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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #525920 it is the complementary color #ADA6DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #525920. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #525920 shade: #57591B, #686B2E, #797D41, #8A8F54 and #9BA167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #525920. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #525920 shade: #525920, #41470D, #303500, #1F2300 and #0E1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #525920 shade: #535A20, #5A5220, #5A4220, #5A3220 and #5A2320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #525920 shade: #535A20, #435A20, #345A20, #245A20 and #205A2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #525920 shade matches the following richer shades: #535A20, #5A6417, #626E0D and #697803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #525920 shade: #535A20, #4B502A, #444634, #3C3C3E and #353248

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #525920 shade: #5A4220, #5A5120, #535A20, #445A20 and #355A20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #525920 shade: #1B1D0B, #373C16, #535A20, #6F782B and #8B9736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #525920 shade: #525920, #205A33 and #4A205A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #525920 shade: #525920, #20535A and #5A2053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #525920 shade: #525920, #205A33, #27205A and #5A2048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #525920 shade: #525920, #205A44, #27205A and #5A2036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 64 / 65

HEX #525920

RGB 82 89 32

HSL 67.37, 0.47%, 0.24%

LAB 36.07, -11.77, 31.26

 

Complementary color

CMYK 22 / 26 / 0 / 13

HEX #ADA6DF

RGB 173 166 223

HSL 247.37, 0.47%, 0.76%

LAB 70.51, 14.44, -27.85

 

CMYK 2 / 0 / 70 / 65

HEX #57591B

RGB 87 89 27

HSL 61.94, 0.53%, 0.23%

LAB 36.46, -9.77, 34.25

 

CMYK 3 / 0 / 57 / 58

HEX #686B2E

RGB 104 107 46

HSL 62.95, 0.4%, 0.3%

LAB 43.74, -10.47, 33.25

 

CMYK 3 / 0 / 48 / 51

HEX #797D41

RGB 121 125 65

HSL 64, 0.32%, 0.37%

LAB 50.82, -10.95, 32.01

 

CMYK 3 / 0 / 41 / 44

HEX #8A8F54

RGB 138 143 84

HSL 65.08, 0.26%, 0.45%

LAB 57.74, -11.3, 30.74

 

CMYK 4 / 0 / 36 / 37

HEX #9BA167

RGB 155 161 103

HSL 66.21, 0.24%, 0.52%

LAB 64.51, -11.56, 29.51

 

CMYK 8 / 0 / 64 / 65

HEX #525920

RGB 82 89 32

HSL 67.37, 0.47%, 0.24%

LAB 36.07, -11.77, 31.26

 

CMYK 8 / 0 / 82 / 72

HEX #41470D

RGB 65 71 13

HSL 66.21, 0.69%, 0.16%

LAB 28.54, -11.01, 31.84

 

CMYK 9 / 0 / 100 / 79

HEX #303500

RGB 48 53 0

HSL 65.66, 1%, 0.1%

LAB 20.73, -9.78, 28.86

 

CMYK 11 / 0 / 100 / 86

HEX #1F2300

RGB 31 35 0

HSL 66.86, 1%, 0.07%

LAB 12.57, -7.81, 18.42

 

CMYK 18 / 0 / 100 / 93

HEX #0E1100

RGB 14 17 0

HSL 70.59, 1%, 0.03%

LAB 4.46, -3.61, 6.62

 

CMYK 8 / 0 / 64 / 65

HEX #535A20

RGB 83 90 32

HSL 67.24, 0.48%, 0.24%

LAB 36.47, -11.86, 31.73

 

CMYK 0 / 9 / 64 / 65

HEX #5A5220

RGB 90 82 32

HSL 51.72, 0.48%, 0.24%

LAB 34.63, -3.81, 29.87

 

CMYK 0 / 27 / 64 / 65

HEX #5A4220

RGB 90 66 32

HSL 35.17, 0.48%, 0.24%

LAB 29.85, 6.06, 24.41

 

