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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5286CE it is the complementary color #AD7931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5286CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5286CE shade: #5786C9, #6898DC, #79AAEF, #8ABCFF and #9BCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5286CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5286CE shade: #5286CE, #4174BB, #3062A8, #1F5095 and #0E3E82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5286CE shade: #5085CE, #5063CE, #5F50CE, #8150CE and #A350CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5286CE shade: #5085CE, #5063CE and #5050CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5286CE shade matches the following richer shades: #5085CE, #3E82E0 and #2C7FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5286CE shade: #5085CE, #6288BB, #748BA9, #868D97 and #999085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5286CE shade: #50C9CE, #50A8CE, #5086CE, #5065CE and #5D50CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5286CE shade: #2D5C9E, #366FBF, #5085CE, #709BD7 and #90B2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5286CE shade: #5286CE, #B050CE and #B9CE50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5286CE shade: #5286CE, #CE5086 and #86CE50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5286CE shade: #5286CE, #B050CE, #CE9750 and #6DCE50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5286CE shade: #5286CE, #CE50C5, #CE9750 and #50CE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 35 / 0 / 19

HEX #5286CE

RGB 82 134 206

HSL 214.84, 0.56%, 0.56%

LAB 55.38, 4.56, -42.41

 

Complementary color

CMYK 0 / 30 / 72 / 32

HEX #AD7931

RGB 173 121 49

HSL 34.84, 0.56%, 0.44%

LAB 54.85, 13.38, 46.02

 

CMYK 57 / 33 / 0 / 21

HEX #5786C9

RGB 87 134 201

HSL 215.26, 0.51%, 0.56%

LAB 55.37, 3.93, -39.57

 

CMYK 53 / 31 / 0 / 14

HEX #6898DC

RGB 104 152 220

HSL 215.17, 0.62%, 0.64%

LAB 62.14, 3.07, -39.55

 

CMYK 49 / 29 / 0 / 6

HEX #79AAEF

RGB 121 170 239

HSL 215.08, 0.79%, 0.71%

LAB 68.78, 2.37, -39.55

 

CMYK 46 / 26 / 0 / 0

HEX #8ABCFF

RGB 138 188 255

HSL 214.36, 1%, 0.77%

LAB 75.2, 0.94, -38.16

 

CMYK 39 / 19 / 0 / 0

HEX #9BCEFF

RGB 155 206 255

HSL 209.4, 1%, 0.8%

LAB 80.92, -4.58, -29.25

 

CMYK 60 / 35 / 0 / 19

HEX #5286CE

RGB 82 134 206

HSL 214.84, 0.56%, 0.56%

LAB 55.38, 4.56, -42.41

 

CMYK 65 / 38 / 0 / 27

HEX #4174BB

RGB 65 116 187

HSL 214.92, 0.48%, 0.49%

LAB 48.51, 5.8, -42.47

 

CMYK 71 / 42 / 0 / 34

HEX #3062A8

RGB 48 98 168

HSL 215, 0.56%, 0.42%

LAB 41.52, 7.39, -42.54

 

CMYK 79 / 46 / 0 / 42

HEX #1F5095

RGB 31 80 149

HSL 215.08, 0.66%, 0.35%

LAB 34.39, 9.49, -42.6

 

CMYK 89 / 52 / 0 / 49

HEX #0E3E82

RGB 14 62 130

HSL 215.17, 0.81%, 0.28%

LAB 27.16, 12.31, -42.59

 

CMYK 61 / 35 / 0 / 19

HEX #5085CE

RGB 80 133 206

HSL 214.76, 0.56%, 0.56%

LAB 55.01, 4.77, -43

 

CMYK 61 / 52 / 0 / 19

HEX #5063CE

RGB 80 99 206

HSL 230.95, 0.56%, 0.56%

LAB 45.75, 25.73, -57.78

 

CMYK 54 / 61 / 0 / 19

HEX #5F50CE

RGB 95 80 206

HSL 247.14, 0.56%, 0.56%

LAB 42.19, 40.11, -63.49

 

CMYK 37 / 61 / 0 / 19

HEX #8150CE

RGB 129 80 206

HSL 263.33, 0.56%, 0.56%

LAB 45.44, 47.02, -58.07

 

CMYK 21 / 61 / 0 / 19

HEX #A350CE

RGB 163 80 206

HSL 279.52, 0.56%, 0.56%

LAB 49.47, 54.84, -51.38

 

CMYK 61 / 35 / 0 / 19

HEX #5085CE

RGB 80 133 206

HSL 214.76, 0.56%, 0.56%

LAB 55.01, 4.77, -43

 

CMYK 61 / 52 / 0 / 19

HEX #5063CE

RGB 80 99 206

HSL 230.95, 0.56%, 0.56%

LAB 45.75, 25.73, -57.78

 

CMYK 61 / 61 / 0 / 19

HEX #5050CE

RGB 80 80 206

HSL 240, 0.56%, 0.56%

LAB 41.06, 37.53, -65.39

 

CMYK 61 / 35 / 0 / 19

HEX #5085CE

RGB 80 133 206

HSL 214.76, 0.56%, 0.56%

LAB 55.01, 4.77, -43

 

CMYK 72 / 42 / 0 / 12

HEX #3E82E0

RGB 62 130 224

HSL 214.81, 0.72%, 0.56%

LAB 54.42, 9.95, -54.12

 

CMYK 82 / 48 / 0 / 5

HEX #2C7FF2

RGB 44 127 242

HSL 214.85, 0.88%, 0.56%

LAB 54.16, 16.47, -64.61

 

CMYK 61 / 35 / 0 / 19

HEX #5085CE

RGB 80 133 206

HSL 214.76, 0.56%, 0.56%

LAB 55.01, 4.77, -43

 

