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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526CE7CE it is the complementary color #AD9318CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526CE7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526CE7CE shade: #576CE2CE, #687EF5CE, #7990FFCE, #8AA2FFCE and #9BB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526CE7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526CE7CE shade: #526CE7CE, #415AD4CE, #3048C1CE, #1F36AECE and #0E249BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526CE7CE shade: #506AE7, #5E50E7, #8750E7, #B050E7 and #D950E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526CE7CE shade: #506AE7 and #5050E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526CE7CE shade matches the following richer shades: #506AE7 and #4060F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526CE7CE shade: #506AE7, #6075D7, #707FC7, #808AB7 and #9094A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526CE7CE shade: #50BCE7, #5094E7, #506CE7, #5D50E7 and #8550E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526CE7CE shade: #1B3AC9, #2C4CE2, #506AE7, #7489EC and #99A8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526CE7CE shade: #526CE7, #E750E5 and #A8E750

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526CE7CE shade: #526CE7, #E7506C and #6CE750

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526CE7CE shade: #526CE7, #E750E5, #E7CB50 and #50E752

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526CE7CE shade: #526CE7, #E750B7, #E7CB50 and #50E780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 43 / 0 / 8

HEX #526CE7CE

RGBA 82 108 231 0.81

HSLA 229.53, 0.76%, 0.61%, 0.81

LABA 49.84, 28.96, -65.36, 0.81

 

Complementary color

CMYK 0 / 12 / 70 / 26

HEX #AD9318CE

RGBA 173 147 24 0.81

HSLA 49.53, 0.76%, 0.39%, 0.81

LABA 61.5, -2.01, 61.27, 0.81

 

CMYK 50 / 42 / 0 / 9

HEX #576CE2CE

RGBA 87 108 226 0.81

HSLA 230.94, 0.71%, 0.61%, 0.81

LABA 49.79, 28.1, -62.62, 0.81

 

CMYK 47 / 39 / 0 / 3

HEX #687EF5CE

RGBA 104 126 245 0.81

HSLA 230.64, 0.88%, 0.68%, 0.81

LABA 56.54, 26.42, -62.31, 0.81

 

CMYK 43 / 35 / 0 / 0

HEX #7990FFCE

RGBA 121 144 255 0.81

HSLA 229.7, 1%, 0.74%, 0.81

LABA 62.7, 22.22, -57.89, 0.81

 

CMYK 37 / 30 / 0 / 0

HEX #8AA2FFCE

RGBA 138 162 255 0.81

HSLA 227.69, 1%, 0.77%, 0.81

LABA 68.36, 15.55, -48.86, 0.81

 

CMYK 32 / 24 / 0 / 0

HEX #9BB4FFCE

RGBA 155 180 255 0.81

HSLA 225, 1%, 0.8%, 0.81

LABA 74.08, 9.58, -39.82, 0.81

 

CMYK 52 / 43 / 0 / 8

HEX #526CE7CE

RGBA 82 108 231 0.81

HSLA 229.53, 0.76%, 0.61%, 0.81

LABA 49.84, 28.96, -65.36, 0.81

 

CMYK 56 / 47 / 0 / 14

HEX #415AD4CE

RGBA 65 90 212 0.81

HSLA 229.8, 0.63%, 0.54%, 0.81

LABA 43.05, 31.12, -65.64, 0.81

 

CMYK 61 / 51 / 0 / 20

HEX #3048C1CE

RGBA 48 72 193 0.81

HSLA 230.07, 0.6%, 0.47%, 0.81

LABA 36.2, 33.67, -65.84, 0.81

 

CMYK 67 / 56 / 0 / 26

HEX #1F36AECE

RGBA 31 54 174 0.81

HSLA 230.35, 0.7%, 0.4%, 0.81

LABA 29.38, 36.65, -65.83, 0.81

 

CMYK 74 / 62 / 0 / 32

HEX #0E249BCE

RGBA 14 36 155 0.81

HSLA 230.64, 0.83%, 0.33%, 0.81

LABA 22.73, 39.9, -65.32, 0.81

 

CMYK 65 / 54 / 0 / 9

HEX #506AE7

RGB 80 106 231

HSL 229.67, 0.76%, 0.61%

LAB 49.23, 29.89, -66.35

 

CMYK 59 / 65 / 0 / 9

HEX #5E50E7

RGB 94 80 231

HSL 245.56, 0.76%, 0.61%

LAB 44.07, 47.65, -74.72

 

CMYK 42 / 65 / 0 / 9

HEX #8750E7

RGB 135 80 231

HSL 261.85, 0.76%, 0.61%

LAB 47.83, 54.72, -68.43

 

CMYK 24 / 65 / 0 / 9

HEX #B050E7

RGB 176 80 231

HSL 278.15, 0.76%, 0.61%

LAB 52.66, 63.1, -60.38

 

CMYK 6 / 65 / 0 / 9

HEX #D950E7

RGB 217 80 231

HSL 294.44, 0.76%, 0.61%

LAB 58.28, 72.12, -51.07

 

CMYK 65 / 54 / 0 / 9

HEX #506AE7

RGB 80 106 231

HSL 229.67, 0.76%, 0.61%

LAB 49.23, 29.89, -66.35

 

CMYK 65 / 65 / 0 / 9

HEX #5050E7

RGB 80 80 231

HSL 240, 0.76%, 0.61%

LAB 43.08, 45.68, -76.37

 

CMYK 65 / 54 / 0 / 9

HEX #506AE7

RGB 80 106 231

HSL 229.67, 0.76%, 0.61%

LAB 49.23, 29.89, -66.35

 

CMYK 74 / 61 / 0 / 3

HEX #4060F7

RGB 64 96 247

HSL 229.51, 0.92%, 0.61%

LAB 47.2, 39.56, -78.67

 