CMYK 0 / 44 / 64 / 65

HEX #5A3220

RGB 90 50 32

HSL 18.62, 0.48%, 0.24%

LAB 25.44, 16.14, 19.12

 

CMYK 0 / 61 / 64 / 65

HEX #5A2320

RGB 90 35 32

HSL 3.1, 0.48%, 0.24%

LAB 21.87, 25.08, 14.63

 

CMYK 8 / 0 / 64 / 65

HEX #535A20

RGB 83 90 32

HSL 67.24, 0.48%, 0.24%

LAB 36.47, -11.86, 31.73

 

CMYK 26 / 0 / 64 / 65

HEX #435A20

RGB 67 90 32

HSL 83.79, 0.48%, 0.24%

LAB 35.22, -19.17, 29.99

 

CMYK 42 / 0 / 64 / 65

HEX #345A20

RGB 52 90 32

HSL 99.31, 0.48%, 0.24%

LAB 34.29, -25.33, 28.68

 

CMYK 60 / 0 / 64 / 65

HEX #245A20

RGB 36 90 32

HSL 115.86, 0.48%, 0.24%

LAB 33.55, -30.76, 27.64

 

CMYK 64 / 0 / 51 / 65

HEX #205A2C

RGB 32 90 44

HSL 132.41, 0.48%, 0.24%

LAB 33.57, -30.04, 21.03

 

CMYK 8 / 0 / 64 / 65

HEX #535A20

RGB 83 90 32

HSL 67.24, 0.48%, 0.24%

LAB 36.47, -11.86, 31.73

 

CMYK 10 / 0 / 77 / 61

HEX #5A6417

RGB 90 100 23

HSL 67.79, 0.63%, 0.24%

LAB 40.16, -14.79, 39.76

 

CMYK 11 / 0 / 88 / 57

HEX #626E0D

RGB 98 110 13

HSL 67.42, 0.79%, 0.24%

LAB 43.91, -16.92, 46.63

 

CMYK 13 / 0 / 98 / 53

HEX #697803

RGB 105 120 3

HSL 67.69, 0.95%, 0.24%

LAB 47.55, -19.26, 51.99

 

CMYK 8 / 0 / 64 / 65

HEX #535A20

RGB 83 90 32

HSL 67.24, 0.48%, 0.24%

LAB 36.47, -11.86, 31.73

 

CMYK 6 / 0 / 48 / 69

HEX #4B502A

RGB 75 80 42

HSL 67.89, 0.31%, 0.24%

LAB 32.7, -8.77, 21.66

 

CMYK 3 / 0 / 26 / 73

HEX #444634

RGB 68 70 52

HSL 66.67, 0.15%, 0.24%

LAB 29.05, -4.44, 10.61

 

CMYK 3 / 3 / 0 / 76

HEX #3C3C3E

RGB 60 60 62

HSL 240, 0.02%, 0.24%

LAB 25.38, 0.46, -1.23

 

CMYK 26 / 31 / 0 / 72

HEX #353248

RGB 53 50 72

HSL 248.18, 0.18%, 0.24%

LAB 21.97, 7, -13.14

 

CMYK 0 / 27 / 64 / 65

HEX #5A4220

RGB 90 66 32

HSL 35.17, 0.48%, 0.24%

LAB 29.85, 6.06, 24.41

 

CMYK 0 / 10 / 64 / 65

HEX #5A5120

RGB 90 81 32

HSL 50.69, 0.48%, 0.24%

LAB 34.32, -3.21, 29.53

 

CMYK 8 / 0 / 64 / 65

HEX #535A20

RGB 83 90 32

HSL 67.24, 0.48%, 0.24%

LAB 36.47, -11.86, 31.73

 

CMYK 24 / 0 / 64 / 65

HEX #445A20

RGB 68 90 32

HSL 82.76, 0.48%, 0.24%

LAB 35.29, -18.73, 30.09

 

CMYK 41 / 0 / 64 / 65

HEX #355A20

RGB 53 90 32

HSL 98.28, 0.48%, 0.24%

LAB 34.34, -24.95, 28.76

 

