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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5259CECE it is the complementary color #ADA631CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5259CECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5259CECE shade: #5759C9CE, #686BDCCE, #797DEFCE, #8A8FFFCE and #9BA1FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5259CECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5259CECE shade: #5259CECE, #4147BBCE, #3035A8CE, #1F2395CE and #0E1182CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5259CECE shade: #5057CE, #6B50CE, #8D50CE, #AF50CE and #CE50CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5259CECE shade: #5057CE and #5050CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5259CECE shade matches the following richer shades: #5057CE, #3E47E0 and #2C37F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5259CECE shade: #5057CE, #6267BB, #7477A9, #868797 and #999785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5259CECE shade: #509BCE, #507ACE, #5058CE, #6950CE and #8B50CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5259CECE shade: #2D339E, #363DBF, #5057CE, #7076D7 and #9095E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5259CECE shade: #5259CE, #CE50BD and #8BCE50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5259CECE shade: #5259CE, #CE5058 and #58CE50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5259CECE shade: #5259CE, #CE50BD, #CEC550 and #50CE61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5259CECE shade: #5259CE, #CE5097, #CEC550 and #50CE86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 46 / 0 / 16

HEX #5259CECE

RGBA 82 89 206 0.81

HSLA 236.61, 0.56%, 0.56%, 0.81

LABA 43.35, 32.32, -61.65, 0.81

 

Complementary color

CMYK 0 / 3 / 58 / 26

HEX #ADA631CE

RGBA 173 166 49 0.81

HSLA 56.61, 0.56%, 0.44%, 0.81

LABA 66.81, -11.19, 58.07, 0.81

 

CMYK 46 / 45 / 0 / 17

HEX #5759C9CE

RGBA 87 89 201 0.81

HSLA 238.95, 0.51%, 0.56%, 0.81

LABA 43.34, 31.59, -58.77, 0.81

 

CMYK 43 / 42 / 0 / 11

HEX #686BDCCE

RGBA 104 107 220 0.81

HSLA 238.45, 0.62%, 0.64%, 0.81

LABA 50.25, 29.98, -58.43, 0.81

 

CMYK 40 / 39 / 0 / 5

HEX #797DEFCE

RGBA 121 125 239 0.81

HSLA 237.97, 0.79%, 0.71%, 0.81

LABA 57.04, 28.6, -58.12, 0.81

 

CMYK 37 / 36 / 0 / 0

HEX #8A8FFFCE

RGBA 138 143 255 0.81

HSLA 237.44, 1%, 0.77%, 0.81

LABA 63.56, 26.53, -56.46, 0.81

 

CMYK 32 / 30 / 0 / 0

HEX #9BA1FFCE

RGBA 155 161 255 0.81

HSLA 236.4, 1%, 0.8%, 0.81

LABA 69.24, 20.29, -47.4, 0.81

 

CMYK 49 / 46 / 0 / 16

HEX #5259CECE

RGBA 82 89 206 0.81

HSLA 236.61, 0.56%, 0.56%, 0.81

LABA 43.35, 32.32, -61.65, 0.81

 

CMYK 53 / 50 / 0 / 22

HEX #4147BBCE

RGBA 65 71 187 0.81

HSLA 237.05, 0.48%, 0.49%, 0.81

LABA 36.4, 34.38, -61.96, 0.81

 

CMYK 58 / 55 / 0 / 28

HEX #3035A8CE

RGBA 48 53 168 0.81

HSLA 237.5, 0.56%, 0.42%, 0.81

LABA 29.42, 36.77, -62.14, 0.81

 

CMYK 64 / 62 / 0 / 34

HEX #1F2395CE

RGBA 31 35 149 0.81

HSLA 237.97, 0.66%, 0.35%, 0.81

LABA 22.53, 39.36, -61.95, 0.81

 

CMYK 72 / 70 / 0 / 40

HEX #0E1182CE

RGBA 14 17 130 0.81

HSLA 238.45, 0.81%, 0.28%, 0.81

LABA 16.03, 41.6, -60.86, 0.81

 

