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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526AA9 it is the complementary color #AD9556. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526AA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526AA9 shade: #576AA4, #687CB7, #798ECA, #8AA0DD and #9BB2F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526AA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526AA9 shade: #526AA9, #415896, #304683, #1F3470 and #0E225D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526AA9 shade: #5169A9, #5152A9, #6851A9, #8051A9 and #9751A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526AA9 shade: #5169A9, #5152A9 and #5151A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526AA9 shade matches the following richer shades: #5169A9, #3D60BD, #2957D1, #154EE5 and #0045FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526AA9 shade: #5169A9, #657294, #7A7B80, #8E856C and #A28E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526AA9 shade: #5199A9, #5181A9, #516AA9, #5153A9 and #6751A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526AA9 shade: #364771, #44588D, #5169A9, #6B80B8 and #8798C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526AA9 shade: #526AA9, #A151A9 and #8DA951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526AA9 shade: #526AA9, #A9516A and #6AA951

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526AA9 shade: #526AA9, #A151A9, #A99051 and #59A951

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526AA9 shade: #526AA9, #A95196, #A99051 and #51A964

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 37 / 0 / 34

HEX #526AA9

RGB 82 106 169

HSL 223.45, 0.35%, 0.49%

LAB 45.59, 9.43, -36.56

 

Complementary color

CMYK 0 / 14 / 50 / 32

HEX #AD9556

RGB 173 149 86

HSL 43.45, 0.35%, 0.51%

LAB 62.55, 0.56, 36.36

 

CMYK 47 / 35 / 0 / 36

HEX #576AA4

RGB 87 106 164

HSL 225.19, 0.31%, 0.49%

LAB 45.65, 9.09, -33.5

 

CMYK 43 / 32 / 0 / 28

HEX #687CB7

RGB 104 124 183

HSL 224.81, 0.35%, 0.56%

LAB 52.7, 8.34, -33.42

 

CMYK 40 / 30 / 0 / 21

HEX #798ECA

RGB 121 142 202

HSL 224.44, 0.43%, 0.63%

LAB 59.59, 7.72, -33.39

 

CMYK 38 / 28 / 0 / 13

HEX #8AA0DD

RGB 138 160 221

HSL 224.1, 0.55%, 0.7%

LAB 66.34, 7.19, -33.4

 

CMYK 35 / 26 / 0 / 6

HEX #9BB2F0

RGB 155 178 240

HSL 223.76, 0.74%, 0.77%

LAB 72.96, 6.74, -33.46

 

CMYK 51 / 37 / 0 / 34

HEX #526AA9

RGB 82 106 169

HSL 223.45, 0.35%, 0.49%

LAB 45.59, 9.43, -36.56

 

CMYK 57 / 41 / 0 / 41

HEX #415896

RGB 65 88 150

HSL 223.76, 0.4%, 0.42%

LAB 38.38, 10.53, -36.74

 

CMYK 63 / 47 / 0 / 49

HEX #304683

RGB 48 70 131

HSL 224.1, 0.46%, 0.35%

LAB 30.99, 11.97, -36.98

 

CMYK 72 / 54 / 0 / 56

HEX #1F3470

RGB 31 52 112

HSL 224.44, 0.57%, 0.28%

LAB 23.4, 13.94, -37.26

 

CMYK 85 / 63 / 0 / 64

HEX #0E225D

RGB 14 34 93

HSL 224.81, 0.74%, 0.21%

LAB 15.63, 16.76, -37.48

 

CMYK 52 / 38 / 0 / 34

HEX #5169A9

RGB 81 105 169

HSL 223.64, 0.35%, 0.49%

LAB 45.24, 9.81, -37.11

 

CMYK 52 / 51 / 0 / 34

HEX #5152A9

RGB 81 82 169

HSL 239.32, 0.35%, 0.49%

LAB 38.98, 24.35, -47.09

 

