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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5283834C it is the complementary color #AD7C7C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5283834C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5283834C shade: #57837E4C, #6895914C, #79A7A44C, #8AB9B74C and #9BCBCA4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5283834C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5283834C shade: #5283834C, #4171704C, #305F5D4C, #1F4D4A4C and #0E3B374C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5283834C shade: #528484, #528476, #528469, #52845C and #568452

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5283834C shade: #528484, #527684, #526984, #525C84 and #525284

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5283834C shade matches the following richer shades: #528484, #419595, #30A6A6, #1EB8B8 and #0DC9C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5283834C shade: #528484, #647272, #756161, #865050 and #983E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5283834C shade: #528469, #528477, #528484, #527784 and #526984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5283834C shade: #335151, #436A6A, #528484, #629D9D and #7CADAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5283834C shade: #528383, #5C5284 and #847052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5283834C shade: #528383, #845284 and #848452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5283834C shade: #528383, #5C5284, #845252 and #7A8452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5283834C shade: #528383, #6B5284, #845252 and #6B8452

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 0 / 15

HEX #5283834C

RGBA 82 131 131 0.3

HSLA 180, 0.23%, 0.42%, 0.3

LABA 51.46, -16.46, -5.24, 0.3

 

Complementary color

CMYK 0 / 8 / 8 / 10

HEX #AD7C7C4C

RGBA 173 124 124 0.3

HSLA 0, 0.23%, 0.58%, 0.3

LABA 56.84, 19.06, 7.57, 0.3

 

CMYK 10 / 0 / 1 / 15

HEX #57837E4C

RGBA 87 131 126 0.3

HSLA 173.18, 0.2%, 0.43%, 0.3

LABA 51.57, -16.26, -2.13, 0.3

 

CMYK 9 / 0 / 1 / 12

HEX #6895914C

RGBA 104 149 145 0.3

HSLA 174.67, 0.18%, 0.5%, 0.3

LABA 58.49, -16.12, -2.8, 0.3

 

CMYK 8 / 0 / 1 / 10

HEX #79A7A44C

RGBA 121 167 164 0.3

HSLA 176.09, 0.21%, 0.56%, 0.3

LABA 65.27, -15.99, -3.44, 0.3

 

CMYK 8 / 0 / 0 / 8

HEX #8AB9B74C

RGBA 138 185 183 0.3

HSLA 177.45, 0.25%, 0.63%, 0.3

LABA 71.91, -15.88, -4.05, 0.3

 

CMYK 7 / 0 / 0 / 6

HEX #9BCBCA4C

RGBA 155 203 202 0.3

HSLA 178.75, 0.32%, 0.7%, 0.3

LABA 78.43, -15.79, -4.63, 0.3

 

CMYK 11 / 0 / 0 / 15

HEX #5283834C

RGBA 82 131 131 0.3

HSLA 180, 0.23%, 0.42%, 0.3

LABA 51.46, -16.46, -5.24, 0.3

 

CMYK 13 / 0 / 0 / 17

HEX #4171704C

RGBA 65 113 112 0.3

HSLA 178.75, 0.27%, 0.35%, 0.3

LABA 44.38, -16.53, -4.57, 0.3

 

CMYK 15 / 0 / 1 / 19

HEX #305F5D4C

RGBA 48 95 93 0.3

HSLA 177.45, 0.33%, 0.28%, 0.3

LABA 37.12, -16.56, -3.84, 0.3

 

CMYK 18 / 0 / 1 / 21

HEX #1F4D4A4C

RGBA 31 77 74 0.3

HSLA 176.09, 0.43%, 0.21%, 0.3

LABA 29.65, -16.48, -2.99, 0.3

 

CMYK 23 / 0 / 2 / 23

HEX #0E3B374C

RGBA 14 59 55 0.3

HSLA 174.67, 0.62%, 0.14%, 0.3

LABA 21.93, -16.12, -1.96, 0.3

 

CMYK 38 / 0 / 0 / 48

HEX #528484

RGB 82 132 132

HSL 180, 0.23%, 0.42%

LAB 51.79, -16.74, -5.33

 

CMYK 38 / 0 / 11 / 48

HEX #528476

RGB 82 132 118

HSL 163.2, 0.23%, 0.42%

LAB 51.39, -20.25, 2.24

 

CMYK 38 / 0 / 20 / 48

HEX #528469

RGB 82 132 105

HSL 147.6, 0.23%, 0.42%

LAB 51.06, -23.22, 9.33

 

CMYK 38 / 0 / 30 / 48

HEX #52845C

RGB 82 132 92

HSL 132, 0.23%, 0.42%

LAB 50.77, -25.87, 16.42

 

CMYK 35 / 0 / 38 / 48

HEX #568452

RGB 86 132 82

HSL 115.2, 0.23%, 0.42%

LAB 50.79, -26.3, 22.15

 

