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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526D72 it is the complementary color #AD928D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526D72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526D72 shade: #576D6D, #687F80, #799193, #8AA3A6 and #9BB5B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526D72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526D72 shade: #526D72, #415B5F, #30494C, #1F3739 and #0E2526

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526D72 shade: #516C70, #516370, #515B70, #515270 and #595170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526D72 shade: #516C70, #516370, #515B70, #515270 and #515170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526D72 shade matches the following richer shades: #516C70, #427680, #328190, #228C9F and #1397AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526D72 shade: #516C70, #616161, #715651, #804B41 and #904032

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526D72 shade: #517065, #51706D, #516C70, #516370 and #515B70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526D72 shade: #2F3E41, #405558, #516C70, #638288 and #77979D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526D72 shade: #526D72, #5C5170 and #706951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526D72 shade: #526D72, #70516C and #6C7051

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526D72 shade: #526D72, #5C5170, #705651 and #667051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526D72 shade: #526D72, #665170, #705651 and #5C7051

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 4 / 0 / 55

HEX #526D72

RGB 82 109 114

HSL 189.38, 0.16%, 0.38%

LAB 44.16, -8.56, -6.01

 

Complementary color

CMYK 0 / 16 / 18 / 32

HEX #AD928D

RGB 173 146 141

HSL 9.37, 0.16%, 0.62%

LAB 62.81, 9.27, 6.4

 

CMYK 20 / 0 / 0 / 57

HEX #576D6D

RGB 87 109 109

HSL 180, 0.11%, 0.38%

LAB 44.33, -8.1, -2.7

 

CMYK 19 / 1 / 0 / 50

HEX #687F80

RGB 104 127 128

HSL 182.5, 0.1%, 0.45%

LAB 51.47, -8.05, -3.32

 

CMYK 18 / 1 / 0 / 42

HEX #799193

RGB 121 145 147

HSL 184.62, 0.11%, 0.53%

LAB 58.44, -8.02, -3.91

 

CMYK 17 / 2 / 0 / 35

HEX #8AA3A6

RGB 138 163 166

HSL 186.43, 0.14%, 0.6%

LAB 65.24, -8, -4.47

 

CMYK 16 / 2 / 0 / 27

HEX #9BB5B9

RGB 155 181 185

HSL 188, 0.18%, 0.67%

LAB 71.91, -8, -5.02

 

CMYK 28 / 4 / 0 / 55

HEX #526D72

RGB 82 109 114

HSL 189.38, 0.16%, 0.38%

LAB 44.16, -8.56, -6.01

 

CMYK 32 / 4 / 0 / 63

HEX #415B5F

RGB 65 91 95

HSL 188, 0.19%, 0.31%

LAB 36.8, -8.6, -5.45

 

CMYK 37 / 4 / 0 / 70

HEX #30494C

RGB 48 73 76

HSL 186.43, 0.23%, 0.24%

LAB 29.2, -8.65, -4.85

 

CMYK 46 / 4 / 0 / 78

HEX #1F3739

RGB 31 55 57

HSL 184.62, 0.3%, 0.17%

LAB 21.28, -8.7, -4.21

 

CMYK 63 / 3 / 0 / 85

HEX #0E2526

RGB 14 37 38

HSL 182.5, 0.46%, 0.1%

LAB 12.96, -8.65, -3.45

 

CMYK 28 / 4 / 0 / 56

HEX #516C70

RGB 81 108 112

HSL 187.74, 0.16%, 0.38%

LAB 43.72, -8.82, -5.46

 

CMYK 28 / 12 / 0 / 56

HEX #516370

RGB 81 99 112

HSL 205.16, 0.16%, 0.38%

LAB 40.97, -3.51, -9.58

 

CMYK 28 / 19 / 0 / 56

HEX #515B70

RGB 81 91 112

HSL 220.65, 0.16%, 0.38%

LAB 38.55, 1.36, -13.23

 