CMYK 38 / 52 / 0 / 34

HEX #6851A9

RGB 104 81 169

HSL 255.68, 0.35%, 0.49%

LAB 40.72, 30.5, -44.19

 

CMYK 24 / 52 / 0 / 34

HEX #8051A9

RGB 128 81 169

HSL 272.05, 0.35%, 0.49%

LAB 43.27, 36.91, -39.98

 

CMYK 11 / 52 / 0 / 34

HEX #9751A9

RGB 151 81 169

HSL 287.73, 0.35%, 0.49%

LAB 46.08, 43.38, -35.35

 

CMYK 52 / 38 / 0 / 34

HEX #5169A9

RGB 81 105 169

HSL 223.64, 0.35%, 0.49%

LAB 45.24, 9.81, -37.11

 

CMYK 52 / 51 / 0 / 34

HEX #5152A9

RGB 81 82 169

HSL 239.32, 0.35%, 0.49%

LAB 38.98, 24.35, -47.09

 

CMYK 52 / 52 / 0 / 34

HEX #5151A9

RGB 81 81 169

HSL 240, 0.35%, 0.49%

LAB 38.72, 24.98, -47.5

 

CMYK 52 / 38 / 0 / 34

HEX #5169A9

RGB 81 105 169

HSL 223.64, 0.35%, 0.49%

LAB 45.24, 9.81, -37.11

 

CMYK 68 / 49 / 0 / 26

HEX #3D60BD

RGB 61 96 189

HSL 223.59, 0.51%, 0.49%

LAB 42.81, 18.45, -52.75

 

CMYK 80 / 58 / 0 / 18

HEX #2957D1

RGB 41 87 209

HSL 223.57, 0.67%, 0.49%

LAB 41.04, 29.23, -67.23

 

CMYK 91 / 66 / 0 / 10

HEX #154EE5

RGB 21 78 229

HSL 223.56, 0.83%, 0.49%

LAB 40.02, 41.2, -80.35

 

CMYK 100 / 72 / 0 / 2

HEX #0045FA

RGB 0 69 250

HSL 223.44, 1%, 0.49%

LAB 39.85, 53.59, -92.5

 

CMYK 52 / 38 / 0 / 34

HEX #5169A9

RGB 81 105 169

HSL 223.64, 0.35%, 0.49%

LAB 45.24, 9.81, -37.11

 

CMYK 32 / 23 / 0 / 42

HEX #657294

RGB 101 114 148

HSL 223.4, 0.19%, 0.49%

LAB 48.18, 3.56, -20.06

 

CMYK 5 / 4 / 0 / 50

HEX #7A7B80

RGB 122 123 128

HSL 230, 0.02%, 0.49%

LAB 51.68, 0.65, -2.86

 

CMYK 0 / 6 / 24 / 44

HEX #8E856C

RGB 142 133 108

HSL 44.12, 0.14%, 0.49%

LAB 55.69, -0.87, 14.72

 

CMYK 0 / 12 / 46 / 36

HEX #A28E58

RGB 162 142 88

HSL 43.78, 0.3%, 0.49%

LAB 59.65, -0.1, 31.45

 

CMYK 52 / 9 / 0 / 34

HEX #5199A9

RGB 81 153 169

HSL 190.91, 0.35%, 0.49%

LAB 59.34, -18, -15.31

 

CMYK 52 / 24 / 0 / 34

HEX #5181A9

RGB 81 129 169

HSL 207.27, 0.35%, 0.49%

LAB 52.19, -4.66, -26.25

 

CMYK 52 / 37 / 0 / 34

HEX #516AA9

RGB 81 106 169

HSL 222.95, 0.35%, 0.49%

LAB 45.53, 9.19, -36.67

 

CMYK 52 / 51 / 0 / 34

HEX #5153A9

RGB 81 83 169

HSL 238.64, 0.35%, 0.49%

LAB 39.24, 23.71, -46.67

 

CMYK 39 / 52 / 0 / 34

HEX #6751A9

RGB 103 81 169

HSL 255, 0.35%, 0.49%

LAB 40.63, 30.24, -44.35

 