CMYK 38 / 0 / 0 / 48

HEX #528484

RGB 82 132 132

HSL 180, 0.23%, 0.42%

LAB 51.79, -16.74, -5.33

 

CMYK 38 / 11 / 0 / 48

HEX #527684

RGB 82 118 132

HSL 196.8, 0.23%, 0.42%

LAB 47.52, -8.95, -11.73

 

CMYK 38 / 20 / 0 / 48

HEX #526984

RGB 82 105 132

HSL 212.4, 0.23%, 0.42%

LAB 43.6, -1.3, -17.68

 

CMYK 38 / 30 / 0 / 48

HEX #525C84

RGB 82 92 132

HSL 228, 0.23%, 0.42%

LAB 39.77, 6.7, -23.59

 

CMYK 38 / 38 / 0 / 48

HEX #525284

RGB 82 82 132

HSL 240, 0.23%, 0.42%

LAB 36.92, 13.04, -28.04

 

CMYK 38 / 0 / 0 / 48

HEX #528484

RGB 82 132 132

HSL 180, 0.23%, 0.42%

LAB 51.79, -16.74, -5.33

 

CMYK 56 / 0 / 0 / 42

HEX #419595

RGB 65 149 149

HSL 180, 0.39%, 0.42%

LAB 56.87, -25.1, -7.68

 

CMYK 71 / 0 / 0 / 35

HEX #30A6A6

RGB 48 166 166

HSL 180, 0.55%, 0.42%

LAB 62.21, -31.36, -9.39

 

CMYK 84 / 0 / 0 / 28

HEX #1EB8B8

RGB 30 184 184

HSL 180, 0.72%, 0.42%

LAB 68.03, -36.28, -10.74

 

CMYK 94 / 0 / 0 / 21

HEX #0DC9C9

RGB 13 201 201

HSL 180, 0.88%, 0.42%

LAB 73.59, -39.82, -11.73

 

CMYK 38 / 0 / 0 / 48

HEX #528484

RGB 82 132 132

HSL 180, 0.23%, 0.42%

LAB 51.79, -16.74, -5.33

 

CMYK 12 / 0 / 0 / 55

HEX #647272

RGB 100 114 114

HSL 180, 0.07%, 0.42%

LAB 46.92, -5.22, -1.78

 

CMYK 0 / 17 / 17 / 54

HEX #756161

RGB 117 97 97

HSL 0, 0.09%, 0.42%

LAB 43.05, 8.05, 3.01

 

CMYK 0 / 40 / 40 / 47

HEX #865050

RGB 134 80 80

HSL 0, 0.25%, 0.42%

LAB 40.22, 22.65, 9.68

 

CMYK 0 / 59 / 59 / 40

HEX #983E3E

RGB 152 62 62

HSL 0, 0.42%, 0.42%

LAB 38.67, 37.76, 19.19

 

CMYK 38 / 0 / 20 / 48

HEX #528469

RGB 82 132 105

HSL 147.6, 0.23%, 0.42%

LAB 51.06, -23.22, 9.33

 

CMYK 38 / 0 / 10 / 48

HEX #528477

RGB 82 132 119

HSL 164.4, 0.23%, 0.42%

LAB 51.41, -20.01, 1.7

 

CMYK 38 / 0 / 0 / 48

HEX #528484

RGB 82 132 132

HSL 180, 0.23%, 0.42%

LAB 51.79, -16.74, -5.33

 

CMYK 38 / 10 / 0 / 48

HEX #527784

RGB 82 119 132

HSL 195.6, 0.23%, 0.42%

LAB 47.82, -9.52, -11.27

 

CMYK 38 / 20 / 0 / 48

HEX #526984

RGB 82 105 132

HSL 212.4, 0.23%, 0.42%

LAB 43.6, -1.3, -17.68

 

CMYK 37 / 0 / 0 / 68

HEX #335151

RGB 51 81 81

HSL 180, 0.23%, 0.26%

LAB 32.22, -11.07, -3.55

 

CMYK 37 / 0 / 0 / 58

HEX #436A6A

RGB 67 106 106

HSL 180, 0.23%, 0.34%

LAB 42.06, -13.69, -4.37

 

CMYK 38 / 0 / 0 / 48

HEX #528484

RGB 82 132 132

HSL 180, 0.23%, 0.42%

LAB 51.79, -16.74, -5.33

 

CMYK 38 / 0 / 0 / 38

HEX #629D9D

RGB 98 157 157

HSL 180, 0.23%, 0.5%

LAB 60.91, -19.12, -6.08

 

CMYK 28 / 0 / 0 / 32

HEX #7CADAD

RGB 124 173 173

HSL 180, 0.23%, 0.58%

LAB 67.42, -16.14, -5.25

 

Description

Color code: HEX #5283834C | qconv.com Color code: HEX #5283834C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 131 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 131 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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