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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #528CE8 it is the complementary color #AD7317. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #528CE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #528CE8 shade: #578CE3, #689EF6, #79B0FF, #8AC2FF and #9BD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #528CE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #528CE8 shade: #528CE8, #417AD5, #3068C2, #1F56AF and #0E449C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #528CE8 shade: #538DE9, #5365E9, #6A53E9, #9353E9 and #BB53E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #528CE8 shade: #538DE9, #5365E9 and #5353E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #528CE8 shade matches the following richer shades: #538DE9 and #448AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #528CE8 shade: #538DE9, #6391D9, #7394C9, #8398BA and #929BAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #528CE8 shade: #53DFE9, #53B7E9, #538FE9, #5367E9 and #6753E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #528CE8 shade: #1B60CF, #2F75E4, #538DE9, #78A5ED and #9DBEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #528CE8 shade: #528CE8, #CB53E9 and #CBE953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #528CE8 shade: #528CE8, #E9538F and #8FE953

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #528CE8 shade: #528CE8, #CB53E9, #E9AD53 and #71E953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #528CE8 shade: #528CE8, #E953DA, #E9AD53 and #53E962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 40 / 0 / 9

HEX #528CE8

RGB 82 140 232

HSL 216.8, 0.77%, 0.62%

LAB 58.39, 9.74, -52.2

 

Complementary color

CMYK 0 / 34 / 87 / 32

HEX #AD7317

RGB 173 115 23

HSL 36.8, 0.77%, 0.38%

LAB 53.18, 15.73, 54.7

 

CMYK 62 / 38 / 0 / 11

HEX #578CE3

RGB 87 140 227

HSL 217.29, 0.71%, 0.62%

LAB 58.35, 8.92, -49.48

 

CMYK 58 / 36 / 0 / 4

HEX #689EF6

RGB 104 158 246

HSL 217.18, 0.89%, 0.69%

LAB 65, 7.76, -49.38

 

CMYK 53 / 31 / 0 / 0

HEX #79B0FF

RGB 121 176 255

HSL 215.37, 1%, 0.74%

LAB 71.1, 3.76, -44.62

 

CMYK 46 / 24 / 0 / 0

HEX #8AC2FF

RGB 138 194 255

HSL 211.28, 1%, 0.77%

LAB 76.8, -2.34, -35.67

 

CMYK 39 / 17 / 0 / 0

HEX #9BD4FF

RGB 155 212 255

HSL 205.8, 1%, 0.8%

LAB 82.53, -7.75, -26.79

 

CMYK 65 / 40 / 0 / 9

HEX #528CE8

RGB 82 140 232

HSL 216.8, 0.77%, 0.62%

LAB 58.39, 9.74, -52.2

 

CMYK 69 / 43 / 0 / 16

HEX #417AD5

RGB 65 122 213

HSL 216.89, 0.64%, 0.55%

LAB 51.66, 11.33, -52.31

 

CMYK 75 / 46 / 0 / 24

HEX #3068C2

RGB 48 104 194

HSL 216.99, 0.6%, 0.47%

LAB 44.84, 13.32, -52.42

 

CMYK 82 / 51 / 0 / 31

HEX #1F56AF

RGB 31 86 175

HSL 217.08, 0.7%, 0.4%

LAB 37.92, 15.83, -52.49

 

CMYK 91 / 56 / 0 / 39

HEX #0E449C

RGB 14 68 156

HSL 217.18, 0.84%, 0.33%

LAB 30.94, 19.03, -52.44

 

CMYK 64 / 39 / 0 / 9

HEX #538DE9

RGB 83 141 233

HSL 216.8, 0.77%, 0.62%

LAB 58.76, 9.65, -52.16

 

CMYK 64 / 57 / 0 / 9

HEX #5365E9

RGB 83 101 233

HSL 232.8, 0.77%, 0.62%

LAB 48.3, 34.11, -68.99

 

CMYK 55 / 64 / 0 / 9

HEX #6A53E9

RGB 106 83 233

HSL 249.2, 0.77%, 0.62%

LAB 45.82, 48.45, -72.95

 

CMYK 37 / 64 / 0 / 9

HEX #9353E9

RGB 147 83 233

HSL 265.6, 0.77%, 0.62%

LAB 49.83, 56.07, -66.26

 

CMYK 20 / 64 / 0 / 9

HEX #BB53E9

RGB 187 83 233

HSL 281.6, 0.77%, 0.62%

LAB 54.69, 64.58, -58.16

 

CMYK 64 / 39 / 0 / 9

HEX #538DE9

RGB 83 141 233

HSL 216.8, 0.77%, 0.62%

LAB 58.76, 9.65, -52.16

 

CMYK 64 / 57 / 0 / 9

HEX #5365E9

RGB 83 101 233

HSL 232.8, 0.77%, 0.62%

LAB 48.3, 34.11, -68.99

 

CMYK 64 / 64 / 0 / 9

HEX #5353E9

RGB 83 83 233

HSL 240, 0.77%, 0.62%

LAB 44.1, 44.97, -75.83

 

CMYK 64 / 39 / 0 / 9

HEX #538DE9

RGB 83 141 233

HSL 216.8, 0.77%, 0.62%

LAB 58.76, 9.65, -52.16

 

CMYK 73 / 44 / 0 / 3

HEX #448AF8

RGB 68 138 248

HSL 216.67, 0.93%, 0.62%

LAB 58.21, 14.46, -61.38

 

CMYK 64 / 39 / 0 / 9

HEX #538DE9

RGB 83 141 233

HSL 216.8, 0.77%, 0.62%

LAB 58.76, 9.65, -52.16

 

