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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #523F2D it is the complementary color #ADC0D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #523F2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #523F2D shade: #573F28, #68513B, #79634E, #8A7561 and #9B8774

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #523F2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #523F2D shade: #523F2D, #412D1A, #301B07, #1F0900 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #523F2D shade: #523F2D, #52352D and #522D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #523F2D shade: #523F2D, #52492D, #51522D, #47522D and #3D522D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #523F2D shade matches the following richer shades: #523F2D, #5D3F23, #673F19, #713E0E and #7B3E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #523F2D shade: #523F2D, #484038, #3E4042, #33404C and #294057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #523F2D shade: #522D2F, #52352D, #523F2D, #52492D and #52522D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #523F2D shade: #1D1610, #382B1F, #523F2D, #6D543C and #87684B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #523F2D shade: #523F2D, #39522D and #302D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #523F2D shade: #523F2D, #2D523F and #3F2D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #523F2D shade: #523F2D, #39522D, #2D4052 and #472D52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #523F2D shade: #523F2D, #2E522D, #2D4052 and #522D52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

Complementary color

CMYK 18 / 9 / 0 / 18

HEX #ADC0D2

RGB 173 192 210

HSL 209.19, 0.29%, 0.75%

LAB 76.82, -2.71, -11.21

 

CMYK 0 / 28 / 54 / 66

HEX #573F28

RGB 87 63 40

HSL 29.36, 0.37%, 0.25%

LAB 28.73, 7.28, 18.14

 

CMYK 0 / 22 / 43 / 59

HEX #68513B

RGB 104 81 59

HSL 29.33, 0.28%, 0.32%

LAB 36.26, 6.3, 16.6

 

CMYK 0 / 18 / 36 / 53

HEX #79634E

RGB 121 99 78

HSL 29.3, 0.22%, 0.39%

LAB 43.56, 5.56, 15.26

 

CMYK 0 / 15 / 30 / 46

HEX #8A7561

RGB 138 117 97

HSL 29.27, 0.17%, 0.46%

LAB 50.67, 4.97, 14.08

 

CMYK 0 / 13 / 25 / 39

HEX #9B8774

RGB 155 135 116

HSL 29.23, 0.16%, 0.53%

LAB 57.61, 4.47, 13

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 31 / 60 / 75

HEX #412D1A

RGB 65 45 26

HSL 29.23, 0.43%, 0.18%

LAB 20.34, 6.55, 15.84

 

CMYK 0 / 44 / 85 / 81

HEX #301B07

RGB 48 27 7

HSL 29.27, 0.75%, 0.11%

LAB 12.14, 8.15, 15.36

 

CMYK 0 / 71 / 100 / 88

HEX #1F0900

RGB 31 9 0

HSL 17.42, 1%, 0.06%

LAB 4.4, 8.2, 6.74

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 35 / 45 / 68

HEX #52352D

RGB 82 53 45

HSL 12.97, 0.29%, 0.25%

LAB 25.35, 11.9, 10.34

 

CMYK 0 / 45 / 45 / 68

HEX #522D2D

RGB 82 45 45

HSL 0, 0.29%, 0.25%

LAB 23.2, 17, 7.39

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 11 / 45 / 68

HEX #52492D

RGB 82 73 45

HSL 45.41, 0.29%, 0.25%

LAB 31.23, -0.83, 18.13

 

CMYK 1 / 0 / 45 / 68

HEX #51522D

RGB 81 82 45

HSL 61.62, 0.29%, 0.25%

LAB 33.93, -6.78, 21.54

 

CMYK 13 / 0 / 45 / 68

HEX #47522D

RGB 71 82 45

HSL 77.84, 0.29%, 0.25%

LAB 33.06, -11.38, 20.26

 

CMYK 26 / 0 / 45 / 68

HEX #3D522D

RGB 61 82 45

HSL 94.05, 0.29%, 0.25%

LAB 32.29, -15.77, 19.13

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 32 / 62 / 64

HEX #5D3F23

RGB 93 63 35

HSL 28.97, 0.45%, 0.25%

LAB 29.42, 9.68, 22.23

 

CMYK 0 / 39 / 76 / 60

HEX #673F19

RGB 103 63 25

HSL 29.23, 0.61%, 0.25%

LAB 30.66, 13.77, 29.71

 

CMYK 0 / 45 / 88 / 56

HEX #713E0E

RGB 113 62 14

HSL 29.09, 0.78%, 0.25%

LAB 31.78, 18.63, 36.55

 

CMYK 0 / 50 / 97 / 52

HEX #7B3E04

RGB 123 62 4

HSL 29.24, 0.94%, 0.25%

LAB 33.28, 22.96, 42.09

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 11 / 22 / 72

HEX #484038

RGB 72 64 56

HSL 30, 0.13%, 0.25%

LAB 27.66, 1.88, 6.14

 

