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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526785 it is the complementary color #AD987A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526785. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526785 shade: #576780, #687993, #798BA6, #8A9DB9 and #9BAFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526785. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526785 shade: #526785, #415572, #30435F, #1F314C and #0E1F39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526785 shade: #516785, #515985, #585185, #665185 and #745185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526785 shade: #516785, #515985 and #515185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526785 shade matches the following richer shades: #516785, #406496, #2F60A7, #1D5DB9 and #0C5ACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526785 shade: #516785, #636A73, #746D62, #857051 and #97733F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526785 shade: #518285, #517585, #516785, #515985 and #575185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526785 shade: #323F52, #42536B, #516785, #617A9E and #7B90AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526785 shade: #526785, #7A5185 and #7B8551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526785 shade: #526785, #855167 and #678551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526785 shade: #526785, #7A5185, #856F51 and #5D8551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526785 shade: #526785, #855181, #856F51 and #518556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 23 / 0 / 48

HEX #526785

RGB 82 103 133

HSL 215.29, 0.24%, 0.42%

LAB 43.04, 0.2, -19.13

 

Complementary color

CMYK 0 / 12 / 29 / 32

HEX #AD987A

RGB 173 152 122

HSL 35.29, 0.24%, 0.58%

LAB 63.95, 3.11, 18.66

 

CMYK 32 / 20 / 0 / 50

HEX #576780

RGB 87 103 128

HSL 216.59, 0.19%, 0.42%

LAB 43.19, 0.33, -15.87

 

CMYK 29 / 18 / 0 / 42

HEX #687993

RGB 104 121 147

HSL 216.28, 0.17%, 0.49%

LAB 50.36, 0.08, -16.12

 

CMYK 27 / 16 / 0 / 35

HEX #798BA6

RGB 121 139 166

HSL 216, 0.2%, 0.56%

LAB 57.35, -0.13, -16.4

 

CMYK 25 / 15 / 0 / 27

HEX #8A9DB9

RGB 138 157 185

HSL 215.74, 0.25%, 0.63%

LAB 64.18, -0.33, -16.7

 

CMYK 24 / 14 / 0 / 20

HEX #9BAFCC

RGB 155 175 204

HSL 215.51, 0.32%, 0.7%

LAB 70.86, -0.51, -17.01

 

CMYK 38 / 23 / 0 / 48

HEX #526785

RGB 82 103 133

HSL 215.29, 0.24%, 0.42%

LAB 43.04, 0.2, -19.13

 

CMYK 43 / 25 / 0 / 55

HEX #415572

RGB 65 85 114

HSL 215.51, 0.27%, 0.35%

LAB 35.67, 0.6, -18.99

 

CMYK 49 / 29 / 0 / 63

HEX #30435F

RGB 48 67 95

HSL 215.74, 0.33%, 0.28%

LAB 28.03, 1.13, -18.91

 

CMYK 59 / 36 / 0 / 70

HEX #1F314C

RGB 31 49 76

HSL 216, 0.42%, 0.21%

LAB 20.08, 1.92, -18.9

 

CMYK 75 / 46 / 0 / 78

HEX #0E1F39

RGB 14 31 57

HSL 216.28, 0.61%, 0.14%

LAB 11.75, 3.24, -18.98

 

CMYK 39 / 23 / 0 / 48

HEX #516785

RGB 81 103 133

HSL 214.62, 0.24%, 0.42%

LAB 42.98, -0.1, -19.24

 

CMYK 39 / 33 / 0 / 48

HEX #515985

RGB 81 89 133

HSL 230.77, 0.24%, 0.42%

LAB 38.88, 8.59, -25.6

 

CMYK 34 / 39 / 0 / 48

HEX #585185

RGB 88 81 133

HSL 248.08, 0.24%, 0.42%

LAB 37.21, 15.77, -28.16

 

CMYK 23 / 39 / 0 / 48

HEX #665185

RGB 102 81 133

HSL 264.23, 0.24%, 0.42%

LAB 38.56, 20.16, -25.96

 

CMYK 13 / 39 / 0 / 48

HEX #745185

RGB 116 81 133

HSL 280.38, 0.24%, 0.42%

LAB 40.07, 24.75, -23.49

 

CMYK 39 / 23 / 0 / 48

HEX #516785

RGB 81 103 133

HSL 214.62, 0.24%, 0.42%

LAB 42.98, -0.1, -19.24

 

CMYK 39 / 33 / 0 / 48

HEX #515985

RGB 81 89 133

HSL 230.77, 0.24%, 0.42%

LAB 38.88, 8.59, -25.6

 

CMYK 39 / 39 / 0 / 48

HEX #515185

RGB 81 81 133

HSL 240, 0.24%, 0.42%

LAB 36.61, 13.68, -29.15

 

CMYK 39 / 23 / 0 / 48

HEX #516785

RGB 81 103 133

HSL 214.62, 0.24%, 0.42%

LAB 42.98, -0.1, -19.24

 

CMYK 57 / 33 / 0 / 41

HEX #406496

RGB 64 100 150

HSL 214.88, 0.4%, 0.42%

LAB 41.85, 2.68, -31.26

 

CMYK 72 / 43 / 0 / 35

HEX #2F60A7

RGB 47 96 167

HSL 215.5, 0.56%, 0.42%

LAB 40.83, 8.15, -43.05

 

CMYK 84 / 50 / 0 / 27

HEX #1D5DB9

RGB 29 93 185

HSL 215.38, 0.73%, 0.42%

LAB 40.56, 14.99, -54.1

 

