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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527CE44C it is the complementary color #AD831B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527CE44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527CE44C shade: #577CDF4C, #688EF24C, #79A0FF4C, #8AB2FF4C and #9BC4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527CE44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527CE44C shade: #527CE44C, #416AD14C, #3058BE4C, #1F46AB4C and #0E34984C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527CE44C shade: #537DE4, #5356E4, #7753E4, #9F53E4 and #C653E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527CE44C shade: #537DE4, #5356E4 and #5353E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527CE44C shade matches the following richer shades: #537DE4 and #4376F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527CE44C shade: #537DE4, #6384D4, #738AC4, #8391B4 and #9398A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527CE44C shade: #53CCE4, #53A5E4, #537FE4, #5358E4 and #7553E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527CE44C shade: #1F4FC6, #2F62DF, #537DE4, #7798EA and #9AB3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527CE44C shade: #527CE4, #D653E4 and #B9E453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527CE44C shade: #527CE4, #E4537F and #7FE453

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527CE44C shade: #527CE4, #D653E4, #E4B953 and #61E453

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527CE44C shade: #527CE4, #E453C7, #E4B953 and #53E470

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 14 / 0 / 3

HEX #527CE44C

RGBA 82 124 228 0.3

HSLA 222.74, 0.73%, 0.61%, 0.3

LABA 53.83, 18.06, -57.26, 0.3

 

Complementary color

CMYK 0 / 7 / 25 / 10

HEX #AD831B4C

RGBA 173 131 27 0.3

HSLA 42.74, 0.73%, 0.39%, 0.3

LABA 57.27, 6.88, 56.9, 0.3

 

CMYK 18 / 13 / 0 / 4

HEX #577CDF4C

RGBA 87 124 223 0.3

HSLA 223.68, 0.68%, 0.61%, 0.3

LABA 53.78, 17.24, -54.51, 0.3

 

CMYK 17 / 12 / 0 / 2

HEX #688EF24C

RGBA 104 142 242 0.3

HSLA 223.48, 0.84%, 0.68%, 0.3

LABA 60.52, 15.87, -54.29, 0.3

 

CMYK 16 / 11 / 0 / 0

HEX #79A0FF4C

RGBA 121 160 255 0.3

HSLA 222.54, 1%, 0.74%, 0.3

LABA 66.84, 12.88, -51.32, 0.3

 

CMYK 14 / 9 / 0 / 0

HEX #8AB2FF4C

RGBA 138 178 255 0.3

HSLA 219.49, 1%, 0.77%, 0.3

LABA 72.54, 6.48, -42.3, 0.3

 

CMYK 12 / 7 / 0 / 0

HEX #9BC4FF4C

RGBA 155 196 255 0.3

HSLA 215.4, 1%, 0.8%, 0.3

LABA 78.27, 0.79, -33.33, 0.3

 

CMYK 19 / 14 / 0 / 3

HEX #527CE44C

RGBA 82 124 228 0.3

HSLA 222.74, 0.73%, 0.61%, 0.3

LABA 53.83, 18.06, -57.26, 0.3

 

CMYK 21 / 15 / 0 / 5

HEX #416AD14C

RGBA 65 106 209 0.3

HSLA 222.92, 0.61%, 0.54%, 0.3

LABA 47.02, 19.9, -57.49, 0.3

 

CMYK 22 / 16 / 0 / 8

HEX #3058BE4C

RGBA 48 88 190 0.3

HSLA 223.1, 0.6%, 0.47%, 0.3

LABA 40.12, 22.17, -57.7, 0.3

 

CMYK 25 / 18 / 0 / 10

HEX #1F46AB4C

RGBA 31 70 171 0.3

HSLA 223.29, 0.69%, 0.4%, 0.3

LABA 33.16, 24.97, -57.84, 0.3

 

CMYK 27 / 20 / 0 / 12

HEX #0E34984C

RGBA 14 52 152 0.3

HSLA 223.48, 0.83%, 0.33%, 0.3

LABA 26.2, 28.43, -57.75, 0.3

 

