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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527CF64C it is the complementary color #AD83094C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527CF64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527CF64C shade: #577CF14C, #688EFF4C, #79A0FF4C, #8AB2FF4C and #9BC4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527CF64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527CF64C shade: #527CF64C, #416AE34C, #3058D04C, #1F46BD4C and #0E34AA4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527CF64C shade: #517BF6, #5351F6, #7F51F6, #AC51F6 and #D851F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527CF64C shade: #517BF6 and #5151F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527CF64C shade matches the following richer shades: #517BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527CF64C shade: #517BF6, #5F82E7, #6E89D8, #7D91C9 and #8C98BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527CF64C shade: #51D5F6, #51A9F6, #517DF6, #5151F6 and #7D51F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527CF64C shade: #0C44E8, #295DF4, #517BF6, #7899F8 and #9FB6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527CF64C shade: #527CF6, #EB51F6 and #BFF651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527CF64C shade: #527CF6, #F6517D and #7DF651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527CF64C shade: #527CF6, #EB51F6, #F6CA51 and #5CF651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527CF64C shade: #527CF6, #F651CF, #F6CA51 and #51F677

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 15 / 0 / 1

HEX #527CF64C

RGBA 82 124 246 0.3

HSLA 224.63, 0.9%, 0.64%, 0.3

LABA 54.93, 24.25, -65.51, 0.3

 

Complementary color

CMYK 0 / 7 / 28 / 10

HEX #AD83094C

RGBA 173 131 9 0.3

HSLA 44.63, 0.9%, 0.36%, 0.3

LABA 57.21, 6.5, 61.03, 0.3

 

CMYK 19 / 15 / 0 / 2

HEX #577CF14C

RGBA 87 124 241 0.3

HSLA 225.58, 0.85%, 0.64%, 0.3

LABA 54.86, 23.32, -62.84, 0.3

 

CMYK 18 / 13 / 0 / 0

HEX #688EFF4C

RGBA 104 142 255 0.3

HSLA 224.9, 1%, 0.7%, 0.3

LABA 61.23, 20.07, -60.3, 0.3

 

CMYK 16 / 11 / 0 / 0

HEX #79A0FF4C

RGBA 121 160 255 0.3

HSLA 222.54, 1%, 0.74%, 0.3

LABA 66.84, 12.88, -51.32, 0.3

 

CMYK 14 / 9 / 0 / 0

HEX #8AB2FF4C

RGBA 138 178 255 0.3

HSLA 219.49, 1%, 0.77%, 0.3

LABA 72.54, 6.48, -42.3, 0.3

 

CMYK 12 / 7 / 0 / 0

HEX #9BC4FF4C

RGBA 155 196 255 0.3

HSLA 215.4, 1%, 0.8%, 0.3

LABA 78.27, 0.79, -33.33, 0.3

 

CMYK 20 / 15 / 0 / 1

HEX #527CF64C

RGBA 82 124 246 0.3

HSLA 224.63, 0.9%, 0.64%, 0.3

LABA 54.93, 24.25, -65.51, 0.3

 

CMYK 21 / 16 / 0 / 3

HEX #416AE34C

RGBA 65 106 227 0.3

HSLA 224.81, 0.74%, 0.57%, 0.3

LABA 48.23, 26.36, -65.75, 0.3

 

CMYK 23 / 17 / 0 / 6

HEX #3058D04C

RGBA 48 88 208 0.3

HSLA 225, 0.63%, 0.5%, 0.3

LABA 41.47, 28.89, -65.94, 0.3

 

CMYK 25 / 19 / 0 / 8

HEX #1F46BD4C

RGBA 31 70 189 0.3

HSLA 225.19, 0.72%, 0.43%, 0.3

LABA 34.69, 31.91, -65.99, 0.3

 

CMYK 28 / 21 / 0 / 10

HEX #0E34AA4C

RGBA 14 52 170 0.3

HSLA 225.38, 0.85%, 0.36%, 0.3

LABA 27.98, 35.44, -65.74, 0.3

 

CMYK 67 / 50 / 0 / 4

HEX #517BF6

RGB 81 123 246

HSL 224.73, 0.9%, 0.64%

LAB 54.63, 24.71, -66.01

 

CMYK 66 / 67 / 0 / 4

HEX #5351F6

RGB 83 81 246

HSL 240.73, 0.9%, 0.64%

LAB 44.77, 50.29, -82.04

 

CMYK 48 / 67 / 0 / 4

HEX #7F51F6

RGB 127 81 246

HSL 256.73, 0.9%, 0.64%

LAB 48.32, 56.73, -76.09

 

CMYK 30 / 67 / 0 / 4

HEX #AC51F6

RGB 172 81 246

HSL 273.09, 0.9%, 0.64%

LAB 53.29, 65.08, -67.8

 

CMYK 12 / 67 / 0 / 4

HEX #D851F6

RGB 216 81 246

HSL 289.09, 0.9%, 0.64%

LAB 59.1, 74.17, -58.14

 

CMYK 67 / 50 / 0 / 4

HEX #517BF6

RGB 81 123 246

HSL 224.73, 0.9%, 0.64%

LAB 54.63, 24.71, -66.01

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 67 / 50 / 0 / 4

HEX #517BF6

RGB 81 123 246

HSL 224.73, 0.9%, 0.64%

LAB 54.63, 24.71, -66.01

 

CMYK 67 / 50 / 0 / 4

HEX #517BF6

RGB 81 123 246

HSL 224.73, 0.9%, 0.64%

LAB 54.63, 24.71, -66.01

 

