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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524C6C it is the complementary color #ADB393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524C6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524C6C shade: #574C67, #685E7A, #79708D, #8A82A0 and #9B94B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524C6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524C6C shade: #524C6C, #413A59, #302846, #1F1633 and #0E0420

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524C6C shade: #524C6B, #5A4C6B, #634C6B, #6B4C6B and #6B4C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524C6C shade: #524C6B and #4C4C6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524C6C shade matches the following richer shades: #524C6B, #493D7A, #3F2E89, #362098 and #2D11A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524C6C shade: #524C6B, #5B5B5D, #656A4E, #6E793F and #778830

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524C6C shade: #4C576B, #4C4F6B, #524C6B, #5A4C6B and #634C6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524C6C shade: #2D2A3B, #403B53, #524C6B, #645D84 and #78709A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524C6C shade: #524C6C, #6B4C5F and #536B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524C6C shade: #524C6C, #6B524C and #4C6B52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524C6C shade: #524C6C, #6B4C5F, #666B4C and #4C6B58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524C6C shade: #524C6C, #6B4C56, #666B4C and #4C6B62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 30 / 0 / 58

HEX #524C6C

RGB 82 76 108

HSL 251.25, 0.17%, 0.36%

LAB 34.08, 10.1, -17.59

 

Complementary color

CMYK 3 / 0 / 18 / 30

HEX #ADB393

RGB 173 179 147

HSL 71.25, 0.17%, 0.64%

LAB 71.71, -7.73, 15.66

 

CMYK 16 / 26 / 0 / 60

HEX #574C67

RGB 87 76 103

HSL 264.44, 0.15%, 0.35%

LAB 34.34, 10.59, -14

 

CMYK 15 / 23 / 0 / 52

HEX #685E7A

RGB 104 94 122

HSL 261.43, 0.13%, 0.42%

LAB 41.77, 10.07, -14.27

 

CMYK 14 / 21 / 0 / 45

HEX #79708D

RGB 121 112 141

HSL 258.62, 0.11%, 0.5%

LAB 48.98, 9.62, -14.57

 

CMYK 14 / 19 / 0 / 37

HEX #8A82A0

RGB 138 130 160

HSL 256, 0.14%, 0.57%

LAB 55.99, 9.22, -14.89

 

CMYK 13 / 17 / 0 / 30

HEX #9B94B3

RGB 155 148 179

HSL 253.55, 0.17%, 0.64%

LAB 62.85, 8.86, -15.22

 

CMYK 24 / 30 / 0 / 58

HEX #524C6C

RGB 82 76 108

HSL 251.25, 0.17%, 0.36%

LAB 34.08, 10.1, -17.59

 

CMYK 27 / 35 / 0 / 65

HEX #413A59

RGB 65 58 89

HSL 253.55, 0.21%, 0.29%

LAB 26.36, 10.74, -17.5

 

CMYK 31 / 43 / 0 / 73

HEX #302846

RGB 48 40 70

HSL 256, 0.27%, 0.22%

LAB 18.31, 11.56, -17.5

 

CMYK 39 / 57 / 0 / 80

HEX #1F1633

RGB 31 22 51

HSL 258.62, 0.4%, 0.14%

LAB 9.83, 12.66, -17.62

 

CMYK 56 / 88 / 0 / 87

HEX #0E0420

RGB 14 4 32

HSL 261.43, 0.78%, 0.07%

LAB 2.57, 8.8, -14.79

 

CMYK 23 / 29 / 0 / 58

HEX #524C6B

RGB 82 76 107

HSL 251.61, 0.17%, 0.36%

LAB 34.03, 9.83, -17.03

 

CMYK 16 / 29 / 0 / 58

HEX #5A4C6B

RGB 90 76 107

HSL 267.1, 0.17%, 0.36%

LAB 34.81, 12.66, -15.77

 