CMYK 64 / 45 / 0 / 11

HEX #537DE4

RGB 83 125 228

HSL 222.62, 0.73%, 0.61%

LAB 54.14, 17.62, -56.75

 

CMYK 64 / 62 / 0 / 11

HEX #5356E4

RGB 83 86 228

HSL 238.76, 0.73%, 0.61%

LAB 44.37, 41.57, -72.56

 

CMYK 48 / 64 / 0 / 11

HEX #7753E4

RGB 119 83 228

HSL 254.9, 0.73%, 0.61%

LAB 46.59, 49.3, -68.81

 

CMYK 30 / 64 / 0 / 11

HEX #9F53E4

RGB 159 83 228

HSL 271.45, 0.73%, 0.61%

LAB 50.87, 57.39, -61.68

 

CMYK 13 / 64 / 0 / 11

HEX #C653E4

RGB 198 83 228

HSL 287.59, 0.73%, 0.61%

LAB 55.88, 66.06, -53.37

 

CMYK 64 / 45 / 0 / 11

HEX #537DE4

RGB 83 125 228

HSL 222.62, 0.73%, 0.61%

LAB 54.14, 17.62, -56.75

 

CMYK 64 / 62 / 0 / 11

HEX #5356E4

RGB 83 86 228

HSL 238.76, 0.73%, 0.61%

LAB 44.37, 41.57, -72.56

 

CMYK 64 / 64 / 0 / 11

HEX #5353E4

RGB 83 83 228

HSL 240, 0.73%, 0.61%

LAB 43.69, 43.35, -73.66

 

CMYK 64 / 45 / 0 / 11

HEX #537DE4

RGB 83 125 228

HSL 222.62, 0.73%, 0.61%

LAB 54.14, 17.62, -56.75

 

CMYK 73 / 52 / 0 / 4

HEX #4376F4

RGB 67 118 244

HSL 222.71, 0.89%, 0.61%

LAB 52.6, 25.19, -68.2

 

CMYK 64 / 45 / 0 / 11

HEX #537DE4

RGB 83 125 228

HSL 222.62, 0.73%, 0.61%

LAB 54.14, 17.62, -56.75

 

CMYK 53 / 38 / 0 / 17

HEX #6384D4

RGB 99 132 212

HSL 222.48, 0.57%, 0.61%

LAB 56, 11.22, -44.76

 

CMYK 41 / 30 / 0 / 23

HEX #738AC4

RGB 115 138 196

HSL 222.96, 0.41%, 0.61%

LAB 57.85, 6.75, -32.74

 

CMYK 27 / 19 / 0 / 29

HEX #8391B4

RGB 131 145 180

HSL 222.86, 0.25%, 0.61%

LAB 60.22, 3.05, -19.94

 

CMYK 10 / 7 / 0 / 36

HEX #9398A4

RGB 147 152 164

HSL 222.35, 0.09%, 0.61%

LAB 62.79, 0.66, -6.9

 

CMYK 64 / 11 / 0 / 11

HEX #53CCE4

RGB 83 204 228

HSL 189.93, 0.73%, 0.61%

LAB 76.45, -26.44, -21.9

 

CMYK 64 / 28 / 0 / 11

HEX #53A5E4

RGB 83 165 228

HSL 206.07, 0.73%, 0.61%

LAB 65.24, -5.9, -39.19

 

CMYK 64 / 44 / 0 / 11

HEX #537FE4

RGB 83 127 228

HSL 221.79, 0.73%, 0.61%

LAB 54.68, 16.4, -55.89

 

CMYK 64 / 61 / 0 / 11

HEX #5358E4

RGB 83 88 228

HSL 237.93, 0.73%, 0.61%

LAB 44.83, 40.37, -71.81

 

CMYK 49 / 64 / 0 / 11

HEX #7553E4

RGB 117 83 228

HSL 254.07, 0.73%, 0.61%

LAB 46.41, 48.93, -69.13

 