CMYK 48 / 27 / 0 / 27

HEX #6288BB

RGB 98 136 187

HSL 214.38, 0.4%, 0.56%

LAB 55.88, 0.89, -30.78

 

CMYK 31 / 18 / 0 / 34

HEX #748BA9

RGB 116 139 169

HSL 213.96, 0.24%, 0.56%

LAB 57.12, -0.91, -18.51

 

CMYK 11 / 7 / 0 / 41

HEX #868D97

RGB 134 141 151

HSL 215.29, 0.08%, 0.56%

LAB 58.37, -0.45, -6.19

 

CMYK 0 / 6 / 13 / 40

HEX #999085

RGB 153 144 133

HSL 33, 0.09%, 0.56%

LAB 60.26, 1.37, 7.03

 

CMYK 61 / 2 / 0 / 19

HEX #50C9CE

RGB 80 201 206

HSL 182.38, 0.56%, 0.56%

LAB 74.78, -31.79, -12.55

 

CMYK 61 / 18 / 0 / 19

HEX #50A8CE

RGB 80 168 206

HSL 198.1, 0.56%, 0.56%

LAB 65.09, -15.08, -27.27

 

CMYK 61 / 35 / 0 / 19

HEX #5086CE

RGB 80 134 206

HSL 214.29, 0.56%, 0.56%

LAB 55.29, 4.18, -42.56

 

CMYK 61 / 51 / 0 / 19

HEX #5065CE

RGB 80 101 206

HSL 230, 0.56%, 0.56%

LAB 46.27, 24.47, -56.94

 

CMYK 55 / 61 / 0 / 19

HEX #5D50CE

RGB 93 80 206

HSL 246.19, 0.56%, 0.56%

LAB 42.03, 39.75, -63.76

 

CMYK 72 / 42 / 0 / 38

HEX #2D5C9E

RGB 45 92 158

HSL 215.04, 0.56%, 0.4%

LAB 39.04, 7.03, -40.56

 

CMYK 72 / 42 / 0 / 25

HEX #366FBF

RGB 54 111 191

HSL 215.04, 0.56%, 0.48%

LAB 46.86, 8.58, -47.43

 

CMYK 61 / 35 / 0 / 19

HEX #5085CE

RGB 80 133 206

HSL 214.76, 0.56%, 0.56%

LAB 55.01, 4.77, -43

 

CMYK 48 / 28 / 0 / 16

HEX #709BD7

RGB 112 155 215

HSL 214.95, 0.56%, 0.64%

LAB 63.17, 1.69, -35.13

 

CMYK 36 / 21 / 0 / 12

HEX #90B2E0

RGB 144 178 224

HSL 214.5, 0.56%, 0.72%

LAB 71.66, -0.42, -26.82

 

CMYK 60 / 35 / 0 / 19

HEX #5286CE

RGB 82 134 206

HSL 214.84, 0.56%, 0.56%

LAB 55.38, 4.56, -42.41

 

CMYK 15 / 61 / 0 / 19

HEX #B050CE

RGB 176 80 206

HSL 285.71, 0.56%, 0.56%

LAB 51.18, 57.96, -48.56

 

CMYK 10 / 0 / 61 / 19

HEX #B9CE50

RGB 185 206 80

HSL 70, 0.56%, 0.56%

LAB 79.06, -24.35, 58.54

 

CMYK 60 / 35 / 0 / 19

HEX #5286CE

RGB 82 134 206

HSL 214.84, 0.56%, 0.56%

LAB 55.38, 4.56, -42.41

 

CMYK 0 / 61 / 35 / 19

HEX #CE5086

RGB 206 80 134

HSL 334.29, 0.56%, 0.56%

LAB 52.49, 54.88, -4.07

 

CMYK 35 / 0 / 61 / 19

HEX #86CE50

RGB 134 206 80

HSL 94.29, 0.56%, 0.56%

LAB 75.94, -43.63, 54.22

 

CMYK 60 / 35 / 0 / 19

HEX #5286CE

RGB 82 134 206

HSL 214.84, 0.56%, 0.56%

LAB 55.38, 4.56, -42.41

 

CMYK 15 / 61 / 0 / 19

HEX #B050CE

RGB 176 80 206

HSL 285.71, 0.56%, 0.56%

LAB 51.18, 57.96, -48.56

 

CMYK 0 / 27 / 61 / 19

HEX #CE9750

RGB 206 151 80

HSL 33.81, 0.56%, 0.56%

LAB 66.39, 13.1, 44.84

 

CMYK 47 / 0 / 61 / 19

HEX #6DCE50

RGB 109 206 80

HSL 106.19, 0.56%, 0.56%

LAB 74.81, -51.64, 52.64

 

CMYK 60 / 35 / 0 / 19

HEX #5286CE

RGB 82 134 206

HSL 214.84, 0.56%, 0.56%

LAB 55.38, 4.56, -42.41

 

CMYK 0 / 61 / 4 / 19

HEX #CE50C5

RGB 206 80 197

HSL 304.29, 0.56%, 0.56%

LAB 54.96, 63.77, -37.15

 

CMYK 0 / 27 / 61 / 19

HEX #CE9750

RGB 206 151 80

HSL 33.81, 0.56%, 0.56%

LAB 66.39, 13.1, 44.84

 

CMYK 61 / 0 / 57 / 19

HEX #50CE58

RGB 80 206 88

HSL 123.81, 0.56%, 0.56%

LAB 73.9, -58.26, 47.76

 

Description

Color code: HEX #5286CE | qconv.com Color code: HEX #5286CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 134 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 134 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 35 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 35% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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