CMYK 59 / 44 / 0 / 9

HEX #5F82E7

RGB 95 130 231

HSL 224.56, 0.74%, 0.64%

LAB 56.26, 17.75, -55.01

 

CMYK 49 / 37 / 0 / 15

HEX #6E89D8

RGB 110 137 216

HSL 224.72, 0.58%, 0.64%

LAB 58.19, 11.99, -43.5

 

CMYK 38 / 28 / 0 / 21

HEX #7D91C9

RGB 125 145 201

HSL 224.21, 0.41%, 0.64%

LAB 60.63, 6.79, -31.2

 

CMYK 25 / 18 / 0 / 27

HEX #8C98BA

RGB 140 152 186

HSL 224.35, 0.25%, 0.64%

LAB 62.99, 3.35, -19.05

 

CMYK 67 / 13 / 0 / 4

HEX #51D5F6

RGB 81 213 246

HSL 192, 0.9%, 0.64%

LAB 79.61, -25.84, -26.73

 

CMYK 67 / 31 / 0 / 4

HEX #51A9F6

RGB 81 169 246

HSL 208, 0.9%, 0.64%

LAB 67.11, -2.55, -46.11

 

CMYK 67 / 49 / 0 / 4

HEX #517DF6

RGB 81 125 246

HSL 224, 0.9%, 0.64%

LAB 55.14, 23.49, -65.17

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 49 / 67 / 0 / 4

HEX #7D51F6

RGB 125 81 246

HSL 256, 0.9%, 0.64%

LAB 48.13, 56.4, -76.41

 

CMYK 95 / 71 / 0 / 9

HEX #0C44E8

RGB 12 68 232

HSL 224.73, 0.9%, 0.48%

LAB 37.91, 48.14, -85.54

 

CMYK 83 / 62 / 0 / 4

HEX #295DF4

RGB 41 93 244

HSL 224.63, 0.9%, 0.56%

LAB 45.4, 38.36, -79.96

 

CMYK 67 / 50 / 0 / 4

HEX #517BF6

RGB 81 123 246

HSL 224.73, 0.9%, 0.64%

LAB 54.63, 24.71, -66.01

 

CMYK 52 / 38 / 0 / 3

HEX #7899F8

RGB 120 153 248

HSL 224.53, 0.9%, 0.72%

LAB 64.61, 14.59, -51.04

 

CMYK 36 / 27 / 0 / 2

HEX #9FB6FA

RGB 159 182 250

HSL 224.84, 0.9%, 0.8%

LAB 74.65, 8.2, -36.22

 

CMYK 67 / 50 / 0 / 4

HEX #527CF6

RGB 82 124 246

HSL 224.63, 0.9%, 0.64%

LAB 54.93, 24.25, -65.51

 

CMYK 4 / 67 / 0 / 4

HEX #EB51F6

RGB 235 81 246

HSL 296, 0.9%, 0.64%

LAB 61.83, 78.24, -53.64

 

CMYK 22 / 0 / 67 / 4

HEX #BFF651

RGB 191 246 81

HSL 80, 0.9%, 0.64%

LAB 90.59, -40.45, 70.44

 

CMYK 67 / 50 / 0 / 4

HEX #527CF6

RGB 82 124 246

HSL 224.63, 0.9%, 0.64%

LAB 54.93, 24.25, -65.51

 

CMYK 0 / 67 / 49 / 4

HEX #F6517D

RGB 246 81 125

HSL 344, 0.9%, 0.64%

LAB 58.94, 65.69, 11.39

 

CMYK 49 / 0 / 67 / 4

HEX #7DF651

RGB 125 246 81

HSL 104, 0.9%, 0.64%

LAB 87.42, -62.24, 66.15

 

CMYK 67 / 50 / 0 / 4

HEX #527CF6

RGB 82 124 246

HSL 224.63, 0.9%, 0.64%

LAB 54.93, 24.25, -65.51

 

CMYK 4 / 67 / 0 / 4

HEX #EB51F6

RGB 235 81 246

HSL 296, 0.9%, 0.64%

LAB 61.83, 78.24, -53.64

 

CMYK 0 / 18 / 67 / 4

HEX #F6CA51

RGB 246 202 81

HSL 44, 0.9%, 0.64%

LAB 83.14, 3.04, 64

 

CMYK 63 / 0 / 67 / 4

HEX #5CF651

RGB 92 246 81

HSL 116, 0.9%, 0.64%

LAB 86.4, -70.28, 64.76

 

CMYK 67 / 50 / 0 / 4

HEX #527CF6

RGB 82 124 246

HSL 224.63, 0.9%, 0.64%

LAB 54.93, 24.25, -65.51

 

CMYK 0 / 67 / 16 / 4

HEX #F651CF

RGB 246 81 207

HSL 314.18, 0.9%, 0.64%

LAB 61.64, 74.84, -31.97

 

CMYK 0 / 18 / 67 / 4

HEX #F6CA51

RGB 246 202 81

HSL 44, 0.9%, 0.64%

LAB 83.14, 3.04, 64

 

CMYK 67 / 0 / 52 / 4

HEX #51F677

RGB 81 246 119

HSL 133.82, 0.9%, 0.64%

LAB 86.5, -68.12, 48.52

 

Description

Color code: HEX #527CF64C | qconv.com Color code: HEX #527CF64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 124 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 124 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 15 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 15% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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