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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5259C5 it is the complementary color #ADA63A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5259C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5259C5 shade: #5759C0, #686BD3, #797DE6, #8A8FF9 and #9BA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5259C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5259C5 shade: #5259C5, #4147B2, #30359F, #1F238C and #0E1179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5259C5 shade: #535AC6, #6B53C6, #8A53C6, #A953C6 and #C653C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5259C5 shade: #535AC6 and #5353C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5259C5 shade matches the following richer shades: #535AC6, #404AD8, #2E39EB and #1B29FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5259C5 shade: #535AC6, #656AB3, #787AA0, #8B8B8E and #9D9B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5259C5 shade: #5398C6, #5379C6, #535BC6, #6A53C6 and #8853C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5259C5 shade: #313894, #3C43B3, #535AC6, #7278D0 and #9195DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5259C5 shade: #5259C5, #C653B6 and #88C653

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5259C5 shade: #5259C5, #C6535B and #5BC653

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5259C5 shade: #5259C5, #C653B6, #C6BE53 and #53C662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5259C5 shade: #5259C5, #C65394, #C6BE53 and #53C685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 55 / 0 / 23

HEX #5259C5

RGB 82 89 197

HSL 236.35, 0.5%, 0.55%

LAB 42.72, 29.34, -57.49

 

Complementary color

CMYK 0 / 4 / 66 / 32

HEX #ADA63A

RGB 173 166 58

HSL 56.35, 0.5%, 0.45%

LAB 66.87, -10.7, 54.57

 

CMYK 55 / 54 / 0 / 25

HEX #5759C0

RGB 87 89 192

HSL 238.86, 0.45%, 0.55%

LAB 42.73, 28.67, -54.55

 

CMYK 51 / 49 / 0 / 17

HEX #686BD3

RGB 104 107 211

HSL 238.32, 0.55%, 0.62%

LAB 49.69, 27.18, -54.22

 

CMYK 47 / 46 / 0 / 10

HEX #797DE6

RGB 121 125 230

HSL 237.8, 0.69%, 0.69%

LAB 56.53, 25.9, -53.92

 

CMYK 45 / 43 / 0 / 2

HEX #8A8FF9

RGB 138 143 249

HSL 237.3, 0.9%, 0.76%

LAB 63.25, 24.81, -53.67

 

CMYK 39 / 37 / 0 / 0

HEX #9BA1FF

RGB 155 161 255

HSL 236.4, 1%, 0.8%

LAB 69.24, 20.29, -47.4

 

CMYK 58 / 55 / 0 / 23

HEX #5259C5

RGB 82 89 197

HSL 236.35, 0.5%, 0.55%

LAB 42.72, 29.34, -57.49

 

CMYK 63 / 60 / 0 / 30

HEX #4147B2

RGB 65 71 178

HSL 236.81, 0.47%, 0.48%

LAB 35.68, 31.29, -57.82

 

CMYK 70 / 67 / 0 / 38

HEX #30359F

RGB 48 53 159

HSL 237.3, 0.54%, 0.41%

LAB 28.58, 33.59, -58.06

 

CMYK 78 / 75 / 0 / 45

HEX #1F238C

RGB 31 35 140

HSL 237.8, 0.64%, 0.34%

LAB 21.53, 36.2, -58.01

 

CMYK 88 / 86 / 0 / 53

HEX #0E1179

RGB 14 17 121

HSL 238.32, 0.79%, 0.26%

LAB 14.82, 38.63, -57.14

 

CMYK 58 / 55 / 0 / 22

HEX #535AC6

RGB 83 90 198

HSL 236.35, 0.5%, 0.55%

LAB 43.11, 29.23, -57.43

 

CMYK 46 / 58 / 0 / 22

HEX #6B53C6

RGB 107 83 198

HSL 252.52, 0.5%, 0.55%

LAB 43.34, 38.34, -56.95

 

CMYK 30 / 58 / 0 / 22

HEX #8A53C6

RGB 138 83 198

HSL 268.7, 0.5%, 0.55%

LAB 46.53, 45.46, -51.65

 

CMYK 15 / 58 / 0 / 22

HEX #A953C6

RGB 169 83 198

HSL 284.87, 0.5%, 0.55%

LAB 50.33, 53.18, -45.37

 

CMYK 0 / 58 / 1 / 22

HEX #C653C4

RGB 198 83 196

HSL 301.04, 0.5%, 0.55%

LAB 54.22, 60.27, -37.82

 

CMYK 58 / 55 / 0 / 22

HEX #535AC6

RGB 83 90 198

HSL 236.35, 0.5%, 0.55%

LAB 43.11, 29.23, -57.43

 

CMYK 58 / 58 / 0 / 22

HEX #5353C6

RGB 83 83 198

HSL 240, 0.5%, 0.55%

LAB 41.38, 33.58, -60.23

 

CMYK 58 / 55 / 0 / 22

HEX #535AC6

RGB 83 90 198

HSL 236.35, 0.5%, 0.55%

LAB 43.11, 29.23, -57.43

 

CMYK 70 / 66 / 0 / 15

HEX #404AD8

RGB 64 74 216

HSL 236.05, 0.66%, 0.55%

LAB 39.49, 42.31, -73.75

 

CMYK 80 / 76 / 0 / 8

HEX #2E39EB

RGB 46 57 235

HSL 236.51, 0.83%, 0.55%

LAB 36.94, 56.72, -88.82

 

CMYK 89 / 84 / 0 / 1

HEX #1B29FD

RGB 27 41 253

HSL 236.28, 0.98%, 0.55%

LAB 35.81, 68.9, -100.87

 