CMYK 28 / 27 / 0 / 56

HEX #515270

RGB 81 82 112

HSL 238.06, 0.16%, 0.38%

LAB 35.9, 7.01, -17.29

 

CMYK 21 / 28 / 0 / 56

HEX #595170

RGB 89 81 112

HSL 255.48, 0.16%, 0.38%

LAB 36.33, 10.4, -16.57

 

CMYK 28 / 4 / 0 / 56

HEX #516C70

RGB 81 108 112

HSL 187.74, 0.16%, 0.38%

LAB 43.72, -8.82, -5.46

 

CMYK 28 / 12 / 0 / 56

HEX #516370

RGB 81 99 112

HSL 205.16, 0.16%, 0.38%

LAB 40.97, -3.51, -9.58

 

CMYK 28 / 19 / 0 / 56

HEX #515B70

RGB 81 91 112

HSL 220.65, 0.16%, 0.38%

LAB 38.55, 1.36, -13.23

 

CMYK 28 / 27 / 0 / 56

HEX #515270

RGB 81 82 112

HSL 238.06, 0.16%, 0.38%

LAB 35.9, 7.01, -17.29

 

CMYK 28 / 28 / 0 / 56

HEX #515170

RGB 81 81 112

HSL 240, 0.16%, 0.38%

LAB 35.6, 7.64, -17.74

 

CMYK 28 / 4 / 0 / 56

HEX #516C70

RGB 81 108 112

HSL 187.74, 0.16%, 0.38%

LAB 43.72, -8.82, -5.46

 

CMYK 48 / 8 / 0 / 50

HEX #427680

RGB 66 118 128

HSL 189.68, 0.32%, 0.38%

LAB 46.54, -14.49, -10.9

 

CMYK 65 / 10 / 0 / 44

HEX #328190

RGB 50 129 144

HSL 189.57, 0.48%, 0.38%

LAB 49.97, -19.04, -15.22

 

CMYK 79 / 12 / 0 / 38

HEX #228C9F

RGB 34 140 159

HSL 189.12, 0.65%, 0.38%

LAB 53.6, -22.23, -18.44

 

CMYK 89 / 14 / 0 / 31

HEX #1397AF

RGB 19 151 175

HSL 189.23, 0.8%, 0.38%

LAB 57.43, -23.79, -21.76

 

CMYK 28 / 4 / 0 / 56

HEX #516C70

RGB 81 108 112

HSL 187.74, 0.16%, 0.38%

LAB 43.72, -8.82, -5.46

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 0 / 24 / 28 / 56

HEX #715651

RGB 113 86 81

HSL 9.38, 0.16%, 0.38%

LAB 39.17, 10.36, 7.21

 

CMYK 0 / 41 / 49 / 50

HEX #804B41

RGB 128 75 65

HSL 9.52, 0.33%, 0.38%

LAB 37.85, 21.3, 15.57

 

CMYK 0 / 56 / 65 / 44

HEX #904032

RGB 144 64 50

HSL 8.94, 0.48%, 0.38%

LAB 37.53, 32.77, 24.82

 

CMYK 28 / 0 / 10 / 56

HEX #517065

RGB 81 112 101

HSL 158.71, 0.16%, 0.38%

LAB 44.63, -13.77, 2.49

 

CMYK 28 / 0 / 3 / 56

HEX #51706D

RGB 81 112 109

HSL 174.19, 0.16%, 0.38%

LAB 44.86, -11.86, -1.97

 

CMYK 28 / 4 / 0 / 56

HEX #516C70

RGB 81 108 112

HSL 187.74, 0.16%, 0.38%

LAB 43.72, -8.82, -5.46

 

CMYK 28 / 12 / 0 / 56

HEX #516370

RGB 81 99 112

HSL 205.16, 0.16%, 0.38%

LAB 40.97, -3.51, -9.58

 