CMYK 61 / 58 / 0 / 19

HEX #5057CE

RGB 80 87 206

HSL 236.67, 0.56%, 0.56%

LAB 42.73, 33.22, -62.67

 

CMYK 48 / 61 / 0 / 19

HEX #6B50CE

RGB 107 80 206

HSL 252.86, 0.56%, 0.56%

LAB 43.24, 42.41, -61.74

 

CMYK 32 / 61 / 0 / 19

HEX #8D50CE

RGB 141 80 206

HSL 269.05, 0.56%, 0.56%

LAB 46.79, 49.71, -55.84

 

CMYK 15 / 61 / 0 / 19

HEX #AF50CE

RGB 175 80 206

HSL 285.24, 0.56%, 0.56%

LAB 51.05, 57.72, -48.78

 

CMYK 0 / 61 / 1 / 19

HEX #CE50CB

RGB 206 80 203

HSL 301.43, 0.56%, 0.56%

LAB 55.25, 64.77, -40.13

 

CMYK 61 / 58 / 0 / 19

HEX #5057CE

RGB 80 87 206

HSL 236.67, 0.56%, 0.56%

LAB 42.73, 33.22, -62.67

 

CMYK 61 / 61 / 0 / 19

HEX #5050CE

RGB 80 80 206

HSL 240, 0.56%, 0.56%

LAB 41.06, 37.53, -65.39

 

CMYK 61 / 58 / 0 / 19

HEX #5057CE

RGB 80 87 206

HSL 236.67, 0.56%, 0.56%

LAB 42.73, 33.22, -62.67

 

CMYK 72 / 68 / 0 / 12

HEX #3E47E0

RGB 62 71 224

HSL 236.67, 0.72%, 0.56%

LAB 39.43, 46.56, -78.42

 

CMYK 82 / 77 / 0 / 5

HEX #2C37F2

RGB 44 55 242

HSL 236.67, 0.88%, 0.56%

LAB 37.26, 59.84, -92.26

 

CMYK 61 / 58 / 0 / 19

HEX #5057CE

RGB 80 87 206

HSL 236.67, 0.56%, 0.56%

LAB 42.73, 33.22, -62.67

 

CMYK 48 / 45 / 0 / 27

HEX #6267BB

RGB 98 103 187

HSL 236.63, 0.4%, 0.56%

LAB 46.82, 20.83, -45.04

 

CMYK 31 / 30 / 0 / 34

HEX #7477A9

RGB 116 119 169

HSL 236.6, 0.24%, 0.56%

LAB 51.58, 10.8, -27.02

 

CMYK 11 / 11 / 0 / 41

HEX #868797

RGB 134 135 151

HSL 236.47, 0.08%, 0.56%

LAB 56.71, 2.97, -8.65

 

CMYK 0 / 1 / 13 / 40

HEX #999785

RGB 153 151 133

HSL 54, 0.09%, 0.56%

LAB 62.17, -2.51, 9.75

 

CMYK 61 / 25 / 0 / 19

HEX #509BCE

RGB 80 155 206

HSL 204.29, 0.56%, 0.56%

LAB 61.31, -7.96, -33.12

 

CMYK 61 / 41 / 0 / 19

HEX #507ACE

RGB 80 122 206

HSL 220, 0.56%, 0.56%

LAB 51.93, 11.42, -47.88

 

CMYK 61 / 57 / 0 / 19

HEX #5058CE

RGB 80 88 206

HSL 236.19, 0.56%, 0.56%

LAB 42.98, 32.6, -62.27

 

CMYK 49 / 61 / 0 / 19

HEX #6950CE

RGB 105 80 206

HSL 251.9, 0.56%, 0.56%

LAB 43.06, 42.01, -62.05

 

CMYK 33 / 61 / 0 / 19

HEX #8B50CE

RGB 139 80 206

HSL 268.1, 0.56%, 0.56%

LAB 46.56, 49.25, -56.22

 

