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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527CD74C it is the complementary color #AD83284C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527CD74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527CD74C shade: #577CD24C, #688EE54C, #79A0F84C, #8AB2FF4C and #9BC4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527CD74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527CD74C shade: #527CD74C, #416AC44C, #3058B14C, #1F469E4C and #0E348B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527CD74C shade: #517BD6, #5158D6, #6F51D6, #9351D6 and #B751D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527CD74C shade: #517BD6, #5158D6 and #5151D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527CD74C shade matches the following richer shades: #517BD6, #4075E8 and #2F6FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527CD74C shade: #517BD6, #6382C5, #7488B4, #858FA2 and #979591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527CD74C shade: #51C2D6, #519FD6, #517CD6, #5158D6 and #6E51D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527CD74C shade: #2952AD, #3062CE, #517BD6, #7395DE and #94AEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527CD74C shade: #527CD7, #C751D6 and #B1D651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527CD74C shade: #527CD7, #D6517C and #7CD651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527CD74C shade: #527CD7, #C751D6, #D6AC51 and #61D651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527CD74C shade: #527CD7, #D651BE, #D6AC51 and #51D66A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 13 / 0 / 5

HEX #527CD74C

RGBA 82 124 215 0.3

HSLA 221.05, 0.62%, 0.58%, 0.3

LABA 53.08, 13.63, -51.15, 0.3

 

Complementary color

CMYK 0 / 7 / 23 / 10

HEX #AD83284C

RGBA 173 131 40 0.3

HSLA 41.05, 0.62%, 0.42%, 0.3

LABA 57.34, 7.35, 52.38, 0.3

 

CMYK 18 / 12 / 0 / 5

HEX #577CD24C

RGBA 87 124 210 0.3

HSLA 221.95, 0.58%, 0.58%, 0.3

LABA 53.05, 12.9, -48.34, 0.3

 

CMYK 16 / 11 / 0 / 3

HEX #688EE54C

RGBA 104 142 229 0.3

HSLA 221.76, 0.71%, 0.65%, 0.3

LABA 59.84, 11.73, -48.17, 0.3

 

CMYK 15 / 11 / 0 / 1

HEX #79A0F84C

RGBA 121 160 248 0.3

HSLA 221.57, 0.9%, 0.72%, 0.3

LABA 66.51, 10.75, -48.04, 0.3

 

CMYK 14 / 9 / 0 / 0

HEX #8AB2FF4C

RGBA 138 178 255 0.3

HSLA 219.49, 1%, 0.77%, 0.3

LABA 72.54, 6.48, -42.3, 0.3

 

CMYK 12 / 7 / 0 / 0

HEX #9BC4FF4C

RGBA 155 196 255 0.3

HSLA 215.4, 1%, 0.8%, 0.3

LABA 78.27, 0.79, -33.33, 0.3

 

CMYK 19 / 13 / 0 / 5

HEX #527CD74C

RGBA 82 124 215 0.3

HSLA 221.05, 0.62%, 0.58%, 0.3

LABA 53.08, 13.63, -51.15, 0.3

 

CMYK 20 / 14 / 0 / 7

HEX #416AC44C

RGBA 65 106 196 0.3

HSLA 221.22, 0.53%, 0.51%, 0.3

LABA 46.2, 15.24, -51.35, 0.3

 

CMYK 22 / 15 / 0 / 9

HEX #3058B14C

RGBA 48 88 177 0.3

HSLA 221.4, 0.57%, 0.44%, 0.3

LABA 39.21, 17.27, -51.55, 0.3

 

CMYK 24 / 17 / 0 / 11

HEX #1F469E4C

RGBA 31 70 158 0.3

HSLA 221.57, 0.67%, 0.37%, 0.3

LABA 32.12, 19.85, -51.72, 0.3

 

CMYK 27 / 19 / 0 / 14

HEX #0E348B4C

RGBA 14 52 139 0.3

HSLA 221.76, 0.82%, 0.3%, 0.3

LABA 24.99, 23.15, -51.72, 0.3

 