CMYK 65 / 54 / 0 / 9

HEX #506AE7

RGB 80 106 231

HSL 229.67, 0.76%, 0.61%

LAB 49.23, 29.89, -66.35

 

CMYK 55 / 46 / 0 / 16

HEX #6075D7

RGB 96 117 215

HSL 229.41, 0.6%, 0.61%

LAB 51.97, 20.64, -52.87

 

CMYK 44 / 36 / 0 / 22

HEX #707FC7

RGB 112 127 199

HSL 229.66, 0.44%, 0.61%

LAB 54.81, 13.34, -39.22

 

CMYK 30 / 25 / 0 / 28

HEX #808AB7

RGB 128 138 183

HSL 229.09, 0.28%, 0.61%

LAB 58.21, 6.92, -24.74

 

CMYK 14 / 11 / 0 / 35

HEX #9094A7

RGB 144 148 167

HSL 229.57, 0.12%, 0.61%

LAB 61.57, 2.52, -10.45

 

CMYK 65 / 19 / 0 / 9

HEX #50BCE7

RGB 80 188 231

HSL 197.09, 0.76%, 0.61%

LAB 71.85, -17.87, -30.57

 

CMYK 65 / 36 / 0 / 9

HEX #5094E7

RGB 80 148 231

HSL 212.98, 0.76%, 0.61%

LAB 60.48, 4.33, -48.34

 

CMYK 65 / 53 / 0 / 9

HEX #506CE7

RGB 80 108 231

HSL 228.87, 0.76%, 0.61%

LAB 49.74, 28.65, -65.53

 

CMYK 60 / 65 / 0 / 9

HEX #5D50E7

RGB 93 80 231

HSL 245.17, 0.76%, 0.61%

LAB 43.99, 47.5, -74.84

 

CMYK 42 / 65 / 0 / 9

HEX #8550E7

RGB 133 80 231

HSL 261.06, 0.76%, 0.61%

LAB 47.62, 54.34, -68.78

 

CMYK 87 / 71 / 0 / 21

HEX #1B3AC9

RGB 27 58 201

HSL 229.31, 0.76%, 0.45%

LAB 32.87, 43.69, -76.03

 

CMYK 81 / 66 / 0 / 11

HEX #2C4CE2

RGB 44 76 226

HSL 229.45, 0.76%, 0.53%

LAB 39.91, 42.66, -78.81

 

CMYK 65 / 54 / 0 / 9

HEX #506AE7

RGB 80 106 231

HSL 229.67, 0.76%, 0.61%

LAB 49.23, 29.89, -66.35

 

CMYK 51 / 42 / 0 / 7

HEX #7489EC

RGB 116 137 236

HSL 229.5, 0.76%, 0.69%

LAB 59.58, 19.46, -52.42

 

CMYK 37 / 30 / 0 / 5

HEX #99A8F1

RGB 153 168 241

HSL 229.77, 0.76%, 0.77%

LAB 70.27, 12.05, -38.19

 

CMYK 65 / 53 / 0 / 9

HEX #526CE7

RGB 82 108 231

HSL 229.53, 0.76%, 0.61%

LAB 49.84, 28.96, -65.36

 

CMYK 0 / 65 / 1 / 9

HEX #E750E5

RGB 231 80 229

HSL 300.79, 0.76%, 0.61%

LAB 60.23, 74.94, -46.73

 

CMYK 27 / 0 / 65 / 9

HEX #A8E750

RGB 168 231 80

HSL 85.03, 0.76%, 0.61%

LAB 85.02, -42.4, 64.61

 

CMYK 65 / 53 / 0 / 9

HEX #526CE7

RGB 82 108 231

HSL 229.53, 0.76%, 0.61%

LAB 49.84, 28.96, -65.36

 

CMYK 0 / 65 / 53 / 9

HEX #E7506C

RGB 231 80 108

HSL 348.87, 0.76%, 0.61%

LAB 55.9, 60.15, 16.79

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 65 / 53 / 0 / 9

HEX #526CE7

RGB 82 108 231

HSL 229.53, 0.76%, 0.61%

LAB 49.84, 28.96, -65.36

 

CMYK 0 / 65 / 1 / 9

HEX #E750E5

RGB 231 80 229

HSL 300.79, 0.76%, 0.61%

LAB 60.23, 74.94, -46.73

 

CMYK 0 / 12 / 65 / 9

HEX #E7CB50

RGB 231 203 80

HSL 48.87, 0.76%, 0.61%

LAB 81.99, -3.81, 62.78

 

CMYK 65 / 0 / 65 / 9

HEX #50E752

RGB 80 231 82

HSL 120.79, 0.76%, 0.61%

LAB 81.55, -67.6, 59.03

 

CMYK 65 / 53 / 0 / 9

HEX #526CE7

RGB 82 108 231

HSL 229.53, 0.76%, 0.61%

LAB 49.84, 28.96, -65.36

 

CMYK 0 / 65 / 21 / 9

HEX #E750B7

RGB 231 80 183

HSL 319.07, 0.76%, 0.61%

LAB 58.17, 68.16, -23.81

 

CMYK 0 / 12 / 65 / 9

HEX #E7CB50

RGB 231 203 80

HSL 48.87, 0.76%, 0.61%

LAB 81.99, -3.81, 62.78

 

CMYK 65 / 0 / 45 / 9

HEX #50E780

RGB 80 231 128

HSL 139.07, 0.76%, 0.61%

LAB 82.06, -61.66, 38.65

 

Description

Color code: HEX #526CE7CE | qconv.com Color code: HEX #526CE7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 108 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 108 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 43 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 43% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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