CMYK 72 / 68 / 0 / 38

HEX #2D339E

RGB 45 51 158

HSL 236.81, 0.56%, 0.4%

LAB 27.83, 34.13, -58.7

 

CMYK 72 / 68 / 0 / 25

HEX #363DBF

RGB 54 61 191

HSL 236.93, 0.56%, 0.48%

LAB 33.74, 40.51, -68.7

 

CMYK 61 / 58 / 0 / 19

HEX #5057CE

RGB 80 87 206

HSL 236.67, 0.56%, 0.56%

LAB 42.73, 33.22, -62.67

 

CMYK 48 / 45 / 0 / 16

HEX #7076D7

RGB 112 118 215

HSL 236.5, 0.56%, 0.64%

LAB 53.28, 23.53, -50.71

 

CMYK 36 / 33 / 0 / 12

HEX #9095E0

RGB 144 149 224

HSL 236.25, 0.56%, 0.72%

LAB 64, 15.93, -38.67

 

CMYK 60 / 57 / 0 / 19

HEX #5259CE

RGB 82 89 206

HSL 236.61, 0.56%, 0.56%

LAB 43.35, 32.32, -61.65

 

CMYK 0 / 61 / 8 / 19

HEX #CE50BD

RGB 206 80 189

HSL 308.1, 0.56%, 0.56%

LAB 54.59, 62.48, -33.13

 

CMYK 33 / 0 / 61 / 19

HEX #8BCE50

RGB 139 206 80

HSL 91.9, 0.56%, 0.56%

LAB 76.2, -41.89, 54.58

 

CMYK 60 / 57 / 0 / 19

HEX #5259CE

RGB 82 89 206

HSL 236.61, 0.56%, 0.56%

LAB 43.35, 32.32, -61.65

 

CMYK 0 / 61 / 57 / 19

HEX #CE5058

RGB 206 80 88

HSL 356.19, 0.56%, 0.56%

LAB 51.34, 50.49, 21.78

 

CMYK 57 / 0 / 61 / 19

HEX #58CE50

RGB 88 206 80

HSL 116.19, 0.56%, 0.56%

LAB 74.06, -57.31, 51.59

 

CMYK 60 / 57 / 0 / 19

HEX #5259CE

RGB 82 89 206

HSL 236.61, 0.56%, 0.56%

LAB 43.35, 32.32, -61.65

 

CMYK 0 / 61 / 8 / 19

HEX #CE50BD

RGB 206 80 189

HSL 308.1, 0.56%, 0.56%

LAB 54.59, 62.48, -33.13

 

CMYK 0 / 4 / 61 / 19

HEX #CEC550

RGB 206 197 80

HSL 55.71, 0.56%, 0.56%

LAB 78.25, -11.22, 58.13

 

CMYK 61 / 0 / 53 / 19

HEX #50CE61

RGB 80 206 97

HSL 128.1, 0.56%, 0.56%

LAB 74, -57.1, 43.67

 

CMYK 60 / 57 / 0 / 19

HEX #5259CE

RGB 82 89 206

HSL 236.61, 0.56%, 0.56%

LAB 43.35, 32.32, -61.65

 

CMYK 0 / 61 / 27 / 19

HEX #CE5097

RGB 206 80 151

HSL 326.19, 0.56%, 0.56%

LAB 53.05, 56.98, -13.31

 

CMYK 0 / 4 / 61 / 19

HEX #CEC550

RGB 206 197 80

HSL 55.71, 0.56%, 0.56%

LAB 78.25, -11.22, 58.13

 

CMYK 61 / 0 / 35 / 19

HEX #50CE86

RGB 80 206 134

HSL 145.71, 0.56%, 0.56%

LAB 74.55, -51.08, 25.74

 

Description

Color code: HEX #5259CECE | qconv.com Color code: HEX #5259CECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 89 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 89 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 46 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 46% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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