CMYK 94 / 55 / 0 / 21

HEX #0C5ACA

RGB 12 90 202

HSL 215.37, 0.89%, 0.42%

LAB 40.66, 22.74, -63.84

 

CMYK 39 / 23 / 0 / 48

HEX #516785

RGB 81 103 133

HSL 214.62, 0.24%, 0.42%

LAB 42.98, -0.1, -19.24

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 0 / 6 / 16 / 55

HEX #746D62

RGB 116 109 98

HSL 36.67, 0.08%, 0.42%

LAB 46.35, 0.68, 7.12

 

CMYK 0 / 16 / 39 / 48

HEX #857051

RGB 133 112 81

HSL 35.77, 0.24%, 0.42%

LAB 48.47, 3.55, 20.31

 

CMYK 0 / 24 / 58 / 41

HEX #97733F

RGB 151 115 63

HSL 35.45, 0.41%, 0.42%

LAB 50.92, 7.9, 33.89

 

CMYK 39 / 2 / 0 / 48

HEX #518285

RGB 81 130 133

HSL 183.46, 0.24%, 0.42%

LAB 51.16, -15.67, -6.86

 

CMYK 39 / 12 / 0 / 48

HEX #517585

RGB 81 117 133

HSL 198.46, 0.24%, 0.42%

LAB 47.19, -8.39, -12.82

 

CMYK 39 / 23 / 0 / 48

HEX #516785

RGB 81 103 133

HSL 214.62, 0.24%, 0.42%

LAB 42.98, -0.1, -19.24

 

CMYK 39 / 33 / 0 / 48

HEX #515985

RGB 81 89 133

HSL 230.77, 0.24%, 0.42%

LAB 38.88, 8.59, -25.6

 

CMYK 35 / 39 / 0 / 48

HEX #575185

RGB 87 81 133

HSL 246.92, 0.24%, 0.42%

LAB 37.12, 15.47, -28.31

 

CMYK 39 / 23 / 0 / 68

HEX #323F52

RGB 50 63 82

HSL 215.63, 0.24%, 0.26%

LAB 26.28, 0.18, -13.16

 

CMYK 38 / 22 / 0 / 58

HEX #42536B

RGB 66 83 107

HSL 215.12, 0.24%, 0.34%

LAB 34.82, 0.04, -15.94

 

CMYK 39 / 23 / 0 / 48

HEX #516785

RGB 81 103 133

HSL 214.62, 0.24%, 0.42%

LAB 42.98, -0.1, -19.24

 

CMYK 39 / 23 / 0 / 38

HEX #617A9E

RGB 97 122 158

HSL 215.41, 0.24%, 0.5%

LAB 50.6, 0.37, -22.23

 

CMYK 29 / 17 / 0 / 32

HEX #7B90AE

RGB 123 144 174

HSL 215.29, 0.24%, 0.58%

LAB 59.17, -0.35, -18.19

 

CMYK 38 / 23 / 0 / 48

HEX #526785

RGB 82 103 133

HSL 215.29, 0.24%, 0.42%

LAB 43.04, 0.2, -19.13

 

CMYK 8 / 39 / 0 / 48

HEX #7A5185

RGB 122 81 133

HSL 287.31, 0.24%, 0.42%

LAB 40.76, 26.75, -22.36

 

CMYK 8 / 0 / 39 / 48

HEX #7B8551

RGB 123 133 81

HSL 71.54, 0.24%, 0.42%

LAB 53.58, -12.56, 26.82

 

CMYK 38 / 23 / 0 / 48

HEX #526785

RGB 82 103 133

HSL 215.29, 0.24%, 0.42%

LAB 43.04, 0.2, -19.13

 

CMYK 0 / 39 / 23 / 48

HEX #855167

RGB 133 81 103

HSL 334.62, 0.24%, 0.42%

LAB 40.98, 24.99, -3.48

 

CMYK 23 / 0 / 39 / 48

HEX #678551

RGB 103 133 81

HSL 94.62, 0.24%, 0.42%

LAB 52.12, -20.66, 24.65

 

CMYK 38 / 23 / 0 / 48

HEX #526785

RGB 82 103 133

HSL 215.29, 0.24%, 0.42%

LAB 43.04, 0.2, -19.13

 

CMYK 8 / 39 / 0 / 48

HEX #7A5185

RGB 122 81 133

HSL 287.31, 0.24%, 0.42%

LAB 40.76, 26.75, -22.36

 

CMYK 0 / 17 / 39 / 48

HEX #856F51

RGB 133 111 81

HSL 34.62, 0.24%, 0.42%

LAB 48.2, 4.13, 19.94

 

CMYK 30 / 0 / 39 / 48

HEX #5D8551

RGB 93 133 81

HSL 106.15, 0.24%, 0.42%

LAB 51.49, -24.45, 23.71

 

CMYK 38 / 23 / 0 / 48

HEX #526785

RGB 82 103 133

HSL 215.29, 0.24%, 0.42%

LAB 43.04, 0.2, -19.13

 

CMYK 0 / 39 / 3 / 48

HEX #855181

RGB 133 81 129

HSL 304.62, 0.24%, 0.42%

LAB 41.93, 29.65, -18.01

 

CMYK 0 / 17 / 39 / 48

HEX #856F51

RGB 133 111 81

HSL 34.62, 0.24%, 0.42%

LAB 48.2, 4.13, 19.94

 

CMYK 39 / 0 / 35 / 48

HEX #518556

RGB 81 133 86

HSL 125.77, 0.24%, 0.42%

LAB 50.92, -27.81, 20.02

 

Description

Color code: HEX #526785 | qconv.com Color code: HEX #526785 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 103 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 103 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 23 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 23% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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