CMYK 62 / 43 / 0 / 16

HEX #517BD6

RGB 81 123 214

HSL 221.05, 0.62%, 0.58%

LAB 52.7, 13.72, -51.19

 

CMYK 62 / 59 / 0 / 16

HEX #5158D6

RGB 81 88 214

HSL 236.84, 0.62%, 0.58%

LAB 43.63, 35.43, -65.8

 

CMYK 48 / 62 / 0 / 16

HEX #6F51D6

RGB 111 81 214

HSL 253.53, 0.62%, 0.58%

LAB 44.4, 44.93, -64.43

 

CMYK 31 / 62 / 0 / 16

HEX #9351D6

RGB 147 81 214

HSL 269.77, 0.62%, 0.58%

LAB 48.19, 52.47, -58.13

 

CMYK 14 / 62 / 0 / 16

HEX #B751D6

RGB 183 81 214

HSL 286.02, 0.62%, 0.58%

LAB 52.74, 60.76, -50.59

 

CMYK 62 / 43 / 0 / 16

HEX #517BD6

RGB 81 123 214

HSL 221.05, 0.62%, 0.58%

LAB 52.7, 13.72, -51.19

 

CMYK 62 / 59 / 0 / 16

HEX #5158D6

RGB 81 88 214

HSL 236.84, 0.62%, 0.58%

LAB 43.63, 35.43, -65.8

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 62 / 43 / 0 / 16

HEX #517BD6

RGB 81 123 214

HSL 221.05, 0.62%, 0.58%

LAB 52.7, 13.72, -51.19

 

CMYK 72 / 50 / 0 / 9

HEX #4075E8

RGB 64 117 232

HSL 221.07, 0.79%, 0.58%

LAB 51.43, 21.13, -63.4

 

CMYK 81 / 55 / 0 / 2

HEX #2F6FF9

RGB 47 111 249

HSL 220.99, 0.94%, 0.58%

LAB 50.47, 29.34, -74.47

 

CMYK 62 / 43 / 0 / 16

HEX #517BD6

RGB 81 123 214

HSL 221.05, 0.62%, 0.58%

LAB 52.7, 13.72, -51.19

 

CMYK 50 / 34 / 0 / 23

HEX #6382C5

RGB 99 130 197

HSL 221.02, 0.46%, 0.58%

LAB 54.71, 7.73, -38.3

 

CMYK 36 / 24 / 0 / 29

HEX #7488B4

RGB 116 136 180

HSL 221.25, 0.3%, 0.58%

LAB 56.7, 3.74, -25.43

 

CMYK 18 / 12 / 0 / 36

HEX #858FA2

RGB 133 143 162

HSL 219.31, 0.13%, 0.58%

LAB 59.2, 0.52, -11.25

 

CMYK 0 / 1 / 4 / 41

HEX #979591

RGB 151 149 145

HSL 40, 0.03%, 0.58%

LAB 61.76, -0.02, 2.36

 

CMYK 62 / 9 / 0 / 16

HEX #51C2D6

RGB 81 194 214

HSL 189.02, 0.62%, 0.58%

LAB 73.02, -25.91, -19.55

 

CMYK 62 / 26 / 0 / 16

HEX #519FD6

RGB 81 159 214

HSL 204.81, 0.62%, 0.58%

LAB 62.84, -7.44, -35.19

 

CMYK 62 / 42 / 0 / 16

HEX #517CD6

RGB 81 124 214

HSL 220.6, 0.62%, 0.58%

LAB 52.97, 13.1, -50.75

 

CMYK 62 / 59 / 0 / 16

HEX #5158D6

RGB 81 88 214

HSL 236.84, 0.62%, 0.58%

LAB 43.63, 35.43, -65.8

 

CMYK 49 / 62 / 0 / 16

HEX #6E51D6

RGB 110 81 214

HSL 253.08, 0.62%, 0.58%

LAB 44.31, 44.74, -64.59

 