CMYK 28 / 19 / 0 / 56

HEX #515B70

RGB 81 91 112

HSL 220.65, 0.16%, 0.38%

LAB 38.55, 1.36, -13.23

 

CMYK 28 / 5 / 0 / 75

HEX #2F3E41

RGB 47 62 65

HSL 190, 0.16%, 0.22%

LAB 25.05, -5.23, -3.84

 

CMYK 27 / 3 / 0 / 65

HEX #405558

RGB 64 85 88

HSL 187.5, 0.16%, 0.3%

LAB 34.58, -7.21, -4.38

 

CMYK 28 / 4 / 0 / 56

HEX #516C70

RGB 81 108 112

HSL 187.74, 0.16%, 0.38%

LAB 43.72, -8.82, -5.46

 

CMYK 27 / 4 / 0 / 47

HEX #638288

RGB 99 130 136

HSL 189.73, 0.16%, 0.46%

LAB 52.28, -9.48, -6.83

 

CMYK 24 / 4 / 0 / 38

HEX #77979D

RGB 119 151 157

HSL 189.47, 0.16%, 0.54%

LAB 60.33, -9.67, -6.81

 

CMYK 28 / 4 / 0 / 55

HEX #526D72

RGB 82 109 114

HSL 189.38, 0.16%, 0.38%

LAB 44.16, -8.56, -6.01

 

CMYK 18 / 28 / 0 / 56

HEX #5C5170

RGB 92 81 112

HSL 261.29, 0.16%, 0.38%

LAB 36.61, 11.45, -16.11

 

CMYK 0 / 6 / 28 / 56

HEX #706951

RGB 112 105 81

HSL 46.45, 0.16%, 0.38%

LAB 44.44, -1.45, 14.52

 

CMYK 28 / 4 / 0 / 55

HEX #526D72

RGB 82 109 114

HSL 189.38, 0.16%, 0.38%

LAB 44.16, -8.56, -6.01

 

CMYK 0 / 28 / 4 / 56

HEX #70516C

RGB 112 81 108

HSL 307.74, 0.16%, 0.38%

LAB 38.57, 17.89, -10.44

 

CMYK 4 / 0 / 28 / 56

HEX #6C7051

RGB 108 112 81

HSL 67.74, 0.16%, 0.38%

LAB 46.14, -7.19, 16.77

 

CMYK 28 / 4 / 0 / 55

HEX #526D72

RGB 82 109 114

HSL 189.38, 0.16%, 0.38%

LAB 44.16, -8.56, -6.01

 

CMYK 18 / 28 / 0 / 56

HEX #5C5170

RGB 92 81 112

HSL 261.29, 0.16%, 0.38%

LAB 36.61, 11.45, -16.11

 

CMYK 0 / 23 / 28 / 56

HEX #705651

RGB 112 86 81

HSL 9.68, 0.16%, 0.38%

LAB 39.06, 9.93, 7.03

 

CMYK 9 / 0 / 28 / 56

HEX #667051

RGB 102 112 81

HSL 79.35, 0.16%, 0.38%

LAB 45.64, -9.69, 16.02

 

CMYK 28 / 4 / 0 / 55

HEX #526D72

RGB 82 109 114

HSL 189.38, 0.16%, 0.38%

LAB 44.16, -8.56, -6.01

 

CMYK 9 / 28 / 0 / 56

HEX #665170

RGB 102 81 112

HSL 280.65, 0.16%, 0.38%

LAB 37.63, 15.05, -14.47

 

CMYK 0 / 23 / 28 / 56

HEX #705651

RGB 112 86 81

HSL 9.68, 0.16%, 0.38%

LAB 39.06, 9.93, 7.03

 

CMYK 18 / 0 / 28 / 56

HEX #5C7051

RGB 92 112 81

HSL 98.71, 0.16%, 0.38%

LAB 44.88, -13.75, 14.86

 

Description

Color code: HEX #526D72 | qconv.com Color code: HEX #526D72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 109 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 109 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 4 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 4% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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