CMYK 54 / 33 / 0 / 15

HEX #6391D9

RGB 99 145 217

HSL 216.61, 0.61%, 0.62%

LAB 59.81, 5.11, -41.55

 

CMYK 43 / 26 / 0 / 21

HEX #7394C9

RGB 115 148 201

HSL 216.98, 0.44%, 0.62%

LAB 60.82, 2.38, -30.95

 

CMYK 30 / 18 / 0 / 27

HEX #8398BA

RGB 131 152 186

HSL 217.09, 0.28%, 0.62%

LAB 62.36, 0.58, -20.07

 

CMYK 14 / 9 / 0 / 33

HEX #929BAA

RGB 146 155 170

HSL 217.5, 0.12%, 0.62%

LAB 63.72, -0.06, -8.91

 

CMYK 64 / 4 / 0 / 9

HEX #53DFE9

RGB 83 223 233

HSL 184, 0.77%, 0.62%

LAB 82.11, -34.16, -16.02

 

CMYK 64 / 21 / 0 / 9

HEX #53B7E9

RGB 83 183 233

HSL 200, 0.77%, 0.62%

LAB 70.59, -14.13, -33.6

 

CMYK 64 / 39 / 0 / 9

HEX #538FE9

RGB 83 143 233

HSL 216, 0.77%, 0.62%

LAB 59.31, 8.46, -51.29

 

CMYK 64 / 56 / 0 / 9

HEX #5367E9

RGB 83 103 233

HSL 232, 0.77%, 0.62%

LAB 48.79, 32.88, -68.19

 

CMYK 56 / 64 / 0 / 9

HEX #6753E9

RGB 103 83 233

HSL 248, 0.77%, 0.62%

LAB 45.57, 47.96, -73.37

 

CMYK 87 / 54 / 0 / 19

HEX #1B60CF

RGB 27 96 207

HSL 217, 0.77%, 0.46%

LAB 42.92, 21.52, -63.04

 

CMYK 79 / 49 / 0 / 11

HEX #2F75E4

RGB 47 117 228

HSL 216.8, 0.77%, 0.54%

LAB 50.6, 17.74, -62.51

 

CMYK 64 / 39 / 0 / 9

HEX #538DE9

RGB 83 141 233

HSL 216.8, 0.77%, 0.62%

LAB 58.76, 9.65, -52.16

 

CMYK 49 / 30 / 0 / 7

HEX #78A5ED

RGB 120 165 237

HSL 216.92, 0.76%, 0.7%

LAB 67.29, 4.38, -40.8

 

CMYK 35 / 21 / 0 / 5

HEX #9DBEF2

RGB 157 190 242

HSL 216.71, 0.77%, 0.78%

LAB 76.32, 1.2, -29.35

 

CMYK 65 / 40 / 0 / 9

HEX #528CE8

RGB 82 140 232

HSL 216.8, 0.77%, 0.62%

LAB 58.39, 9.74, -52.2

 

CMYK 13 / 64 / 0 / 9

HEX #CB53E9

RGB 203 83 233

HSL 288, 0.77%, 0.62%

LAB 56.85, 68.14, -54.6

 

CMYK 13 / 0 / 64 / 9

HEX #CBE953

RGB 203 233 83

HSL 72, 0.77%, 0.62%

LAB 87.78, -29.82, 66.99

 

CMYK 65 / 40 / 0 / 9

HEX #528CE8

RGB 82 140 232

HSL 216.8, 0.77%, 0.62%

LAB 58.39, 9.74, -52.2

 

CMYK 0 / 64 / 39 / 9

HEX #E9538F

RGB 233 83 143

HSL 336, 0.77%, 0.62%

LAB 57.55, 62.76, -1.44

 

CMYK 39 / 0 / 64 / 9

HEX #8FE953

RGB 143 233 83

HSL 96, 0.77%, 0.62%

LAB 84.35, -51.62, 62.32

 

CMYK 65 / 40 / 0 / 9

HEX #528CE8

RGB 82 140 232

HSL 216.8, 0.77%, 0.62%

LAB 58.39, 9.74, -52.2

 

CMYK 13 / 64 / 0 / 9

HEX #CB53E9

RGB 203 83 233

HSL 288, 0.77%, 0.62%

LAB 56.85, 68.14, -54.6

 

CMYK 0 / 26 / 64 / 9

HEX #E9AD53

RGB 233 173 83

HSL 36, 0.77%, 0.62%

LAB 74.72, 12.88, 53.64

 

CMYK 52 / 0 / 64 / 9

HEX #71E953

RGB 113 233 83

HSL 108, 0.77%, 0.62%

LAB 83.13, -60.54, 60.64

 

CMYK 65 / 40 / 0 / 9

HEX #528CE8

RGB 82 140 232

HSL 216.8, 0.77%, 0.62%

LAB 58.39, 9.74, -52.2

 

CMYK 0 / 64 / 6 / 9

HEX #E953DA

RGB 233 83 218

HSL 306, 0.77%, 0.62%

LAB 60.4, 72.56, -40.26

 

CMYK 0 / 26 / 64 / 9

HEX #E9AD53

RGB 233 173 83

HSL 36, 0.77%, 0.62%

LAB 74.72, 12.88, 53.64

 

CMYK 64 / 0 / 58 / 9

HEX #53E962

RGB 83 233 98

HSL 126, 0.77%, 0.62%

LAB 82.38, -65.97, 53.17

 

Description

Color code: HEX #528CE8 | qconv.com Color code: HEX #528CE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 140 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 140 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 40 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 40% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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