CMYK 7 / 29 / 0 / 58

HEX #634C6B

RGB 99 76 107

HSL 284.52, 0.17%, 0.36%

LAB 35.76, 15.93, -14.23

 

CMYK 0 / 29 / 0 / 58

HEX #6B4C6B

RGB 107 76 107

HSL 300, 0.17%, 0.36%

LAB 36.66, 18.88, -12.77

 

CMYK 0 / 29 / 7 / 58

HEX #6B4C63

RGB 107 76 99

HSL 315.48, 0.17%, 0.36%

LAB 36.36, 17.24, -8.22

 

CMYK 23 / 29 / 0 / 58

HEX #524C6B

RGB 82 76 107

HSL 251.61, 0.17%, 0.36%

LAB 34.03, 9.83, -17.03

 

CMYK 29 / 29 / 0 / 58

HEX #4C4C6B

RGB 76 76 107

HSL 240, 0.17%, 0.36%

LAB 33.49, 7.77, -17.91

 

CMYK 23 / 29 / 0 / 58

HEX #524C6B

RGB 82 76 107

HSL 251.61, 0.17%, 0.36%

LAB 34.03, 9.83, -17.03

 

CMYK 40 / 50 / 0 / 52

HEX #493D7A

RGB 73 61 122

HSL 251.8, 0.33%, 0.36%

LAB 29.81, 21.02, -33.14

 

CMYK 54 / 66 / 0 / 46

HEX #3F2E89

RGB 63 46 137

HSL 251.21, 0.5%, 0.36%

LAB 26.21, 32.94, -48.38

 

CMYK 64 / 79 / 0 / 40

HEX #362098

RGB 54 32 152

HSL 251, 0.65%, 0.36%

LAB 23.95, 44.21, -61.39

 

CMYK 73 / 90 / 0 / 35

HEX #2D11A7

RGB 45 17 167

HSL 251.2, 0.82%, 0.36%

LAB 22.82, 54.11, -72.44

 

CMYK 23 / 29 / 0 / 58

HEX #524C6B

RGB 82 76 107

HSL 251.61, 0.17%, 0.36%

LAB 34.03, 9.83, -17.03

 

CMYK 2 / 2 / 0 / 64

HEX #5B5B5D

RGB 91 91 93

HSL 240, 0.01%, 0.36%

LAB 38.72, 0.43, -1.15

 

CMYK 5 / 0 / 26 / 58

HEX #656A4E

RGB 101 106 78

HSL 70.71, 0.15%, 0.36%

LAB 43.69, -7.18, 15.12

 

CMYK 9 / 0 / 48 / 53

HEX #6E793F

RGB 110 121 63

HSL 71.38, 0.32%, 0.36%

LAB 48.7, -13.77, 30.28

 

CMYK 13 / 0 / 65 / 47

HEX #778830

RGB 119 136 48

HSL 71.59, 0.48%, 0.36%

LAB 53.75, -19.25, 43.74

 

CMYK 29 / 19 / 0 / 58

HEX #4C576B

RGB 76 87 107

HSL 218.71, 0.17%, 0.36%

LAB 36.77, 0.8, -12.88

 

CMYK 29 / 26 / 0 / 58

HEX #4C4F6B

RGB 76 79 107

HSL 234.19, 0.17%, 0.36%

LAB 34.38, 5.85, -16.55

 

CMYK 23 / 29 / 0 / 58

HEX #524C6B

RGB 82 76 107

HSL 251.61, 0.17%, 0.36%

LAB 34.03, 9.83, -17.03

 

CMYK 16 / 29 / 0 / 58

HEX #5A4C6B

RGB 90 76 107

HSL 267.1, 0.17%, 0.36%

LAB 34.81, 12.66, -15.77

 

CMYK 7 / 29 / 0 / 58

HEX #634C6B

RGB 99 76 107

HSL 284.52, 0.17%, 0.36%

LAB 35.76, 15.93, -14.23

 

