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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524887 it is the complementary color #ADB778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524887 shade: #574882, #685A95, #796CA8, #8A7EBB and #9B90CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524887 shade: #524887, #413674, #302461, #1F124E and #0E003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524887 shade: #534988, #644988, #754988, #864988 and #884979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524887 shade: #534988 and #494988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524887 shade matches the following richer shades: #534988, #483899, #3C27AA, #3016BB and #2506CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524887 shade: #534988, #5F5A77, #6A6B66, #767C55 and #818D44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524887 shade: #496188, #495188, #534988, #634988 and #744988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524887 shade: #322C52, #433B6D, #534988, #6458A3 and #7B71B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524887 shade: #524887, #884972 and #598849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524887 shade: #524887, #885349 and #498853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524887 shade: #524887, #884972, #7F8849 and #49885F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524887 shade: #524887, #88495F, #7F8849 and #498872

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 47 / 0 / 47

HEX #524887

RGB 82 72 135

HSL 249.52, 0.3%, 0.41%

LAB 34.35, 20.35, -33.94

 

Complementary color

CMYK 5 / 0 / 34 / 28

HEX #ADB778

RGB 173 183 120

HSL 69.52, 0.3%, 0.59%

LAB 72.3, -13.7, 30.92

 

CMYK 33 / 45 / 0 / 49

HEX #574882

RGB 87 72 130

HSL 255.52, 0.29%, 0.4%

LAB 34.54, 20.34, -30.52

 

CMYK 30 / 40 / 0 / 42

HEX #685A95

RGB 104 90 149

HSL 254.24, 0.25%, 0.47%

LAB 41.88, 19.43, -30.42

 

CMYK 28 / 36 / 0 / 34

HEX #796CA8

RGB 121 108 168

HSL 253, 0.26%, 0.54%

LAB 49.03, 18.66, -30.37

 

CMYK 26 / 33 / 0 / 27

HEX #8A7EBB

RGB 138 126 187

HSL 251.8, 0.31%, 0.61%

LAB 56, 17.98, -30.38

 

CMYK 25 / 30 / 0 / 19

HEX #9B90CE

RGB 155 144 206

HSL 250.65, 0.39%, 0.69%

LAB 62.82, 17.38, -30.43

 

CMYK 39 / 47 / 0 / 47

HEX #524887

RGB 82 72 135

HSL 249.52, 0.3%, 0.41%

LAB 34.35, 20.35, -33.94

 

CMYK 44 / 53 / 0 / 55

HEX #413674

RGB 65 54 116

HSL 250.65, 0.36%, 0.33%

LAB 26.8, 21.56, -34.2

 

CMYK 51 / 63 / 0 / 62

HEX #302461

RGB 48 36 97

HSL 251.8, 0.46%, 0.26%

LAB 19.03, 23.05, -34.5

 

CMYK 60 / 77 / 0 / 69

HEX #1F124E

RGB 31 18 78

HSL 253, 0.63%, 0.19%

LAB 11.09, 24.77, -34.69

 

CMYK 76 / 100 / 0 / 77

HEX #0E003B

RGB 14 0 59

HSL 254.24, 1%, 0.12%

LAB 3.7, 23.58, -33.43

 

CMYK 39 / 46 / 0 / 47

HEX #534988

RGB 83 73 136

HSL 249.52, 0.3%, 0.41%

LAB 34.77, 20.28, -33.89

 

CMYK 26 / 46 / 0 / 47

HEX #644988

RGB 100 73 136

HSL 265.71, 0.3%, 0.41%

LAB 36.46, 25.26, -31.09

 

CMYK 14 / 46 / 0 / 47

HEX #754988

RGB 117 73 136

HSL 281.9, 0.3%, 0.41%

LAB 38.42, 30.51, -27.89

 

CMYK 1 / 46 / 0 / 47

HEX #864988

RGB 134 73 136

HSL 298.1, 0.3%, 0.41%

LAB 40.59, 35.88, -24.33

 

CMYK 0 / 46 / 11 / 47

HEX #884979

RGB 136 73 121

HSL 314.29, 0.3%, 0.41%

LAB 40.21, 33.71, -15.71

 

CMYK 39 / 46 / 0 / 47

HEX #534988

RGB 83 73 136

HSL 249.52, 0.3%, 0.41%

LAB 34.77, 20.28, -33.89

 

CMYK 46 / 46 / 0 / 47

HEX #494988

RGB 73 73 136

HSL 240, 0.3%, 0.41%

LAB 33.9, 17.57, -35.32

 

CMYK 39 / 46 / 0 / 47

HEX #534988

RGB 83 73 136

HSL 249.52, 0.3%, 0.41%

LAB 34.77, 20.28, -33.89

 

CMYK 53 / 63 / 0 / 40

HEX #483899

RGB 72 56 153

HSL 249.9, 0.46%, 0.41%

LAB 30.65, 33.65, -50.95

 

CMYK 65 / 77 / 0 / 33

HEX #3C27AA

RGB 60 39 170

HSL 249.62, 0.63%, 0.41%

LAB 27.61, 46.84, -66.28

 

CMYK 74 / 88 / 0 / 27

HEX #3016BB

RGB 48 22 187

HSL 249.45, 0.79%, 0.41%

LAB 26.13, 58.14, -78.93

 

CMYK 82 / 97 / 0 / 20

HEX #2506CC

RGB 37 6 204

HSL 249.39, 0.94%, 0.41%

LAB 26.4, 66.16, -88.51

 

CMYK 39 / 46 / 0 / 47

HEX #534988

RGB 83 73 136

HSL 249.52, 0.3%, 0.41%

LAB 34.77, 20.28, -33.89

 

