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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5259B5CE it is the complementary color #ADA64ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5259B5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5259B5CE shade: #5759B0CE, #686BC3CE, #797DD6CE, #8A8FE9CE and #9BA1FCCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5259B5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5259B5CE shade: #5259B5CE, #4147A2CE, #30358FCE, #1F237CCE and #0E1169CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5259B5CE shade: #545BB6, #6754B6, #8254B6, #9C54B6 and #B654B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5259B5CE shade: #545BB6 and #5454B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5259B5CE shade matches the following richer shades: #545BB6, #404AC9, #2C39DD and #1828F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5259B5CE shade: #545BB6, #676CA2, #7B7D8E, #8F8E7A and #A39F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5259B5CE shade: #5490B6, #5476B6, #545CB6, #6654B6 and #8054B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5259B5CE shade: #373C80, #434A9D, #545BB6, #7176C2 and #8D92CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5259B5CE shade: #5259B5, #B654AA and #83B654

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5259B5CE shade: #5259B5, #B6545C and #5CB654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5259B5CE shade: #5259B5, #B654AA, #B6AD54 and #54B65F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5259B5CE shade: #5259B5, #B6548D, #B6AD54 and #54B67C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 41 / 0 / 24

HEX #5259B5CE

RGBA 82 89 181 0.81

HSLA 235.76, 0.4%, 0.52%, 0.81

LABA 41.65, 24.05, -49.88, 0.81

 

Complementary color

CMYK 0 / 3 / 46 / 26

HEX #ADA64ACE

RGBA 173 166 74 0.81

HSLA 55.76, 0.4%, 0.48%, 0.81

LABA 67.01, -9.6, 47.61, 0.81

 

CMYK 41 / 40 / 0 / 25

HEX #5759B0CE

RGBA 87 89 176 0.81

HSLA 238.65, 0.36%, 0.52%, 0.81

LABA 41.7, 23.53, -46.85, 0.81

 

CMYK 38 / 37 / 0 / 19

HEX #686BC3CE

RGBA 104 107 195 0.81

HSLA 238.02, 0.43%, 0.59%, 0.81

LABA 48.76, 22.26, -46.55, 0.81

 

CMYK 35 / 34 / 0 / 13

HEX #797DD6CE

RGBA 121 125 214 0.81

HSLA 237.42, 0.53%, 0.66%, 0.81

LABA 55.67, 21.19, -46.31, 0.81

 

CMYK 33 / 31 / 0 / 7

HEX #8A8FE9CE

RGBA 138 143 233 0.81

HSLA 236.84, 0.68%, 0.73%, 0.81

LABA 62.45, 20.28, -46.12, 0.81

 

CMYK 31 / 29 / 0 / 1

HEX #9BA1FCCE

RGBA 155 161 252 0.81

HSLA 236.29, 0.94%, 0.8%, 0.81

LABA 69.1, 19.48, -45.98, 0.81

 

CMYK 44 / 41 / 0 / 24

HEX #5259B5CE

RGBA 82 89 181 0.81

HSLA 235.76, 0.4%, 0.52%, 0.81

LABA 41.65, 24.05, -49.88, 0.81

 

CMYK 49 / 46 / 0 / 30

HEX #4147A2CE

RGBA 65 71 162 0.81

HSLA 236.29, 0.43%, 0.45%, 0.81

LABA 34.48, 25.76, -50.23, 0.81

 

CMYK 54 / 51 / 0 / 36

HEX #30358FCE

RGBA 48 53 143 0.81

HSLA 236.84, 0.5%, 0.37%, 0.81

LABA 27.18, 27.86, -50.56, 0.81

 

CMYK 61 / 58 / 0 / 42

HEX #1F237CCE

RGBA 31 35 124 0.81

HSLA 237.42, 0.6%, 0.3%, 0.81

LABA 19.84, 30.4, -50.72, 0.81

 

CMYK 70 / 68 / 0 / 48

HEX #0E1169CE

RGBA 14 17 105 0.81

HSLA 238.02, 0.76%, 0.23%, 0.81

LABA 12.7, 33.1, -50.26, 0.81

 

