49

 

CMYK 0 / 94 / 5 / 43

HEX #91088A

RGB 145 8 138

HSL 303.07, 0.9%, 0.3%

LAB 34.04, 62.39, -35.75

 

CMYK 43 / 0 / 94 / 44

HEX #528F08

RGB 82 143 8

HSL 87.11, 0.89%, 0.3%

LAB 53.45, -39.45, 55.14

 

CMYK 94 / 43 / 0 / 43

HEX #085391

RGB 8 83 145

HSL 207.15, 0.9%, 0.3%

LAB 34.56, 3.92, -39.93

 

CMYK 0 / 94 / 43 / 43

HEX #910853

RGB 145 8 83

HSL 327.15, 0.9%, 0.3%

LAB 31.39, 55.48, -4.76

 

CMYK 43 / 0 / 94 / 44

HEX #528F08

RGB 82 143 8

HSL 87.11, 0.89%, 0.3%

LAB 53.45, -39.45, 55.14

 

CMYK 94 / 0 / 33 / 43

HEX #089161

RGB 8 145 97

HSL 158.98, 0.9%, 0.3%

LAB 53.13, -44.5, 16.49

 

CMYK 52 / 94 / 0 / 43

HEX #460891

RGB 70 8 145

HSL 267.15, 0.9%, 0.3%

LAB 22.02, 52.7, -60.2

 

CMYK 0 / 94 / 61 / 43

HEX #910838

RGB 145 8 56

HSL 338.98, 0.9%, 0.3%

LAB 30.59, 53.3, 12.04

 

CMYK 43 / 0 / 94 / 44

HEX #528F08

RGB 82 143 8

HSL 87.11, 0.89%, 0.3%

LAB 53.45, -39.45, 55.14

 

CMYK 94 / 0 / 5 / 43

HEX #08918A

RGB 8 145 138

HSL 176.93, 0.9%, 0.3%

LAB 54.17, -33.39, -5.49

 

CMYK 52 / 94 / 0 / 43

HEX #460891

RGB 70 8 145

HSL 267.15, 0.9%, 0.3%

LAB 22.02, 52.7, -60.2

 

CMYK 0 / 94 / 90 / 43

HEX #91080F

RGB 145 8 15

HSL 356.93, 0.9%, 0.3%

LAB 29.98, 51.59, 36.99

 

Description

Color code: HEX #528F08CE | qconv.com Color code: HEX #528F08CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 143 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 143 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 76 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 76% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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