CMYK 20 / 24 / 0 / 53

HEX #5F5A77

RGB 95 90 119

HSL 250.34, 0.14%, 0.41%

LAB 39.71, 8.63, -15.66

 

CMYK 1 / 0 / 5 / 58

HEX #6A6B66

RGB 106 107 102

HSL 72, 0.02%, 0.41%

LAB 45, -1.4, 2.66

 

CMYK 5 / 0 / 31 / 51

HEX #767C55

RGB 118 124 85

HSL 69.23, 0.19%, 0.41%

LAB 50.6, -9.16, 20.59

 

CMYK 9 / 0 / 52 / 45

HEX #818D44

RGB 129 141 68

HSL 69.86, 0.35%, 0.41%

LAB 56.22, -15.79, 37.1

 

CMYK 46 / 29 / 0 / 47

HEX #496188

RGB 73 97 136

HSL 217.14, 0.3%, 0.41%

LAB 40.81, 2.21, -24.45

 

CMYK 46 / 40 / 0 / 47

HEX #495188

RGB 73 81 136

HSL 232.38, 0.3%, 0.41%

LAB 36.14, 12.37, -31.77

 

CMYK 39 / 46 / 0 / 47

HEX #534988

RGB 83 73 136

HSL 249.52, 0.3%, 0.41%

LAB 34.77, 20.28, -33.89

 

CMYK 27 / 46 / 0 / 47

HEX #634988

RGB 99 73 136

HSL 264.76, 0.3%, 0.41%

LAB 36.36, 24.96, -31.27

 

CMYK 15 / 46 / 0 / 47

HEX #744988

RGB 116 73 136

HSL 280.95, 0.3%, 0.41%

LAB 38.3, 30.2, -28.08

 

CMYK 39 / 46 / 0 / 68

HEX #322C52

RGB 50 44 82

HSL 249.47, 0.3%, 0.25%

LAB 20.4, 13.17, -22.33

 

CMYK 39 / 46 / 0 / 57

HEX #433B6D

RGB 67 59 109

HSL 249.6, 0.3%, 0.33%

LAB 27.91, 16.63, -27.96

 

CMYK 39 / 46 / 0 / 47

HEX #534988

RGB 83 73 136

HSL 249.52, 0.3%, 0.41%

LAB 34.77, 20.28, -33.89

 

CMYK 39 / 46 / 0 / 36

HEX #6458A3

RGB 100 88 163

HSL 249.6, 0.3%, 0.49%

LAB 41.74, 23.44, -39.03

 

CMYK 31 / 37 / 0 / 30

HEX #7B71B3

RGB 123 113 179

HSL 249.09, 0.3%, 0.57%

LAB 51.01, 19.14, -33.66

 

CMYK 39 / 47 / 0 / 47

HEX #524887

RGB 82 72 135

HSL 249.52, 0.3%, 0.41%

LAB 34.35, 20.35, -33.94

 

CMYK 0 / 46 / 16 / 47

HEX #884972

RGB 136 73 114

HSL 320.95, 0.3%, 0.41%

LAB 39.94, 32.48, -11.8

 

CMYK 35 / 0 / 46 / 47

HEX #598849

RGB 89 136 73

HSL 104.76, 0.3%, 0.41%

LAB 52.08, -28.59, 28.79

 

CMYK 39 / 47 / 0 / 47

HEX #524887

RGB 82 72 135

HSL 249.52, 0.3%, 0.41%

LAB 34.35, 20.35, -33.94

 

CMYK 0 / 39 / 46 / 47

HEX #885349

RGB 136 83 73

HSL 9.52, 0.3%, 0.41%

LAB 41.06, 20.91, 15.18

 

CMYK 46 / 0 / 39 / 47

HEX #498853

RGB 73 136 83

HSL 129.52, 0.3%, 0.41%

LAB 51.44, -32.32, 22.33

 

CMYK 39 / 47 / 0 / 47

HEX #524887

RGB 82 72 135

HSL 249.52, 0.3%, 0.41%

LAB 34.35, 20.35, -33.94

 

CMYK 0 / 46 / 16 / 47

HEX #884972

RGB 136 73 114

HSL 320.95, 0.3%, 0.41%

LAB 39.94, 32.48, -11.8

 

CMYK 7 / 0 / 46 / 47

HEX #7F8849

RGB 127 136 73

HSL 68.57, 0.3%, 0.41%

LAB 54.66, -13.45, 32.57

 

CMYK 46 / 0 / 30 / 47

HEX #49885F

RGB 73 136 95

HSL 140.95, 0.3%, 0.41%

LAB 51.67, -30.04, 15.87

 

CMYK 39 / 47 / 0 / 47

HEX #524887

RGB 82 72 135

HSL 249.52, 0.3%, 0.41%

LAB 34.35, 20.35, -33.94

 

CMYK 0 / 46 / 30 / 47

HEX #88495F

RGB 136 73 95

HSL 339.05, 0.3%, 0.41%

LAB 39.29, 29.49, -0.96

 

CMYK 7 / 0 / 46 / 47

HEX #7F8849

RGB 127 136 73

HSL 68.57, 0.3%, 0.41%

LAB 54.66, -13.45, 32.57

 

CMYK 46 / 0 / 16 / 47

HEX #498872

RGB 73 136 114

HSL 159.05, 0.3%, 0.41%

LAB 52.11, -25.85, 5.55

 

Description

Color code: HEX #524887 | qconv.com Color code: HEX #524887 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 72 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 72 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 47 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 47% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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