CMYK 54 / 50 / 0 / 29

HEX #545BB6

RGB 84 91 182

HSL 235.71, 0.4%, 0.52%

LAB 42.38, 23.54, -49.29

 

CMYK 43 / 54 / 0 / 29

HEX #6754B6

RGB 103 84 182

HSL 251.63, 0.4%, 0.52%

LAB 42.16, 32.18, -49.56

 

CMYK 29 / 54 / 0 / 29

HEX #8254B6

RGB 130 84 182

HSL 268.16, 0.4%, 0.52%

LAB 44.89, 38.94, -45.03

 

CMYK 14 / 54 / 0 / 29

HEX #9C54B6

RGB 156 84 182

HSL 284.08, 0.4%, 0.52%

LAB 47.99, 45.92, -39.92

 

CMYK 0 / 54 / 1 / 29

HEX #B654B5

RGB 182 84 181

HSL 300.61, 0.4%, 0.52%

LAB 51.41, 52.89, -33.72

 

CMYK 54 / 50 / 0 / 29

HEX #545BB6

RGB 84 91 182

HSL 235.71, 0.4%, 0.52%

LAB 42.38, 23.54, -49.29

 

CMYK 54 / 54 / 0 / 29

HEX #5454B6

RGB 84 84 182

HSL 240, 0.4%, 0.52%

LAB 40.58, 27.94, -52.19

 

CMYK 54 / 50 / 0 / 29

HEX #545BB6

RGB 84 91 182

HSL 235.71, 0.4%, 0.52%

LAB 42.38, 23.54, -49.29

 

CMYK 68 / 63 / 0 / 21

HEX #404AC9

RGB 64 74 201

HSL 235.62, 0.56%, 0.52%

LAB 38.21, 37.18, -67.19

 

CMYK 80 / 74 / 0 / 13

HEX #2C39DD

RGB 44 57 221

HSL 235.59, 0.72%, 0.52%

LAB 35.37, 52.08, -83.45

 

CMYK 90 / 83 / 0 / 5

HEX #1828F1

RGB 24 40 241

HSL 235.58, 0.89%, 0.52%

LAB 34.11, 65.78, -96.94

 

CMYK 54 / 50 / 0 / 29

HEX #545BB6

RGB 84 91 182

HSL 235.71, 0.4%, 0.52%

LAB 42.38, 23.54, -49.29

 

CMYK 36 / 33 / 0 / 36

HEX #676CA2

RGB 103 108 162

HSL 234.92, 0.24%, 0.52%

LAB 47.26, 11.66, -29.73

 

CMYK 13 / 12 / 0 / 44

HEX #7B7D8E

RGB 123 125 142

HSL 233.68, 0.08%, 0.52%

LAB 52.76, 2.89, -9.43

 

CMYK 0 / 1 / 15 / 44

HEX #8F8E7A

RGB 143 142 122

HSL 57.14, 0.09%, 0.52%

LAB 58.59, -3.26, 10.8

 

CMYK 0 / 2 / 37 / 36

HEX #A39F66

RGB 163 159 102

HSL 56.07, 0.25%, 0.52%

LAB 64.6, -7.35, 30.29

 

CMYK 54 / 21 / 0 / 29

HEX #5490B6

RGB 84 144 182

HSL 203.27, 0.4%, 0.52%

LAB 57.28, -8.52, -25.83

 

CMYK 54 / 35 / 0 / 29

HEX #5476B6

RGB 84 118 182

HSL 219.18, 0.4%, 0.52%

LAB 49.76, 6.72, -37.55

 

CMYK 54 / 49 / 0 / 29

HEX #545CB6

RGB 84 92 182

HSL 235.1, 0.4%, 0.52%

LAB 42.64, 22.91, -48.87

 

CMYK 44 / 54 / 0 / 29

HEX #6654B6

RGB 102 84 182

HSL 251.02, 0.4%, 0.52%

LAB 42.07, 31.94, -49.71

 

