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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #525445 it is the complementary color #ADABBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #525445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #525445 shade: #575440, #686653, #797866, #8A8A79 and #9B9C8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #525445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #525445 shade: #525445, #414232, #30301F, #1F1E0C and #0E0C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #525445 shade: #525445, #545245, #544E45, #544A45 and #544645

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #525445 shade: #525445, #4E5445, #4A5445, #465445 and #455448

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #525445 shade matches the following richer shades: #525445, #5B6138, #646D2C, #6D7920 and #768613

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #525445 shade: #525445, #494851, #403B5E, #372F6A and #2E2376

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #525445 shade: #544E45, #545245, #525445, #4E5445 and #4A5445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #525445 shade: #262720, #3C3D32, #525445, #686B57 and #7E826A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #525445 shade: #525445, #45544A and #504554

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #525445 shade: #525445, #455254 and #544552

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #525445 shade: #525445, #45544A, #474554 and #54454F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #525445 shade: #525445, #45544F, #474554 and #54454A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

Complementary color

CMYK 7 / 8 / 0 / 27

HEX #ADABBA

RGB 173 171 186

HSL 248, 0.1%, 0.7%

LAB 70.56, 3.63, -7.42

 

CMYK 0 / 3 / 26 / 66

HEX #575440

RGB 87 84 64

HSL 52.17, 0.15%, 0.3%

LAB 35.47, -2.5, 12.16

 

CMYK 0 / 2 / 20 / 59

HEX #686653

RGB 104 102 83

HSL 54.29, 0.11%, 0.37%

LAB 42.87, -2.76, 11.04

 

CMYK 0 / 1 / 16 / 53

HEX #797866

RGB 121 120 102

HSL 56.84, 0.09%, 0.44%

LAB 50.05, -2.97, 10.04

 

CMYK 0 / 0 / 12 / 46

HEX #8A8A79

RGB 138 138 121

HSL 60, 0.07%, 0.51%

LAB 57.04, -3.14, 9.11

 

CMYK 1 / 0 / 10 / 39

HEX #9B9C8C

RGB 155 156 140

HSL 63.75, 0.07%, 0.58%

LAB 63.87, -3.3, 8.26

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 2 / 0 / 24 / 74

HEX #414232

RGB 65 66 50

HSL 63.75, 0.14%, 0.23%

LAB 27.44, -3.65, 9.63

 

CMYK 0 / 0 / 35 / 81

HEX #30301F

RGB 48 48 31

HSL 60, 0.22%, 0.15%

LAB 19.4, -3.41, 10.93

 

CMYK 0 / 3 / 61 / 88

HEX #1F1E0C

RGB 31 30 12

HSL 56.84, 0.44%, 0.08%

LAB 10.9, -2.98, 11.19

 

CMYK 0 / 14 / 100 / 95

HEX #0E0C00

RGB 14 12 0

HSL 51.43, 1%, 0.03%

LAB 3.22, -1.07, 4.8

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 0 / 2 / 18 / 67

HEX #545245

RGB 84 82 69

HSL 52, 0.1%, 0.3%

LAB 34.7, -1.74, 7.93

 

CMYK 0 / 7 / 18 / 67

HEX #544E45

RGB 84 78 69

HSL 36, 0.1%, 0.3%

LAB 33.48, 0.73, 6.22

 

CMYK 0 / 12 / 18 / 67

HEX #544A45

RGB 84 74 69

HSL 20, 0.1%, 0.3%

LAB 32.28, 3.23, 4.51

 

CMYK 0 / 17 / 18 / 67

HEX #544645

RGB 84 70 69

HSL 4, 0.1%, 0.3%

LAB 31.1, 5.76, 2.81

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 7 / 0 / 18 / 67

HEX #4E5445

RGB 78 84 69

HSL 84, 0.1%, 0.3%

LAB 34.78, -5.52, 7.97

 

CMYK 12 / 0 / 18 / 67

HEX #4A5445

RGB 74 84 69

HSL 100, 0.1%, 0.3%

LAB 34.45, -7.19, 7.46

 

CMYK 17 / 0 / 18 / 67

HEX #465445

RGB 70 84 69

HSL 116, 0.1%, 0.3%

LAB 34.13, -8.83, 6.96

 

CMYK 18 / 0 / 14 / 67

HEX #455448

RGB 69 84 72

HSL 132, 0.1%, 0.3%

LAB 34.14, -8.59, 5.08

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 6 / 0 / 42 / 62

HEX #5B6138

RGB 91 97 56

HSL 68.78, 0.27%, 0.3%

LAB 39.68, -9.57, 22.58

 

CMYK 8 / 0 / 60 / 57

HEX #646D2C

RGB 100 109 44

HSL 68.31, 0.42%, 0.3%

LAB 43.99, -13.58, 34.47

 