CMYK 84 / 60 / 0 / 22

HEX #1F4FC6

RGB 31 79 198

HSL 222.75, 0.73%, 0.45%

LAB 37.77, 29.45, -66.22

 

CMYK 79 / 56 / 0 / 13

HEX #2F62DF

RGB 47 98 223

HSL 222.61, 0.73%, 0.53%

LAB 45.18, 27.94, -68.48

 

CMYK 64 / 45 / 0 / 11

HEX #537DE4

RGB 83 125 228

HSL 222.62, 0.73%, 0.61%

LAB 54.14, 17.62, -56.75

 

CMYK 49 / 35 / 0 / 8

HEX #7798EA

RGB 119 152 234

HSL 222.78, 0.73%, 0.69%

LAB 63.61, 10.72, -44.94

 

CMYK 36 / 25 / 0 / 6

HEX #9AB3EF

RGB 154 179 239

HSL 222.35, 0.73%, 0.77%

LAB 73.12, 5.65, -32.68

 

CMYK 64 / 46 / 0 / 11

HEX #527CE4

RGB 82 124 228

HSL 222.74, 0.73%, 0.61%

LAB 53.83, 18.06, -57.26

 

CMYK 6 / 64 / 0 / 11

HEX #D653E4

RGB 214 83 228

HSL 294.21, 0.73%, 0.61%

LAB 58.12, 69.73, -49.68

 

CMYK 19 / 0 / 64 / 11

HEX #B9E453

RGB 185 228 83

HSL 77.79, 0.73%, 0.61%

LAB 85.21, -34.49, 63.92

 

CMYK 64 / 46 / 0 / 11

HEX #527CE4

RGB 82 124 228

HSL 222.74, 0.73%, 0.61%

LAB 53.83, 18.06, -57.26

 

CMYK 0 / 64 / 44 / 11

HEX #E4537F

RGB 228 83 127

HSL 341.79, 0.73%, 0.61%

LAB 56.3, 59.65, 6.06

 

CMYK 44 / 0 / 64 / 11

HEX #7FE453

RGB 127 228 83

HSL 101.79, 0.73%, 0.61%

LAB 82.18, -54.64, 59.75

 

CMYK 64 / 46 / 0 / 11

HEX #527CE4

RGB 82 124 228

HSL 222.74, 0.73%, 0.61%

LAB 53.83, 18.06, -57.26

 

CMYK 6 / 64 / 0 / 11

HEX #D653E4

RGB 214 83 228

HSL 294.21, 0.73%, 0.61%

LAB 58.12, 69.73, -49.68

 

CMYK 0 / 19 / 64 / 11

HEX #E4B953

RGB 228 185 83

HSL 42.21, 0.73%, 0.61%

LAB 77.17, 4.45, 56.21

 

CMYK 57 / 0 / 64 / 11

HEX #61E453

RGB 97 228 83

HSL 114.21, 0.73%, 0.61%

LAB 81.1, -62.79, 58.26

 

CMYK 64 / 46 / 0 / 11

HEX #527CE4

RGB 82 124 228

HSL 222.74, 0.73%, 0.61%

LAB 53.83, 18.06, -57.26

 

CMYK 0 / 64 / 13 / 11

HEX #E453C7

RGB 228 83 199

HSL 312, 0.73%, 0.61%

LAB 58.79, 68.46, -32.06

 

CMYK 0 / 19 / 64 / 11

HEX #E4B953

RGB 228 185 83

HSL 42.21, 0.73%, 0.61%

LAB 77.17, 4.45, 56.21

 

CMYK 64 / 0 / 51 / 11

HEX #53E470

RGB 83 228 112

HSL 132, 0.73%, 0.61%

LAB 81.01, -62.41, 45.1

 

Description

Color code: HEX #527CE44C | qconv.com Color code: HEX #527CE44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 124 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 124 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 14 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 14% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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