CMYK 24 / 29 / 0 / 77

HEX #2D2A3B

RGB 45 42 59

HSL 250.59, 0.17%, 0.2%

LAB 18.05, 5.78, -10.35

 

CMYK 23 / 29 / 0 / 67

HEX #403B53

RGB 64 59 83

HSL 252.5, 0.17%, 0.28%

LAB 26.28, 8.05, -13.71

 

CMYK 23 / 29 / 0 / 58

HEX #524C6B

RGB 82 76 107

HSL 251.61, 0.17%, 0.36%

LAB 34.03, 9.83, -17.03

 

CMYK 24 / 30 / 0 / 48

HEX #645D84

RGB 100 93 132

HSL 250.77, 0.17%, 0.44%

LAB 41.54, 11.8, -20.73

 

CMYK 22 / 27 / 0 / 40

HEX #78709A

RGB 120 112 154

HSL 251.43, 0.17%, 0.52%

LAB 49.39, 12.39, -21.61

 

CMYK 24 / 30 / 0 / 58

HEX #524C6C

RGB 82 76 108

HSL 251.25, 0.17%, 0.36%

LAB 34.08, 10.1, -17.59

 

CMYK 0 / 29 / 11 / 58

HEX #6B4C5F

RGB 107 76 95

HSL 323.23, 0.17%, 0.36%

LAB 36.22, 16.46, -5.92

 

CMYK 22 / 0 / 29 / 58

HEX #536B4C

RGB 83 107 76

HSL 106.45, 0.17%, 0.36%

LAB 42.58, -15.43, 14.56

 

CMYK 24 / 30 / 0 / 58

HEX #524C6C

RGB 82 76 108

HSL 251.25, 0.17%, 0.36%

LAB 34.08, 10.1, -17.59

 

CMYK 0 / 23 / 29 / 58

HEX #6B524C

RGB 107 82 76

HSL 11.61, 0.17%, 0.36%

LAB 37.27, 9.44, 7.52

 

CMYK 29 / 0 / 23 / 58

HEX #4C6B52

RGB 76 107 82

HSL 131.61, 0.17%, 0.36%

LAB 42.25, -16.92, 10.46

 

CMYK 24 / 30 / 0 / 58

HEX #524C6C

RGB 82 76 108

HSL 251.25, 0.17%, 0.36%

LAB 34.08, 10.1, -17.59

 

CMYK 0 / 29 / 11 / 58

HEX #6B4C5F

RGB 107 76 95

HSL 323.23, 0.17%, 0.36%

LAB 36.22, 16.46, -5.92

 

CMYK 5 / 0 / 29 / 58

HEX #666B4C

RGB 102 107 76

HSL 69.68, 0.17%, 0.36%

LAB 44.03, -7.65, 16.78

 

CMYK 29 / 0 / 18 / 58

HEX #4C6B58

RGB 76 107 88

HSL 143.23, 0.17%, 0.36%

LAB 42.39, -15.66, 7.06

 

CMYK 24 / 30 / 0 / 58

HEX #524C6C

RGB 82 76 108

HSL 251.25, 0.17%, 0.36%

LAB 34.08, 10.1, -17.59

 

CMYK 0 / 29 / 20 / 58

HEX #6B4C56

RGB 107 76 86

HSL 340.65, 0.17%, 0.36%

LAB 35.92, 14.8, -0.69

 

CMYK 5 / 0 / 29 / 58

HEX #666B4C

RGB 102 107 76

HSL 69.68, 0.17%, 0.36%

LAB 44.03, -7.65, 16.78

 

CMYK 29 / 0 / 8 / 58

HEX #4C6B62

RGB 76 107 98

HSL 162.58, 0.17%, 0.36%

LAB 42.66, -13.38, 1.41

 

Description

Color code: HEX #524C6C | qconv.com Color code: HEX #524C6C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 76 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 76 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 30 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 30% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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