CMYK 10 / 0 / 74 / 53

HEX #6D7920

RGB 109 121 32

HSL 68.09, 0.58%, 0.3%

LAB 48.3, -16.89, 44.67

 

CMYK 12 / 0 / 86 / 47

HEX #768613

RGB 118 134 19

HSL 68.35, 0.75%, 0.3%

LAB 52.89, -20.22, 53.36

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 10 / 11 / 0 / 68

HEX #494851

RGB 73 72 81

HSL 246.67, 0.06%, 0.3%

LAB 30.99, 2.47, -5.21

 

CMYK 32 / 37 / 0 / 63

HEX #403B5E

RGB 64 59 94

HSL 248.57, 0.23%, 0.3%

LAB 26.81, 11.18, -20.07

 

CMYK 48 / 56 / 0 / 58

HEX #372F6A

RGB 55 47 106

HSL 248.14, 0.39%, 0.3%

LAB 23.29, 20.38, -33.47

 

CMYK 61 / 70 / 0 / 54

HEX #2E2376

RGB 46 35 118

HSL 247.95, 0.54%, 0.3%

LAB 20.4, 30.4, -45.92

 

CMYK 0 / 7 / 18 / 67

HEX #544E45

RGB 84 78 69

HSL 36, 0.1%, 0.3%

LAB 33.48, 0.73, 6.22

 

CMYK 0 / 2 / 18 / 67

HEX #545245

RGB 84 82 69

HSL 52, 0.1%, 0.3%

LAB 34.7, -1.74, 7.93

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 7 / 0 / 18 / 67

HEX #4E5445

RGB 78 84 69

HSL 84, 0.1%, 0.3%

LAB 34.78, -5.52, 7.97

 

CMYK 12 / 0 / 18 / 67

HEX #4A5445

RGB 74 84 69

HSL 100, 0.1%, 0.3%

LAB 34.45, -7.19, 7.46

 

CMYK 3 / 0 / 18 / 85

HEX #262720

RGB 38 39 32

HSL 68.57, 0.1%, 0.14%

LAB 15.32, -2.06, 4.48

 

CMYK 2 / 0 / 18 / 76

HEX #3C3D32

RGB 60 61 50

HSL 65.45, 0.1%, 0.22%

LAB 25.35, -2.75, 6.65

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 3 / 0 / 19 / 58

HEX #686B57

RGB 104 107 87

HSL 69, 0.1%, 0.38%

LAB 44.44, -5, 10.84

 

CMYK 3 / 0 / 18 / 49

HEX #7E826A

RGB 126 130 106

HSL 70, 0.1%, 0.46%

LAB 53.43, -5.95, 12.51

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 18 / 0 / 12 / 67

HEX #45544A

RGB 69 84 74

HSL 140, 0.1%, 0.3%

LAB 34.19, -8.16, 3.9

 

CMYK 5 / 18 / 0 / 67

HEX #504554

RGB 80 69 84

HSL 284, 0.1%, 0.3%

LAB 30.88, 7.87, -7.22

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 18 / 2 / 0 / 67

HEX #455254

RGB 69 82 84

HSL 188, 0.1%, 0.3%

LAB 33.86, -4.61, -2.89

 

CMYK 0 / 18 / 2 / 67

HEX #544552

RGB 84 69 82

HSL 308, 0.1%, 0.3%

LAB 31.23, 9.02, -5.37

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 18 / 0 / 12 / 67

HEX #45544A

RGB 69 84 74

HSL 140, 0.1%, 0.3%

LAB 34.19, -8.16, 3.9

 

CMYK 15 / 18 / 0 / 67

HEX #474554

RGB 71 69 84

HSL 248, 0.1%, 0.3%

LAB 30, 4.36, -8.63

 

CMYK 0 / 18 / 6 / 67

HEX #54454F

RGB 84 69 79

HSL 320, 0.1%, 0.3%

LAB 31.13, 8.38, -3.59

 

CMYK 2 / 0 / 18 / 67

HEX #525445

RGB 82 84 69

HSL 68, 0.1%, 0.3%

LAB 35.13, -3.82, 8.51

 

CMYK 18 / 0 / 6 / 67

HEX #45544F

RGB 69 84 79

HSL 160, 0.1%, 0.3%

LAB 34.34, -7.02, 0.96

 

CMYK 15 / 18 / 0 / 67

HEX #474554

RGB 71 69 84

HSL 248, 0.1%, 0.3%

LAB 30, 4.36, -8.63

 

CMYK 0 / 18 / 12 / 67

HEX #54454A

RGB 84 69 74

HSL 340, 0.1%, 0.3%

LAB 30.96, 7.36, -0.61

 

Description

Color code: HEX #525445 | qconv.com Color code: HEX #525445 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 84 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 84 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 18 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 18% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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