CMYK 7 / 0 / 62 / 89

HEX #1B1D0B

RGB 27 29 11

HSL 66.67, 0.45%, 0.08%

LAB 10.08, -4.63, 10.43

 

CMYK 8 / 0 / 63 / 76

HEX #373C16

RGB 55 60 22

HSL 67.89, 0.46%, 0.16%

LAB 24.01, -8.73, 22.4

 

CMYK 8 / 0 / 64 / 65

HEX #535A20

RGB 83 90 32

HSL 67.24, 0.48%, 0.24%

LAB 36.47, -11.86, 31.73

 

CMYK 8 / 0 / 64 / 53

HEX #6F782B

RGB 111 120 43

HSL 67.01, 0.47%, 0.32%

LAB 48.24, -14.7, 39.91

 

CMYK 8 / 0 / 64 / 41

HEX #8B9736

RGB 139 151 54

HSL 67.42, 0.47%, 0.4%

LAB 59.79, -17.92, 47.99

 

CMYK 8 / 0 / 64 / 65

HEX #525920

RGB 82 89 32

HSL 67.37, 0.47%, 0.24%

LAB 36.07, -11.77, 31.26

 

CMYK 64 / 0 / 43 / 65

HEX #205A33

RGB 32 90 51

HSL 139.66, 0.48%, 0.24%

LAB 33.69, -28.72, 17.07

 

CMYK 18 / 64 / 0 / 65

HEX #4A205A

RGB 74 32 90

HSL 283.45, 0.48%, 0.24%

LAB 20.93, 30.46, -26.63

 

CMYK 8 / 0 / 64 / 65

HEX #525920

RGB 82 89 32

HSL 67.37, 0.47%, 0.24%

LAB 36.07, -11.77, 31.26

 

CMYK 64 / 8 / 0 / 65

HEX #20535A

RGB 32 83 90

HSL 187.24, 0.48%, 0.24%

LAB 32.33, -14.52, -9.19

 

CMYK 0 / 64 / 8 / 65

HEX #5A2053

RGB 90 32 83

HSL 307.24, 0.48%, 0.24%

LAB 23.11, 33.73, -18.36

 

CMYK 8 / 0 / 64 / 65

HEX #525920

RGB 82 89 32

HSL 67.37, 0.47%, 0.24%

LAB 36.07, -11.77, 31.26

 

CMYK 64 / 0 / 43 / 65

HEX #205A33

RGB 32 90 51

HSL 139.66, 0.48%, 0.24%

LAB 33.69, -28.72, 17.07

 

CMYK 57 / 64 / 0 / 65

HEX #27205A

RGB 39 32 90

HSL 247.24, 0.48%, 0.24%

LAB 16.52, 21.27, -33.96

 

CMYK 0 / 64 / 20 / 65

HEX #5A2048

RGB 90 32 72

HSL 318.62, 0.48%, 0.24%

LAB 22.56, 31.78, -11.79

 

CMYK 8 / 0 / 64 / 65

HEX #525920

RGB 82 89 32

HSL 67.37, 0.47%, 0.24%

LAB 36.07, -11.77, 31.26

 

CMYK 64 / 0 / 24 / 65

HEX #205A44

RGB 32 90 68

HSL 157.24, 0.48%, 0.24%

LAB 34.06, -24.81, 7.19

 

CMYK 57 / 64 / 0 / 65

HEX #27205A

RGB 39 32 90

HSL 247.24, 0.48%, 0.24%

LAB 16.52, 21.27, -33.96

 

CMYK 0 / 64 / 40 / 65

HEX #5A2036

RGB 90 32 54

HSL 337.24, 0.48%, 0.24%

LAB 21.85, 29.07, -0.54

 

Description

Color code: HEX #525920 | qconv.com Color code: HEX #525920 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 89 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 89 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 64 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 64% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Solar Magazine - Hom...
Link: http://solarmagazine.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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