CMYK 52 / 37 / 0 / 56

HEX #364771

RGB 54 71 113

HSL 222.71, 0.35%, 0.33%

LAB 30.6, 6.25, -26.32

 

CMYK 52 / 38 / 0 / 45

HEX #44588D

RGB 68 88 141

HSL 223.56, 0.35%, 0.41%

LAB 38.08, 8.19, -31.78

 

CMYK 52 / 38 / 0 / 34

HEX #5169A9

RGB 81 105 169

HSL 223.64, 0.35%, 0.49%

LAB 45.24, 9.81, -37.11

 

CMYK 42 / 30 / 0 / 28

HEX #6B80B8

RGB 107 128 184

HSL 223.64, 0.35%, 0.57%

LAB 54.05, 7.05, -31.87

 

CMYK 31 / 23 / 0 / 23

HEX #8798C5

RGB 135 152 197

HSL 223.55, 0.35%, 0.65%

LAB 63.04, 4.57, -25.17

 

CMYK 51 / 37 / 0 / 34

HEX #526AA9

RGB 82 106 169

HSL 223.45, 0.35%, 0.49%

LAB 45.59, 9.43, -36.56

 

CMYK 5 / 52 / 0 / 34

HEX #A151A9

RGB 161 81 169

HSL 294.55, 0.35%, 0.49%

LAB 47.4, 46.23, -33.19

 

CMYK 17 / 0 / 52 / 34

HEX #8DA951

RGB 141 169 81

HSL 79.09, 0.35%, 0.49%

LAB 65.46, -23.84, 41.81

 

CMYK 51 / 37 / 0 / 34

HEX #526AA9

RGB 82 106 169

HSL 223.45, 0.35%, 0.49%

LAB 45.59, 9.43, -36.56

 

CMYK 0 / 52 / 37 / 34

HEX #A9516A

RGB 169 81 106

HSL 342.95, 0.35%, 0.49%

LAB 46.12, 38.78, 2.8

 

CMYK 37 / 0 / 52 / 34

HEX #6AA951

RGB 106 169 81

HSL 102.95, 0.35%, 0.49%

LAB 63.37, -36.91, 38.8

 

CMYK 51 / 37 / 0 / 34

HEX #526AA9

RGB 82 106 169

HSL 223.45, 0.35%, 0.49%

LAB 45.59, 9.43, -36.56

 

CMYK 5 / 52 / 0 / 34

HEX #A151A9

RGB 161 81 169

HSL 294.55, 0.35%, 0.49%

LAB 47.4, 46.23, -33.19

 

CMYK 0 / 15 / 52 / 34

HEX #A99051

RGB 169 144 81

HSL 42.95, 0.35%, 0.49%

LAB 60.76, 1.12, 36.69

 

CMYK 47 / 0 / 52 / 34

HEX #59A951

RGB 89 169 81

HSL 114.55, 0.35%, 0.49%

LAB 62.59, -42.37, 37.67

 

CMYK 51 / 37 / 0 / 34

HEX #526AA9

RGB 82 106 169

HSL 223.45, 0.35%, 0.49%

LAB 45.59, 9.43, -36.56

 

CMYK 0 / 52 / 11 / 34

HEX #A95196

RGB 169 81 150

HSL 312.95, 0.35%, 0.49%

LAB 47.65, 45.18, -21.45

 

CMYK 0 / 15 / 52 / 34

HEX #A99051

RGB 169 144 81

HSL 42.95, 0.35%, 0.49%

LAB 60.76, 1.12, 36.69

 

CMYK 52 / 0 / 41 / 34

HEX #51A964

RGB 81 169 100

HSL 132.95, 0.35%, 0.49%

LAB 62.55, -41.75, 27.73

 

Description

Color code: HEX #526AA9 | qconv.com Color code: HEX #526AA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 106 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 106 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 37 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 37% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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