CMYK 6 / 3 / 0 / 74

HEX #3E4042

RGB 62 64 66

HSL 210, 0.03%, 0.25%

LAB 26.97, -0.37, -1.51

 

CMYK 33 / 16 / 0 / 70

HEX #33404C

RGB 51 64 76

HSL 208.8, 0.2%, 0.25%

LAB 26.43, -1.95, -9

 

CMYK 53 / 26 / 0 / 66

HEX #294057

RGB 41 64 87

HSL 210, 0.36%, 0.25%

LAB 26.23, -1.59, -16.55

 

CMYK 0 / 45 / 43 / 68

HEX #522D2F

RGB 82 45 47

HSL 356.76, 0.29%, 0.25%

LAB 23.26, 17.27, 6.11

 

CMYK 0 / 35 / 45 / 68

HEX #52352D

RGB 82 53 45

HSL 12.97, 0.29%, 0.25%

LAB 25.35, 11.9, 10.34

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 11 / 45 / 68

HEX #52492D

RGB 82 73 45

HSL 45.41, 0.29%, 0.25%

LAB 31.23, -0.83, 18.13

 

CMYK 0 / 0 / 45 / 68

HEX #52522D

RGB 82 82 45

HSL 60, 0.29%, 0.25%

LAB 34.02, -6.31, 21.68

 

CMYK 0 / 24 / 45 / 89

HEX #1D1610

RGB 29 22 16

HSL 27.69, 0.29%, 0.09%

LAB 7.88, 2.34, 4.84

 

CMYK 0 / 23 / 45 / 78

HEX #382B1F

RGB 56 43 31

HSL 28.8, 0.29%, 0.17%

LAB 18.66, 3.96, 10.1

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 0 / 23 / 45 / 57

HEX #6D543C

RGB 109 84 60

HSL 29.39, 0.29%, 0.33%

LAB 37.7, 6.88, 17.99

 

CMYK 0 / 23 / 44 / 47

HEX #87684B

RGB 135 104 75

HSL 29, 0.29%, 0.41%

LAB 46.39, 8.36, 21.08

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 30 / 0 / 45 / 68

HEX #39522D

RGB 57 82 45

HSL 100.54, 0.29%, 0.25%

LAB 32.02, -17.43, 18.73

 

CMYK 41 / 45 / 0 / 68

HEX #302D52

RGB 48 45 82

HSL 244.86, 0.29%, 0.25%

LAB 20.5, 11.84, -22.18

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 45 / 0 / 23 / 68

HEX #2D523F

RGB 45 82 63

HSL 149.19, 0.29%, 0.25%

LAB 31.7, -18.28, 7.06

 

CMYK 23 / 45 / 0 / 68

HEX #3F2D52

RGB 63 45 82

HSL 269.19, 0.29%, 0.25%

LAB 22.1, 16.82, -19.55

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 30 / 0 / 45 / 68

HEX #39522D

RGB 57 82 45

HSL 100.54, 0.29%, 0.25%

LAB 32.02, -17.43, 18.73

 

CMYK 45 / 22 / 0 / 68

HEX #2D4052

RGB 45 64 82

HSL 209.19, 0.29%, 0.25%

LAB 26.26, -2.08, -13.23

 

CMYK 13 / 45 / 0 / 68

HEX #472D52

RGB 71 45 82

HSL 282.16, 0.29%, 0.25%

LAB 23.09, 19.62, -17.93

 

CMYK 0 / 23 / 45 / 68

HEX #523F2D

RGB 82 63 45

HSL 29.19, 0.29%, 0.25%

LAB 28.22, 5.48, 14.2

 

CMYK 44 / 0 / 45 / 68

HEX #2E522D

RGB 46 82 45

HSL 118.38, 0.29%, 0.25%

LAB 31.36, -21.69, 17.74

 

CMYK 45 / 22 / 0 / 68

HEX #2D4052

RGB 45 64 82

HSL 209.19, 0.29%, 0.25%

LAB 26.26, -2.08, -13.23

 

CMYK 0 / 45 / 0 / 68

HEX #522D52

RGB 82 45 82

HSL 300, 0.29%, 0.25%

LAB 24.58, 23.54, -15.5

 

Description

Color code: HEX #523F2D | qconv.com Color code: HEX #523F2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 63 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 63 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 45 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 45% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - 仕出し・ロケ・会議・接待用のお弁当総合サ...
Link: http://www.kurumesi-bentou.com

27% - 百齡罈‧真世界
Link: http://www.b-true.com.tw

72% - Будем в топе | SMM П...
Link: http://budemvtope.com

22% - Tomas Luis de Victor...
Link: http://www.tomasluisvictoria.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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