CMYK 76 / 53 / 0 / 32

HEX #2952AD

RGB 41 82 173

HSL 221.36, 0.62%, 0.42%

LAB 36.97, 18.79, -52.82

 

CMYK 77 / 52 / 0 / 19

HEX #3062CE

RGB 48 98 206

HSL 221.01, 0.62%, 0.5%

LAB 43.97, 21.69, -60.73

 

CMYK 62 / 43 / 0 / 16

HEX #517BD6

RGB 81 123 214

HSL 221.05, 0.62%, 0.58%

LAB 52.7, 13.72, -51.19

 

CMYK 48 / 33 / 0 / 13

HEX #7395DE

RGB 115 149 222

HSL 220.93, 0.62%, 0.66%

LAB 62.01, 7.94, -40.82

 

CMYK 36 / 24 / 0 / 10

HEX #94AEE6

RGB 148 174 230

HSL 220.98, 0.62%, 0.74%

LAB 71.06, 4.44, -30.98

 

CMYK 62 / 42 / 0 / 16

HEX #527CD7

RGB 82 124 215

HSL 221.05, 0.62%, 0.58%

LAB 53.08, 13.63, -51.15

 

CMYK 7 / 62 / 0 / 16

HEX #C751D6

RGB 199 81 214

HSL 293.23, 0.62%, 0.58%

LAB 54.95, 64.56, -46.93

 

CMYK 17 / 0 / 62 / 16

HEX #B1D651

RGB 177 214 81

HSL 76.69, 0.62%, 0.58%

LAB 80.76, -31.26, 59.8

 

CMYK 62 / 42 / 0 / 16

HEX #527CD7

RGB 82 124 215

HSL 221.05, 0.62%, 0.58%

LAB 53.08, 13.63, -51.15

 

CMYK 0 / 62 / 42 / 16

HEX #D6517C

RGB 214 81 124

HSL 340.6, 0.62%, 0.58%

LAB 53.64, 55.85, 3.72

 

CMYK 42 / 0 / 62 / 16

HEX #7CD651

RGB 124 214 81

HSL 100.6, 0.62%, 0.58%

LAB 77.86, -50.17, 55.79

 

CMYK 62 / 42 / 0 / 16

HEX #527CD7

RGB 82 124 215

HSL 221.05, 0.62%, 0.58%

LAB 53.08, 13.63, -51.15

 

CMYK 7 / 62 / 0 / 16

HEX #C751D6

RGB 199 81 214

HSL 293.23, 0.62%, 0.58%

LAB 54.95, 64.56, -46.93

 

CMYK 0 / 20 / 62 / 16

HEX #D6AC51

RGB 214 172 81

HSL 41.05, 0.62%, 0.58%

LAB 72.49, 5.27, 51.54

 

CMYK 55 / 0 / 62 / 16

HEX #61D651

RGB 97 214 81

HSL 112.78, 0.62%, 0.58%

LAB 76.82, -57.91, 54.34

 

CMYK 62 / 42 / 0 / 16

HEX #527CD7

RGB 82 124 215

HSL 221.05, 0.62%, 0.58%

LAB 53.08, 13.63, -51.15

 

CMYK 0 / 62 / 11 / 16

HEX #D651BE

RGB 214 81 190

HSL 310.83, 0.62%, 0.58%

LAB 55.99, 64.31, -31.43

 

CMYK 0 / 20 / 62 / 16

HEX #D6AC51

RGB 214 172 81

HSL 41.05, 0.62%, 0.58%

LAB 72.49, 5.27, 51.54

 

CMYK 62 / 0 / 50 / 16

HEX #51D66A

RGB 81 214 106

HSL 131.28, 0.62%, 0.58%

LAB 76.61, -58.58, 42.53

 

Description

Color code: HEX #527CD74C | qconv.com Color code: HEX #527CD74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 124 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 124 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 13 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 13% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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