CMYK 58 / 55 / 0 / 22

HEX #535AC6

RGB 83 90 198

HSL 236.35, 0.5%, 0.55%

LAB 43.11, 29.23, -57.43

 

CMYK 44 / 41 / 0 / 30

HEX #656AB3

RGB 101 106 179

HSL 236.15, 0.34%, 0.55%

LAB 47.4, 17.29, -39.46

 

CMYK 25 / 24 / 0 / 37

HEX #787AA0

RGB 120 122 160

HSL 237, 0.17%, 0.55%

LAB 52.34, 7.93, -20.59

 

CMYK 2 / 2 / 0 / 44

HEX #8B8B8E

RGB 139 139 142

HSL 240, 0.01%, 0.55%

LAB 57.95, 0.6, -1.6

 

CMYK 0 / 1 / 22 / 38

HEX #9D9B7B

RGB 157 155 123

HSL 56.47, 0.15%, 0.55%

LAB 63.38, -4.76, 17.09

 

CMYK 58 / 23 / 0 / 22

HEX #5398C6

RGB 83 152 198

HSL 204, 0.5%, 0.55%

LAB 60.22, -8.24, -30.32

 

CMYK 58 / 39 / 0 / 22

HEX #5379C6

RGB 83 121 198

HSL 220.17, 0.5%, 0.55%

LAB 51.37, 9.93, -44.2

 

CMYK 58 / 54 / 0 / 22

HEX #535BC6

RGB 83 91 198

HSL 235.83, 0.5%, 0.55%

LAB 43.36, 28.6, -57.03

 

CMYK 46 / 58 / 0 / 22

HEX #6A53C6

RGB 106 83 198

HSL 252, 0.5%, 0.55%

LAB 43.25, 38.13, -57.11

 

CMYK 31 / 58 / 0 / 22

HEX #8853C6

RGB 136 83 198

HSL 267.65, 0.5%, 0.55%

LAB 46.31, 44.98, -52.03

 

CMYK 67 / 62 / 0 / 42

HEX #313894

RGB 49 56 148

HSL 235.76, 0.5%, 0.39%

LAB 28.43, 27.85, -51.6

 

CMYK 66 / 63 / 0 / 30

HEX #3C43B3

RGB 60 67 179

HSL 236.47, 0.5%, 0.47%

LAB 34.46, 33.4, -60.42

 

CMYK 58 / 55 / 0 / 22

HEX #535AC6

RGB 83 90 198

HSL 236.35, 0.5%, 0.55%

LAB 43.11, 29.23, -57.43

 

CMYK 45 / 42 / 0 / 18

HEX #7278D0

RGB 114 120 208

HSL 236.17, 0.5%, 0.63%

LAB 53.56, 20.7, -46.3

 

CMYK 33 / 32 / 0 / 15

HEX #9195DA

RGB 145 149 218

HSL 236.71, 0.5%, 0.71%

LAB 63.82, 14.62, -35.63

 

CMYK 58 / 55 / 0 / 23

HEX #5259C5

RGB 82 89 197

HSL 236.35, 0.5%, 0.55%

LAB 42.72, 29.34, -57.49

 

CMYK 0 / 58 / 8 / 22

HEX #C653B6

RGB 198 83 182

HSL 308.35, 0.5%, 0.55%

LAB 53.57, 57.93, -30.76

 

CMYK 31 / 0 / 58 / 22

HEX #88C653

RGB 136 198 83

HSL 92.35, 0.5%, 0.55%

LAB 73.71, -39.16, 50.4

 

CMYK 58 / 55 / 0 / 23

HEX #5259C5

RGB 82 89 197

HSL 236.35, 0.5%, 0.55%

LAB 42.72, 29.34, -57.49

 

CMYK 0 / 58 / 54 / 22

HEX #C6535B

RGB 198 83 91

HSL 355.83, 0.5%, 0.55%

LAB 50.63, 46.58, 18.81

 

CMYK 54 / 0 / 58 / 22

HEX #5BC653

RGB 91 198 83

HSL 115.83, 0.5%, 0.55%

LAB 71.72, -53.22, 47.58

 

CMYK 58 / 55 / 0 / 23

HEX #5259C5

RGB 82 89 197

HSL 236.35, 0.5%, 0.55%

LAB 42.72, 29.34, -57.49

 

CMYK 0 / 58 / 8 / 22

HEX #C653B6

RGB 198 83 182

HSL 308.35, 0.5%, 0.55%

LAB 53.57, 57.93, -30.76

 

CMYK 0 / 4 / 58 / 22

HEX #C6BE53

RGB 198 190 83

HSL 55.83, 0.5%, 0.55%

LAB 75.73, -10.79, 53.85

 

CMYK 58 / 0 / 51 / 22

HEX #53C662

RGB 83 198 98

HSL 127.83, 0.5%, 0.55%

LAB 71.63, -53.28, 40.3

 

CMYK 58 / 55 / 0 / 23

HEX #5259C5

RGB 82 89 197

HSL 236.35, 0.5%, 0.55%

LAB 42.72, 29.34, -57.49

 

CMYK 0 / 58 / 25 / 22

HEX #C65394

RGB 198 83 148

HSL 326.09, 0.5%, 0.55%

LAB 52.21, 52.84, -12.93

 

CMYK 0 / 4 / 58 / 22

HEX #C6BE53

RGB 198 190 83

HSL 55.83, 0.5%, 0.55%

LAB 75.73, -10.79, 53.85

 

CMYK 58 / 0 / 33 / 22

HEX #53C685

RGB 83 198 133

HSL 146.09, 0.5%, 0.55%

LAB 72.18, -47.39, 23.06

 

Description

Color code: HEX #5259C5 | qconv.com Color code: HEX #5259C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 89 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 89 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 55 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 55% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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