CMYK 30 / 54 / 0 / 29

HEX #8054B6

RGB 128 84 182

HSL 266.94, 0.4%, 0.52%

LAB 44.67, 38.42, -45.4

 

CMYK 57 / 53 / 0 / 50

HEX #373C80

RGB 55 60 128

HSL 235.89, 0.4%, 0.36%

LAB 28.39, 19.13, -39.26

 

CMYK 57 / 53 / 0 / 38

HEX #434A9D

RGB 67 74 157

HSL 235.33, 0.4%, 0.44%

LAB 35.05, 22.49, -46.28

 

CMYK 54 / 50 / 0 / 29

HEX #545BB6

RGB 84 91 182

HSL 235.71, 0.4%, 0.52%

LAB 42.38, 23.54, -49.29

 

CMYK 42 / 39 / 0 / 24

HEX #7176C2

RGB 113 118 194

HSL 236.3, 0.4%, 0.6%

LAB 52.24, 17.54, -40.41

 

CMYK 32 / 29 / 0 / 19

HEX #8D92CE

RGB 141 146 206

HSL 235.38, 0.4%, 0.68%

LAB 62.23, 12.08, -31.42

 

CMYK 55 / 51 / 0 / 29

HEX #5259B5

RGB 82 89 181

HSL 235.76, 0.4%, 0.52%

LAB 41.65, 24.05, -49.88

 

CMYK 0 / 54 / 7 / 29

HEX #B654AA

RGB 182 84 170

HSL 307.35, 0.4%, 0.52%

LAB 50.91, 50.97, -28.08

 

CMYK 28 / 0 / 54 / 29

HEX #83B654

RGB 131 182 84

HSL 91.22, 0.4%, 0.52%

LAB 68.69, -33.61, 44.03

 

CMYK 55 / 51 / 0 / 29

HEX #5259B5

RGB 82 89 181

HSL 235.76, 0.4%, 0.52%

LAB 41.65, 24.05, -49.88

 

CMYK 0 / 54 / 49 / 29

HEX #B6545C

RGB 182 84 92

HSL 355.1, 0.4%, 0.52%

LAB 48.33, 40.45, 14.68

 

CMYK 49 / 0 / 54 / 29

HEX #5CB654

RGB 92 182 84

HSL 115.1, 0.4%, 0.52%

LAB 66.8, -46.5, 41.32

 

CMYK 55 / 51 / 0 / 29

HEX #5259B5

RGB 82 89 181

HSL 235.76, 0.4%, 0.52%

LAB 41.65, 24.05, -49.88

 

CMYK 0 / 54 / 7 / 29

HEX #B654AA

RGB 182 84 170

HSL 307.35, 0.4%, 0.52%

LAB 50.91, 50.97, -28.08

 

CMYK 0 / 5 / 54 / 29

HEX #B6AD54

RGB 182 173 84

HSL 54.49, 0.4%, 0.52%

LAB 69.8, -8.64, 46.25

 

CMYK 54 / 0 / 48 / 29

HEX #54B65F

RGB 84 182 95

HSL 126.73, 0.4%, 0.52%

LAB 66.65, -47.17, 35.6

 

CMYK 55 / 51 / 0 / 29

HEX #5259B5

RGB 82 89 181

HSL 235.76, 0.4%, 0.52%

LAB 41.65, 24.05, -49.88

 

CMYK 0 / 54 / 23 / 29

HEX #B6548D

RGB 182 84 141

HSL 325.1, 0.4%, 0.52%

LAB 49.75, 46.38, -12.72

 

CMYK 0 / 5 / 54 / 29

HEX #B6AD54

RGB 182 173 84

HSL 54.49, 0.4%, 0.52%

LAB 69.8, -8.64, 46.25

 

CMYK 54 / 0 / 32 / 29

HEX #54B67C

RGB 84 182 124

HSL 144.49, 0.4%, 0.52%

LAB 67.12, -42.16, 21

 

Description

Color code: HEX #5259B5CE | qconv.com Color code: HEX #5259B5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 89 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 89 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 41 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 41% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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